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Stop Looking FOR Problems if You Want to GROW! - #1 Hollywood Director Judd Apatow

What does rejection feel like to you? Today, Jay sits down with legendary filmmaker and comedian Judd Apatow, known for shaping modern comedy with films like The 40-Year-Old Virgin and Knocked Up. Judd opens up about the struggles behind the success, sharing how self-doubt, early failures, and rejection shaped him into the storyteller he is today. Judd talks about the risks he took, the creative experiments that didn’t work, and how those “failures” became stepping stones toward lasting impact. He reveals how therapy, mindfulness, and even family dynamics have influenced his work, and why the most meaningful measure of success is not box office numbers, but whether your work truly connects with people. In this interview, you'll learn: How to Find Your Creative Voice How to Balance Ambition with Presence How to Use Mentorship to Grow How to Push Through Self-Doubt How to Create With Authenticity How to Learn From Rejection How to Protect Your Flow State What We Discuss: 00:00 Intro 01:26 What Made You Laugh Out Loud? 04:12 Raising Children Without Pressure 07:16 Never Limiting a Child’s Potential 08:27 The Most Memorable Interview 10:00 Discovering a Personal Path 10:46 From Fan to Friend 12:16 Running a Show Together 14:43 Growing with Creative Peers 16:54 Why Failure Leads to Success 18:56 The Power of Putting Yourself Out There 21:23 Why Success Takes Time 24:17 Creating Something Original 27:56 A Sliding Doors Moment 29:10 Realizing the Power of Choice 31:17 Becoming Part of Another’s Success 32:35 Confronting Creative Blocks 35:01 Inside a Storyteller’s Mind 36:29 Choosing to Be Part of the Solution 38:56 Taking Creative Risks 41:29 Silencing the Inner Critic 44:24 The Real Formula for Comedy 48:20 The Pitfalls of Mocking Others 49:37 The Promise and Peril of AI 52:35 Letting Go of a Problem-Seeking Mind 55:08 Projecting Childhood Trauma at Work 58:42 Separating Emotions from the Work 01:01:05 Choosing the Right Collaborators 01:03:54 Learning to Lighten Up 01:06:23 What Leads to True Success 01:08:26 The Most Impactful Self-Help Books 01:14:03 The Pain Behind Comedy 01:18:09 Defining True Happiness 01:22:33 Exploring an Ayahuasca Experience 01:24:18 The Secret to a Lasting Marriage 01:28:05 Lessons to Share with Children 01:30:07 Being Direct Yet Constructive 01:31:48 Finding Drama in Good People 01:34:07 Why Mentorship Matters 01:38:09 Judd on Final Five Episode Resources: https://www.juddapatow.com/ https://www.instagram.com/juddapatow https://www.facebook.com/juddapatowofficial/ https://www.amazon.com/Comedy-Nerd-Lifelong-Obsession-Pictures/dp/0593595939 https://www.instagram.com/jayshetty https://www.facebook.com/jayshetty/ https://x.com/jayshetty https://www.linkedin.com/in/shettyjay/ https://www.youtube.com/@JayShettyPodcast http://jayshetty.me

Jay Shettyhost
Oct 15, 20251h 47mWatch on YouTube ↗

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  1. 0:001:26

    Intro

    1. SP

      I had to look at the failure as the path to success. I thought, "Well, every joke that doesn't get a laugh is teaching me what not to do."

    2. JS

      Sometimes we wait for the result to make us believe that we're worthy.

    3. SP

      Yeah.

    4. JS

      But there's a moment that I think when you do what you love, you're like, "Oh, no, I can do this."

    5. SP

      Mm-hmm.

    6. JS

      It's just a matter of time before people kind of figure it out.

    7. SP

      The number one health and wellness podcast.

    8. SP

      Jay Shetty.

    9. SP

      Jay Shetty.

    10. SP

      The one, the only Jay Shetty.

    11. JS

      Hey, everyone. Welcome back to On Purpose, the place you come to listen, learn, and grow. Today on On Purpose, I welcome a true icon, Judd Apatow, one of the most influential storytellers in modern comedy and the filmmaker behind, just to name a few, The 40-Year-Old Virgin, Knocked Up, and Funny People. Together, we explore how to tap into your creativity, push through self-doubt, use humor to get through tough moments, and build the kind of resilience that lasts in both life and work. We'll be diving into Judd's newest book, Comedy Nerd, a visual memoir of his life and career. This book is epic, honestly.

    12. SP

      [laughs]

    13. JS

      I've been, uh, flicking through it and taking moments out that I want to talk about today for the past couple of weeks, and I can't wait for you to grab it. Please welcome to On Purpose Judd Apatow. Judd, it's great to have you here.

    14. SP

      It's great to be here.

    15. JS

      Truly, thank you so much for being here. I'm, I'm, like, I'm so fascinated by your career, your life, and I feel like there's so many directions with which we can go, and that's my favorite-

    16. SP

      Yeah

    17. JS

      ... kind of person to sit down

  2. 1:264:12

    What Made You Laugh Out Loud?

    1. JS

      with.

    2. SP

      [laughs]

    3. JS

      But the first thing I want to ask is, you have a book called Comedy Nerd.

    4. SP

      Yes.

    5. JS

      You've made people laugh for decades.

    6. SP

      Mm-hmm.

    7. JS

      What was the last thing that made you laugh out loud?

    8. SP

      Uh, there's a TV show on Hulu called Such Brave Girls.

    9. JS

      Oh, I've not seen it. Okay.

    10. SP

      I, I just, I, I'll just recommend that to everybody. It's just-

    11. JS

      You didn't make this show. There's no-

    12. SP

      I, I have nothing to do with it other than, uh, my daughter Maud said to me, "I think I've seen the funniest thing ever." And then we watched it together, and we went, "Yeah."

    13. JS

      [laughs]

    14. SP

      That's, that's about it. And, and I've been catching up on The Righteous Gemstones, which I, which I was behind on.

    15. JS

      Okay.

    16. SP

      That's been fun.

    17. JS

      I've not seen that either.

    18. SP

      You got two good ones there.

    19. JS

      Great two recommendations. I love that. I, I feel like you and your family just have such a sweet, fun relationship. Are you always watching shows together and-

    20. SP

      Yes

    21. JS

      ... connecting and recommending? What does that look like?

    22. SP

      Yeah, I, I mean, when they're young, you're just, you know, watching The Iron Giant 800 times in a row-

    23. JS

      [laughs]

    24. SP

      ... with them or, or Toy Story. And then at some point you go, "I wonder if they could enjoy the Blues Brothers."

    25. JS

      Yeah. [laughs]

    26. SP

      And you try to slip, you know, some Caddyshack or Ghostbusters in there, and, and maybe a third of them they like.

    27. JS

      Yeah.

    28. SP

      Like, you kinda can't get them to love the stuff that you love.

    29. JS

      Yeah, yeah.

    30. SP

      But then every once in a while, I'll, you know... When they were young, I'd walk by their room, and they're, like, watching Anchorman or something.

  3. 4:127:16

    Raising Children Without Pressure

    1. JS

      parents struggle with that. Obviously, we all wanna be liked.

    2. SP

      Yeah.

    3. JS

      You wanna be liked by your kid.

    4. SP

      Yes. [laughs]

    5. JS

      And this is the person you love more than anything else in the world, but for years they don't love you. Like, I always say, like-

    6. SP

      [laughs]

    7. JS

      ... I feel like I was grateful to my parents when I was, like, 21.

    8. SP

      Mm-hmm, yeah.

    9. JS

      Like, it took all those years for me to turn around and be like-

    10. SP

      Yeah

    11. JS

      ... "Thank you, Mom and Da..." Like, in a deep, sincere way.

    12. SP

      Yeah.

    13. JS

      I may have said it before then. How did you deal with that? Like, it seems like you have a really great relationship with your kids, and how, how did you get over that hump of not them seeing you as cool and funny and all the rest of it when you'd achieved so much?

    14. SP

      Well, I think that they, uh, you know, I think we all got a kick out of each other.

    15. JS

      Yeah.

    16. SP

      Like, we always thought that they were really funny-

    17. JS

      [laughs]

    18. SP

      ... and we enjoyed their personalities. And so even when, you know, you go through the rough middle school years, uh, you know, we're still having fun most of the time.

    19. JS

      Yeah.

    20. SP

      And but I also think, like, we're, we're, like, the kind of parents who are like, "You know, don't go to college then. Leave me alone."

    21. JS

      [laughs]

    22. SP

      Like, we weren't, like, the pressure parents.

    23. JS

      Yeah.

    24. SP

      You know? We were trying our best to, uh, to say, "You know, just figure out what you wanna do."

    25. JS

      Mm-hmm.

    26. SP

      "And, you know, you know, chase your passion." And that, that's the main thing I realized later, which is people are always obsessing on grades or discipline, but the thing you're really hoping your kids have is some sort of fire to chase a dream.

    27. JS

      Yes.

    28. SP

      And I had never thought about that before. Oh, I need my kids to have some ambition, some energy to take a risk and go after something. And so, you know, wh- when I saw that both of them did, you know, that was a great, great relief.

    29. JS

      Yeah. How were you in school? Did you get good grades?

    30. SP

      I was, like, a very mediocre, [laughs] mediocre student. I went to school on Long Island, and they used to do this thing where they would test you, I guess, like, in sixth grade, and they would decide how smart you were, basically. And they would put you in track one, which was the smartest.

  4. 7:168:27

    Never Limiting a Child’s Potential

    1. JS

      with any of your, like, school or high school teachers or anyone else who taught you and you had any interactions with back then that you remember now? Have you-

    2. SP

      Well, you know, the, the, the man, uh, who ran the, the, uh, media program and the high school radio station that I used to interview comedians at was named Jack DeMasi, and we're still good friends. And he, you know, he was the first person to say to all of us, you know, "Treat this radio station like it's real and just, you know, use, use it." And so we would, like, call up and try to figure out how to get free tickets and free books and, and ca-

    3. JS

      Live on-

    4. SP

      Yeah. We would just, like, use it. You know, people were interviewing politicians and sports people. My friend was interviewing bands like R.E.M. And, and then one day my friend was like, "You should try to interview comics," 'cause he knew I was into it. And then one day I got an interview with Steve Allen, and then I got an interview with Howard Stern and Sandra Bernhard. And, and that became how I educated myself about comedies. I did 50 interviews in high school-

    5. JS

      Hmm

    6. SP

      ... uh, with, like, Seinfeld and Leno. And as I look back now, I go, it helped. Like-

    7. JS

      Boy

    8. SP

      ... they did give me good information. And most importantly, they were nice to me, which I, I think made me feel safe trying to get in the business-

    9. JS

      Hmm

    10. SP

      ... because I thought, "Oh, there's people like that-

    11. JS

      Yes

    12. SP

      ... in there."

    13. JS

      Yes. Yeah.

  5. 8:2710:00

    The Most Memorable Interview

    1. JS

      What was the most memorable interview that you remember for yourself at that time? 'Cause you were 15 years old.

    2. SP

      Yeah. Yeah, I was 15, 16 years old.

    3. JS

      Yeah. Yeah.

    4. SP

      I mean, yeah, Martin Short I interviewed when he was promoting SCTV, and he was just so funny. I was always amazed when anyone would try to make me laugh, 'cause I was just a kid.

    5. JS

      Yeah.

    6. SP

      And I just thought, "Wow, this is the nicest person in the world. They're, like, really, like, going for it with me." You know, some people would seem like, "Oh, no, this is a kid. I don't..." [laughs] I didn't want to do this.

    7. JS

      Yeah, yeah.

    8. SP

      And they'd be, like, fine, but a few people would be really funny. Jerry Seinfeld was hilarious and talked to me about how to write jokes and gave me examples of jokes he was working on.

    9. JS

      Wow.

    10. SP

      And, uh, and that all, you know, s- you know, stayed with me forever.

    11. JS

      Yeah. It's so subtle, I feel like, in those years, the things that you re-

    12. SP

      Yeah

    13. JS

      ... learn and the people that you're around. And I, I, I wish everyone got work experience like that. I mean, that sounds amazing.

    14. SP

      Well, it was also a lesson in how to treat people.

    15. JS

      Yes.

    16. SP

      Because, you know, I was just a young person, and I would go in to talk to someone. And, you know, for someone like Jerry Seinfeld to s- to say, "I'm gonna sit with you for 45 minutes and really take all your questions, uh, and seriously and thoughtfully."

    17. JS

      Yeah.

    18. SP

      And that was a big deal.

    19. JS

      Yeah. It's such an amazing experience and entryway into the industry, too, like you said, that, "Oh, if I become like these people-

    20. SP

      Yeah

    21. JS

      ... then I can still be a good person and a nice person."

    22. SP

      Yeah. Yeah, and, and I didn't realize that till, like, a few years ago.

    23. JS

      Yeah.

    24. SP

      Like, oh, that was a big thing about how I try to handle myself in the business, was I saw these people like Harold Ramis, and they, they were just so kind and funny that I just thought that, oh, that's the vibration you wanna

  6. 10:0010:46

    Discovering a Personal Path

    1. SP

      go for.

    2. JS

      Yeah. Do you... Did you ever worry about it? I feel like everyone has so many thoughts on the industry. Did you ever have a negative idea of the industry or worry or fear that it would change you or make you different or in any way change your path?

    3. SP

      I was just really excited by it. I think as a kid in the '70s and '80s, just variety TV, Bob Hope and Saturday Night Live and Richard Pryor, it seemed so exciting. And I also thought, there's not that many people in comedy.

    4. JS

      Hmm.

    5. SP

      You know, back then it really felt like all of comedy was 100 people.

    6. JS

      Mm-hmm.

    7. SP

      So for some reason I thought, "I can get in there. I think I can get a [laughs] job in there."

    8. JS

      Yeah, yeah.

    9. SP

      And so I, I really was just determined to figure out how... you know, what is the path? You know, how do, how do you do it?

    10. JS

      Yeah. I, I heard an interview

  7. 10:4612:16

    From Fan to Friend

    1. JS

      where you were talking about how you almost grew up in comedy with all these amazing other people that are all icons in their own right as well-

    2. SP

      Yeah

    3. JS

      ... like Jim Carrey and Adam Sandler. And you were almost like, you were like, "We all grew up with our friends in our career."

    4. SP

      Mm-hmm.

    5. JS

      And I was thinking, what was it that allowed you all to be friends and not competitors and not see each other as your arch rivals or your arch nemesis [laughs] in that sense-

    6. SP

      Yeah

    7. JS

      ... and actually say, "Oh, no." You, you, you said in that interview, you were like, "I saw, saw them as friends." And I was like-

    8. SP

      Yeah

    9. JS

      ... wow, that's, that's special. It's unique.

    10. SP

      I think it's different for everyone. Like, for me, I just thought, "I can't compete with Jim Carrey." [laughs]

    11. JS

      [laughs]

    12. SP

      "I can't compete with Adam Sandler." I had an awareness that these were very special people. I mean, they were, you know, great friends and, and remain and, and are so nice. But back then, just as a fan, even when I was, you know, around Adam or Jim, I always thought, "Oh, that's the guy. That's gonna be the guy," you know? Like, it was like hanging out with Charlie Chaplin or something. And, and it just turned out to be true that they were the people who were gonna change everything.

    13. JS

      Hmm.

    14. SP

      And so I never felt competitive. I f- I, sometimes I was depressed.

    15. JS

      [laughs]

    16. SP

      Like I had lost the competition. [laughs]

    17. JS

      [laughs]

    18. SP

      That's what really, what I thought was, "Oh, wow, I'm not built like that."

    19. JS

      Yeah.

    20. SP

      You know, if you're around Jim Carrey, you're like, "Yeah, I can't do that."

    21. JS

      [laughs]

    22. SP

      I can't think that. I mean, I used to, you know, help him at writing jokes and punching up scripts and stuff, so that felt like the greatest thing ever, that, that he trusted me enough to be a part of his creativity in any way.

    23. JS

      Wow. Well, that's,

  8. 12:1614:43

    Running a Show Together

    1. JS

      well, that's a great point, too. Like, I was looking at it from the other angle, but I love, I love the lens you took it through, which is... Then how did you, how did you maintain your motivation and your drive when you're looking around and you're thinking, "God, this guy's ahead of me. This guy's gonna be the next big thing."

    2. SP

      Yeah.

    3. JS

      "Who am I?" How did you channel that feeling that could lead to depression and giving up to actually going, "Well, no, I, I still have something to say"?

    4. SP

      I think I just thought something's gonna, something's gonna happen. [laughs]

    5. JS

      [laughs]

    6. SP

      I don't know what it is. I started out as a comedian, and I was studying screenwriting, and I didn't really have a vision of if I was gonna be an actor. I wanted to be a c- a comedian. I didn't, I didn't really think that much about being a director. I thought about being a writer a little bit. And everyone was jockeying to break in, and suddenly Jim Carrey was on In Living Color, and then Adam got Saturday Night Live. And I was beginning to write some HBO specials. I wrote for Tom Arnold, and Roseanne was one of my first gigs. And then I met Ben Stiller, and we created a sketch show, The Ben Stiller Show, together, and suddenly that was happening. And out of some weird fluke, even though I was very young, we both ran the show, which was weird.

    7. JS

      Mm.

    8. SP

      We, we didn't really climb the ladder. We got a show on, on the Fox network, and so I was just trying to not screw it up.

    9. JS

      [laughs]

    10. SP

      Like, how do... And Ben was a genius, so I was watching what he was doing and trying to figure out how I could help him run the show and, and not ruin this opportunity. And, you know, it got canceled after 12 episodes. [laughs]

    11. JS

      [laughs]

    12. SP

      But, you know, we won an Emmy six months later.

    13. JS

      Wow.

    14. SP

      And so it became this interesting-

    15. JS

      How did it cancel and win an Emmy?

    16. SP

      It, it was a funny thing because I think comedy people really liked it. It was on at 7:30 against 60 Minutes. It was a very weird time slot, and Ben was really trying a lot of new things in comedy. You know, Bob Odenkirk and, and Andy Dick and Jane Garofalo were on the show. And s- so we, we knew this, the, the, the head of the network didn't like it, and so the whole time we were like, "Oh, this isn't gonna last long."

    17. JS

      Mm.

    18. SP

      And six months later, we won an Emmy, and then people categorized us as, uh, people who were doing something interesting.

    19. JS

      Right.

    20. SP

      Almost like an alternative rock band.

    21. JS

      Mm-hmm.

    22. SP

      Like we were The Replacements or something.

    23. JS

      [laughs]

    24. SP

      And I thought, "Well, that's pretty cool to be a failure who came-"

    25. JS

      Yeah, to be a rebel and like...

    26. SP

      Yeah, yeah, to not get ratings.

    27. JS

      Yeah.

    28. SP

      But, but certain people that I respect think what we did was great.

    29. JS

      Yeah.

    30. SP

      And so that kept me going for a while.

  9. 14:4316:54

    Growing with Creative Peers

    1. JS

      I remember reading Bob Iger's book, and he talked about how Steven Spielberg, Tarantino, George Lucas, that they would all premiere their movies to each other-

    2. SP

      Mm

    3. JS

      ... and ask for feedback.

    4. SP

      Yeah.

    5. JS

      And when I read that, I was like, "Wow." And, and he goes on to talk about how they were so confident in their own style-

    6. SP

      Yeah

    7. JS

      ... and they so trusted that every person had their own style that they never felt someone was gonna-

    8. SP

      Mm

    9. JS

      ... steal something or take something off each other. And I thought, "Wow, that's an incredible, incredible..." And these, they're all young at this age.

    10. SP

      Yeah.

    11. JS

      It's not like they're... You know, they're adults, but they're not mature people with wisdom. And for them to have that at that point, and it sounds like you all had the same, where you're helping each other with jokes.

    12. SP

      Mm.

    13. JS

      You're building shows together.

    14. SP

      Yeah.

    15. JS

      You're running together. Like, it almost feels like the comedy version of that.

    16. SP

      Yeah.

    17. JS

      If that was the film version, this is the comedy version.

    18. SP

      Well, I, you... When I was young, we would watch, you know, Saturday Night Live or Monty Python or Second City TV, and it was these groups of comedy people, these, uh, communities.

    19. JS

      Where would you do this?

    20. SP

      You know, it would just be o- on TV. You know, you'd be home, and you'd watch. You know, Monty Python would be on PBS when I was a kid. And, and, uh, you, you would see them and think, "Oh," a- and maybe they weren't, but to me, they were all buddies.

    21. JS

      Yeah.

    22. SP

      Right? And so Saturday Night Live felt like a group of friends. I'm sure they weren't. I'm sure, like, a couple were, and these were-

    23. JS

      But you were watching this with Jim and with...

    24. SP

      Yeah, so in my head, I was like, "This is so fun," that, like, there's a community here in Los Angeles of people trying to break into comedy.

    25. JS

      Mm.

    26. SP

      And, and I realized, oh, that was the goal really, maybe more than even the work, was, like, to find that community of like-minded people to have fun with. Well, it's a miracle that anything works.

    27. JS

      Mm.

    28. SP

      Because everything in comedy is an experiment. There's no precedent that lets you know this will definitely work.

    29. JS

      Mm.

    30. SP

      So you're always on the verge of massive humiliation and failure.

  10. 16:5418:56

    Why Failure Leads to Success

    1. JS

      What was the first moment you were convinced that, "I'm funny, I can write funny, I can do funny"? When did that happen in that journey and process?

    2. SP

      Yeah, I'm trying to figure out when I thought I was doing well because I was very comfortable not being good. Because when I did all the interviews, they all said it takes, like, seven years to find your voice. So in my head, I thought, "Oh, I started stand-up at 17, so when I'm 24, I'll be great."

    3. JS

      Yeah. [laughs]

    4. SP

      And so when I was 19 and I was terrible, I thought, "Perfect."

    5. JS

      "I've got five years."

    6. SP

      "This is, this is where I'm supposed, [laughs] supposed to be right now." So I had this clock that was very aware that this was gonna take time and that I had to... I had to look at the failure as the path to success. And so I thought, "Well, every joke that doesn't get a laugh is teaching me what not to do."

    7. JS

      Mm-hmm.

    8. SP

      And then r- I'm trying to think of the first thing that I thought was very funny.

    9. JS

      Yeah, that you thought. Not that the result worked. 'Cause I think-

    10. SP

      Yeah

    11. JS

      ... that's a really interesting part, right? I feel like sometimes we wait for the result to make us believe that we're worthy.

    12. SP

      Yeah.

    13. JS

      But there's a moment that I think when you do what you love, you're like, "Oh, no, I can do this."

    14. SP

      Mm-hmm.

    15. JS

      It's just a matter of time before people kind of figure it out.

    16. SP

      Yeah. I started writing jokes for comedians like George Wallace and Taylor Negron, and then I got hired to write-... jokes for Tom Arnold when he first moved to town. And everyone was like, "Who's this guy that's with Roseanne?" And he was trying to figure out his point of view in standup, and so I was a, a part of that. And then we did a, a bunch of HBO specials where he would try to solve the world's problems, like reality comedy specials. And we would write these, uh, setups for these reality pieces, which were filmed sketches. And R- Roseanne and Tom would get big people to be in them. Frank Zappa was in one. Fred Willard. I, I got Jim Carrey to do o- one of these intros and, and Stiller. And so these little intros were funny. And so maybe that was, those were the first things that they shot. Like, "Oh my God, I wrote a joke for Frank Zappa."

    17. JS

      Mm.

    18. SP

      And it got a laugh.

    19. JS

      Yeah, yeah.

    20. SP

      And that gave me-

    21. JS

      That was it

    22. SP

      ... some confidence. Yeah.

    23. JS

      Yeah.

    24. SP

      To see Martin Mull do your bit or-

    25. JS

      Yeah

    26. SP

      ... and just go, "Wow, he's my favorite, and I think I didn't screw him up. I think I gave him a good joke [laughs] there."

    27. JS

      Yeah, yeah. That's,

  11. 18:5621:23

    The Power of Putting Yourself Out There

    1. JS

      I mean, the, the success, the failure to success piece is so interesting. I saw somewhere you said something like you heard that someone sold their 10th script.

    2. SP

      Yes.

    3. JS

      And so you felt you could not sell nine, and-

    4. SP

      Exactly

    5. JS

      ... it would take time. And I love that idea that you said, "Hey, I started 17, and it takes seven years to be a great comic." And so at 24, I think the reason why I'm picking those two things that you've said is today I feel like a lot of young people just feel like they have to be successful tomorrow-

    6. SP

      Yeah. Mm-hmm

    7. JS

      ... because there is a 16-year-old who has 100 million followers on TikTok-

    8. SP

      Yeah

    9. JS

      ... or there is a 21-year-old that is a billionaire or whatever it may be. And so, and now you're aware of what everyone's achieving, not just your classmates or the people you're around. And I wonder if you've ever thought about, especially with your daughters going into the industry too, how, how do you help them reconcile that, that pressure and that timeline that's just totally shifted, where you can't take seven years to become an icon anymore? You should be an icon-

    10. SP

      Yeah

    11. JS

      ... tomorrow.

    12. SP

      Yeah, I, I think that that must be tough on everybody trying to do anything, 'cause I, I look back at when I was living with Adam Sandler, and I, I always think no one was paying attention to us.

    13. JS

      Mm.

    14. SP

      So we would go to the Improv every night, and Adam would experiment and do weird characters, do Cajun Man out of the blue, and just do all these weird things. And no one was judging it, no one was taping it, no one was commenting about it. So there really was this gestation period where you could be really weird and funny and take chances and really fail some nights, really kill other nights. And so the idea of people paying attention to that, where when you're really young, you feel the, the need to put yourself on the internet-

    15. JS

      Yeah

    16. SP

      ... probably is not great-

    17. JS

      Mm

    18. SP

      ... for everybody.

    19. JS

      Yeah.

    20. SP

      'Cause it's also really fun failing when no one's watching.

    21. JS

      Yeah.

    22. SP

      You know, it's fun to play a club at 1:00 in the morning in front of 30 people and just do something wild just to see if it would work.

    23. JS

      Yeah. Yeah, absolutely. And it's almost like you've gotta kind of, even if you are putting yourself online, you've gotta, you've gotta feel or remind yourself that no one's really watching right now.

    24. SP

      Yeah.

    25. JS

      And hey, people won't... They'll only watch my first videos after-

    26. SP

      Yeah

    27. JS

      ... I get a following, which will be okay.

    28. SP

      Yeah.

    29. JS

      And so there's some of that that you can kinda take forward.

    30. SP

      And I, I, you know, I didn't direct till I was, like, 36, 37 years old, uh, a movie. I'd done some television before that. And I was better because I wasn't [laughs] given the shot earlier. I think I just-

  12. 21:2324:17

    Why Success Takes Time

    1. JS

      I love hearing these stories, and that's why I love the book Comedy Nerd so much, is because for me, like, my first experience of Ben Stiller would've been Zoolander.

    2. SP

      Mm-hmm.

    3. JS

      Or, you know, I'm trying to think of the first Adam Sandler movie I watched. Click or maybe something like that.

    4. SP

      Mm.

    5. JS

      And it's like you come across this work when... Or like with you, it's like Forgetting Sarah Marshall or like... And you're, you're g- talking about these huge hits that are, like, worldwide famous. Peop- you know, people talk about them, laugh for hours, and that's your first experience. Then you realize, wait a minute, this person had a TV show that had 12 episodes and got canceled.

    6. SP

      Yeah. [laughs]

    7. JS

      And, and, and then they went on to do something else. And so I feel like it's so sobering to hear it, and I feel like for our community that are full of creatives, people who are entrepreneurs, whether you're building a business, whether you're launching a podcast, whether someone's trying to create their own brand or clothing line, it's almost like there's so much pressure to be first and for your first thing to be your thing-

    8. SP

      Yeah

    9. JS

      ... today, I feel.

    10. SP

      Yeah.

    11. JS

      And to know that your f- your main thing that you do today that you're most known for, directing, happened, like, you know, took-

    12. SP

      20 years in

    13. JS

      ... 20 years into you doing the thing-

    14. SP

      [laughs]

    15. JS

      ... as opposed to two years in. And you've continued to build an amazing career from it. It wasn't, it wasn't like that was lost time even. You wouldn't say that from 17 to 36 was a waste of time.

    16. SP

      No, and there was, there were fun projects that we, you know, we all learned how to make movies while making. So, you know, I worked on a, a kids movie called Heavyweights.

    17. JS

      Mm.

    18. SP

      And that was the first movie that we shot. And, you know, at the time, it was a little $10 million movie that made $20 million. And, you know, Ben Stiller played the bad guy. Paul Feig was an actor in it. Kenan Thompson, uh, wa- was in it. And our friend Steve Brill, who I wrote it with, directed it. And, you know, we d- we didn't know what we were doing and made this kind of super weird Disney movie. And at the time, I guess considered a failure, and now 30 years later, it's on Disney+ right now.

    19. JS

      [laughs]

    20. SP

      And it's, like, a big movie that kids keep watching. So even the things where you were learning, sometimes over time-

    21. JS

      Yeah

    22. SP

      ... you realize, oh, people love that one.

    23. JS

      Yeah.

    24. SP

      Even, even the things that at the time were failures or people didn't quite get what your point of view was, and then, you know, 20 years later, people say, "Oh, I love The Cable Guy."

    25. JS

      Yeah.

    26. SP

      You go, "Yeah, I took a beating for that in 1996." [laughs]

    27. JS

      [laughs]

    28. SP

      And so that's the other thing you learn, that it takes time for the world to really tell you-

    29. JS

      Mm

    30. SP

      ... if you succeeded or failed.

  13. 24:1727:56

    Creating Something Original

    1. JS

      Would you say, though, Judd, that you felt that way or you've felt that way over time? Did you... Have you always made stuff that you believed was funny and was made for you and your friends, or did you always put the audience at the heart of it, and it was their response that designed it? Because I feel like in creativity, there's these two versions, where people are like, "I don't care what anyone else thinks. I just make what I believe-

    2. SP

      Mm

    3. JS

      ... is funny and what my friends would laugh at." And then there's like, "No, I'm listening and learning and taking all the outside notes, and then that's what I'm focusing on." What, what was your process in the days when it wasn't working-

    4. SP

      Yeah

    5. JS

      ... externally?

    6. SP

      Uh, I... You know, the, the main thing is, do you like it? So as a comedy fan or just someone who wants to make things that are great, that's the main bar. Like, do I like it?

    7. JS

      Mm.

    8. SP

      Am I proud of it? And then the second question is, how many people would like it the way [chuckles] I like it? 'Cause you can make something and you know, oh, this is a very niche idea. There's gonna be a small crowd who likes it. And certain ideas, you're like, "I think this is great, but I actually think everyone will like it."

    9. JS

      Yeah.

    10. SP

      Uh, and I was always a big fan of, of James Brooks from when I was a kid, uh, you know, watching The Mary Tyler Moore Show and broadcast news, and I got a chance to work on this show he did called The Critic. And I just saw that he really cared if the, if the audience l- liked it, and he would always say, "If the audience doesn't love it, you failed."

    11. JS

      Yeah.

    12. SP

      Like, that's... It's as [laughs] simple, it's as simple as that.

    13. JS

      Yeah.

    14. SP

      If they, if they're not touched emotionally, if they're not laughing, you didn't do a good job. And y- you know, he was a big supporter of table reads and getting input from people and, and, and doing test screenings and seeing how people were interpreting the work. So it's, it's a weird process because on one level, you're trying to be an artist and stay true to what you believe in and what you like, but you're also having this conversation with the audience because if they don't get it, it, it's bad.

    15. JS

      Yeah. Yeah, absolutely. I, I think now creativity's become, in one sense, more difficult because the idea of a trend and everyone doing the same thing is-

    16. SP

      Mm-hmm

    17. JS

      ... far more normal and common.

    18. SP

      Yeah.

    19. JS

      Whereas in what you're talking about, there was a sense of uniqueness and ingenuity, and everyone's kind of doing that. Like, Jim Carrey's not doing the same thing Adam Sandler's doing.

    20. SP

      Mm-hmm.

    21. JS

      You're not doing the same thing. If you're working with them on a project, that's different, but you're not doing the same thing they're doing, and it's, it's almost become harder to stand out, when one sense you could argue too, I'm easier to stand out because lots of people are doing the same thing.

    22. SP

      Yeah.

    23. JS

      But it's almost like creativity has very much become about what the algorithm rewards.

    24. SP

      Exactly, and I, I, I'm, I'm glad to have escaped that era.

    25. JS

      Yeah.

    26. SP

      Uh, because I think that is really dangerous to, to doing something very unique.

    27. JS

      Mm.

    28. SP

      Because the next great thing is the thing no one saw coming.

    29. JS

      Mm-hmm.

    30. SP

      It's just the, the wild idea or a band that doesn't sound the way anyone else sounds, and so there's a, there's a lot of great stuff that all sounds the same-

  14. 27:5629:10

    A Sliding Doors Moment

    1. JS

      what was your Sliding Doors moment or, like, moment of, like, if that didn't happen-

    2. SP

      Mm-hmm

    3. JS

      ... my life could have completely gone on a different trajectory or in a different format?

    4. SP

      I mean, there's so many of them. You know, I met Ben Stiller online at an Elvis Costello Unplugged taping, and, you know, we thought of this sketch show idea and pitched it two weeks later, and everybody thought we were old, old friends, and we had known each other for 14 days.

    5. JS

      Wow.

    6. SP

      And suddenly we were just, you know...

    7. JS

      And it was just natural from the moment you met. There was just-

    8. SP

      We just got along great and, and-

    9. JS

      Yeah

    10. SP

      ... and creatively w- w- were in sync. So if I didn't bump into Ben that day, I mean, that was, you know, a pretty big one. Um, I remember seeing Jim Carrey at a comedy club and, and thinking, "I think I've just seen the best comedian in the world." [chuckles]

    11. JS

      Wow.

    12. SP

      And I called my manager, and I was like, "You have to come see what Jim Carrey's doing." And, and that was a big moment-

    13. JS

      Wow

    14. SP

      ... just to, to witness it. And in, in movies, yeah, there's... It's just like an opportunity. Steve Brill saying, "Hey, I wanna make a summer camp movie that's about a, a camp for overweight kids."

    15. JS

      [chuckles]

    16. SP

      And I just said, "Oh, that's hilarious. If you need help, let me know." And just him saying yes-

    17. JS

      Yeah

    18. SP

      ... you know, changes your whole life.

    19. JS

      Yeah. Yeah, it's... I, I

  15. 29:1031:17

    Realizing the Power of Choice

    1. JS

      ca- I mean, was there anyone that you felt was so good but then, you know, didn't have the caree- Did you see people that you were like, "Oh my God, this person's amazing," but they didn't have the career that you thought they would?

    2. SP

      Yeah. There's so many comedians who are incredible, but they didn't necessarily transition to movies or-

    3. JS

      Yeah

    4. SP

      ... sitcoms, but they remained the best comedians of all time.

    5. JS

      Yes.

    6. SP

      Or they were just road comedians who were just way funnier and better than other people. But some people never had that energy to go, "All right. How would I work in a movie?"

    7. JS

      Mm.

    8. SP

      I, I think it's a very specific understanding of yourself and story and what you do. Adam Sandler started writing screenplays for himself when he was right out of college when no one wanted him to write a screenplay for himself. No one was saying, "Hey, write a movie for you to star in." He just had this sense of, "Oh, this is a path I think that I, I could succeed in."

    9. JS

      Mm.

    10. SP

      And so even when no one thought you could be the lead of a movie, he sat in a room. W- I remember he sat with my friend Joel Madison. They just wrote a movie.And I was like, "Wow, you just sat down and wrote a movie? You can do that?"

    11. JS

      [laughs]

    12. SP

      "You can just get out the computer and do that?" Uh, but not everyone had that belief in themselves.

    13. JS

      Yeah. Why did you feel that turn was so important, that connection between comedy and then becoming a writer and director? Why did... Why was that calling important to you? Where did that come from? Like you're saying, not everyone made that crossover.

    14. SP

      Well, when I was interviewing people, you know, some people like Harold Ramis said that he, uh, made a living by selling jokes.

    15. JS

      Mm.

    16. SP

      And I just thought, "Oh, I don't have to make burritos?"

    17. JS

      [laughs]

    18. SP

      "I could, like, sell a joke for 50 bucks a joke to somebody?" Or, uh, you know, 'cause I had, you know, worked in a restaurant for a long time. Was a busboy and a dishwasher. So some of it was just, "I need money."

    19. JS

      Yeah.

    20. SP

      And most comedians didn't wanna write for other comedians because they wanted to be famous.

    21. JS

      Yes. Yes.

    22. SP

      And I thought, "I think I can do it and still do my stand-up." And I think what it really was is I enjoyed hanging out with other comedians, and I enjoyed collaboration. Like, my desire to be successful solo wasn't very strong. I, I, I think on some level I thought, "Oh, this is fun hanging out with Ben, and I'm not looking to be isolated."

  16. 31:1732:35

    Becoming Part of Another’s Success

    1. JS

      Yeah. That's such a great sense of self-awareness. I love that. Like, I love hearing that for everyone who's listening because I think there's, again, like... And I'm just looking at thinking about our community that watches our show and listens to our show and has dreams and has aspirations, and how often by wanting to be the face or wanting to be number one-

    2. SP

      Yeah

    3. JS

      ... in a certain way, you can lose out on, like, this-

    4. SP

      Yes

    5. JS

      ... you know, tapestry of stories and-

    6. SP

      Mm-hmm

    7. JS

      ... experiences and amazing-

    8. SP

      Yeah

    9. JS

      ... friendships and relationships where you're like, "Yeah, I just, I didn't really care about being the guy who was on the screen telling the joke. I was happy being the person who wrote and built these universes that these comedians played in."

    10. SP

      Yeah, I w- I mean, it was so fun. Like, I would go to Roseanne's house and just write jokes with her on Sunday.

    11. JS

      Yeah.

    12. SP

      Just go, like, at breakfast time, sit at her breakfast table with... She'd bring out legal pads. And to me, that was success. I, I mean, almost to the point of if it didn't get much farther than that, I was already pretty happy.

    13. JS

      Yeah.

    14. SP

      Like, wow, there are people that are the best at this who will let me be a part of their thing.

    15. JS

      Yeah.

    16. SP

      And so I, I was just so excited to be allowed in the room.

    17. JS

      Mm.

    18. SP

      And, you know, sometimes I joke that the only reason why I even wrote anything was to get to be allowed in the room.

    19. JS

      [laughs] Yeah.

    20. SP

      You know? Like, I had to prove I was credible to, to have these relationships with everybody.

  17. 32:3535:01

    Confronting Creative Blocks

    1. JS

      Yeah. When do you feel most creative, and when do you feel most creatively blocked?

    2. SP

      I mean, I work so hard to try to figure that out. I think it's just an ongoing, uh, search for flow state. And so I used to never understand anything about how the brain works. And so, you know, I would... You know, when I was young, I would write... My, my process was I would sleep till noon. I would get up to write. I'd watch MTV, like Road Rules or some... [laughs] Like, I would just sit and watch TV for, like, six hours. And then at 6:00, I'd think, "I'm gonna write." Then I would eat dinner. And then after dinner, at some point, I'd slowly move to the computer. Now it's, like, 7:00, 8:00 at night, and then I would write till, like, 2:00 in the morning.

    3. JS

      Wow.

    4. SP

      And that was, like, my, my fl- my flow. [laughs]

    5. JS

      [laughs]

    6. SP

      And I realized, oh, so it's almost like a post-food relaxation, burnt out all my interest in TV and the world, and then my brain would just, like, get so tired, it would relax, and then stuff would come to me.

    7. JS

      Yeah.

    8. SP

      But then, you know, when you have kids-

    9. JS

      [laughs] Yeah

    10. SP

      ... you can't work from 8:00 till 2:00 in the morning. And then you have to figure out, oh, I guess I have to almost set an appointment. Like, okay, from 9:00 to 12:00-

    11. JS

      Mm

    12. SP

      ... I'm just gonna sit in this chair. And that's something I learned from David Milch, you know, who created Deadwood, who, who always said, "You can't think your way into writing. You have to write your way into thinking."

    13. JS

      Mm.

    14. SP

      So if you just start writing-

    15. JS

      Yeah

    16. SP

      ... your brain will eventually go, "Oh, we're doing this now."

    17. JS

      Yeah.

    18. SP

      And that if you do it at a similar time, the second you hit the chair, your brain will go, "It's time to do the thing that we do."

    19. JS

      Mm.

    20. SP

      And, uh, I even took a class on flow states, one of those Steven Kotler classes.

    21. JS

      Mm-hmm.

    22. SP

      And it just totally worked. Like, it was, like, kind of hilarious. It... And, you know, there were people giving advice about, "All right, get up. Don't have breakfast. Just drink a little bit of black coffee. Try not to eat lunch till noon. Don't let, uh, your office interrupt you." And then suddenly I realized, oh, I'm really getting a good four or five hours-

    23. JS

      Mm

    24. SP

      ... done just by listening to s- some very simple advice about not being distracted.

    25. JS

      Yeah.

    26. SP

      Because I could look at, like, the newsfeed on my phone and be in a bad mood for three days.

    27. JS

      Mm.

    28. SP

      And a bad mood that will prevent me from being funny.

    29. JS

      Right. [laughs]

    30. SP

      You know? Like, I won't be able to go to my world of imagination because I'm thinking about some problem in the world.

  18. 35:0136:29

    Inside a Storyteller’s Mind

    1. JS

      Yeah. Yeah. How do you balance that, then, in staying informed and then... And does that ever inform your comedy? Does that ever inform the messaging you wanna put out there?

    2. SP

      I, I mean, yeah. I, I... [laughs] As soon as the writing's over, I go deep down-

    3. JS

      Yeah

    4. SP

      ... you know, a terrible, uh, uh, rabbit hole of tracking everything.

    5. JS

      Yeah.

    6. SP

      And, and I have to, I have to, you know, be aware that it could just put you in a massive depression.

    7. JS

      Mm.

    8. SP

      Because we know too much. Like, when I was a kid, we didn't really know what was happening in the world.

    9. JS

      Yeah.

    10. SP

      Like, I, like, I lived in New York, and I, I knew a little bit about what, like, Ed Koch was doing, and I knew they were trying to capture the mob. And occasionally you'd hear about some crime or, or a murder. I didn't really understand what was happening in Congress as a, as a kid. I watched the news all the time, even in, like, middle school.

    11. JS

      Mm.

    12. SP

      And now I know the major terrifying problems of every country in the world.

    13. JS

      Yeah.

    14. SP

      And it's too much. It, it really is too much. And if you find it interesting, which I do... Like, I'm fascinated by how-

    15. JS

      Mm-hmm

    16. SP

      ... politics work, how people treat each other, all the, the problems of the world, the drama of crime, the drama of corruption.

    17. JS

      Yeah.

    18. SP

      I could really... I could read it forever.

    19. JS

      Yeah.

    20. SP

      I just find it so interesting as a storyteller, too. Like, look, that person was in this position, and there's the choice they made.

    21. JS

      Yeah.

    22. SP

      They could have gone this way or that way, and they went this way. So-For me, uh, it... You know, one of my flaws is I'm looking at too much.

    23. JS

      Mm.

    24. SP

      And when I'm in a good writing groove, it's usually because I've found a way to, to limit it so that I can go in my own head-

    25. JS

      Yeah

    26. SP

      ... and see what's there.

  19. 36:2938:56

    Choosing to Be Part of the Solution

    1. JS

      Yeah. Yeah, I read a study that said we're exposed to more tragedy today in 24 hours-

    2. SP

      Yeah

    3. JS

      ... than we were in our whole lifetime 25 years ago.

    4. SP

      Just today, I-

    5. JS

      Yeah

    6. SP

      ... there was like... It- it's the equivalent of today that there was 11 Pearl Harbors-

    7. JS

      Mm

    8. SP

      ... in the last three days.

    9. JS

      Mm.

    10. SP

      And y- so I was, like, depressed the other morning, and I thought, "How would you not be depressed just based on what you read this morning?"

    11. JS

      Yeah.

    12. SP

      Like, it's a trauma response to all of that.

    13. JS

      Mm.

    14. SP

      So, you know, for me-

    15. JS

      What do you do with that? What do, what do you personally do with that?

    16. SP

      Uh-

    17. JS

      'Cause I feel like that's an issue everyone who's listening can relate to.

    18. SP

      I mean, I try to find things that I can do to support people or organizations and, and causes that are fighting for values that I agree with. You know, I... You know, every month I do a benefit at Largo in LA, uh, for a different charity. You know, I... My first job was working for Comic Relief, this, the homeless charity.

    19. JS

      Mm-hmm.

    20. SP

      And so I've always tried to, you know, be connected to philanthropy and, you know, then some part of your brain's like, "Okay, you're doing something."

    21. JS

      Yeah.

    22. SP

      "You're doing something." And it never feels like enough.

    23. JS

      Yeah.

    24. SP

      Uh, but, uh, I think everyone has to do something.

    25. JS

      Yeah.

    26. SP

      And just hope that this collective, that the, you know, you know, moves certain causes forward and, and helps take care of people.

    27. JS

      Yeah.

    28. SP

      Because it is rough to hear about so much suffering.

    29. JS

      Absolutely.

    30. SP

      Uh, and, and then, you know, the guilt response, like, "Should I be doing more?" So I try to spend, uh, some time every day thinking about it. And I remember I went and had lunch with Norman Lear, and Norman Lear had the newspaper out. And I said, "What are you doing?" And he said, "This is something that Frank Sinatra taught me," which is he would open the paper every day, he would look for somebody in a bad situation, and then he would get on the phone and, uh, write them a check. [laughs]

  20. 38:5641:29

    Taking Creative Risks

    1. JS

      Yeah. What was the biggest creative risk you feel you ever took?

    2. SP

      I don't think of any of them really as creative risks. I t- u- usually just try to only work on things that I think can be really good, that I care about. So it's not like there's any one decision. I just think I wanna be proud of everything I tried to do.

    3. JS

      Mm.

    4. SP

      And if it fails, I'd like to feel like I understand why I thought it could work.

    5. JS

      [laughs]

    6. SP

      And I, and I like for things to have a good heart and to say something positive.

    7. JS

      Yeah.

    8. SP

      I wanna be aware of what I'm putting into the world.

    9. JS

      It's almost easier to deal with failure when you've really believed in what you were doing-

    10. SP

      Yeah, yeah

    11. JS

      ... to some degree.

    12. SP

      Well, yeah.

    13. JS

      'Cause if you didn't believe in it, and then it fails, then you're like, "Well, I didn't believe in it anyway. I knew it would fail."

    14. SP

      Yeah. Well, it's a miracle that anything works.

    15. JS

      Mm.

    16. SP

      Because everything in comedy is an experiment. There's no precedent that lets you know this will definitely work.

    17. JS

      Mm.

    18. SP

      So you're always on the verge of massive humiliation and failure. [laughs]

    19. JS

      [laughs]

    20. SP

      And, and then that's just the spirit of it, like, "I g- I guess this will work." And sometimes things work for some people but not other people. You go, "Oh, this does work, but for way less people."

    21. JS

      Mm.

    22. SP

      And then some things, you know, out of the blue, like the entire world loves Bridesmaids.

    23. JS

      Yeah. [laughs]

    24. SP

      Right? And, and it's the same efforts that everyone puts on-

    25. JS

      Yeah

    26. SP

      ... and then just sometimes things, you know, connect in a big way.

    27. JS

      Yeah. Such a great movie. Such a great movie. Absolutely. There's something you say in the book. You say, in your book, Comedy Nerd, you say, "When I stopped performing to pursue my writing career, on some level I betrayed myself. The truth was I didn't believe in myself."

    28. SP

      Yeah.

    29. JS

      So that's a part of that story too, was that there was a sense of-

    30. SP

      Sure

  21. 41:2944:24

    Silencing the Inner Critic

    1. JS

      Yeah. I love knowing, though, that you can be that uncertain, confused, and have some self-doubt and still find your way.

    2. SP

      Yeah.

    3. JS

      Like, there's something beautiful about that. Like-

    4. SP

      I mean, it... Stand-up is very confrontational because every time you go on stage, you're, like, saying to people, "You j- you should listen to me. I'm worth hearing." And you're also saying, "I'm entertaining."

    5. JS

      [laughs]

    6. SP

      Like, "This should delight you for 20 minutes." So there, there's a certain amount of confidence and arrogance to do it at all.

    7. JS

      For sure.

    8. SP

      Some people do it out of neediness, like they so need the approval that even though they're terrified, they'll do it anyway-

    9. JS

      Yeah

    10. SP

      ... you know, to get it, like crack or something.

    11. JS

      Yeah.

    12. SP

      Uh, but it's like writing. Like, sometimes, like, when I don't wanna write, I realize, oh, I'm not writing today because I feel like I'm gonna find out today that I've lost it. [laughs]

    13. JS

      [laughs]

    14. SP

      You know? Like, by, by, literally by t-

    15. JS

      Do you still have that now?

    16. SP

      Uh, yeah, because every time you sit down to type, you're like, "This better be good, and I'm gonna find out how good I am right now." And that's the most unhealthy way to do it.Like, that's the opposite of flow state-

    17. JS

      Yeah

    18. SP

      ... is, like, that the critical voice is just there the whole time.

    19. JS

      And you have the pressure to be good right now-

    20. SP

      Yeah

    21. JS

      ... in this moment. What do you do with that thought?

    22. SP

      Uh, you know, sometimes I have to play tricks on myself. So if I'm gonna write a scene, the thing about, you know, y- you know, say you're using a program like Final Draft and it looks all pretty, and so when you type, like, it has to be good because it's so formatted.

    23. JS

      [laughs]

    24. SP

      You know? It looks so beautiful.

    25. JS

      Yeah.

    26. SP

      It looks like a screenplay. So sometimes I have to write without the format, so I'll just open up a Word document.

    27. JS

      Yeah.

    28. SP

      Now, if I'm gonna write a scene, I'll say, "Okay, take the next 15 minutes and just babble, you know, with no punctuation, ideas for the scene."

    29. JS

      Mm.

    30. SP

      And, and just keep going and, and maybe, like, do an experiment, like you're not allowed to stop typing for 10 minutes.

  22. 44:2448:20

    The Real Formula for Comedy

    1. JS

      rules to good comedy, or there are no rules?

    2. SP

      I don't really understand any of it.

    3. JS

      Yeah.

    4. SP

      You know? Like, I'm not one of those people that can really lay out why things work or, or don't work. I, I, I tend to try to think pretty simply about if I write it as a drama, like if the, the construction would work if there were no jokes, then it won't be hard to figure out a way to make it funny.

    5. JS

      Mm.

    6. SP

      So I try to not chase the joke.

    7. JS

      Mm-hmm.

    8. SP

      Try to ta- chase the emotional story-

    9. JS

      Mm

    10. SP

      ... and then look at it like, "How can I make it funny?"

    11. JS

      Right.

    12. SP

      Because I think all the situations in life which are painful-

    13. JS

      Yeah

    14. SP

      ... are really close to funny.

    15. JS

      [laughs]

    16. SP

      That's why, like, in movies, there's so many movies where it's just like someone's breaking up with you.

    17. JS

      Yeah.

    18. SP

      And it might be funny because you start crying.

    19. JS

      Yeah.

    20. SP

      It might be funny because you start screaming.

    21. JS

      Yeah.

    22. SP

      It might be funny 'cause you run away.

    23. JS

      Yeah.

    24. SP

      Uh, so I just trust that, you know, if I... that that sense of why things are funny that are challenging or awful, it'll just come.

    25. JS

      Yeah.

    26. SP

      You know, so when I think about, like, Knocked Up and-

    27. JS

      [laughs]

    28. SP

      ... Seth's trying to talk to Katherine Heigl and, and she wants to tell him that she's pregnant with his baby, and so the idea is before that she's just asking him questions about his life 'cause she doesn't know anything about him 'cause he had a one-night stand. And everything in his life sounds like the worst information if he was the father of your child.

    29. JS

      Yeah.

    30. SP

      You know? He, he, he has five grand in the bank. He thinks it'll last two years. [laughs]

  23. 48:2049:37

    The Pitfalls of Mocking Others

    1. JS

      I love that. What, what's a joke you could make 20 years ago that you can't make now?

    2. SP

      Um, I think y- I think people are sensitive to how we define people, how we goof on people. You know, when I re-watch the stuff, there's not, like, a ton where I'm like, "Oh, God. Why did we do that?" But there's a few where you think, "Yeah, today I wouldn't have done that joke." Uh-You, you making fun of people for just being themselves, what- whatever that is.

    3. JS

      [laughs]

    4. SP

      But a lot of the times we were talking about people who get made fun of.

    5. JS

      Mm.

    6. SP

      So, uh, when I worked on Superbad with Seth and Evan-

    7. JS

      Yeah

    8. SP

      ... you know, we were talking about how in every Marx Brothers movie, they would always have a really rich guy punch Harpo Marx in the face [laughs] like in the first 10 minutes, because then Harpo could do anything to them.

    9. JS

      Right.

    10. SP

      And, you know, they represent rich people or power, but because they did something really mean to him, Harpo had free reign-

    11. JS

      [laughs]

    12. SP

      ... to cause massive-

    13. JS

      Yeah

    14. SP

      ... chaos. And so when we were doing Superbad, they had, you know, one of the kids spit on Jonah, you know, by the, the 7-Eleven type place.

    15. JS

      Mm-hmm.

    16. SP

      And that was it. Then you're like, "Whatever Jonah does-

    17. JS

      [laughs] Yes

    18. SP

      ... I know where he is in school, I know how he's, he's, uh, treated great, and I kinda want him to succeed. I want him to, you know, have something nice happen to him."

    19. JS

      Yeah, yeah, yeah.

    20. SP

      You know, so I always look at it that way.

    21. JS

      Yeah, I love that. What's

  24. 49:3752:35

    The Promise and Peril of AI

    1. JS

      your take on, what's your take on the impact of AI and ChatGPT on writing-

    2. SP

      Yeah

    3. JS

      ... creative block?

    4. SP

      Mm.

    5. JS

      Are you a fan? Do you feel it's gonna be useful for writers now? Do you feel it's a hindrance? Where, where do you land on the-

    6. SP

      I think-

    7. JS

      ... conversation?

    8. SP

      ... I think that the, the danger of it is it, it allows you to shut off part of your critical thinking.

    9. JS

      Mm.

    10. SP

      And so if you really were into it, I think that you would be losing something while gaining something.

    11. JS

      Mm.

    12. SP

      So if you think about GPS, and you go, "I kinda d- couldn't drive around LA, 'cause I don't know where anything is anymore."

    13. JS

      That's me.

    14. SP

      Uh [laughs]

    15. JS

      Yeah.

    16. SP

      Or, "I don't remember anyone's phone number anymore." I think that if you were asking a machine to do certain work for you, like, "Oh, fix my letter," uh, it seems kinda good, but at some point, if your ChatGPT went down, you, you might not be able to do the letter.

    17. JS

      Yeah.

    18. SP

      And so that's the thing that makes me nervous. I, I think it's very helpful for research. So-

    19. JS

      Yeah

    20. SP

      ... you know, I'm writing a movie that takes place in college, and I'm trying to think of classes to go, "Oh, what's a, what's an interesting class about music? What's a..." That is, like, really, really helpful.

    21. JS

      Mm.

    22. SP

      But if you start going, "Write me the scene about the class" [laughs]

    23. JS

      [laughs] Yeah.

    24. SP

      I think that you're in danger. And then you have to ask yourself, "Well, why do I do it?" You know, I mean, if you were just in it for the money, I guess you could use it as a tool. But if you're also in, in it to, to learn about yourself, and through creativity, uh, have some self-knowledge and, and it's an ex- an expression of you, you know, then you don't want it in, in your world that way.

    25. JS

      Yeah. It's almost like how hard your hand hurts when you try and hand write now.

    26. SP

      Exactly, yeah.

    27. JS

      Right? Because you're not used to it anymore-

    28. SP

      Yeah

    29. JS

      ... and you're like, "Wait a minute. If, if I didn't, I've probably gotta write something now."

    30. SP

      Yeah. No, there's no cursive.

  25. 52:3555:08

    Letting Go of a Problem-Seeking Mind

    1. JS

      Another line that stood out to me, Judd, in your book, you said, "I learned later in life through therapy that I had projected all of my childhood divorce drama onto the network executives who'd rejected or abandoned me."

    2. SP

      Yeah.

    3. JS

      And so I wanna dive into m- multiple parts of that. Let's, let's first start with, I think you've talked about how you've done therapy for, like, 20 years.

    4. SP

      Mm. Yeah.

    5. JS

      It's been a big part of your journey.

    6. SP

      Mm.

    7. JS

      Walk me through how the questions have evolved in therapy 20 years, 10 years, five years, zero years, today.

    8. SP

      I, it's, it's amazing how many new things you learn as you get older-

    9. JS

      Mm

    10. SP

      ... that you didn't quite understand before. Because on some level you understand that there's a lot of projection happening in your life. But, you know, in maybe the last five years, I, I, I think I learned a lot more about trauma responses to things and, and the ways that we just change our whole way of dealing with everything based on trying to avoid past pain.

    11. JS

      Mm.

    12. SP

      And I... That was something I didn't learn about for the first two decades of, of therapy. The idea that a lot of the time we're just in a, in a fight or flight or freeze response-

    13. JS

      Mm

    14. SP

      ... to everything. You know, I had a therapist say, "You know, when you walk in a room, like say you're walking into a party, the first thing you do, you might get anxious, and you scan for threat, and then your brain assesses the threat," and they might go, "Oh, looks like these people seem nice enough. We can enter the party."

    15. JS

      Mm.

    16. SP

      And then he said, "The thing you're supposed to choose is opportunity," and, "Okay, I'm gonna actually go try to talk to that, that person. Maybe something nice would happen if I talk to them." And in some way, we're doing that all day long. We're, like, scanning. Where's the problem? Where's the problem? And I think that's something that has been very destructive for me as someone who's always looking to solve problems in a very OCD type way. Like, what's the problem? How can I solve it before it happens?

    17. JS

      Mm.

    18. SP

      And then you realize that you're consumed all day long running potential problems.

    19. JS

      Mm.

    20. SP

      And so that's been a big thing. Like, how do you let go of a mind that wants to look for trouble?

    21. JS

      Mm. How do you?

    22. SP

      It's, uh... I, I mean, obviously it's some, some version of mindfulness, some version of noticing the process and having some higher self separation to go, "Oh, I'm doing that thing again."

    23. JS

      [laughs]

    24. SP

      "And can I connect that the, the, the one who's observing is me-

    25. JS

      Yeah

    26. SP

      ... and the rest is just kind of mental clutter."

    27. JS

      Mm.

    28. SP

      But it's really hard.

    29. JS

      Yeah.

    30. SP

      You know? It's really hard.

  26. 55:0858:42

    Projecting Childhood Trauma at Work

    1. JS

      square one. What was the particular aspect, the one that I quoted there, you talking about projecting all of your childhood divorce trauma onto the network executives. Talk to me about that exact-

    2. SP

      Well, I feel like there's always healthy and unhealthy reasons to do most everything.

    3. JS

      Mm-hmm.

    4. SP

      And that's what's tricky, right? So on one level you're like, "I love to be creative. I love comedy." But in your unhealthy part, you feel like, "I want validation. I want to succeed. I want safety. Like, if I succeed I'll have, I'll have safety."

    5. JS

      Mm-hmm.

    6. SP

      "Maybe I'll have love." And so y- you have both this very pure, creative love for something, and then this trying to protect yourself through it. And so then y- you're, you're doing work. Let's say you hand in a script.

    7. JS

      Mm.

    8. SP

      And then someone says, "I hate your script. The studio hates your script." So in your mind you could go, "Oh, are they, are they correct? Maybe I should read it again." Or you could go, "Why are they trying to murder me?"

    9. JS

      [laughs]

    10. SP

      "Why are they trying to destroy me?"

    11. JS

      Yeah.

    12. SP

      Y- w- and then you're mad at them because you've given them so much power.

    13. JS

      Mm.

    14. SP

      And, and now you're irrational. You're just in, "They don't care about me. How come they don't see me? How come they don't understand me?"

    15. JS

      Mm.

    16. SP

      And then you have just that insecure, "What if they're right? What if I'm terrible at this?" And so you're projecting all these old wounds and needs onto a creative relationship. But I didn't know that because I was just a young person.

    17. JS

      Yes.

    18. SP

      So w- you know, when people would give me notes that I didn't agree with, I really felt like, "Oh, you're trying to destroy me."

    19. JS

      Yeah.

    20. SP

      And, you know, to learn how to have those conversations in a healthy way, uh, took a l- a long time for me. There was literally a moment where I went, "Oh, I'm treating the head of the, of the, of the network like it's my mom."

    21. JS

      Mm.

    22. SP

      "I'm mad at her in the sa-..." I, it, I felt like-

    23. JS

      Wow

    24. SP

      ... "I'm mad at her in the same way I'm mad at my mom when she's not there for me."

    25. JS

      Yeah.

    26. SP

      "And I need to take that energy out of this."

    27. JS

      Mm. Yeah.

    28. SP

      But it is a fight or flight response. "Oh, you don't like it? Well, if you don't like it I'm not gonna be able to eat, and now I need to fight you."

    29. JS

      Yeah.

    30. SP

      And [laughs] , and it's, and it's heated, right?

  27. 58:421:01:05

    Separating Emotions from the Work

    1. JS

      Can you with creative tasks? That's a great question. Like, can you... Because Freaks and Geeks was super successful because you pushed yourself to that limit.

    2. SP

      Yeah. And because we didn't give in.

    3. JS

      Correct. That's-

    4. SP

      Yeah.

    5. JS

      That, that's, the give in part's so important.

    6. SP

      Yeah.

    7. JS

      And so I'm like, have you found that you've been able to not give in but not emotionally carry all that load and still create something that successful? Is that even possible?

    8. SP

      Yeah. Yeah.

    9. JS

      Okay.

    10. SP

      You can. And, and you realize it like, oh, I didn't get emotional, and we had a good conversation, and, uh, you know, it, it's... It, but it's, it takes a lot of years to see it.

    11. JS

      Yeah.

    12. SP

      Because what it is, it's a, because it's a trigger response, it happens fast.

    13. JS

      Yeah.

    14. SP

      Like your emotional reaction. So do you have that extra five seconds to go, "Oh, I'm getting heated," you know?

    15. JS

      Yeah. [laughs]

    16. SP

      And you still have those moments where you snap, and then, like, years later you'll wake up in the middle of the night, "Oh, I feel so bad about yelling at that guy," you know? And it just happens out of nowhere. And it's usually around the idea of are we about to ruin the work?

    17. JS

      Mm.

    18. SP

      For me it's always about is the work gonna be good.

    19. JS

      Yeah.

    20. SP

      It's never about, like, the release-

    21. JS

      Yes

    22. SP

      ... or the success. It's always... My only thing that makes me crazy is if I think someone can get me to ruin it.

    23. JS

      Yes.

    24. SP

      That really kind of freaks me out.

    25. JS

      Yes.

    26. SP

      It, it, you know, and that's n- not healthy the level to which it freaks me out.

    27. JS

      Yes.

    28. SP

      And I worked for people like Gary Shanling who, um, were so sensitive, and they really felt like, uh, "You're trying to destroy me."

    29. JS

      Yeah.

    30. SP

      And I always thought, "Oh, I feel so bad for them that that's how they experience this."

  28. 1:01:051:03:54

    Choosing the Right Collaborators

    1. JS

      like how do I realize what I'm doing is valuable, and at the same time embrace my insignificance.

    2. SP

      [laughs] Exactly.

    3. JS

      And, and it's like it, it sounds beautiful, and it is possible, but I hear what you're saying. There's, there's a level of focus and due diligence that's healthy, and then it's only as healthy when it's matched with detachment-

    4. SP

      Yeah

    5. JS

      ... as opposed to when it's so addictive. And we're, we're, we're going through our first set of TV and film projects right now that I've ever done in my life.

    6. SP

      Mm.

    7. JS

      And I have that same feeling because I can... Everything you're saying, I'm like, wow, like I can so relate to it because up until this point, also a lot of what I've created has been fully... Like, it's never been funded by anyone else. We've never worked with a studio or a production-

    8. SP

      Yeah

    9. JS

      ... company. It's all us. And so I've have a lot of... And as time has gone on, I've built more confidence and conviction in my intuition that I'm aware of what I believe will work-

    10. SP

      Yeah

    11. JS

      ... and, and what won't. And, and I've sat with it for long enough, and I've done this for 20 years and all the rest of it, and then someone comes and gives me a note-

    12. SP

      Yeah

    13. JS

      ... that I'm like, I, I, I know that's not gonna work.

    14. SP

      [laughs] Yeah.

    15. JS

      And then we incorporate in the pilot, we make the pilot, and then the only feedback we get from the audience and everyone is, "We didn't like that bit."

    16. SP

      Exactly.

    17. JS

      And I'm like, "I told you. Like, I knew it."

    18. SP

      Yeah.

    19. JS

      And so then what do you do with that? Because it's such-

    20. SP

      Um

    21. JS

      ... a human experience of-

    22. SP

      Well, it's always picking your collaborators.

    23. JS

      Yeah. Yeah. Yeah.

    24. SP

      I mean, everything in my career changed, uh, you know, when I started working with the Universal Studios and Donna Langley-

    25. JS

      Mm

    26. SP

      ... because, uh, her and, uh, the executives there, Peter Kramer, Eric Byers, you know, they, they just got it.

    27. JS

      Mm.

    28. SP

      And so then most of that goes away-

    29. JS

      Yeah

    30. SP

      ... because you have a good relationship, but also they get what you do and they understand your process.

  29. 1:03:541:06:23

    Learning to Lighten Up

    1. JS

      If, if, if fear and doubt would disappear from your life and mind tomorrow, what would you do differently?

    2. SP

      I don't know. I mean, what I would do differently is, is, uh, you know, just probably be happier. [laughs]

    3. JS

      [laughs]

    4. SP

      Like, I don't know so much about, like, work-

    5. JS

      That's a great answer. That's great

    6. SP

      ... but just, like, in life I would like to have, uh, lightened up.

    7. JS

      Yes.

    8. SP

      You know, a, a few years ago, I, I was just feeling terrible, and then, then in my mind I just heard the phrase, "Lighten up." Just... And, and I thought to myself, "Wow, you're in comedy, and you're so heavy. Like, you just really need to lighten up. Why, why do you look at everything in such, um, intense terms?"

    9. JS

      Mm.

    10. SP

      And but that only works 'cause, you know, if I remind myself of it, I can lighten up. But what if I go, like, a year and go, "Oh, I forgot to say lighten up-

    11. JS

      Yeah

    12. SP

      ... [laughs] in the last year."

    13. JS

      [laughs]

    14. SP

      "I forgot to re-..." You know, I'm, I'm one of those people, like, I'll write all these things down.

    15. JS

      Yeah.

    16. SP

      Like, like I'll have, like, a piece of paper and, you know, one of the things I, I wrote, write down a lot is, uh, uh, just try to do better today.

    17. JS

      Mm.

    18. SP

      Like, just look at today.

    19. JS

      Mm.

    20. SP

      Don't look at the long arc of it.

    21. JS

      Mm.

    22. SP

      Like, okay, what am I gonna do today? Will it be fun? Can I make it fun?

    23. JS

      Mm.

    24. SP

      And at the end of the day go, "That was a good day."

    25. JS

      Yeah.

    26. SP

      And if I think about the next year, I'm usually in meltdown.

    27. JS

      Mm. [laughs]

    28. SP

      Yeah.

    29. JS

      Yeah, you reminded me of this, uh, beautiful story where a student once asked the Buddha, "What do you gain from meditation?"

    30. SP

      Mm-hmm.

  30. 1:06:231:08:26

    What Leads to True Success

    1. JS

      Earlier, that's reminding me of before we started taping, you said something to me. You said, "It's, uh, it's surprising of the things we're not addicted to."

    2. SP

      Mm-hmm.

    3. JS

      And, and then I asked you if you ever did drugs, and my, the reason for my question was I feel like there are so many people today who feel their creativity-

    4. SP

      Mm-hmm

    5. JS

      ... is dependent on-

    6. SP

      Mm

    7. JS

      ... something recreational-

    8. SP

      Yeah

    9. JS

      ... or whatever it may be.

    10. SP

      Mm-hmm.

    11. JS

      Your life, as you explained it to me when before we started taping, was not like that.

    12. SP

      No.

    13. JS

      You were scared away from drugs, and you can share that.

    14. SP

      Yeah. Well, my grandfather produced the first Janis Joplin album, Big Brother and the Holding Company, andSo my entire childhood, they always talked about the fact that she was the best singer who ever lived, and she, she took drugs and died.

    15. JS

      Mm.

    16. SP

      In fact, that's, yeah, that's why it's in Freaks and Geeks when Joe Flaherty says, "What happened to Janis Joplin? She's dead," you know?

    17. JS

      Oh, yeah.

    18. SP

      Was because that was this mantra. And so all of that really, really scared me. And then the few times I did it when I was young, usually I would just get paranoid or... I never had, like, the great experiences that would make me go, "Let's do more of this." There was one moment where I did try to buy some pot, and my brother found out, who's older than me, and told the guy not to [laughs] sell it to me. But I always think, "If my brother didn't tell that guy, 'You better not sell pot to my brother,' maybe I would've found the, you know, the, the part of me that loves it."

    19. JS

      Yeah. Yeah.

    20. SP

      So I got a good long run of that. I never loved drinking. I would always get tired and fall asleep. I d- I think it's just my chemistry doesn't get that kick out of it, where I, like, I know people who will say, "Oh, I wrote that entire series you love high."

    21. JS

      Yeah. [laughs]

    22. SP

      And I'm like, I, I literally can't write one joke.

    23. JS

      Yeah. [laughs]

    24. SP

      Like, the second I'm high, I'm just like, "Let's just watch, you know, Great British Bake Off."

    25. JS

      [laughs]

    26. SP

      You know? Like, I'm not in creative mode.

    27. JS

      Yeah. Yeah. Yeah.

    28. SP

      Um, you know, so, uh, but thank God, because that's just a random thing, because I think i- if I loved it, it, it would've been a, a real problem. But I was very aware, like, that I wanted to succeed, and I thought, "That's not gonna help me."

    29. JS

      Yeah.

    30. SP

      You know?

  31. 1:08:261:14:03

    The Most Impactful Self-Help Books

    1. JS

      said you read a lot of self-help books.

    2. SP

      Mm.

    3. JS

      I was wondering-

    4. SP

      Mm

    5. JS

      ... if you had to pick three-

    6. SP

      Mm

    7. JS

      ... that have really had an impact on your life-

    8. SP

      Yeah. Mm-hmm

    9. JS

      ... and a lesson you've learned from each, what would they be?

    10. SP

      I mean, the three that I go back to all the time.

    11. JS

      Mm.

    12. SP

      One is called The Untethered Soul.

    13. JS

      Mm-hmm.

    14. SP

      Uh, by Michael Singer.

    15. JS

      Yeah. Great book.

    16. SP

      And I'm always going back to that book, although there's tons of YouTube videos of him talking. They're all great.

    17. JS

      Mm-hmm.

    18. SP

      And with anything really good, usually they're saying the same thing, just in a different way. It's o- it's one idea, and it's just kind of r- rewritten to, to find another way to get you to soak it in. And, and his thing is that he feels like people have these energy blocks, and, you know, something happens to you, you know, like, say, someone punched you in the face at a party, and so then you think, "All right. I guess I'm the guy who doesn't go to parties." And that by the time you get older, you have 100 of these or you have 1,000 of these.

    19. JS

      Mm.

    20. SP

      And everything that you do is avoiding certain things, certain types of people you didn't-

    21. JS

      Mm

    22. SP

      ... get along with once. And so he, he, I guess he described it as like, it's like if you had a thorn, and instead of pulling it out, you put, like, a metal thing around it, and then you realize you needed a bigger metal thing, and then you would go to the party, and you couldn't let anyone bump into it, as opposed to just taking it out.

    23. JS

      Yeah.

    24. SP

      Uh, and to just, like, live with the pain of it and, and to let the energy, whatever that experience was, move through your body and-

    25. JS

      Mm

    26. SP

      ... and, and see it. And I, I find that's really helpful.

    27. JS

      Yeah. Yeah. Yeah.

    28. SP

      And, and those books are great. Um-

    29. JS

      That's a great answer.

    30. SP

      The, I always read Pema Chödrön books.

  32. 1:14:031:18:09

    The Pain Behind Comedy

    1. JS

      it. Me too. I get that. It's... Yeah, you've gotta be selective and-

    2. SP

      Yeah

    3. JS

      ... and focused on what you pick up. For so... I feel like there's always been this, I don't know whether it's a myth or it feels like something people have said for a long time, and therefore we feel it's true, and I guess you're the right person to ask, but comedy's o- often, or humor's often been seen as hiding something or-

    4. SP

      Mm-hmm

    5. JS

      ... carrying a certain weight behind it-

    6. SP

      Yeah, yeah

    7. JS

      ... or pain behind it or a coping mechanism. Is that true? And what is it for you?

    8. SP

      I, I... Over the years, what I've realized is a lot of times when I'm writing is I, I'm trying to figure my own thinking out.

    9. JS

      Mm, mm.

    10. SP

      Like, what am I thinking about this? I'm just trying to explore myself, maybe a struggle, maybe a question. So I would... You know, some people say, "You know, you write the movie to figure out why you write the movie."

    11. JS

      Mm.

    12. SP

      And you're not even sure what you're working on. So, you know, in my career, I've been a person who's worked on projects about high school, and about college, and about getting somebody pregnant, and about maintaining a relationship [laughs]

    13. JS

      [laughs]

    14. SP

      ... and about getting sick, and about... You know, so I feel like I hit these major life turning points because I feel like, oh, I really need to, to work this through. But when I'm doing it, I'm not conscious of that.

    15. JS

      Yeah.

    16. SP

      And then maybe later I'll go, oh, I must have been thinking about these issues like friendship and the value of your work. When we were doing Funny People, uh, you know, my mom had been sick, and I noticed that when she thought she was gonna get better, she was happier than when, uh... When she thought she was gonna die, when she had cancer, she was always happier than when she thought the medicine was working and she was gonna get better. All her neuroses would come back. But when she thought she had no hope, she kind of dropped everything and became this very-

    17. JS

      Mm

    18. SP

      ... much more serene person.

    19. JS

      Mm.

    20. SP

      And so I thought, oh... So I started writing a movie. You know, it's an Adam Sandler movie about him having an experience-

    21. JS

      Mm

    22. SP

      ... like that. But at the time, I didn't realize that's what I had done.

    23. JS

      Yeah.

    24. SP

      It took, like, a while for me to go, oh, this movie isn't about me and comedy. This is about my mom and, and, you know, what she went through.

    25. JS

      So you'd say that comedy heals pain, not hides it?

    26. SP

      Well, it certainly is a road to understanding yourself. Sometimes when I'm working with a writer, if I'm overseeing a writer, you know, I'll say, "I feel like a lot of these movies are about a problem, usually an emotional problem," and then you think, "What would have to happen to the character for them to hit bottom enough to make a change?"

    27. JS

      Mm.

    28. SP

      'Cause in life, usually you make a change 'cause something happens, usually something that's not great.

    29. JS

      Totally.

    30. SP

      And so in a movie, there's usually some sort of bottom. Even in the silliest movies, someone crashes. And, and then I always say, "And what would health look like?" So if they figured it out and at the end they were doing better, what would better look like?

  33. 1:18:091:22:33

    Defining True Happiness

    1. JS

      Your movies have made people laugh, made people happy, made people, you know, rem- have great memories around them. Like, would you say... Are you happy?

    2. SP

      Am I happy? That's a [laughs] that's, that's, that's the right question. Uh, I mean, I think I'm always trying to figure out how to be happy, and I think I, I ebb and flow. I think I have periods where I get, like, really lost and caught up in my head and in things, and then every once in a while, like, it clears up for a little while, and I'm like, "Oh, yeah, I, I feel good about how everything is and what's going on." I feel in between tragedies. [laughs] You know, like, like, "Oh, this is a good period." But then sometimes I just lose it. Like, I lose touch with the thing that makes me feel like I understand where I am in the universe.

    3. JS

      Mm.

    4. SP

      You know, 'cause sometimes, you know, especially now as everyone's talking about... computers and everything changing, and the world is changing, where we're like, "Is something happening right now?" I can really get thrown and, and just obsess on it all day long. Like, what's the point of all of this?

    5. JS

      [laughs]

    6. SP

      Like, what are we doing? Uh, you know, to just, like, it's almost like feeling really happy and loose, in my mind sometimes feels like I'm not doing what I should be doing to make something positive happen.

    7. JS

      Interesting.

    8. SP

      And that's not really fair on myself.

    9. JS

      Yeah.

    10. SP

      Um, but it is the feeling like I can't just be like, "Wee," because like, look, have you seen what happened today? [laughs]

    11. JS

      Yeah.

    12. SP

      Like, what are we supposed to do about this?

    13. JS

      Yeah.

    14. SP

      And it's, uh, you know, like a deep kind of guilt that is, again, some sort of fight or flight response and, and a childhood thing too. Like, you know, just stay on top of things, you know?

    15. JS

      Yeah.

    16. SP

      Don't, don't let anything slip by you is a survival-

    17. JS

      Mm

    18. SP

      ... strategy.

    19. JS

      Yeah.

    20. SP

      So like actually being happy sometimes feels like a violation of my survival strategy.

    21. JS

      Wow.

    22. SP

      And that's a big thing to like, can I let go of that? And sometimes I can, and then sometimes I totally can't.

    23. JS

      Yeah, and it's so interesting how, thank you for going there, because it- it's so interesting how those things that make you successful and make you organized-

    24. SP

      Yes

    25. JS

      ... and make you good, great at what you do-

    26. SP

      Yeah

    27. JS

      ... they, everything comes as this double-edged sword of stopping you from-

    28. SP

      Sure

    29. JS

      ... having an experience. And then at the same time, there's a beauty to how you feel because it's wonderful that you feel a sense of responsibility and-

    30. SP

      Yeah

  34. 1:22:331:24:18

    Exploring an Ayahuasca Experience

    1. SP

      And, and then at the end, after this, you know, long experience, uh, you know, you're like, you're vomiting, you're, you know, you're, you're, you know, you're, you've gone through it. I don't recommend this to anyone, by the way-

    2. JS

      [laughs]

    3. SP

      ... 'cause it's crazy, and I feel like, uh, I don't know if it's safe for people. Uh, you know, so it's not anything you can say to do.

    4. JS

      Yeah. [laughs]

    5. SP

      But at the, but the, but the end of it, like I had this like image of Jesus, which is weird 'cause I'm Jewish, and so it's not like the thing that I would think of. And suddenly I see Jesus on the cross at the end of this like eight-hour trip, and in my head I'm like, "Oh, I get what that is. It's, uh, he's there for us, and we should be there for each other."

    6. JS

      Mm.

    7. SP

      And the whole idea of it just like landed with me.

    8. JS

      Mm.

    9. SP

      And I thought, "Oh, I guess that's it. It's just like being there-

    10. JS

      Mm

    11. SP

      ... for other people."

    12. JS

      Mm.

    13. SP

      And, and that's the one thing that I try to go back to.

    14. JS

      Wow. That's beautiful. Where did you go to do ayahuasca?

    15. SP

      Uh, I did it in the state of California. [laughs]

    16. JS

      Oh, okay. Okay.

    17. SP

      I'm pretty sure it's illegal.

    18. JS

      Yeah. [laughs]

    19. SP

      [laughs]

    20. JS

      That's amazing.

    21. SP

      But uh, but it definitely was, y- you know, for me, very meaningful-

    22. JS

      Yeah

    23. SP

      ... experience.

    24. JS

      Did you ever do it again? Oh, no, that was the only-

    25. SP

      Um, I had done it one time before, but I got really scared and took very little.

    26. JS

      Yeah.

    27. SP

      And uh, which is a, a mistake because if you take very little, you're not having the experience, but the shaman is-

    28. JS

      [laughs]

    29. SP

      ... because the shaman takes the ayahuasca also.

    30. JS

      Yeah.

  35. 1:24:181:28:05

    The Secret to a Lasting Marriage

    1. SP

      Yeah.

    2. JS

      That's, that's pretty powerful.

    3. SP

      Yeah. No, it, it, it really was, and I tried to take it seriously and, and, and hold onto it. And the funny thing was that after ayahuasca, for about six, eight months, I would wake up, and it was as if my mind had been working on problems all night, and when I woke up, it was like telling me what it had figured out.

    4. JS

      Mm.

    5. SP

      And so I would just like wake up to these like messages.

    6. JS

      Mm.

    7. SP

      And so I'd be like asleep, and then I would get up, and in my head I would hear, "You're not doing any of the things that you ask Leslie to do."

    8. JS

      Oh. [laughs]

    9. SP

      Oh. [laughs]

    10. JS

      [laughs]

    11. SP

      You know, things like that. You know, like-

    12. JS

      Yeah

    13. SP

      ... you know, all, you know, all that matters is love or, you know, what- whatever it was, but like it was different every day.

    14. JS

      Wow.

    15. SP

      And it really felt like I was stepping into a conversation, you know, that was happening.

    16. JS

      Wow.

    17. SP

      And it, it, and then, then it finally faded.

    18. JS

      And then you realized it was just Leslie saying-

    19. SP

      [laughs] Whispering in my ear.

    20. JS

      Yeah. [laughs]

    21. SP

      [laughs]

    22. JS

      That's amazing.

    23. SP

      Yeah.

    24. JS

      What... You've been married for 28 years. I mean-

    25. SP

      27. Yeah, yeah, yeah

    26. JS

      ... 27.

    27. SP

      Yeah, yeah, yeah.

    28. JS

      You've been married for 27 years.

    29. SP

      Yeah. Mm-hmm.

    30. JS

      What's the secret to a 27-year marriage that looks happy and-

  36. 1:28:051:30:07

    Lessons to Share with Children

    1. JS

      wonderful. It's like-

    2. SP

      Yeah. I mean, it's terrifying also because you, you put yourself out there.

    3. JS

      Yeah.

    4. SP

      And so you, so, so if you go, "Okay, we're gonna make a movie as a family-"

    5. JS

      Yeah

    6. SP

      ... "and the kids too."

    7. JS

      Yeah.

    8. SP

      On some level, it's crazy-

    9. JS

      [laughs]

    10. SP

      ... 'cause it's like, well, if this goes bad, this is a worldwide humiliation.

    11. JS

      [laughs]

    12. SP

      You know? So I would really feel the pressure-

    13. JS

      Yeah, yeah

    14. SP

      ... you know, as the captain of it, to not make anyone l- you know, look terrible or-

    15. JS

      Yeah

    16. SP

      ... you know. And but I also think it made it better because I ju- I just cared at such a high level. They obviously cared and, and, and did an amazing job, but-

    17. JS

      I think it did the opposite, yeah

    18. SP

      ... it really, like, focuses you.

    19. JS

      Mm.

    20. SP

      And then you're having kind of an amazing conversation about what do we wanna say-

    21. JS

      Yeah

    22. SP

      ... you know, about life, about relationships, about marriage, about kids. And so, you know, for years we have common purpose.

    23. JS

      Mm.

    24. SP

      And I think that was, you know, the best part about it, was really all of us as a family moving towards the same goal.

    25. JS

      Yeah. That's so special. I love seeing that. And I know you were recently... You know, just seeing your daughter-

    26. SP

      Mm-hmm

    27. JS

      ... have, have her moment-

    28. SP

      Yes

    29. JS

      ... both of them have their moments. It's like, it must be so fulfilling. What do you think was the most important lesson you taught your children when they were young that you see them mirroring today?

    30. SP

      Leslie and I tried to tell Iris and Maud that the most important thing is, uh, you know, to care about the work and be passionate about it and to be, uh, proud of what you're saying in it, and that all that matters is that, and that you shouldn't take any work just for your career. You shouldn't, you know, try to figure out how to get successful, that it'll, it'll always come because you have something to say and something that, that you wanna express, that you're, that you feel good about.

  37. 1:30:071:31:48

    Being Direct Yet Constructive

    1. JS

      Yeah

    2. SP

      ... to them many times, like, "If this isn't fun for you..." Because it's, it is hard. It's hard on the people who have a creative life-

    3. JS

      Yeah

    4. SP

      ... because, you know, you can go through periods where you're like, "No one understands me anymore." [laughs]

    5. JS

      Yeah.

    6. SP

      And, uh, and then suddenly it's better again. And, uh, it's, it's, uh, it's like being an adrenaline junkie-

    7. JS

      Mm

    8. SP

      ... in a way, and you don't, you don't want them to experience it in that way. You want them to be proud of, of what they're contributing.

    9. JS

      Yeah.

    10. SP

      But it's hard to explain that to kids. Like, you know, "It's all about you're making a contribution."

    11. JS

      [laughs]

    12. SP

      They're like, "What?"

    13. JS

      Yeah. [laughs]

    14. SP

      You know? Uh, because it, like, took me decades to realize, like-

    15. JS

      Yeah

    16. SP

      ... you know, every once in a while someone will walk up to me and tell me they like something that I did, or it made them laugh-It's easy to not take that in. But, uh, but when you do and go, "Oh, that is the only reason why I did it."

    17. JS

      Yeah.

    18. SP

      Because this person I bumped into has watched it 11 times.

    19. JS

      Yeah.

    20. SP

      And it's the thing they turn to that makes them happy.

    21. JS

      Yes.

    22. SP

      Like, that's actually the only reason to do it.

    23. JS

      Absolutely.

    24. SP

      That and to be able to eat.

    25. JS

      [laughs] Yeah.

    26. SP

      You know?

    27. JS

      How do, how do you try and let people down lightly when you're rejecting them? I imagine people-

    28. SP

      Hmm

    29. JS

      ... are pitching you crazy ideas-

    30. SP

      Yeah

  38. 1:31:481:34:07

    Finding Drama in Good People

    1. SP

      is the worst idea."

    2. JS

      [laughs]

    3. SP

      We'd go onto another idea, and he would go, "But what if this, and what if that?" And-

    4. JS

      Yeah

    5. SP

      ... and he never seemed annoyed. He seems fascinated by the thought and like, "Could it work if you did this? Does she have to be a that?" And, uh, I think when you do that to people, even when you say, uh, you know, "I don't wanna make your movie," but you give them, you know, the time to say, "Here's why I'm not passionate about it. Here's what's interesting about it." Uh, because the truth is, you know, I've turned down things that became big hits and-

    6. JS

      Yeah

    7. SP

      ... and that's happened to me. It doesn't mean I'm right. It just means that I don't connect to it.

    8. JS

      Yes.

    9. SP

      You know? Someone else might.

    10. JS

      What, what was one of the ones that got away that-

    11. SP

      Um

    12. JS

      ... you may not have loved but went on to do something great?

    13. SP

      I don't know. I can't think of one off the top of my head. You know, usually, usually it's 'cause I don't move fast enough.

    14. JS

      [laughs]

    15. SP

      Someone sent me a script, and it took me too many days to read it, and then they sold [laughs] it to somebody else.

    16. JS

      Yeah.

    17. SP

      Yeah.

    18. JS

      Yeah. That's, uh... Yeah, I... But I like what you said, that it's not about... Because it's not about whether it's successful or not, it's about whether it's meaningful to you or not.

    19. SP

      Mm-hmm.

    20. JS

      That is such a great metric, because if it becomes about what's successful, I mean, there's gonna be a million things that are successful, and you're gonna miss out on all of them because-

    21. SP

      Yeah

    22. JS

      ... there's so many things that are successful every year. But if it's meaningful to you, you wanna be involved, and I think that's such a great lesson. I find when I speak to anyone who's creative of, you know, w- we had Rick Rubin in here, and, and it was talking about music in that way. And when I'm talking to you, I'm like, I feel like I'm understanding comedy-

    23. SP

      Mm

    24. JS

      ... in a, in a different way because this isn't just... It, it's never been as simple as, "Oh yeah, we're just trying to, just trying to make that person laugh." It's like there's, there's so much more... There's just so much more deep intention behind what you're creating and how you're doing it.

    25. SP

      Well, I love Rick Rubin's book.

    26. JS

      Yeah.

    27. SP

      Uh, and, you know, years ago, Garry Shandling said to me, "You should get to know Rick Rubin." Uh, he's like, "I think... I, I don't know, I think there'd be something there."

    28. JS

      Yeah.

    29. SP

      And so I got to know Rick, and he would show me music, and I put some music from the band the Avett Brothers in This Is 40 that he had played for me. And then one day he said, uh, "They're about to do a new record with me. You sh- you might wanna do a documentary or something." I th- And, and I thought, "Well, I, I- maybe I should do it because Garry

  39. 1:34:071:38:09

    Why Mentorship Matters

    1. SP

      said."

    2. JS

      [laughs]

    3. SP

      You know, Garry was my mentor and, and I'm gonna follow that. I'm gonna follow that through as if it's like a, a message from Garry.

    4. JS

      Hmm.

    5. SP

      And then I, we followed, me and my, my friend Michael Bonfiglio followed the Avett Brothers around for a couple of years and made this movie called May It Last-

    6. JS

      Oh

    7. SP

      ... about them making a record with Rick.

    8. JS

      Okay.

    9. SP

      And it was about two, these two guys, um, uh, who, uh, who are just good guys. [laughs] And it was a funny thing 'cause we were making this documentary, and we're like, "Where's the drama?"

    10. JS

      Yeah. [laughs]

    11. SP

      'Cause it's, like, two good guys making music-

    12. JS

      Yeah

    13. SP

      ... and working with Rick. Uh, and, um, and we realized, well, that's the point of the movie. It's almost like a meditation on creativity, and that, like, some people aren't assholes.

    14. JS

      [laughs]

    15. SP

      Some people are kinda great.

    16. JS

      Yeah.

    17. SP

      And then we thought, oh, that's kind of a beautiful thing.

    18. JS

      Yeah.

    19. SP

      If we could figure out how to make this like, uh, you know, fascinating-

    20. JS

      Yeah

    21. SP

      ... uh, about a band being good to each other.

    22. JS

      Yeah.

    23. SP

      And so I, I, I always think about, about Rick.

    24. JS

      That's so funny. I didn't know that. I, I loved what you said there, you talking about obviously Garry being one of your mentors. How, how important have mentors been in your life?

    25. SP

      Y- gigantic. I mean, the, the entire, the entire thing. When I, I look back, I'm, I'm so grateful, you know, that, you know, I bumped into Garry at a comedy club, and he asked me to write jokes for him for the Grammys, and then hired me at The Larry Sanders Show. Then he asked me to co-run it the last year. Then he asked me to direct it. I'd never directed before. And, you know, so he was like a real angel who just believed in me and kept giving me opportunities. And now I look back and go, "Wow, those are giant opportunities." I didn't know anything. He really taught me everything.

    26. JS

      And how do you explain those? How do you make sense of that now when you reflect on those huge moments that he gave you when you were learning the ropes?

    27. SP

      I mean, I remember, like, he, you know, he wanted to hang out when, when I was young and writing jokes for him. And, and, um, he was living with Linda Doucett, and, and I would go over there and, like, just eat with them sometimes and just watch TV. And he was beginning to develop The Larry Sanders Show, and he would show me auditions and, and, and scripts. And I remember thinking, "Why is he doing this?"

    28. JS

      [laughs]

    29. SP

      You know? Like [laughs] like it was hard for me to go, "Oh, he's just a, a good guy."

    30. JS

      Yeah.

  40. 1:38:091:47:08

    Judd on Final Five

    1. JS

      Like, that seems-

    2. SP

      Yeah

    3. JS

      ... to be something you live on.

    4. SP

      Yeah, and it's the fun part, too. I mean, it's, y- you know, I, I like to do it. A lot of it is from Gary, but also it's really fun to work with somebody who is very inspired and needs some help understanding what they're doing.

    5. JS

      Yeah.

    6. SP

      But, you know, they're doing something amazing, and you can help them, and you go, "Oh yeah, just... I could give them some of the wisdom that I learned over the years, and this person can actually pull off the thing that they're trying to do."

    7. JS

      Yes, yes.

    8. SP

      Like, they're good enough without me, but I can make this way easier if I say, "Watch out for this. Watch out for that."

    9. JS

      Yeah. That's beautiful. Judd, it has been amazing learning from you. I feel like I've gained so much wisdom about whether it's the comedy industry, whether it's about resilience, whether it's about breaking through barriers, believing in yourself even when you don't, uh, all the way through to just how much work that you've done. Uh, we end every On Purpose interview The Final Five.

    10. SP

      Mm-hmm.

    11. JS

      These question have to be answered in one sentence maximum.

    12. SP

      Okay.

    13. JS

      Although I break that rule often, so-

    14. SP

      Okay

    15. JS

      ... we'll, we'll see how well we do. But Judd Apatow, these are your final five. The first question is, what is the best advice you've ever had or received?

    16. SP

      Don't live in here, live in here.

    17. JS

      Mm.

    18. SP

      Ram Dass said that to me when I interviewed him for his podcast. He goes, "Here bad, here good." [laughs] Yeah.

    19. JS

      Tell me about your interview with him.

    20. SP

      I- they asked me to interview him, and, uh, it was over Zoom. And in the middle of it, Gary Shandling-- I invited Gary Shandling to sit in, and halfway through he showed up, and the two of us were just trying to make him laugh, saying dumb jokes. You know? [laughs]

    21. JS

      [laughs]

    22. SP

      We were like, "Are you mad at Eckhart Tolle?"

    23. JS

      Yeah.

    24. SP

      "'Cause you're, like, the, the be here now guy, and he's, he's the now guy."

    25. JS

      Yeah. [laughs]

    26. SP

      Like, you know? And he was just laughing. Um, but he also said, you know, "I am loving awareness." And, you know, he said a lot of things that were really reducible at that... Anytime I think about them, you know, deeply-

    27. JS

      Mm

    28. SP

      ... affect me. And the other thing I noticed about it, I have a photograph of, of me and Gary. Uh, it, you know, it's like a still of our side of the Zoom.

    29. JS

      Yeah.

    30. SP

      And in the, in the photograph, Gary looks purely happy.

Episode duration: 1:47:08

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