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The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #1421 - Jim Norton

Jim Norton is a stand-up comedian, radio personality, author, and actor. Check out his podcast the “Chip Chipperson Podacast” available on iTunes and the Riotcast Podcast Network. Look for Jim on "The Degenerates - Season 2" now streaming on Netflix.

Joe RoganhostJim Nortonguest
Feb 4, 20203h 5mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:002:03

    Podcast setup quirks: headphones, boards, and going live

    1. JR

      Three, two, one. Vancouver, April 20th, we're doing a 4/20 show. Cheeto Santino, Andrew Santino, Tony Hinchcliffe, and me at some big-ass arena. Go to joerogan.com. We're doing, uh, every year... Hi, Jimmy Norton.

    2. JN

      Hi, buddy.

    3. JR

      I do a 4/20 show. No headphones? You wanna do headphones or no headphones?

    4. JN

      I don't mind doing it-

    5. JR

      Casual?

    6. JN

      No, I don't, uh, I don't mind doing it.

    7. JR

      You do that weird thing with one in, one out.

    8. JN

      Well, I, well, I have to. I'm claustrophobic.

    9. JR

      Really?

    10. JN

      Yeah, it feels weird.

    11. JR

      You feel like the headphones are trapping you?

    12. JN

      I don't know. I, uh, I feel like I'm underwater. Like, I don't like the way that sounds, and now I know... Uh, that's better. I look like an asshole-

    13. JR

      Oh.

    14. JN

      ... but it, it feels better.

    15. JR

      A lot of people do that.

    16. JN

      Yeah.

    17. JR

      A lot of musicians do that, they'll do, like, one in, one out.

    18. JN

      It's the air, it's feeling the air. I don't know why. The pressure of the headphones, I just don't like it.

    19. JR

      I like to be trapped.

    20. JN

      You do?

    21. JR

      Trapped in the headphones.

    22. JN

      No, I don't care for it at all.

    23. JR

      Yeah. I like, uh, hearing the other person's voice right next to mine so I don't talk louder than they talk, we don't talk over each other.

    24. JN

      That's-

    25. JR

      That's what it does.

    26. JN

      That's professional, but I can't... Like, Howard, I heard, would do it where like, uh, they wouldn't even look at each other. Like, I have to be in the room looking at the person's mouth. Like, I, I don't like to do it.

    27. JR

      You wouldn't look at each other? What do you mean?

    28. JN

      No, I mean, uh, the way they were set up for the cameras, sometimes you're facing both kinda the same way because of the cameras. They weren't always-

    29. JR

      Oh.

    30. JN

      ... I don't think face to face. If you looked at his old setup, wasn't, like, Artie sitting behind him at one point?

  2. 2:035:14

    Why JRE stopped streaming live: clip pirates, copyright flags, and fair use confusion

    1. JN

      I like being live. We're live now too on w- on...

    2. JR

      Yeah.

    3. JN

      Yeah, I like being live.

    4. JR

      Right now on this? No, we're not live anymore.

    5. JN

      Oh, you don't do live anymore?

    6. NA

      No.

    7. JR

      No.

    8. JN

      Oh, okay. Yeah, 'cause I always liked the feeling of live 'cause if you fuck up, it's out there.

    9. JR

      No, there was companies that were, they were s- taking clips as we were live and uploading them immediately and building these huge channels with hundreds of thousands of subscribers.

    10. JN

      Oh.

    11. JR

      And you could use that for anything. They were selling things.

    12. JN

      Okay.

    13. JR

      They had links to stuff. They're basically building a business off of your clips.

    14. JN

      So you gotta be a little bit more...

    15. JR

      You can't let that happen, because-

    16. JN

      No.

    17. JR

      ... you also don't know what they're gonna turn that channel into. You know, they could turn that channel into anything.

    18. JN

      Right.

    19. JR

      It's like, it's... YouTube is still a little bit of, like, a Wild West sorta situation. Then there was also copyright issues. Like, you get three copyright flags in a w- in a row, they take your whole channel down.

    20. JN

      Yeah.

    21. JR

      And we had gotten a bunch of 'em. We've gotten 'em for clips that we show, we got 'em for pictures. Like, you have to try to figure out, like, what's, what are the, what're you allowed to do, what are you not allowed to do?

    22. JN

      What's fair use? And, like, is it fair use, mean they just don't come after you for it? Like, I don't, I don't know what that, what it means either.

    23. JR

      It's, it's not that clearly defined-

    24. JN

      Right.

    25. JR

      ... unfortunately. But it's also, you know, like... The, the, the internet in general, you know, at one point in time, you can kinda put an... Like, it, well, at one point in time with, if you went to YouTube, you would find all kinds of shit that was on people's channels that was copyright-protected stuff. M- TV shows-

    26. JN

      Right.

    27. JR

      ... movies, music, all kinds of stuff. And they've slowly started, you know, not s- well, not really slowly. Is that g- accurate to say? They've kind of eliminated a lot of that stuff now. But they're operating at an insane scale. Like, the amount of people that upload stuff to YouTube every day is, it's probably unimaginable. Like, if you could see it.

    28. JN

      You can't keep up with it, yeah.

    29. JR

      Like, if you had a giant screen in front of you and you saw all the videos that are be- instantly uploaded to, to YouTube r- at, at any given moment, you'd probably be like, "What?"

    30. JN

      Yeah.

  3. 5:147:15

    Old-school comics and communication: Don Gavin, phone guys, and silent ringtones

    1. JR

      Who's, is there people out there with no internet? You know, do you know who Don Gavin is?

    2. JN

      I, uh, d- funny you say Don Gavin. I literally, I know who he is from all you guys. The Boston guys love him. I just got him on Spotify, 'cause I've seen clips-

    3. JR

      Mm-hmm.

    4. JN

      ... and I'm like, Dane, uh, Cook put something up that Gavin is re-releasing an album.

    5. JR

      Yes.

    6. JN

      So I'm like, I wanna hear him really do standup 'cause I've really never watched him. He's so fucking funny. He's really good.

    7. JR

      Oh, he's great.

    8. JN

      Yeah, but I never, I never sat down and watched him do a set.

    9. JR

      Back in the day, he was the king. Like, when we were in Boston, he'd just sit back and you'd go, "Oh my God, I should quit. I should quit doing comedy."

    10. JN

      Yeah.

    11. JR

      He was so good. And, uh, he'd never sent a text in his life until he texted me to be on the show.

    12. JN

      Really?

    13. JR

      Yeah. Yeah.

    14. JN

      That was your, his first text was to you?

    15. JR

      Yeah, he's like, "It took me about a fucking hour and a half."

    16. JN

      (laughs)

    17. JR

      "I don't know what the fuck I'm doing here." Yeah, he's, um, he's so old school. Like, he d- he doesn't, just calls people.... and he, he'd never sent a text.

    18. JN

      Bob Kelly's like that, though.

    19. JR

      Really?

    20. JN

      Like, some guys are phone g- Bob Kelly's a phone guy.

    21. JR

      Mm-hmm.

    22. JN

      Like, uh, you'll text him and you just won't hear back, and, uh, he, he likes to fucking talk on the phone. I hate it.

    23. JR

      Ah, Joey Diaz does that too.

    24. JN

      He's a phone guy.

    25. JR

      Yeah. Joe, but Joey has a logic to it. He goes, "I wanna hear your voice." He goes, "I'm ins- I'm insecure. I don't wanna see no fucking text message." He goes, "I don't know what that is. What, what are you saying? I wanna hear your voice."

    26. JN

      (laughs)

    27. JR

      "I wanna hear the love in your voice."

    28. JN

      (laughs)

    29. JR

      I'm like, "Okay, that makes sense."

    30. JN

      It's also a great way to, uh, not have things recorded if you don't want them actually in print. But-

  4. 7:1511:44

    Aging, gratitude, and how success disappears overnight

    1. JR

      Dude, I was just thinking before you sat down, we've known each other for so long, and now we're like these old men on the radio. We've known each other since we were kids.

    2. JN

      Yeah.

    3. JR

      Like, when I first met you, we were both in our 20s, early 20s, young comics hanging around in New York, and now we're old.

    4. JN

      Yeah. We are old. I think the first-

    5. JR

      We're old men.

    6. JN

      ... we did a gig together-

    7. JR

      (laughs)

    8. JN

      ... and I remember it specifically. Uh, I think you featured, actually. I think I was the host and you were the feature, and you were doing a bit about Tyson and Robin Givens. And, uh, and I, I wanna say it was 1992, up in the, uh, mountains in Jersey for a guy named, uh, Pat Guarini. I could be incorrect-

    9. JR

      Hmm.

    10. JN

      ... but, uh, I think it was around 9-, Lake Hopatcong it might've been, 1992. But I'm pretty sure that was the year.

    11. JR

      Could be. Did a lot of gigs.

    12. JN

      Yeah.

    13. JR

      It's hard to remember.

    14. JN

      And you were close with a guy named John Tobin-

    15. JR

      Yeah.

    16. JN

      ... who I remember well. Yeah.

    17. JR

      Yeah. Yeah, it's, um... The passage of time is a strange thing, man. It really is. Because, uh, most of the time it doesn't seem like it's anything significant. It's just life. You get up when the alarm goes off, you, you eat breakfast, you put-

    18. JN

      Yeah.

    19. JR

      ... your clothes on. But then one day, you know, you're hanging out with someone like, like you, that I, I only get to see you, like, once a year, maybe twice a year.

    20. JN

      Yeah.

    21. JR

      And then I'm like, "Oh, yeah, look, we're old."

    22. JN

      Yeah.

    23. JR

      We're, we're fucking... The, the world keeps going-

    24. JN

      Yeah.

    25. JR

      ... and you keep, you keep on, keep on aging.

    26. JN

      But do you mind it? Like, I don't mind it because the more people you know that die, like, as you get older-

    27. JR

      Yes.

    28. JN

      ... they start dying-

    29. JR

      Yeah.

    30. JN

      ... not just from unnatural causes, but natural causes.

  5. 11:4415:27

    Shock comedy escalation: Opie & Anthony chaos, gross-out stunts, and ‘you couldn’t do that today’

    1. JR

      Well, you know, in a lot of ways, it's, there's this thing that people do, you know, we were talking about Ari before the podcast, where it's, you do things you're not supposed to do so people go, "I can't believe you're doing that."

    2. JN

      Yeah.

    3. JR

      And then there's this, like, thrill to that.

    4. JN

      There's a thrill to it, and then what happens is you have to keep upping it.

    5. JR

      Yes.

    6. JN

      You have to keep upping it.

    7. JR

      Yes.

    8. JN

      And s-... y- it's almost like you get a fear, like, "If I don't top last time, the people who like me are no longer gonna like me and I'm gonna lose this momentum I've picked up." You become afraid that the people who like you are gonna go, "You're a fraud! You're not doing what we want you to do."

    9. JR

      Yeah.

    10. JN

      So then you keep topping yourself and keep topping y- ... It's like the kid who eats bugs.

    11. JR

      Mm-hmm.

    12. JN

      You know what I mean? You know, then, then he's eating a roach, then the next thing you know he's fucking ... He's doing this because he, he's afraid of not topping himself, then all of a sudden, being ignored.

    13. JR

      Right. Like Pat, like the intern Pat.

    14. JN

      Oh, yeah. Pat Duffy.

    15. JR

      Pat Duffy. He was-

    16. JN

      Best.

    17. JR

      He ate c- ate cat shit. He drank people's vomit. (laughs)

    18. JN

      He, he was literally an indestructible fucking man. Like, if you, if you have to build a guy's ... like, in the military, he's the type of mentality you want.

    19. JR

      Oh, yeah. For sure. You wanna get him when he's 18-

    20. JN

      Yeah.

    21. JR

      ... and just turn him into a full sicko.

    22. JN

      Savage. Yeah.

    23. JR

      What is he doing these days?

    24. JN

      I don't know. I haven't talked to him. I don't know.

    25. JR

      What about Pat Fraumunaki?

    26. JN

      You know, I thought of him recently. He's on Twitter. I don't know exactly what he's do-

    27. JR

      Is he?

    28. JN

      I would love to have him ... Yeah. Pat Philbin, his name is. I would love to have him onto our radio show, uh, 'cause I miss Pat Fraumunaki a lot.

    29. JR

      Dude, that day where he did the baby burr, the day where they had the eggnog drinking contest-

    30. JN

      Yeah.

  6. 15:2718:14

    Structured radio vs real conversation: fake bits, cringe promotion, and Howard vs O&A

    1. JN

      Doesn't have to be controlled and regimented and, uh ... What do you wanna talk ... Is there anything worse when you go to a radio show? Like, w- w- like, what do you wanna...

    2. JR

      Oh, dude. I've done radio shows where they tell you they want you to bring up certain subjects where you have jokes, you know? There's, uh, uh ... Not even that long ago, man, like, less than 10 years ago, I did one of those, uh, n- national radio shows in the Midwest-

    3. JN

      Yeah.

    4. JR

      ... and they asked me to do that. And I was like, "What?" And the p- the producer got upset. And I go, "I don't do that."

    5. JN

      Yeah.

    6. JR

      I go, "I'm not gonna do that." And they're like, "We need subjects." Like, the guy was, like, pissy with me.

    7. JN

      Yeah.

    8. JR

      I'm like, "Oh."

    9. JN

      It's hard to do 'cause you feel embarrassed. It's like proc- ... You feel just, you feel dirty, like when someone's doing your bit and you know-

    10. JR

      Yeah.

    11. JN

      ... you're doing it and they're, "Ah-ha!" They're fake laughing.

    12. JR

      Right. Oh, it's the worst.

    13. JN

      And you go, "Oh, motherf- ... This is ... Who's enjoying this?"

    14. JR

      That's what radio used to be, though. What radio used to be, like, you would go on WAAF in Boston and, you know, you would talk to the guys and you would kinda work in your bits.

    15. JN

      Yeah.

    16. JR

      You know? And, like, everybody did it. Everybody did their bits, so it wasn't-

    17. JN

      Yeah, I guess it was a part of it, but I was never good at it.

    18. JR

      Well, y- 'cause you're authentic. But Opie and Anthony was the first, to me ... Like, Howard's show was m- much more controlled, you know? Howard's behind the mixer.

    19. JN

      Yep.

    20. JR

      He's kinda controlling everything. There was a certain amount of time that he would talk to you, and then other people would come in and then, you know ... He, he had, like, a, uh, a more, more of a structure. Whereas O&A, you would go in there and Anthony would have a gun and fucking ... You know?

    21. JN

      (laughs)

    22. JR

      Op- Opie's behind the mixer just s- sorta watching all this chaos go on and different comics come filtering in and, you know ... Man, remember the time Marion Barry walked in?

    23. JN

      Yeah. He was going on sway next door-

    24. JR

      (laughs)

    25. JN

      ... and we, we ... He was, like, a little out of it and loopy and we fucking, we just hijacked him.

    26. JR

      (laughs)

    27. JN

      And he kinda walked in like he had no idea who we were. It was really uncomfortable.

    28. JR

      And I knew he was gonna leave soon, so I immediately started asking him about crack.

    29. JN

      You went right into-

    30. JR

      (laughs)

  7. 18:1421:47

    Cancel culture, taboo words, and intrusive thoughts: when fear makes you slip

    1. JN

      So how do you handle this, man? This whole culture we're in, it's like i- i- it's, it's, it's not-It's not scary, it's more irritating. Like, anything you say, people k- who are looking to ... I don't mean if you say something horrible, they're gonna react like you said something horrible.

    2. JR

      Yeah.

    3. JN

      But anything you say, people are looking for a reason. Like, they're looking for something, because the high that they get is by going after you.

    4. JR

      Yes.

    5. JN

      And they're gonna know that they're high doing it.

    6. JR

      Did you see that lady that was talking about the Kobe Bryant death and she accidentally said the N-word? Because-

    7. JN

      Oh, she said nakers.

    8. JR

      Yeah.

    9. JN

      Nakers.

    10. JR

      Yeah. She was trying to ... She thought she was either saying the Knicks-

    11. JN

      Yeah.

    12. JR

      ... or the Lakers.

    13. JN

      Yeah.

    14. JR

      And she said the, the nakers.

    15. JN

      Yeah. I, I think she said the N-word, but she said, she said she said nakers, but I, I, you know, I, I, I think she said the N-word. I think it just ... It's almost like it's so taboo that it's in people's heads.

    16. JR

      Yes.

    17. JN

      Like, on Martin Luther, uh, King's birthday-

    18. JR

      Right.

    19. JN

      ... there's always an anchor that gets fired 'cause he can't remember that Martin, Luther, King, Junior are all separate words, and you should not conflate the last two or you're gonna get fucking fired. King and Junior, they put it together too fast-

    20. JR

      June.

    21. JN

      ... and it comes out wrong. Yeah.

    22. JR

      Yeah, yeah.

    23. JN

      That's what happens.

    24. JR

      That happens all the time.

    25. JN

      All the time.

    26. JR

      The word, the word coon is such a weird one too, because who the fuck calls Black people coons?

    27. JN

      That's a really old school-

    28. JR

      Old Southern-

    29. JN

      ... weird one, yeah.

    30. JR

      ... weird racist one.

  8. 21:4724:12

    De-radicalization by friendship: Daryl Davis and Jim’s teenage anti-Klan calls

    1. JR

      Yeah. I had this, uh, guy in here the other day, Daryl Davis, who's, uh, this guy right here.

    2. JN

      I, I think I s- I saw his picture, yeah.

    3. JR

      Yeah, this is his, uh, his music. He's converted 200 different KKK and, uh, Nazis to, to leave the organization. 200, by just hanging out with them and being friends with them. Just getting to know them. And a lot of people were like, "I never, never really sat down and had a drink with a Black guy before." He's like, "How is that possible?"

    4. JN

      Yeah.

    5. JR

      "How is that possible?" And so, just ... And he's a musician by trade. I mean, that's what he is, a really good musician. And just by doing that, just by getting to know these people, just getting ... And they were like ... They just were afraid.

    6. JN

      (laughs)

    7. JR

      They didn't know any people. They just felt like they did ... And he's super articulate as well. So, like, talking to him, you realize, like, "Oh, this guy's really smart." And then if you talk to him time after time after time, hours after hours after ... You realize, like, "This guy's fucking smarter than me." So when you're doing that, you're realizing like, "Oh, p- ... There's no way Black people can be inferior. This is nonsense. This guy is a Black guy right in front of me right now, and he's talking using words that I barely understand."

    8. JN

      That's how the guy in the Klan would see it, you're saying?

    9. JR

      That's how the guy in the Klan f- felt.

    10. JN

      Yeah.

    11. JR

      And after a while, h- he asked him to come to his house. And he said, "I'm quitting. I'm quitting the Klan." He gave him his robe.

    12. JN

      Really?

    13. JR

      Yeah, so he collects robes now. He came in, he brought, like, grand wizard robes and grand dragon robes. He had a Nazi outfit. He had, uh, Nazi flags that guys have given him.

    14. JN

      Yeah. Do you know when I was a teenager, I was so ... I was very, you know, I was y- ... I was drinking. And I remember I was so anti-Klan. I had read some book on the Ku Klux Klan, and it was the preacher for the Klan, his name was in the book. So I called the, uh, information. Um, I called the FBI and I tried to stop a Klan rally, but I called this guy at home, this, this Klan preacher. And I started, uh, you know, "That's wrong and you're a racist." You know, I was 14. And, uh, and he told me like, "Oh, I left the Klan. I'm not in the Klan anymore." And he actually talked to me for a few minutes.

    15. JR

      Wow.

    16. JN

      Yeah. But that was before you could v- ... You know. I was fucking just 14 and drunk and trying to make a difference.

    17. JR

      How cool is that though, that he talked to you?

    18. JN

      He did talk to me, yeah. And I'll never forget it. And I ... My father, I think, knew I was drinking afterwards 'cause he's like, he heard some of the conversation. But I think it started with me calling the FBI or the C- ... I, I could ... You called the FBI a few times back then.

    19. JR

      You called the FBI?

    20. JN

      That's what I would do when I drank, yeah.

    21. JR

      (laughs)

    22. JN

      I was a fucking crazy person.

    23. JR

      (laughs)

    24. JN

      I called the FBI, yeah.

    25. JR

      I remember when I met you, like ... Ugh, fuck. We were probably early 20s, right?

    26. JN

      Yep.

    27. JR

      And I was like, "Why'd you quit drinking?" And you're like, "Well, why'd you quit doing drugs?" You're like, and you're like, "I, I, I had to."

    28. JN

      Yeah.

    29. JR

      "I had to."

  9. 24:1236:15

    Jim’s early addiction spiral and childhood sexual experiences (explicit, self-disclosed)

    1. JN

      I called a bomb threat into my high school, I remember. I cleared the high school.

    2. JR

      (laughs)

    3. JN

      I did that when I was, uh ... I wanna say I was 17 or 18.

    4. JR

      Yeah.

    5. JN

      And we used to get drunk in my friend's house and there was a, there was a, some number that you could call for, like, help from nuns?

    6. JR

      (laughs)

    7. JN

      So I would have my friends sitting around and I would always call up and pretend that ... Like, I would make up these horrible incest stories and terrible sexual things that were happening to me, and my fucking friends would be laughing. And the nuns would be trying to counsel me on the phone.

    8. JR

      Oh, Jesus.

    9. JN

      And then I called a bomb threat.

    10. JR

      (laughs)

    11. JN

      I did it a couple of times and it didn't work. And the third time I did it, the final time I did it, uh, they actually had people leave the school and go outside while they searched the school.

    12. JR

      Drunk bomb threats. Didn't fucking TJ Miller do that recently?

    13. JN

      It was-

    14. JR

      He-

    15. JN

      ... something with him on a train, but it wasn't a threat. He, I, I think he had something with a woman.

    16. JR

      But didn't he call a bomb threat in?

    17. JN

      I don't know if it was a threat or if he thought she already had one. Like, I, I never got the full story. Uh-

    18. JR

      He thought she really had one?

    19. JN

      That I don't know.

    20. JR

      (laughs)

    21. JN

      I remember reading it and I don't remember what the conclusion was.

    22. JR

      If you're really fucked up and you think somebody might have a bomb... Like, paranoia, like real, like full-blown paranoia, like I remember, um, you know, uh, Jim Brewer, of course, who was a-

    23. JN

      Yeah.

    24. JR

      ... legendary pothead. And one time he quit. And he quit for quite a while. And I said, "Well, why? Why'd you quit?" He goes, "Dude," he goes, "I started getting really paranoid. Like, paranoid that people were listening to me and that people were following me and watching me."

    25. JN

      Yeah.

    26. JR

      He goes, "It was not healthy. It was not good." And, you know, I wonder about that. Like, when you perturb normal states of consciousness, when you take, like, the normal way you are and you start d- changing it a little bit with a little bit of booze, little bit of booze, little bit of anxiety, little bit of depression, little bit of bad things, little bit of this, little bit of that. I'll take a little Xanax, take the edge off.

    27. JN

      Yeah.

    28. JR

      Then I'll take a Valium so I can go to sleep. Then I'll take a, uh, an Ambien if the Valium doesn't work. And you keep going and going and going and going. You're, you're like... You know how, like, there's certain things you could do that can give you arthritis, right? There's certain things that corrode your joints. There's certain things you can do that, that make you ti-... Like, the more chemicals you insert into your body, the more things you do, the more you shift from, like, your comfortable baseline of who you are when you're at your-

    29. JN

      Yeah.

    30. JR

      ... your healthiest. You change. You become a different thing. And I think pot is just as likely to do that as anything. If you're doing it the wrong way, if you abuse it, I think alcohol can do it. I think pot can do it. Pills, speed, I think all those things can surely do it. But it's strange to see when someone starts to slip away and they start to go towards this, like, very strange version of themselves that you know they don't have-

  10. 36:1544:42

    Trans attraction, shame, and identity: why men struggle to talk honestly

    1. JR

      Well, it's, you know-... it, it's if someone's trans and they don't wanna transition and they don't wanna have a, a vagina, they just wanna keep their penis, then there's not a whole lot of options.

    2. JN

      Oh, yeah. You fuck them or they fuck you.

    3. JR

      Yeah.

    4. JN

      I mean, there's, there's two. You know? There's two options.

    5. JR

      Yeah.

    6. JN

      So it's kind of a, you know, you switch off.

    7. JR

      Yeah. It's, uh, w- it's interesting how the, the, just the amount of people that are ... just people talking about trans people has changed. You know? Like what, the numbers. You never heard that when I was a kid.

    8. JN

      Yeah.

    9. JR

      You never heard it. When I was in high school you never heard about it. No one was trans.

    10. JN

      No.

    11. JR

      No one thought they'd be trans in high school. Now kids in high school are trans, like a lot of kids are trans, and you gotta wonder, like, "What, what is that?"

    12. JN

      You know, I think people are gentler with it now. That's one thing I think the younger generation is a little smarter with, is that they don't just judge you for it and people can kinda be comfortable being who they are.

    13. JR

      Yeah.

    14. JN

      'Cause the people, I mean, I'm sure trans people existed, but you just ... I, I ... you didn't know what to call it? Nobody ... And I didn't know what it was when I first saw it or encountered it. I, I had no idea what it was.

    15. JR

      Well, there's a movie, or a book rather, that I read about Custer and, um, one of the parts of the book is about this guy who went somewhere and came back and his wife had died. (clears throat) And it turned out that his wife had been a man and everybody found out. And so he had like this, this thing. He said, uh, you know, "If anything happens to my wife," you know, like, "don't touch her. Leave her alone. Wait till I come back."

    16. JN

      Right.

    17. JR

      Well, they didn't do that. They did an examination, they found out that she had a dick and, uh, the guy wound up killing himself. But so this was something that was going on in the 1800s in the Wild West. So this guy was in like this Wild West town and, uh, he had a trans wife and he just ... he, they had to keep it quiet and when people found out about it, he wound up killing himself.

    18. JN

      Yeah, there's so much shame. It's funny, I just talked about this somewhere else too, but there's so much shame around it for the men, not just for the trans people but for the men who like trans people.

    19. JR

      Yeah.

    20. JN

      There's fucking just shame.

    21. JR

      Of course.

    22. JN

      Um-

    23. JR

      I ... That's one of the things I really appreciate about you, that you don't give a fuck. You talk about everything that you like, you talk about everything that you don't like about yourself and I think because you do that on the radio and because you do that freely and openly, I think you help a lot of people, man. I really do 'cause I think you make it 'cause everybody loves you, right? So like-

    24. JN

      Thank you.

    25. JR

      ... you can come on this podcast and you know you could say anything. You know I love you. And there's no way, uh, uh, your sexual desires or interests is gonna affect that in any way.

    26. JN

      Right.

    27. JR

      And so you could be free and then we could all talk about stuff and then there's probably some kid out there that's going, "Oh, I, I, I think I'm okay."

    28. JN

      Yeah.

    29. JR

      "I think I'm okay. I'm not, I don't think I'm a freak. Fucking everybody loves Jim Norton. Like, it's okay."

    30. JN

      I get emails from people, a lot of guys have sent me messages too, going, "Hey, man, thanks for talking about that 'cause it made me feel like it was all right to like that."

  11. 44:4253:40

    Online mobs and performative virtue: Ari Shaffir’s Kobe backlash and the escalation trap

    1. JN

      When people, like, you know, and again, we, we mention Ari, you know? I know, I know you love Ari, I love Ari, I've known him for many years. When you're- when, when someone says dumb shit, and people do say dumb shit, and then there's... People get... There are times when people are justifiably mad at you. Like, "Hey, look, you said something really stupid publicly."

    2. JR

      Yeah.

    3. JN

      So people heard that in the middle of their grief-

    4. JR

      (coughs)

    5. JN

      ... and they're like, "Hey, fuck you, pal." Like, people are angry.

    6. JR

      Yeah. Yeah.

    7. JN

      But then it gets to a point where those, that day has passed and then there are people who just wanna hurt you for it.

    8. JR

      Mm-hmm.

    9. JN

      There's people who just wanna punish you. There's people who just wanna see you suffer. So like, how do you tell all the time who's just reacting to something you said? 'Cause as a comedian, I say public things. People who are in the public with me have the right to say something.

    10. JR

      Yes. Yeah. Well, I think what Ari did, you have to come up with a new word, 'cause I don't d- think dumb is good enough. We need a better word. It's, it was so stupid. But it's also what you said earlier, that you gotta keep ramping it up.

    11. JN

      Yeah.

    12. JR

      You do think, like we were talking about earlier? Was that before the podcast? I think it was.

    13. JN

      Uh, before Adan, I think, yeah.

    14. JR

      What the, the thing is, when you do outrageous things just to get people to, like, "Oh, look at... Jimmy's crazy. Look at the c-" You gotta, you get caught in a trap and you keep doing it more and more outrageous. And with Ari, he's always done this thing where when people die (clears throat) he would make the meanest comment, even about someone he loved, like Tom Petty. He said some horrible shit about Tom Petty and Aretha Franklin and all these different people that died. But he just did it for shock value.

    15. JN

      Yeah.

    16. JR

      And you gotta keep upping that every time. Like, e- every time someone dies, people, like his sicko fans (laughs) would go straight to Ari and want Ari to comment on it.

    17. JN

      Right.

    18. JR

      And, you know, it's a trap, man. That's a, that's a terrible tra- And you, you see guys lean into those things, right? Like, it becomes a part of their persona, it becomes a part of their identity.

    19. JN

      Well, the trap is also when you... If there's something you don't wanna say or if you're like, "Nah, that's too fucked up to say, but if I don't say it, they're gonna think that I'm selling out or I'm not the same performer."

    20. JR

      Yeah.

    21. JN

      Like, you have to be willing to, uh, disappoint people that wanna hear that too if you're gonna survive in that kind of a, i- in doing that stuff.

    22. JR

      Yeah, I don't know how, what's gonna happen with Ari, like how he's gonna get through this. But in some ways, and I never wanna say it is a good thing that he did that, but he needed to know that there are consequences for just, just saying ridiculous shit that you're not supposed to say when people die. You know? And he's a... The thing, the really fucked up thing about Ari is he's a really good guy but in his persona sometimes, he's a heel. And he does it on purpose.

    23. JN

      Yeah.

    24. JR

      You know? And so, like, you see that video and he's an- you know, he's like smiling and laughing 'cause Kobe Bryant's dead. That's his heel persona.

    25. JN

      Yeah.

    26. JR

      And he thinks he's playing it up like, "Oh, this is gonna be great. People are gonna be so mad." But he had no idea. He had no idea.

    27. JN

      He misjudged, uh, the country's grief.

    28. JR

      Oh, yeah.

    29. JN

      And obviously I think there's, he didn't know who else was on the helicopter.

    30. JR

      He didn't know who else was on.

  12. 53:401:07:33

    Becoming a better comic: phases of standup, old notebooks, and fashion crimes

    1. JR

      Well, especially when you start developing an audience, and that audience is like, you know, that's- those are the people that actually like you. They actually love you. They actually will come p- pay to see you. They're- and so you go, "Okay, what do I have to do to get them..." Do you ever- like, here's a good example. Like, my early act, when I first started doing standup was terrible. But what- I realized that there was three stages of standup in my career. The first stage was I was doing anything to get a laugh.

    2. JN

      Yeah.

    3. JR

      And it was basically like a tool. Like, uh, I was like I had a ruler or a hammer or a nail, and I- I had no connection to that material. I would tell joke jokes, like street jokes. If someone told me a street joke, I would tell that on stage.

    4. JN

      Yeah.

    5. JR

      It was no- there was no art to it.

    6. JN

      Nah.

    7. JR

      I was just terrified, and I wanted to get laughs. Then, once I started doing pretty good and started- I would work professionally and I was getting some gigs and stuff, u- then I started doing stuff that I thought was funny. And I was- I r- I remember being so happy with that, because I'd be like- instead of being so scared of, like, just being out there and, "God, I gotta get a laugh, gotta get a laugh, gotta get a laugh. What do- what do I gotta do to get a laugh?"... instead of that, then I would get into, like, what do I think is funny?

    8. JN

      Right.

    9. JR

      And then, t- then I would just go, "Here's what's fucked up to me." Like, "Why is this?" And then, like, people would go, "That's really smart." Like, I remember peop- people saying, like, "Oh, that's good material. Th- your new stuff? I love your new stuff." I'm like, "Oh, okay. Finally, I'm doing stuff that other people that I like," like, people that appreciate things that I appreciate would think are funny. Then once I got better at that and I became, like, a real, like, a headliner and established, then I started turning ideas into comedy. Then I would turn ideas like, like, I had some complicated ideas that I'd worked on for years to try to turn into bits. And one of them was the, the, the de-evolution of man. Like, I put it on my 2005, uh, Netflix special. I don't even know what's on Netflix anymore. Showti- it was, uh, it was just called Joe Rogan Live from 2005.

    10. JN

      Right.

    11. JR

      And it was a bit that I worked on for years about, um, how dumb people out-bred smart people, and that's what the pyramids are. Like, we out-fucked the smart people and they just left us with a bunch of shit we don't understand.

    12. JN

      Right.

    13. JR

      And it was this long... It took me forever to work that bit in. And that bit, to me, was like, it was like, okay, now I understand how to turn a concept into a, into a bit. Not just s- things that I think are funny, but things that I think are interesting, and try to get those interesting ideas and, and put them into standup form.

    14. JN

      And things you wanna say. Like, the key for comedians, and where a lot of comics go wrong is m- like, e- it's gotta be funny too. Like, we have to be funny while we're... Like, I never go on the, uh, stage and think I'm gonna teach the audience to fucking-

    15. JR

      Oh, God.

    16. JN

      I'm not there to educate the fucking audience.

    17. JR

      I hate that.

    18. JN

      If they learn anything from it or if they lie, it's gotta be funny first, though.

    19. JR

      Yes.

    20. JN

      It has to be fucking funny. And I look at my old stuff, man. Ugh.

    21. JR

      Ugh.

    22. JN

      Oh, it's bad.

    23. JR

      Oh, me too.

    24. JN

      Fucking. That was a character.

    25. JR

      (laughs)

    26. JN

      Happy-go-lucky, "How we doing?" Like, ugh. It's repulsive.

    27. JR

      (laughs)

    28. JN

      Dude, it's fucking repulsive.

    29. JR

      But isn't it so nice you got through that? And now you're something different.

    30. JN

      Thank God I got through it, yeah.

Episode duration: 3:05:40

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