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The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #1942 - Mark Greaney

Mark Greaney is the New York Times bestselling author of the "Gray Man" novels. Look for book 12 in the series, "Burner," on February 21, 2023. www.markgreaneybooks.com

Mark GreaneyguestJoe Roganhost
Jun 27, 20242h 47mWatch on YouTube ↗

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  1. 0:002:49

    Rogan discovers The Gray Man: violent escapism, audiobooks, and why it works

    1. MG

      (drumbeats) Joe Rogan podcast, check it out.

    2. NA

      The Joe Rogan Experience.

    3. JR

      Train by day, Joe Rogan podcast by night, all day. (instrumental music) What's up, Mark? How are you?

    4. MG

      (laughs)

    5. JR

      Nice to meet you, man.

    6. MG

      It's very nice to meet you.

    7. JR

      I've read, uh, a l- I'm on the 11th book-

    8. MG

      Oh, wow.

    9. JR

      ... of yours now.

    10. MG

      Oh, wow.

    11. JR

      Yeah. So the whole Gray Man series, I'm in, uh, I'm on, um, Sierra Six.

    12. MG

      Yeah, yeah.

    13. JR

      So-

    14. MG

      The new one comes out immediately, so (laughs) -

    15. JR

      Yeah.

    16. MG

      ... book 12 i-

    17. JR

      They sent me the new one.

    18. MG

      Good.

    19. JR

      Yeah, so I have a copy of it.

    20. MG

      That's awesome. I appreciate you reading.

    21. JR

      It's, uh, you write some fucked-up books, man. (laughs)

    22. MG

      (laughs) It's true. It's true.

    23. JR

      Just, you seem like such a normal guy.

    24. MG

      (laughs)

    25. JR

      I was always wondering, I'm like, "How does someone write like this and not be a total psycho?" Like, the fact that you have those thoughts in your mind, and you can envision and create these scenarios in your brain.

    26. MG

      Yeah, it, that pops into my head a lot when I'm talking to people-

    27. JR

      (laughs)

    28. MG

      ... like, uh, my aunt who's passed away, but she was 93, and, you know, it's like, "Hey, Dorothy, here's my book about sex trafficking. I hope you enjoy it." (laughs)

    29. JR

      (laughs)

    30. MG

      You know, she re- she read it. And c- 'cause she would, my aunt, if I joined the Taliban, she'd be like, "Well, they, you know, they have some nice clothing," or something.

  2. 2:495:27

    From Jack Carr recommendations to Hollywood adaptation realities

    1. JR

      ... because th- because it's so compelling and because the books are so interesting. And by the way, shout-out to, uh, Jack Carr, 'cause Jack Carr is the guy who turned me onto you.

    2. MG

      Oh, that's fantastic.

    3. JR

      'Cause I had read his first book, and I was like, "This is great. Do you have any other authors that you recommend? Like, who are you into?" And then he told me about you.

    4. MG

      Yeah, yeah, we've been friends from before his first book came out. Uh, I, we were connected with one another through a guy in the firearms industry. And, and I was like, "Yeah, I think this g-" I'd read his book. I was like, "Yeah, he's going somewhere." Little did I know, he, I think he'd already had it optioned and, uh, for, for TV, so he was good.

    5. JR

      Yeah, he's just an awesome person, too.

    6. MG

      Yeah.

    7. JR

      You know, uh, he's just a, a really great guy. You know, I met him, uh, a few years back in, uh, elk-hunting camp.

    8. MG

      Oh, wow.

    9. JR

      It's actually where I met him in, in Utah.

    10. MG

      Oh, wow.

    11. JR

      And, uh, I didn't know who he was. I hadn't read any of his books. He gave me a copy of his book, just seemed like a really nice guy.

    12. MG

      Yeah.

    13. JR

      And then I got it, and I'm like, "This book is fucking great."

    14. MG

      Yeah, yeah.

    15. JR

      And got into it-

    16. MG

      You did great with the series, too. I, I-

    17. JR

      Oh, yeah.

    18. MG

      ... I was imp- impressed with it, you know? I was really impressed.

    19. JR

      Yeah, I w- I, um, I enjoyed The Gray Man movie, but it was not as good as your book. It just-

    20. MG

      Thank you for saying that. I appreciate it.

    21. JR

      It just wasn't the same story.

    22. MG

      Yeah.

    23. JR

      Like, they, they, they Hollywoodized it.

    24. MG

      Absolutely, and it, you know, I liked it, and, and what I say, and I don't know how this makes me sound, is, like, the movie is the best possible commercial for my writing. And if you're a writer, you want eyeballs on your work. And so, it's, I l- I love the movie, and, you know, there was d- bits of dialogue in there and I- things they did with the plot that, that I really liked, but, you know, it's not as gritty. It's not, um...

    25. JR

      Not nearly.

    26. MG

      Yeah, you know, and, and they do things that they have to do shorthand in a, in a movie. I, I get 100,000 words to write a book or 150,000 words to write a book, so, um, I have some luxuries that, you know, they don't have putting something on the screen. But I like the fact that they're different in- to the- because there's still a reason to read my book. (laughs)

    27. JR

      Yeah.

    28. MG

      If you saw the movie and enjoyed it, hopefully it turns you onto the book and, and then you see something different in there.

    29. JR

      No, I definitely think there's that element to it, because it is, uh, it's, uh, it's m- for sure a Hollywoodized version of these gritty books that you write.

    30. MG

      Right, yeah.

  3. 5:2711:18

    Casting Court Gentry: Gosling, unknowns, and the Charlize Theron alternate universe

    1. JR

      If you could pick a person, like an actor, if you could start from scratch, no disrespect to, it's Ryan Reynolds or Ryan-

    2. MG

      Gosling.

    3. JR

      ... Gosling.

    4. MG

      Yeah. Yeah.

    5. JR

      Why do I always fuck that up?

    6. MG

      (laughs)

    7. JR

      I always fuck that up. I couldn't pick either one of them out of a fucking lineup to save my life.

    8. MG

      (laughs)

    9. JR

      Gosling. Ryan Gosling. I really like the guy, too.

    10. MG

      Yeah.

    11. JR

      By the way. Um, wh- uh, who would you pick if you w- if, you know, just, like, if you could just, like, say any actor. Like, who, who do you think you would go with?

    12. MG

      You know, that's, it's, it's a tough question because th- the, that thing has been in Hollywood, the, the Gray Man's been in Hollywood since two months before the little paperback came out in 2009. So it's been-

    13. JR

      Hmm.

    14. MG

      ... bouncing around, and I've heard every actor. At one point Brad Pitt was signed onto it, and-

    15. JR

      Really?

    16. MG

      Yeah, yeah, like back 2011 or something. And then it fell apart, and it came back. And each time they would send me a script or whoever was doing it. And at one point Charlize Theron wanted to do it, and they rewrote-

    17. JR

      What?

    18. MG

      Re- yeah, they rewrote the whole script.

    19. JR

      She wanted to be the girl?

    20. MG

      Nope, she wanted to be Court Gentry.

    21. JR

      Oh, my God.

    22. MG

      So they writ- they, they wrote a script for it, and it was good screenwriters, and I remember reading the script going like-

    23. JR

      Was it The Gray Woman or did you call her-

    24. MG

      No.

    25. JR

      ... The Gray Non-binary Person?

    26. MG

      It was... (laughs) It was still The Gray Man, her name was still Court Gentry, but every-

    27. JR

      What?

    28. MG

      ... thing, everything was different. And then in, they never really explained, is that short for Courtney or something? They never-

    29. JR

      Oh, my God.

    30. MG

      Um, but it was just a completely different plot, and I thought-

  4. 11:1814:52

    Prolific output and the late-bloomer path: 20 years to publish, then 23 books

    1. JR

      It was great. You've written a lot of books, man.

    2. MG

      Yeah.

    3. JR

      And, you know, like you're super prolific with these books. It's very impressive. You're basically banging out w- one, what is it, like every like 10 or 11 months?

    4. MG

      Yeah, it, almost two a year, but not quite. So my first book came out in '09 and Burner, my new one, is my 23rd book. So-

    5. JR

      Wow.

    6. MG

      ... twen- 23 books in 12 years, something like that.

    7. JR

      That's incredible.

    8. MG

      Yeah. It, it, it's be- it's because they've asked me to do it (laughs) and, you know, I have these opportunities. I, it took me 20 years to get published and so I've been trying-

    9. JR

      Really?

    10. MG

      I've been trying to catch up. I didn't get published till I was 42 years old.

    11. JR

      Wow.

    12. MG

      And so I'm desperately trying to like, you know (laughs) make up for lost time, I guess.

    13. JR

      So, what were you writing in all those years when you weren't publishing?

    14. MG

      I wasn't-

    15. JR

      Were you just trying and just...

    16. MG

      Yeah. I mean, honestly, I was lazy. Uh, I, I never believed anything could happen from it, but I like to write and I like to think about books and stuff, so I spent 15 years writing my first novel. I started it literally in 1990 and finished it in '05.

    17. JR

      Wow.

    18. MG

      And never showed it to anybody. I mean, uh, you know, like three friends probably read it. And I put that aside and then I wrote my second book in seven months because it's like there's something about... You know, I always say everything in this world is cheapened by my ability to do it, you know? (laughs)

    19. JR

      (laughs)

    20. MG

      It's like I always wanted to learn a foreign language and, you know, I don't, I'm not super fluent in any foreign languages, but I speak some German and some Spanish. And, uh, it's like once, once I'd-... learned to do it, I'm like, oh, it, it's not that impressive because I can fricking do it, you know?

    21. JR

      Right.

    22. MG

      And, and writing a book was the same way. For 15 years, it was this big albatross on, uh, you know, on, just hanging on me and I didn't know that I could ever do it. And, uh, and once I finished it, I was like, "Yeah, how hard did I really work?"

    23. JR

      (laughs)

    24. MG

      That was mostly talking about, you know, (laughs) writing a book and not actually writing a book. So then I went out and wrote a book and Gray Man was actually my fourth completed novel. It was the first one to get published.

    25. JR

      Really?

    26. MG

      Yeah.

    27. JR

      So all those years, the 15 years, it was you just sort of not being fully committed to writing, or...

    28. MG

      Yes, tha- that's it in a nutshell. 15 years for that first book, and then I got some momentum. Like once I finished it and I thought, hey, you know, it's, it... The internet was invented while I was writing the damn thing, so...

    29. JR

      (laughs)

    30. MG

      I, I, like, looked up, like, how do you get published? 'Cause I never even looked at that, you know?

  5. 14:5218:04

    Quitting Medtronic—then missing the severance package (and surviving anyway)

    1. JR

      So what was your job?

    2. MG

      Uh, I worked in, I worked for a company called Medtronic, it was a medical device company. And, uh, I, it wasn't a dead-end- dead-end job, but I was making it a dead-end job (laughs) just because it wasn't really where I wanted to be. I wanted to be a writer and, um...

    3. JR

      What were you doing for them?

    4. MG

      Um, I worked in, uh, international customer care. So we had subsidiaries in oth- it's a medical device company and we had subsidiaries in other countries, and, um, I would sort of get the, the supplies to the subsidiaries and go to trade shows and that sort of thing, so...

    5. JR

      And so when you left that job, did you say, "Hey guys, uh, I'm a published author, gotta go"? (laughs)

    6. MG

      (laughs) Yeah, so there's a story to that, that it's, it's... My dad had passed away in 2005, and my dad, um, he had a kind of a white collar job. He ran the NBC affiliate in Memphis where I'm from, um, but he was very blue collar mindset in that you had to have a job and there was no way my dad would've let me quit my job. (laughs) Even though I'd- you know, my first book was just a, a paperback, mass market paperback, it wasn't a big release. It was Gray Man, it turned into something, but when it first came out, it was not a big deal other than the fact that Hollywood was interested. But I had this... You know, it, it wasn't quit-your-job money at all, and then they asked me to write two more books and, in the s- make a series out of it, which I never even had considered. I was just trying to hold something in my hand (laughs) with my name on it and a, and a title and a cover. I wanted to be, you know, that level of a published author. I had no higher ambition. And they asked me to continue it as a series and I said yes, and then I realized, it's like, oh my god, I, I've got to crank out three books in the next whatever number of months. It's like, I have to quit my job. Um, and it wasn't quit-your-job money as I said, and this was before the Hollywood money came in. So I went to my boss, I'd been with the company for like nine and a half years, I went to my boss and I put my notice in on a Wednesday. And the next Monday, they brought everybody in to the auditorium for a meeting, you know, 800 people there, and they're like, "Hey, listen, um, like sales are down or the economy..." You know, this is 2009, so you know, "The economy's not doing well," or whatever, "so we're offering voluntary separation. If you quit your job right now, we will give you a month's pay for every year you've worked here, we will give you insurance for a year, we will do this, this and this." Well, I'd quit my job four days before (laughs) and-

    7. JR

      (laughs)

    8. MG

      ... so you think like, oh my gosh, there's this black cloud over me, and I was scared about quitting my job obviously, and, uh, and I remember my boss came into my cubicle right afterward, she's like, "I'm gonna talk to HR and see if they will allow you to come in." I'm like, "Why the hell would they do that?" I'm like, "I'm the best thing that's happened to HR in a while (laughs) you know?" This, this dummy quits three days before they offer you a ton of money to quit, so.

    9. JR

      (laughs)

    10. MG

      So for, for about six months, I just felt like I had this cloud over my head and I'd done the stupidest thing in the world. And then the, the film, film rights got optioned for Gray Man and it still wasn't quit-your-job money, but it was like I can eat (laughs) for a year money. And, you know, within a couple of years, I was working with Tom Clancy and things started to really go in the right direction.

    11. JR

      Wow. That's an amazing story, man. I love it.

    12. MG

      It could've gone either way. (laughs)

    13. JR

      But isn't that, like, always how it works with some of the best stories?

    14. MG

      Yeah. Yeah, yeah.

    15. JR

      That it could've gone either way?

    16. MG

      Yeah, yeah. Yeah, there's, there's a sad version of that story, too, and I'm lucky-

    17. JR

      Yeah.

    18. MG

      ... that I, I didn't have to experience it.

  6. 18:0426:11

    Manifesting, talent, and delusion: why “just believe” isn’t enough

    1. JR

      That's my problem when people start talking about, like, manifesting your reality-

    2. MG

      Yeah.

    3. JR

      ... and The Secret and stuff like that.

    4. MG

      Yeah.

    5. JR

      Like, yeah...... you know, talk to people that win-

    6. MG

      Yeah.

    7. JR

      ... and they'll tell you that story, that I knew it was gonna happen-

    8. MG

      Right.

    9. JR

      ... and I made it happen. I had a vision board. Talk to people that tried and failed and are homeless-

    10. MG

      Yeah. Yeah.

    11. JR

      ... and they have a different version of this-

    12. MG

      Absolutely.

    13. JR

      ... manifesting reality story.

    14. MG

      And I've fallen on my face in so many ways in my life that, like, I, I recognize how lucky this is. And I would not, you know, grab some kid and go, like, "Quit your job. Be a writer, man. It's gonna, you know..." Just 'cause it worked for me in that one instance doesn't mean it would, you know, work in any instance.

    15. JR

      Yeah, I think the best inspiration you could give to someone is just your own success.

    16. MG

      Yeah.

    17. JR

      To, if, for you to tell people to do what you did, it's almost irresponsible.

    18. MG

      Right.

    19. JR

      (laughs)

    20. MG

      Right, right, yeah. And, and I feel like everything I've learned, I've learned by doing it wrong a few times- Mm-hmm.

    21. JR

      (laughs)

    22. MG

      ... you know? And so, like, when I-

    23. JR

      Yeah.

    24. MG

      I'm not, I'm not like Yoda. I'm not this guy on a mountain, like, you know-

    25. JR

      Right.

    26. MG

      ... telling them. It's like, yeah, no, I've, I've done a lot wrong and what I might tell you could be totally wrong.

    27. JR

      But learning how to do stuff, that's a part of the process.

    28. MG

      Yeah.

    29. JR

      You do stuff wrong.

    30. MG

      Yeah.

  7. 26:1128:53

    Writing to avoid “aw, come on” moments: plausibility, research, and selling the outlandish

    1. JR

      It's just... It's always interesting when you're... Reading is so fascinating to me, reading fiction, because someone is creating this world and you're trusting them with all these people in this world to, for it to not mess with your, your sen-... It doesn't... Y- you know, there's a suspension of disbelief that's involved in any, you know, reading literature or watching a movie or anything like that.

    2. MG

      Yeah.

    3. JR

      And you just don't want to mess with it-

    4. MG

      Yeah.

    5. JR

      ... to the point where someone's reading it going, "Aw, come on."

    6. MG

      Yeah. Yeah.

    7. JR

      That's what you... You don't want an aw, come on moment.

    8. MG

      Yeah.

    9. JR

      And you do a great job of avoiding aw, come on moments while you're navigating this impossible world of this elite assassin who somehow or another never gets killed.

    10. MG

      Yeah. Um... (laughs)

    11. JR

      (laughs)

    12. MG

      Thanks for saying that, and I really know where that came from. It came from a very specific place. So, I had an agent interested in me, um, when... He turned me down on a couple books, but he- he kept saying, "You know, you're good. Write me something else." And, um, I wrote the, the opening for The Gray Man and, um, there's a... It's a sniper thing and, uh, an American helicopter gets shot down and this guy that has nothing to do with the operation, with the American soldiers, is just trying to get out of the kill zone where he's killed somebody and he takes this sniper shot and kills some of the people that killed the Americans. And so I g- I gave that agent the first 50 pages of the book. I'm still an unpublished author. I'm like, "Will you tell me what you think?" He's like, "Uh, yeah. It's great. The shooting those guys from a mile away, that's really badass, but he needs to save somebody." And I'm like, "Wait. How's he gonna save somebody? He's a mile away and it's, like, Al-Qaeda." You know, this is 2007. And, um, and he's like, "I don't know. I'm not the writer, but he needs to save somebody." So, I went back into the story and I was like, "Well, sh- shit. That doesn't really... You know, that- that's so implausible." But then I'm like, "All right. I guess it's my job to sell that." And the whole series was informed by that early thing, because what I do is I create pretty outlandish things and then work my ass off to, to sell them to the reader, you know?

    13. JR

      Mm.

    14. MG

      Put in, put in the real world stuff, the geopolitical stuff, put in all these, um, you know... Explain the hows and the whys to the best that you can and then, at some point, you know, the bad guys have to miss (laughs) their shots a lot more than the good guys miss their shots.

    15. JR

      Yeah.

    16. MG

      Yeah. So, you know, it- it's... It is... It's fanciful. Some people call it gun porn, but at the same time-

    17. JR

      Gun porn? (laughs)

    18. MG

      (laughs) Yeah. That's a thing.

    19. JR

      Is that what they call it?

    20. MG

      That's what they call it. Um, but, but at the same time, you know, there's, there's like a heart to the story and all that that I'm trying to, like, pull the, pull the reader into where they don't go, "This is just way too outta, outta, outta left field."

  8. 28:5337:49

    Process and routine: pantsing with guardrails, word quotas, and morning focus

    1. JR

      (smacks lips) How... What is your writing process like? Do you like, do you, do you have ideas before you sit down and write them? Do you have, like, little notes of maybe that would be fun or maybe he could do this and then sit down and try to piece them all together? Like, how do you do it?

    2. MG

      Yeah. I write sort of by the seat of my pants, but I do come up with some little, even if it's three pages of what the story is about, you know, this book is about artificial intelligence and robotics and the bad guy, you know, wants to destroy America or whatever, and then you flesh that out a little more and a little more. And then at some point, and this is what I always recommend to writers is just sit down and start writing and you'll figure what your story's about. I- if you, if you don't have any blueprint, (laughs) then I think you're gonna get yourself in trouble. But, I mean, everybody's different. I, I know some authors that they have every chapter completely plotted out-

    3. JR

      Oh, yeah.

    4. MG

      ... and everything, and then they just go and write a chapter a day because they've spent months plotting it out.

    5. JR

      Hm.

    6. MG

      And I, I kind of have to find the story in the stories I'm writing and, you know, the dialogue, two characters talking to each other and I'm like, "Well, there's no tension here. I have to create some tension." And you come up for some reason there's tension between these two people and then that informs another part of the story and then sooner or later you've got a book. Every, every book... I'm not a super confident writer, so every book it's, you know, spring/early summer is the biggest piece of crap in the world and then sometimes- somehow by August I get it turned in and edited by October and I'm happy with it and proud of it, but-

    7. JR

      My friend, Ari, has a little piece of paper on his laptop-It's a quote by Ernest Hemingway, it says, "Every first draft is shit."

    8. MG

      (laughs) Yeah. Yeah. Uh, I- I- I have said... That's good. I've said it... If I died when one of my books is, like, 98% done, it- it's unusable. Like them-

    9. JR

      (laughs)

    10. MG

      They wouldn't be able to fix it. I don't know if that's true or not but, like, you know, as a writer, you know where all the bodies are buried in a 160,000 word book.

    11. JR

      Yeah.

    12. MG

      And it's like, "Oh, that doesn't make sense, and this connection here isn't there," and so, like, it kind of, like, weighs on you until you get everything cleaned up to the best, best you can.

    13. JR

      Yeah, Stephen King said that he doesn't really have an outline.

    14. MG

      Yeah.

    15. JR

      He just-

    16. MG

      I believe it.

    17. JR

      ... he sits down and starts writing.

    18. MG

      Yeah. He- he's amazing. He is, uh, just another species. (laughs)

    19. JR

      Yeah.

    20. MG

      I'm- I'm so impressed with that guy.

    21. JR

      Well, certainly in the early days of his career, right?

    22. MG

      Yeah.

    23. JR

      The early days of his career, it's- to me, it's the most interesting. And this is not to disparage people that are clean and sober. It's not to disparage-

    24. MG

      (laughs)

    25. JR

      ... the idea of getting clean and sober. You definitely should do that. Your health is more important than anything.

    26. MG

      Yeah.

    27. JR

      But-

    28. MG

      Yeah.

    29. JR

      ... when that guy was fucked up, he was writing some amazing shit.

    30. MG

      Yeah, yeah. And he- he- he didn't create a genre, but he created a genre, basically.

  9. 37:4945:13

    Creative fuel, stimulants, and altered states: coffee, Adderall mishaps, and edible paranoia

    1. JR

      Do you drink coffee?

    2. MG

      I drink a lot of coffee. (laughs)

    3. JR

      A lot of coffee?

    4. MG

      Yeah.

    5. JR

      Yeah.

    6. MG

      Yeah, yeah.

    7. JR

      That helps.

    8. MG

      Yeah, it does help out.

    9. JR

      I, I had a buddy of mine who started snorting Adderall to write-

    10. MG

      Oh, God.

    11. JR

      ... and then his wife was like, "What the fuck are you doing?"

    12. MG

      Does it work?

    13. JR

      He's like, "I gotta get this done."

    14. MG

      Look at me, I'm like, "Does it work?" (laughs)

    15. JR

      Yeah. Apparently, it does.

    16. MG

      Yes.

    17. JR

      I don't know, but his wife had a real problem with it. (laughs)

    18. MG

      Yeah, I, I guess. I-

    19. JR

      It was the snorting, I think. He just-

    20. MG

      Yeah. (laughs)

    21. JR

      ... took the Adderall-

    22. MG

      Exactly.

    23. JR

      ... but he's like, "I want it to work quick."

    24. MG

      Yeah. It's, I've, I, I've tried Adderall because some people told me it was, you know, and I got a prescription for it. And, um, I, it just made me feel kind of wacky and, uh, and I remember one, one time I took Adderall, I'm like, yeah, I was really focused. I took all of my fire logs off the fire log holder and swept that thing up-

    25. JR

      (laughs)

    26. MG

      ... and put all the fire logs back. It's like meanwhile, I've got to write a book.

    27. JR

      (laughs) Yeah, people say it makes you clean.

    28. MG

      Yeah. It made me c-

    29. JR

      It makes you want to clean things.

    30. MG

      That's what it made me do.

  10. 45:1352:05

    Research through lived experience: firearms training, the real meaning of “gray man,” and tradecraft realism

    1. MG

      No, I, you know, I've trained with firearms a lot, um-

    2. JR

      Have you always done that?

    3. MG

      No. That was really to get i- involved with, uh, the writing.

    4. JR

      The books?

    5. MG

      Yeah, to learn about the writing and I started, um, training probably 2005, 4 or 5, something like that, and-

    6. JR

      Where do you train? Do you train at, like, a tactical place?

    7. MG

      Yeah. It, it's been at different places, but the, I've done most of my training at a place in Middle Tennessee called Tactical Response and, you know, back at that point, they were training a lot of civilian contractors and so I took a... You know, you take pistol, an advanced pistol, and a rifle, an advanced rifle, and, um, this and that and then there's these things called, like, you know, HRCC, High-Risk Civilian Contractor classes. And I took a bunch of those and they're, they're like a week long and you stay in the bunk house or the team rooms with the guys. And I, and I learned really quick that, like, it's cool to learn about the guns and the gear and stuff for your books, but it's so much more impactful to sit there in the team room and drink Scotch with, you know, SWAT guys or fifth, special forces group dude, or, or whatever. You know? It's just like these been there, done that guys, contractors, Blackwater guys, um, back then. And, uh, and so, you know, I don't... I feel like I kind of became a mascot at that school.

    8. JR

      Mm.

    9. MG

      I probably took fif- 50 classes (laughs) . I probably spent close to, you know, a couple hundred days there in Tennessee. And I've, I've done some other training. Um, I own a bunch of the firearms that are in the, in the books and, uh, and like to train when I can. Um, it's less and less as you get older and, and, uh, busier and more family and all that kind of stuff.

    10. JR

      Yeah.

    11. MG

      But, but I, I really do want to get back into it even more.

    12. JR

      So when you were talking to these, uh, special forces guys, did you let them know that you're writing, that you write The Gray Man?

    13. MG

      Yeah, yeah. And, um, y- early on. I mean, I, I actually heard the term "The Gray Man" at one of these classes from, from a guy, I think he was a contractor, which is just... They would say, you know, "Be The Gray Man," which is, like, not wear the tactical gear and the 511 pants and the-

    14. JR

      Mm-hmm.

    15. MG

      ... Wirelex glasses and the-

    16. JR

      Yeah.

    17. MG

      ... the Luminox watches or, or whatever.

    18. JR

      Ah.

    19. MG

      Because they're traveling into the Middle East and, you know, the airport in Dubai or something like that, they, Al-Qaeda would have, like, watchers there, you know, seeing who was coming in and, and things like that, so...

    20. JR

      And if you're there with Salomon boots on, looking tactical.

    21. MG

      Yeah, exactly. You got your Salomons on-

    22. JR

      Black Rifle Coffee T-shirt.

    23. MG

      (laughs) Yeah, exactly. You're kind of self-identifying.

    24. JR

      Yeah, yeah.

    25. MG

      Yeah, and-

    26. JR

      Yeah.

    27. MG

      ... um, so it's all about, like, not doing that.

    28. JR

      Mm-hmm.

    29. MG

      And, and that's kind of... And my character has expanded to where he basically, you know... Is invisible man.

    30. JR

      Yeah. Yeah, um, balancing the, the incredulity, like, balancing-

  11. 52:051:32:40

    Critics vs fans: genre bias, review culture, and the personal cost of visibility

    1. JR

      Yeah. It's, um ... Do you get people that are upset that you are doing gun porn or that you're doing these ...

    2. MG

      Yes. Um, sometimes yes. Uh-

    3. JR

      Oh.

    4. MG

      ... you know, they, just people that read the book and say, you know, "It's too violent," blah, blah, blah. And it, and it's just not what they were looking for. And so I'm always kind of scratching my head at these reviews. I'm like, "Why did you spend 300, you know, why did you read 350 pages of a book that was not what you liked?" You know, I, I might not want to read a book about butterflies. Um, I wouldn't be, like, 293 pages going, "I'm gonna write, write a scathing review about a book I don't want to read."

    5. JR

      That is a problem with people that write reviews on almost anything because when someone w- will enjoy something and they want to go see that something, that's their genre.

    6. MG

      Yeah.

    7. JR

      That's the thing they're interested in.

    8. MG

      Yeah.

    9. JR

      Then they're gonna write a review based on someone who actually enjoys the genre.

    10. MG

      Yeah.

    11. JR

      But you get a lot of reviewers who are just reviewing things that they have no interest in at all.

    12. MG

      Yeah. I, don't get it.

    13. JR

      And they write these horrible, negative reviews. And it's-

    14. MG

      Yeah.

    15. JR

      ... like what, who are you trying to convince? People that think exactly like you and weren't going to like it anyway?

    16. MG

      Yeah, yeah. Well-

    17. JR

      Like, it's, it's such a weird way to write things.

    18. MG

      Jack Carr, I, Jack Carr and I had this conversation on his podcast once where he was, we were talking about the, the, the reader re- or the viewer reviews of our shows, Terminal List and Gray Man.

    19. JR

      Yes.

    20. MG

      And then the, the, like, professional reviews or whatever, and-

    21. JR

      Yes.

    22. MG

      And the, the people that watched it loved it overall. The reviewers hated it. But I mean, they're gonna hate stuff like that, uh-

    23. JR

      Of course.

    24. MG

      I mean, to a large degree, not, not everything, you know, there's some things that, that, you know, somehow universally loved. But I, but I said to Jack, I was like, "Which would you rather have, the 23 reviewers all love it, or the, you know, 100 million, million people that watch it lo- watch it?"

    25. JR

      Yeah, 100%.

    26. MG

      Yeah.

    27. JR

      That's a great way to look at it. You know who's a good example of that?

    28. MG

      Who's that?

    29. JR

      Adam Sandler.

    30. MG

      Oh, yeah, 'cause, yeah.

Episode duration: 2:47:46

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