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Joe Rogan Experience #1264 - Timothy Denevi

Timothy Denevi is a professor in the MFA program at George Mason University and he is the author of "Freak Kingdom: Hunter S. Thompson's Manic Ten-Year Crusade Against American Fascism."

Joe RoganhostTimothy Deneviguest
Mar 13, 20191h 28mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:0015:00

    ... five. You get…

    1. JR

      ... five. You get less enthusiastic with-

    2. NA

      I don't know, maybe.

    3. JR

      ... after it's been a few times.

    4. TD

      (laughs)

    5. JR

      You're like, you're not really... We're live? Alright, we're live. What's up, man? How are you?

    6. TD

      (laughs) Good.

    7. JR

      Thanks for doing this.

    8. TD

      Thanks for having me.

    9. JR

      My pleasure. Uh, sorry for the false starts. We've been having issues with our equipment. Good to see you though, man. What's up?

    10. TD

      Good to be here and talk Hunter Thompson.

    11. JR

      My, my pleasure. Um, so your book, Freak Kingdom.

    12. TD

      You know, we live in, uh, interesting times right now. It's kind of a, kind of a shit show at every single moment.

    13. JR

      Keep this about a fist from your face. Pull that sucker-

    14. TD

      Do I-

    15. JR

      There you go. Perfect.

    16. TD

      What should I do with my hands? Should I put 'em up just like that?

    17. JR

      You can do whatever you want with your hands, man.

    18. TD

      But I shoot with this one. (laughs) Um-

    19. JR

      What is, what is all this, uh, you got a lot of writing.

    20. TD

      Well, when I... When I wrote the book, I wanted to make sure my sentences never sounded like Thompson's sentences.

    21. JR

      Oh, right, right.

    22. TD

      But when... So I didn't write out a lot of his sentences, but this morning before coming on, I went and got some of my favorite quotes and just wrote 'em out longhand to get a sense of what his, uh, what his perspective was and rhythm was again.

    23. JR

      Didn't he do that with The Great Gatsby? He-

    24. TD

      He did it like a few times.

    25. JR

      Yeah.

    26. TD

      He did it by hand, he like typed it out.

    27. JR

      Yeah. I love that idea that he was trying to find like the rhythm of the words. That's such a fascinating notion because comedians do that. In the early days of comedy, like a lot of guys, um, in, like before they ever start going on stage themselves, they'll imitate their favorite comedian's bits. Like they'll do a Richard Pryor bit, and they'll do it to their friends and they'll get, get a sense of the rhythm and the timing and get those laughs from doing a Richard Pryor bit to their friends, and then they get that bug. It's like part of what infects them.

    28. TD

      I mean, that's the hardest thing to steal. We're not plagiarizing, but we're trying to understand what decisions they made-

    29. JR

      Yeah.

    30. TD

      ... to create beautiful work.

  2. 15:0030:00

    Mm-hmm. …

    1. TD

      our tourist, um, you know, economy." You know, "Let's, um, you know, not have or not adhere to normal, like, civil rights laws." And so Thompson, you know, in a participatory democracy, almost a Jeffersonian democracy, um, way, ran for sheriff by emphasizing personal agency and, most of all, trying to get out the youth vote, like people who had left the political system but were living in Aspen, a lot of people wh- like hippies, who had fled the cities in the late 1960s and were living, you know, in the, in the West. And he got them involved, and they should have won the mayor- mayoral campaign with, uh, Joe Edwards then.

    2. JR

      Mm-hmm.

    3. TD

      Thompson was the director of that. And they lost by like six votes. Then when he ran for sheriff, it got really bad. And he talks about this in Fear and Loathing on the Campaign Trail later, is that a few nights before, both parties, the Democrats and the Republicans freaked out. And so the Democrats said, "All right, we'll kind of throw our weight behind you, the Republican sheriff, and then you Republicans will throw your weight for county manager behind our candidate." And so Thompson ended up losing by like 200 or 300 votes. And so in Fear and Loathing in Las Vegas: On the Campaign Trail in 1972, he's, um, at the Nixon campaign. Um, Nixon's giving his acceptance speech at the convention. Thompson's with the Nixon youth, who are about to do a demonstration. And he says like, you know, "I'm not a journalist. You can't kick me out. Like, I'm a political observer." He's like, "Have you ever run for office?" And the Nixon guy is like, "No, have you?" And Thompson's like, "Sheriff, and I would have won, but the liberals stuck it to me."

    4. JR

      (laughs)

    5. TD

      And he was right. (laughs)

    6. JR

      I love how he shaved his head, too-

    7. TD

      It's great.

    8. JR

      ... so he could refer to his long-haired opponent. (laughs)

    9. TD

      My long... I mean, that was a great... That debate... Like, so in the book, I at- I recreate that debate a lot, like, 'cause-

    10. JR

      Mm-hmm.

    11. TD

      ... there's transcripts of it. That debate is brilliant.

    12. JR

      It is brilliant.

    13. TD

      To- Thompson is amazing at that.

    14. JR

      Yeah.

    15. TD

      The guy's like, "I've only used my gun once in 10 years, but I'd like to have it." And Thompson's like, "Well, if you've used it once in 10 years, maybe you don't need it. We could try not having it." You know, and his-

    16. JR

      Yeah.

    17. TD

      ... his gun rights, um, views were very complex and changed after Bobby Kennedy's death. But he was so intelligent on stage-

    18. JR

      Mm-hmm.

    19. TD

      ... with this sheriff who's like, "I just want this job real bad," and like gulping, like, you know, it couldn't-

    20. JR

      Yeah.

    21. TD

      ... he just was eviscerated by Thompson.

    22. JR

      Yeah. You know, i- it's, uh, it's a really interesting... The, the documentary, uh, that follows the campaign and when you get to see him, you know, heartfelt and... when he loses. And you got a sense of what... that there was real hope back then-

    23. TD

      Yeah.

    24. JR

      ... like, that if these guys could do that... And what's interesting now is, um, you know, back in the '70s, they really did have a freak community in Aspen. That shit's gone now. I don't know what happened.

    25. TD

      The billionaires have replaced the millionaires, is what I was told-

    26. JR

      (laughs)

    27. TD

      ... when I went out to do research.

    28. JR

      It's a weird place, man. You go to Aspen, you see these, like, $20 million houses, and people, like... It's one of the rare places where people still wear fur coats, you know? (laughs)

    29. TD

      (laughs) Not ironically or fake, but real fur coats.

    30. JR

      Well, if you wear a fur coat in LA, first of all, it's never cold enough for a fur coat.

  3. 30:0045:00

    Mm-hmm. …

    1. TD

      years... I mean, he'd hated Nixon since the Checkers speech, you know, when, um, Nixon was VP for Eisenhower. He'd hated Nixon since 1962 when Nixon lost the, um, California, um, uh, uh, governor, um, ship and said, "You and the press, you've been giving me the shaft for so long, like, you won't have Dick Nixon to kick around anymore."

    2. JR

      Mm-hmm.

    3. TD

      Like, Thompson had seen that Nixon was somebody who said, "I'm just the poor son of a butcher. I'm just this, like, very hardworking, you know, d- American that represents all of us." Where behind that, like, he was a politically, um, you know, ravenous monster who was anti-communist, who would go to any extent to win. And Thompson saw that, and Thompson knew that other people saw it. And in 1964 at the Barry Goldwater Convention in San Francisco, my favoritely named arena of all time-... the Cow Palace. Um, Barry Goldwater was gonna speak to accept the nomination and what happened was Nixon was introducing him. It was Nixon's way back from the wilderness. Thompson was a few rows back. It was the first time Thompson, I think, was that close to see him live. And Nixon's like, "You know, I'm a poor son of a butcher. Don't think about me. Just think about Barry Goldwater, Mr. Conservative, who will become Mr. President." And Thompson was like, "Fuck. Everybody here knows he's lying, but they think that that act of lying is a skill." In the way a used car salesman who lies-

    4. JR

      Hmm.

    5. TD

      ... but can make a lot of money off it-

    6. JR

      Right.

    7. TD

      ... is skillful. The way that Trump, by selling steaks to people and then they go bankrupt and he gets rich. That's an American skill. And Thompson sensed that from the start with Nixon. And so I think he battled against Nixon for a decade, for a lot of years. And when Nixon left, I think he felt spent. And so I tried not to focus on the later... You know, I ended then, in '74, 'cause I think it- it's- it... He wrote some beautiful things afterwards. He was still a great-

    8. JR

      He definitely, he definitely had some moments where he decided to not do the assignment that he was supposed to do, and it was kinda sad. Like, um, the Ali-Foreman fight, I think.

    9. TD

      He fucking floated in the pool.

    10. JR

      Yeah, he floated in the pool with a Nixon mask on, flew all the way to Africa.

    11. TD

      And it's one of the greatest sports moments.

    12. JR

      Yeah.

    13. TD

      It was like game six of, um, you know, um, you know, the Boston Red Sox versus the Reds.

    14. JR

      Well, I think Ali was something different to people than I think it's... Uh, I don't think we have someone like that today, so it's very difficult for, for us to understand. People today look at Ali and they go, "Oh, he was a heavyweight boxing champion." He was way more than that. He was a, a cultural figure that represented the resistance to the Vietnam War, and re- represented it with the biggest loss that any public figure had ever shown, and willingly.

    15. TD

      Yeah.

    16. JR

      Gave up three years of his career-

    17. TD

      Yes.

    18. JR

      ... in his prime from age 27 to 30, from 1967 from the Cleveland Big Cat Williams fight. He didn't fight again for, uh, three years. He didn't train. He didn't do anything. They kept him from his career, while... when he was in his prime, when he was the best heavyweight of all time. And he spoke publicly and often, and, and he was fucking hated all over the country, but he represented something different. Like, uh, my parents were hippies and when I was a little kid, he lost to Leon Spinks and the rematch was on television. My parents never watched TV-

    19. TD

      (laughs)

    20. JR

      ... and they definitely never watched boxing, and they- they- they sat in front of that TV to watch that. I'm ne- I remember thinking, "I can't believe my parents wanna watch a boxing match." Like, "This is crazy." And I was probably, like, I don't know, maybe eight or nine years old or something at the time. And I just remember thinking, "I d- I can't believe my parents wanna watch a boxing match." And that's really when it sunk into me at a really early age that this guy was not just this heavyweight boxer. He was, he was a, a cultural icon. He was a historical figure. He meant, he meant a lot. And to Hunter, he meant a lot. He meant something, something much bigger than just, just a boxer. And so Hunter thought he was going to a death sentence. George Foreman had crushed Joe Frazier. He crushed everybody. I mean, he was so powerful. George Foreman, to this day, is one of the all-time scariest heavyweights of all time, with- without a doubt. He, he could hit so fucking hard and literally pick guys off their feet. He hit Joe Frazier and lifted him off his feet with a punch.

    21. TD

      I remember.

    22. JR

      And, uh, e- everybody was convinced that that was gonna happen to Ali, that Ali had been past his prime. And look, just look at what George Foreman had done to Joe Frazier. What is he gonna do to Muhammad Ali? And Ali just rope-a-doped him until he got tired and then fucked him up in front of the whole world.

    23. TD

      That's one of the greatest athletic moments. I mean, we forget that athletes, athletes like Curt Flood, you know, they, they risked in a way-

    24. JR

      Who was that?

    25. TD

      Curt Flood was the, um, American baseball player who challenged the reserve clause, 'cause in baseball, you weren't allowed to, um, get free agency for another team, and Curt Flood was this great player, and he was like, "I'm gonna sit out and I'm gonna wait." Athletes like Colin Kaepernick, they've sacrificed their career. It's not the same with Muhammad Ali, who was like Babe Ruth and Barry Bonds-

    26. JR

      Hmm.

    27. TD

      ... and, like, everybody combined at that one moment.

    28. JR

      Right.

    29. TD

      And, but he was risking... It's the opposite of Trump. Trump used his celebrity to become this even more mangled version of himself and get more power.

    30. JR

      But he-

  4. 45:001:00:00

    Mm-hmm. …

    1. TD

      through media, the way it was picked up by other newspapers, really did help change the people's perception of Ed Muskie, E- Big Ed Muskie-

    2. JR

      Mm-hmm.

    3. TD

      ... as, uh, Thompson called him at the time.

    4. JR

      Now, he, when he wrote Hell's Angels, he hadn't really totally formulated that sort of gonzo style of journalism, but he did have a little bit of fiction mixed in with that, and that sort of ran him afoul of the Hel- Hells Angels. They were very upset by that, right? Like he, he did write some things in there that they claim were not accurate.

    5. TD

      I think that when it came to Hells Angels, um, what Thompson did really well is what Joan Didion did really well. He took the way the media was portraying somebody and he stripped that off and said, "This is who they actually are. This is what they're actually doing." Joan Didion, when she writes about Jim Morrison in The White Album, she's like, "Jim Morrison was like sex and death in his leather pants. It was the best thing ever. Everybody loves Jim Morrison." And then in the scene in The White Album, Joan Didion writes about how they sit at a recording studio for two hours and nobody says anything and they eat eggs out of a paper bag and it's a fucking nightmare. Thompson knew that the media was sensationalizing the Hells Angels. He went to them, um, on a cold night in San Francisco, um, down by the, um, waterfront, and he said, "Hey, here's a Newsweek article, here's a Time article. Here's how everybody's writing about you. All I wanna do is write the truth about who you are." And he did, and he ended up writing with them, um, and he ended up spending time with them. I don't think they got as mad at him about the way he portrayed them. I think they got mad that he began to make money or that he became famous. Hells Angels sold 500,000 paperback copies. That is almost impossible to imagine today. 500,000 paperback copies of a literary book, and the Angels were pissed off about that. They felt Thompson owed him more money or owed him something for that. When it came to the truth of it all-

    6. JR

      Did he pay them at all? Did he give them any money?

    7. TD

      Well, Sonny Barger, Sonny Barger's so ridiculous. Sonny Barger said he owed us a keg and he didn't give us a keg.

    8. JR

      That's it?

    9. TD

      You know, and the, the famous story at the end of it is that, that i- I mean, really, like when they go through it, it w- He said that, he said that Thompson was doing a subjective version of us-

    10. JR

      Mm-hmm.

    11. TD

      ... but it was at least closer than the shitty Newsweek and Time versions.

    12. JR

      Right.

    13. TD

      And so Thompson, at the end of, he'd finished the book, barely made the deadline. Had to go down to a hotel in Monterey, lock himself in, stay up for 100, um, hours straight and write it in March of, uh, '67 to finish it. So he turns it in, makes his, um, advance deadline. In September, they're like, "Here's our author photo." And it's shitty. And he's like, "Fuck this." So he goes to a Hells Angels rally. He doesn't know anybody 'cause he hasn't been with them for six or seven months. He's taking pictures. That's when he got beat up-

    14. JR

      Hmm.

    15. TD

      ... for writing about the Hells Angels. And he, Tiny, his friend, who later committed suicide after Altamont, after being involved in the Altamont security situation, Ti-

    16. JR

      That's the Rolling Stone one where the guy got stabbed?

    17. TD

      Yes, yes. Where Meredith Hunter was stabbed. But Tiny-

    18. JR

      Ma- It was a woman that got stabbed?

    19. TD

      Man. Meredith Hunter.

    20. JR

      Oh.

    21. TD

      Um (laughs) , it was a man named Meredith. Um-

    22. JR

      That was back in the day when you can name your kids Meredith, right? Like-

    23. TD

      (laughs)

    24. JR

      ... Marian. Marian's another one.

    25. TD

      (laughs)

    26. JR

      Right?

    27. TD

      Um-

    28. JR

      Lindsey.

    29. TD

      Lindsey?

    30. JR

      Some guys are Lindsey. I got no one to speak. Give me one. Jamie. Oh, yeah. (laughs) But Jamie's normal.

  5. 1:00:001:04:41

    Mm-hmm. …

    1. TD

      so people could see it. And it was because I wanted those people that knew him well and respected him and trusted him to not think that I was in any way trying anything but to make good art off-

    2. JR

      Mm-hmm.

    3. TD

      ... of his life and who he was, trying to respond to my fucking view of Trump right now and my love of his work in this moment.

    4. JR

      Um, why, why do you say it almost killed you?

    5. TD

      Uh, it's not possible to write a narrative and then also cite every detail of the narrative. So each day, I would spend nine hours researching and outlining with citations. Every... I wanted to write it like a novel.

    6. JR

      Mm-hmm.

    7. TD

      I wanted to be like, you know... "And at that moment, I felt like I, and I s-... The machine oil from the bay was coming off." I wanted to write it vividly.

    8. JR

      Mm-hmm.

    9. TD

      I knew that I had to support all of that. And so I would spend eight or nine hours every day just on the pure, um, arrangement and research. And then for the next six or seven hours or eight hours, I would write the narrative, and then I'd sleep for five or six hours, you know, and get up, and I would do it again. And I did this for four or five months, you know, after I was deeply into it. And I, I don't think that's sustainable. I think it's better (laughs) in retrospect to go and report somewhere-

    10. JR

      Mm-hmm.

    11. TD

      ... you know, to, like, go and be at the middle of Congress and take notes. But to try to write something with a dramatized nature that I think Thompson wrote well and having my prose sound nothing like his... You know, I wanted my prose to sound nothing like the way he wrote. But then to also have almost as many pages of notes showing my work, you know?

    12. JR

      Mm-hmm.

    13. TD

      Like, showing the math that went behind it.

    14. JR

      Right.

    15. TD

      So if I'm wrong, I'm wrong, but at least you can see it. I think that was morally correct, but I think that was too much effort (laughs) when it comes to taking a book-

    16. JR

      Was it just because you were trying to do it in a short period of time? Did you have a crazy deadline or something?

    17. TD

      Yes, but I also, I had a year. And so... You know, and I had a family, and I had a, uh, I'm a professor. Like, I, I just, I'd never, when it came to writing, had to do both those things, which was to try to write it in a, in a, um, novelistic way, but then to also make sure that any question the reader would have... "But, like, why did you think that the dinner was at 5:00 PM?"

    18. JR

      Mm-hmm.

    19. TD

      You know? Or, like, you know, "Why, why did you think the sun was coming up in this way at this moment?"

    20. JR

      Right.

    21. TD

      ... to make sure, 'cause out of respect, 'cause what Thomson talked about was people making money off him, like Doonesbury.

    22. JR

      Yeah.

    23. TD

      You know? Like, that's what he talked about, was people trying to make money off him. And if I was gonna write this book, it couldn't have, it couldn't be in that space.

    24. JR

      Didn't he have a lawsuit against Gary Trudeau?

    25. TD

      He thought about it, I think.

    26. JR

      He thought about it?

    27. TD

      I don't think he ever did it. He talked about it publicly.

    28. JR

      Yeah.

    29. TD

      I, I think it was just-

    30. JR

      Well, th- he became that guy, unfortunately. That's what's really weird. It's almost like-

Episode duration: 1:28:13

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