Skip to content
The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #1826 - Fahim Anwar

Fahim Anwar is a stand-up comic, actor, and host of the "Fahim Anwar Dance Hour" podcast. His new special, "Hat Trick (Live at the Comedy Store)" is available now on YouTube. http://www.fahimanwar.com/

Fahim AnwarguestJoe RoganhostGuest's friend/companionguest
Jun 27, 20242h 56mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:002:55

    Cigars, whiskey, and Austin’s comedy boom at Vulcan

    1. NA

      (drumbeats) Joe Rogan podcast, check it out.

    2. FA

      The Joe Rogan Experience.

    3. JR

      Train by day, Joe Rogan podcast by night. All day. (rock music) Cheers, sir.

    4. FA

      Cheers.

    5. JR

      Good to see you, my friend.

    6. FA

      Likewise. Thanks for having me. I was commenting on the round ice. I'm a fan.

    7. JR

      Yeah, I like the round ice. It makes you feel fancy.

    8. FA

      Mm-hmm.

    9. JR

      You're a fancy person, drinking bourbon on round ice.

    10. FA

      Yeah, when in Rome. Like, I was like-

    11. JR

      Yeah.

    12. FA

      ... "Can we do this again?"

    13. JR

      Yeah. You don't ever, uh, smoke cigars and drink whiskey unless you're with me.

    14. FA

      No. I do other people, but, like... Yeah, this is, like, the thing to do.

    15. JR

      Yeah.

    16. FA

      You know what I mean?

    17. JR

      Yeah.

    18. FA

      Last time was fun, we did it.

    19. JR

      Yeah, we're conversating.

    20. FA

      Yeah.

    21. JR

      I like that word too.

    22. FA

      I think you're... Yeah, conversating.

    23. JR

      Conversating. Doesn't seem like it's a real word, but I think it is.

    24. FA

      I think so.

    25. JR

      Yeah.

    26. FA

      Yeah.

    27. JR

      Yeah. Good to see you, buddy.

    28. FA

      Likewise. Yeah.

    29. JR

      It was fun hanging out last night.

    30. FA

      Yeah. I mean, I was here when things were shut down in LA with the pandemic-

  2. 2:554:53

    Why comedians are releasing specials on YouTube (and the Schulz blueprint)

    1. FA

      Do you know where he's gonna put his, Ari's?

    2. JR

      Uh, I think he's gonna do the YouTube route. Um, we were talking about that last night. I honestly think that most of us are gonna wind up doing that. I mean, I think, um, there's a lot of money in Netflix, right? Uh, and Netflix is great, but for the widest possible distribution, I think you should put it everywhere and put it out for free.

    3. FA

      Yeah.

    4. JR

      Put it everywhere. 'Cause that's what you're doing. When you're doing a special, you're essentially saying, "Hey, this is like an advertisement to come see me live," which is w-... It's way better live anyway. Like-

    5. FA

      Yeah.

    6. JR

      ... I always say that coming to see someone in a club or in a theater or what have you is probably... It's at least 30 or 40% better than watching it on TV.

    7. FA

      Oh, for sure.

    8. JR

      At least, right?

    9. FA

      Yeah. Yeah.

    10. JR

      It might be twice as good.

    11. FA

      It's always better live.

    12. JR

      Way better live.

    13. FA

      'Cause things get lost.

    14. JR

      Yeah.

    15. FA

      Like, um... But YouTube is the play now, um, honestly. And I think I'm getting better about this, just giving compliments and giving flowers to people. Uh, like, my hat goes out to Schultz. I think he really kind of broke it for-

    16. JR

      Yeah.

    17. FA

      ... all these comics and shifting our thinking.

    18. JR

      Totally.

    19. FA

      'Cause for the longest time, all of us were just hoarding our material 'cause we were still in that old legacy Hollywood, traditional Hollywood mindset.

    20. JR

      Yeah.

    21. FA

      Where, like, "All right, I have this polished stuff. I'm waiting to be tapped. I'm waiting for Netflix to say, 'You can do the thing you can do.'"

    22. JR

      Yeah.

    23. FA

      "I'm waiting for Comedy Central." We're waiting... We're asking for permission to do something we already know we can do. And, and he just saw the power of YouTube and was like, "No, this is, like, powerful enough on its own." And when he did that, and all the comics kind of saw, "Oh, that's a route," every... Now, look, there's, like, all... There, there... It's a clip economy on Instagram.

    24. JR

      Mm-hmm.

    25. FA

      And everyone isn't so precious with their material. It's, uh, they're taking their lead from music with SoundCloud and mixtapes. It's like, get it to the people.

    26. JR

      Yeah.

    27. FA

      Exposure is more important than short money.

    28. JR

      Yeah.

    29. FA

      Like, what's the point? Like, this special, mine's on YouTube 'cause I just want eyeballs. I made it myself. I'm not trying to make money off this.

  3. 4:538:32

    Fahim’s specials: ‘CSIL’ comedy jail vs the DIY ‘Hat Trick’ concept

    1. JR

      Is this your first one?

    2. FA

      No, I did one the traditional route, like, on CSIL. With, like, who the fuck knows what CSIL is?

    3. JR

      CSIL.

    4. FA

      Remember CSIL?

    5. JR

      I do remember CSIL.

    6. FA

      That was, like, Quibi before Quibi just, like... Yeah.

    7. JR

      What happened to all the... Didn't Doug Stanhope had a, has a special-

    8. FA

      A couple guys did.

    9. JR

      ... on CSIL?

    10. FA

      Yeah. Brody had one on there, too. Um...

    11. JR

      Did he? Brody had one on?

    12. FA

      I think Brody had one, yeah. So, I mean, I'm gl-... It, it allowed me to have a special that way. It's in a theater. It's glossy, it's polished and all that, but it's in comedy jail. Like, no one saw it because nobody knew what CSIL was, nobody knew how to get it, and nobody wanted to... There was a paywall.

    13. JR

      And does CSIL own it now?

    14. FA

      Well, Comedy Dynamics produced it, so they licensed it to Comedy Central, so it's on Comedy Central's YouTube, my first special, which is great.

    15. JR

      Oh, so you can, you can watch it right now?

    16. FA

      My old one, yeah.

    17. JR

      What's it called?

    18. FA

      The old one's called, there's no business like show business.

    19. JR

      Ari Shaffir Jew?

    20. FA

      It's called The Ari Shaffir Jew.

    21. JR

      (laughs)

    22. FA

      Yeah. But the new one-

    23. JR

      There's no business like show business? That's what you called it?

    24. FA

      Yeah, that's the old one. Yeah.

    25. JR

      Boy.

    26. FA

      And then the new one's called Hat Trick.

    27. JR

      Oh.

    28. FA

      And I did that one at the store. And I directed it. I did everything.

    29. JR

      And this is the one you did each room.

    30. FA

      Yeah.

  4. 8:3211:31

    Being a “comic’s comic” without the visibility: representation, touring, and market-building

    1. FA

      Yeah, I can't believe no one had done one this way, so it was just my ace in the sleeve. I'm like ... 'Cause I'm in this weird place where I've been doing standup 20 years, I'm a comic's comic, like comics like me and stuff, and, like, artistically, I'm further along than I am visibility-wise.

    2. JR

      Why do you think that is?

    3. FA

      I think, I think I would enjoy ... Or I naively, when I was younger and a younger comic, I just thought, "If I'm funny and crushing the clubs and stuff, and I have representation, I trust my representation is getting it done. Like, they will make it happen." My job is just to, like, keep writing material, doing well in the clubs. I would get validation from other comics, like, "Oh my God, that's great," blah, blah, blah. Like, "I don't know why you're not popping," or like, "You're under the radar." And I'm like, "Aw, thanks, man." Like, that feels good when you get validation from other comedians, you know?

    4. JR

      Right.

    5. FA

      Like, that means more than anything. Like, when Burr texts me about a bit or whatever, that means more than any, like, getting a, a guest star on something. 'Cause like I, I respect Burr, 'cause I, I love standup. I respect the craft. Like, when you do it, like, that means more to me than these little Hollywood things. So I just trusted that my people would get it done. But they have big rosters. Like, people, your people don't care as much as you do about you.

    6. JR

      Do you think that's really what it is?

    7. FA

      What?

    8. JR

      Bel- well, listen to what you just said earlier. You have a special. It's on CSIL.

    9. FA

      Yeah.

    10. JR

      So who the fuck saw that? Nobody.

    11. FA

      Nobody.

    12. JR

      So how would people know about you?

    13. FA

      Yeah. Okay, here's the thing though. Like-

    14. JR

      But-

    15. FA

      ... wh- why do that?

    16. JR

      What about other stuff? What, what about other ways to get your name out there? And have you been on the road a lot?

    17. FA

      Uh, yeah, I would go out a little bit.

    18. JR

      Yeah, that's not a lot.

    19. FA

      Yeah. (laughs)

    20. JR

      That's the thing. It's like you gotta develop markets.

    21. FA

      Yeah.

    22. JR

      Right? So you have to bel- develop a following.

    23. FA

      Yeah.

    24. JR

      Like, a lot of guys ... Like, Gabriel Iglesias is a great example. That guy developed a following just fucking hustling.

    25. FA

      Mm-hmm.

    26. JR

      Just constantly hustling, constantly doing shows.

    27. FA

      Yeah.

    28. JR

      You know? Like, you didn't do that a lot, and you were also in the writing ecosphere.

    29. FA

      Only during the pandemic.

    30. JR

      Only during the pandemic?

  5. 11:3113:59

    The writing-room “golden cage” and protecting the standup ‘superpower’

    1. JR

      There's a lot of great comics that got trapped in that writer's world.

    2. FA

      Yeah. I can see-

    3. JR

      And people never found out about them. It's a tr- it's, it's a tragedy. You know, like, to this day I say Owen Smith is one of the greatest fucking comics alive.

    4. FA

      Yeah.

    5. JR

      And people don't know who he is, unfortunately-

    6. FA

      Mm-hmm.

    7. JR

      ... other than people talking about him.

    8. FA

      Mm-hmm.

    9. JR

      'Cause you, you know, you can make a really good living doing what he does. He makes a very good living as a, a writer and a producer. But when you watch that guy do standup, you're like, "How is this guy not huge?"

    10. FA

      Yeah.

    11. JR

      How is he not selling out theaters and stadiums, and he's, he's fucking excellent.

    12. FA

      Yeah.

    13. JR

      His timing, his writing, everything's excellent. He's far beyond ... You wanna talk about a guy whose ability is far beyond his, his name, it's Owen Smith.... in my book.

    14. FA

      Totally. Yeah.

    15. JR

      That's my number one guy.

    16. FA

      I love Owen too. Yeah. I see him in the store all the time. He's very funny.

    17. JR

      He's my number one guy in terms of, like, underrated guys.

    18. FA

      Yeah. Yeah. I think once you get that writing opportunity, you kinda decide what... Some guys just gravitate towards it. You know, some people get into com- uh, standup, they do it for four years, they get a writing gig, and they're happy. That's all they wanted to do. They weren't like real standups. It was kind of a springboard for them. But there are some people who do it and they're like, "I don't..." Like, it's a, it's like a deal with the devil a little bit.

    19. JR

      Yeah.

    20. FA

      Like, yeah. You'll get complacent.

    21. JR

      Yup.

    22. FA

      You'll get tired at night, you don't wanna go out and do a set.

    23. JR

      Yes.

    24. FA

      The money's good. Maybe you have some kids and a wife, and then you're in this like golden cage.

    25. JR

      Mm-hmm.

    26. FA

      Yeah.

    27. JR

      Yeah. Tony was telling me how when he was doing it, he, you know, he, he did a lot of writing, but he never stopped doing sets. And they would say, "Com- man, come on, come out with us for drinks. You don't have to do a set." And he'd go, "What? What the fuck did you say?"

    28. FA

      Yeah.

    29. JR

      And his mind was very clear. He's like, "I am a comic. I am doing this writing thing for money while I develop an act to be one of the best comics in the world."

    30. FA

      That's how I approach it too. Um, yeah, when I was writing In the Room, 'cause people are like, "Oh, you should just like keep on doing it and just go down that writer path." But, but the thing is, then you, you like put out your flame. Like the whole reason I got the job is because they liked my standup. Every opportunity I've gotten in Hollywood is because of my standup.

  6. 13:5916:43

    Singular artistic vision: South Park, Chappelle’s Show, and corporate meddling

    1. JR

      But, you, I guess you know you're funny if you're funny in a room. Like, like perfect example, Matt Stone and Trey Parker.

    2. FA

      They're hilarious. Yeah.

    3. JR

      The funniest fucking guys on earth. They don't do standup, but South Park is one of the greatest shows the world has ever known.

    4. FA

      Mm-hmm.

    5. JR

      If not the greatest comedy show of all time. It's a real good argument that it's the greatest comedy show of all time.

    6. FA

      Yeah.

    7. JR

      The greatest cartoon of all time, for sure.

    8. FA

      And for how good it is for how long is amazing.

    9. JR

      Insane.

    10. FA

      I don't know any show that's had that type of consistency.

    11. JR

      Insane. And apparently it's just Trey Parker. He's a fucking complete maniac.

    12. FA

      Yeah.

    13. JR

      Have you ever watched that show? What is it called?

    14. FA

      Seven Days to Air or Six Days to Air?

    15. JR

      Yeah.

    16. FA

      Yeah, Seven Days-

    17. JR

      Something like that, whatever it's called.

    18. FA

      Yeah.

    19. JR

      It's a great documentary.

    20. FA

      I love that inside baseball stuff.

    21. JR

      Yes.

    22. FA

      No matter what the subject is, just I'm so fascinated.

    23. JR

      It's interesting to see how the sausage is made.

    24. FA

      Mm-hmm.

    25. JR

      You know? And it's- a lot of it is Trey Parker.

    26. FA

      (laughs)

    27. JR

      There's people like that that are just wizards.

    28. FA

      Yeah.

    29. JR

      You know? They just, they just have a thing and they know... And obviously he's got it systemed completely down and they hire great writers and, you know, they've got... The people at Comedy Central are smart enough to leave them the fuck alone.

    30. FA

      Mm-hmm.

  7. 16:4335:26

    Comedy backlash, “woke” gatekeeping, and why audiences (not critics) decide

    1. FA

      What's your take on that? What do you think is going on?

    2. JR

      Well, for sure the Will Smith thing opened up the door to the idea to that guy, the guy who attacked Chappelle. And it's also, you know, this... There's a narrative that his jokes are transphobic. They are not. That, that set is not transphobic. That set, if you really watch it and pay attention to it, it has a transgender person in it who he loved, who was a good friend of his, who he had open for him at shows, at least one show, and, and talked about with great love and respect, and f- with humor. But it wasn't transphobic.

    3. FA

      Yeah.

    4. JR

      It wasn't. It was about, it wa- it had to do with a trans person. But we live in this weird era where you can't even make fun of a thing unless you're a, you're a bad person, you're, you're a, uh, hater. Like fun equals hate now. It's like Ricky Gervais is catching a lot of it-

    5. FA

      Yeah.

    6. JR

      ... now for his latest special.

    7. FA

      Yeah.

    8. JR

      That fucking first 15 minutes of that special is fire. It's fire.

    9. FA

      Yeah.

    10. JR

      He's- it's the best Ricky that I've ever seen. It's his best shit.

    11. FA

      Yeah, and I was telling you too, it's like the Rotten Tomatoes just shows you the disparity between what's going on in the country and what the critics are saying. And same with Chappelle stuff too.

    12. JR

      Well, the critics, criti- the, the critics, you know, what are they? What does that mean? You know, they're just humans, right? But they're humans that are captured by a system.

    13. FA

      Mm-hmm.

    14. JR

      And that system i- i- is like either it's a system that's propagated by social media or it's a system that, you know, they're on a website that is almost... They're almost all like left-leaning websites that have a problem with it, which is really interesting.

    15. FA

      Mm-hmm.

    16. JR

      You know, it's like the right wing website... It's like who would've thought that w-... if you look back on the early days, what we used to think of as conservative versus liberal. Liberal was pro-free speech, people were open-minded, non-violent, you know, and people were open to other people's ideas. And the right was, like, suppressive, you know, the nanny state, you know, u- uh, condemns certain language, condemns certain behaviors. That's not the case today.

    17. FA

      Yeah.

    18. JR

      Today, the left has gone so fucking far left, so radical that the right are the ones that are celebrating comedians and celebrating Chappelle and-

    19. FA

      (laughs) Yeah. It's, it's interesting. Mm-hmm.

    20. JR

      ... they had my back through all the crazy shit that happened with me. It was Fox News that fucking had my back.

    21. FA

      Would you ever think that they would be the ones to cape for you, like-

    22. JR

      (laughs)

    23. FA

      ... you know, 10 years ago?

    24. JR

      I'm so liberal.

    25. FA

      Yeah. I know.

    26. JR

      Like, I talk about it all the time. Like, I, I say, "I am not a conservative. I'm not conservative." But I am pro-Second Amendment.

    27. FA

      Uh-huh.

    28. JR

      And I am a hunter and I am a cage fighting commentator and I, you know, and I drink and I smoke cigars, and I like to bow hunt.

    29. FA

      Th- yeah.

    30. JR

      So there's a lot in there that's like, "Hey-"

  8. 35:2639:53

    Austin culture notes: bats, growth, and imagining jetpacks breaking borders

    1. FA

      I went to go see the bats, you know, underneath the bridge.

    2. JR

      Oh, yeah.

    3. FA

      That's a good thing to do.

    4. JR

      Yeah.

    5. FA

      Is that every night?

    6. JR

      Yes.

    7. FA

      So-

    8. JR

      Every night at dusk.

    9. FA

      Yeah, it's interesting. It's like bat Coachella.

    10. JR

      (laughs)

    11. FA

      Everyone is just on that hill. They're like, (hissing) "The bats are gonna come out."

    12. JR

      Even during the pandemic.

    13. FA

      Really? Still?

    14. JR

      Like, they didn't develop a bat phobia.

    15. FA

      No. Yeah, and it started from-

    16. JR

      Yeah.

    17. FA

      ... supposedly from bats.

    18. JR

      Allegedly.

    19. FA

      Yeah, yeah.

    20. JR

      Probably not really.

    21. FA

      But they didn't give a shit. They're like, "They're not gonna bite me. They're just gonna fly by me."

    22. JR

      Yeah.

    23. FA

      But it's just so funny seeing all those people on the hill and on the bridge, like, "Bats, bats." (hissing)

    24. JR

      It is weird when you see them come out, 'cause they come out as-

    25. FA

      So many.

    26. JR

      Yeah, there's like this big flow of them. There's m- apparently there's millions of bats under there.

    27. FA

      So was that just inadvertent? They built this bridge, and they go, "Oh, fuck. We built the perfect bat habitat"?

    28. JR

      I believe so.

    29. FA

      Huh.

    30. JR

      Yeah, because when you go under that bridge ... Have you ever been under that bridge?

  9. 39:5344:42

    Building the Comedy Mothership: a “home base” for comics (and health insurance)

    1. FA

      So-

    2. JR

      It's, it's wild.

    3. FA

      How did you design it? What was going through your head? Wha- what do you want it to be? Is there a vibe you're trying to capture? Is there other clubs that you kind of are trying to pull some things from, or ...

    4. JR

      Well, I wanted to make it very, um, hospitable to comics. And obviously to audience members too. But one of the cool things about the store was the hang, you know.

    5. FA

      Mm-hmm.

    6. JR

      Is that like, it's our home base.

    7. FA

      Yeah.

    8. JR

      You know, so the name of the club is The Comedy Mothership.

    9. FA

      (laughs) Yeah.

    10. JR

      And that the reason ... I want it to be like a feel ... I want you to feel like this is your, this is mother, this is home. Like you can do the road from here, you can hang out and you'll always be welcome. You'd be taken care of. Like I wanna give the comics health insurance and-

    11. FA

      Whoa. For real?

    12. JR

      ... take care ... Yeah, for real.

    13. FA

      That's-

    14. JR

      Yeah.

    15. FA

      ... so not typical. That's like insanity in America.

    16. JR

      Yeah, but it should be like that because you know how many comics have paid for their fucking surgeries?

    17. FA

      (laughs) Yeah.

    18. JR

      When comics that have like things wrong with them and, uh, I find out that like, "What's wrong? You, are you okay?" And they're like, "Um, I got something wrong with my neck." I'm like, "What's wrong? Tell me what's wrong."

    19. FA

      Yeah.

    20. JR

      And then I take care of it. Like it's, I've had, I've had that happen multiple times because a lot of us, you know, in the early days, you're broke and you're barely paying your rent. You can't afford surgery.

    21. FA

      Yeah.

    22. JR

      You can't afford insurance. And so if something goes wrong, you're kind of fucked.

    23. FA

      For sure. Like, uh, I feel like standups we're the lowest rung on the entertainment ladder. At least actors have SAG health insurance-

    24. JR

      Mm-hmm.

    25. FA

      ... and writers. There's nothing like that for standups really. It's just you're alone out there. And you just have to hope you have friends if some calamity befalls you. Like a GoFundMe or hopefully you, you know the person, you know?

    26. JR

      Yeah.

    27. FA

      And that's kinda fucked up, so ...

    28. JR

      Well-

    29. FA

      Yeah.

    30. JR

      ... the idea is to make, you know, make it more ... But, but again, you gotta be careful that you don't set it up where people become too lax and they get ... You know, the people have a tendency to sort of like relax too much.

  10. 44:4259:27

    How comedians get better: writing habits, stage reps, and using shows strategically

    1. JR

      They're great fucking comics. They just go up a lot, and they remember what they said. And some guys write exclusively, and they go up and they basically have, like, a fully formed bit when they get to the stage, and they kinda tweak it and edit it. And then some guys just improvise, like literally just go on stage with a premise and just, under the pressure of the audience, improvise. I think you should do all those things.

    2. FA

      Uh-huh.

    3. JR

      I think you should write. I think you should improvise. And I think you should, you know, you should go up as much as possible. I think all those... Like, people say I write on stage. I'm like, "I can write on stage too." Like, anyone can write on stage. But I actually sit down. Like last night, I got home-

    4. FA

      Mm-hmm.

    5. JR

      ... I sat in front of the fucking computer for two hours. And I might have nothing outta that, or I might have my best bit ever.

    6. FA

      Yeah.

    7. JR

      I never know. And you don't know until you try, you know? Just stay the fuck off of YouTube.

    8. FA

      Mm-hmm.

    9. JR

      Don't jerk off. (laughs)

    10. FA

      (laughs) No incognito mode.

    11. JR

      Yeah.

    12. FA

      I gotta, I gotta buckle down.

    13. JR

      And just write, you know?

    14. FA

      Yeah. Yeah.

    15. JR

      So the way I do it is I have two laptops. I have a laptop that is like my, like, what's going on in the world laptop, and then I have a laptop like, "Okay, time to write." I pull that fucker out, and I'm writing.

    16. FA

      I found I will... I like maximizing my stage time. Any show I do, I know what I want to achieve with that show. I know what... This is a lesson that came later in life for me too, is when I was... I just... The part of standup I love the most is chasing the new bit. I'm always chasing. I did it to a detriment early on. And, uh, what clicked for me was knowing what to do, what bits to do on what show.

    17. JR

      How'd you do it to a detriment? What do you mean?

    18. FA

      It might be a showcase or something, and I'm like, "Oh, let me try this new thing-"

    19. JR

      Oh, God.

    20. FA

      "... I thought of tonight," or, uh, like earlier today.

    21. JR

      (laughs)

    22. FA

      I think it's f-... You know what I mean?

    23. JR

      (sighs) Yeah.

    24. FA

      Where I didn't realize I need to shine in this show-

    25. JR

      Yeah.

    26. FA

      ... not try a new bit.

    27. JR

      Right, right, right.

    28. FA

      So, once it clicked for me knowing what to do, what needs to be achieved on what show. Is this a impress show? I'm beyond that now. Like, I'm known in LA and shit. Like, it's kind of nice to be farther enough in your career where the store trusts you and you can take big swings and like, "I'm a made man, I'm fine." You know?

    29. JR

      Mm-hmm.

    30. FA

      But when you're coming up and the, you're not a paid regular yet, you-

  11. 59:271:08:26

    Old media vs new media: Tonight Show pipeline, sitcoms, podcasts, and staying ‘just funny’

    1. FA

      So, you had to have the right person like you at The Tonight Show. I was even thinking about this. Remember back in the day, the- the- the path for a standup, you would try to get on The Tonight Show. That was, like, early standup, right? And then, you would try to get a sitcom. Say, like, in the '90s, you would try to get a sitcom, act in the sitcom, and then that would boost you as a comedian.

    2. JR

      Yes.

    3. FA

      But nowadays, if you are a standup comedian and you get on a sitcom, nobody cares. Like, nobody watches anything any- it's so fractured-

    4. JR

      Yeah.

    5. FA

      ... the viewership, that if- even if you get on an ABC sitcom as a standup, no one really cares. I feel like podcasting and this world is the new acting. So now, when I get an audition and they go, "Hey, it's, like, three months in Atlanta," and it's- and it's, like, a very small show or some cable thing, that's great if you just wanna be an actor, but it's not gonna help your standup.

    6. JR

      Right. Right, right.

    7. FA

      Whereas back in the day, it would.

    8. JR

      Well, it'll help you a little. Like, there's some guys that get on TV shows and they- they start doing really well on the road-

    9. FA

      Standups?

    10. JR

      Yeah.

    11. FA

      Like who?

    12. JR

      Um, that's a good question. It used to be r- the only way, right? So, it became, like, a well-worn path and everybody would wanna get on a sitcom. You got on a sitcom or on some other show, like Soup to Soup or, you know-

    13. FA

      Yeah.

    14. JR

      ... like, uh, some kind of a show where you could be on television and showcase that you have, like, a funny personality.

    15. FA

      Mm-hmm.

    16. JR

      And then, that would be an ad to get you to come to the clubs. Like, Stanhope said that best. We were talking about doing TV projects and he goes, "Let's be honest, like, every time you do a TV project, it's really just an ad to get people to come see you at the clubs." I was like, "You're 100% right. You're 100% right." But the- the problem with that way is that everybody wanted to do a specific kind of comedy because you wanted to get a television show. So, like, you wouldn't try to be ... Like, I remember there was a guy who was the host of an open mic night when I was up and coming, and he was, like, a local headliner in Boston, local professional. And he was telling me to stop swearing.... and telling me that I should stop talking about sex and t- talk about things that make people uncomfortable. And I said, "But the, but my favorite comedians all do that."

    17. FA

      Yeah.

    18. JR

      I go, like, "My favorite comedians, so, like, Sam Kinison and, and Dice Clay." He goes, "I got news for you. You're not Dice Clay."

    19. FA

      (laughs)

    20. JR

      And I was like, "Well, how do you become Dice Clay?"

    21. FA

      Yeah.

    22. JR

      Like, "What are you saying? Like, y- you're saying that there's only one style of comedy, even though the best ones are like Richard Pryor or Eddie Murphy, who didn't follow that at all?"

    23. FA

      Yeah. Yeah.

    24. JR

      Like, "What are you saying?" And this was, this is me back then, trying to figure out what was going on here. And so, the, the path was... And Jay Leno still believes this to this, to this day. We actually talked about it when we were doing that Comedy Store documentary.

    25. FA

      Uh-huh.

    26. JR

      He still thinks to this day, you gotta be clean, and that's, that's the way you get the, the big, long market. You know, you're just gonna get short-term success if you're dirty. I'm like, "This is-"

    27. FA

      I know, yeah.

    28. JR

      "... such a crazy conversation." Like, d- clean or dirty, like, I do not give a fuck. Some of my favorite comedians are clean. Gaffigan-

    29. FA

      Mm-hmm.

    30. JR

      Clean, genius, brilliant.

  12. 1:08:261:19:23

    From Florentine street-fighting to steak science: cooking over fire, salt, and sauces

    1. JR

      She's al-... Like, she's one of the people, I, I'll have a conversation with her. She goes, "I'm about to make a documentary on violence."

Episode duration: 2:56:53

Install uListen for AI-powered chat & search across the full episode — Get Full Transcript

Transcript of episode jKdzs9O3WMk

Get more out of YouTube videos.

High quality summaries for YouTube videos. Accurate transcripts to search & find moments. Powered by ChatGPT & Claude AI.