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The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #1985 - Steven Wright

Steven Wright is an Academy Award-winning stand-up comic, actor, and now, author. Look for his first book, "Harold," on May 16.www.stevenwright.com

Joe RoganhostSteven Wrightguest
Jun 27, 20242h 30mWatch on YouTube ↗

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  1. 0:002:21

    Comedy club hang: green room design, balcony views, and the vibe of a great room

    1. JR

      (drumming music plays) Joe Rogan podcast. Check it out.

    2. SW

      The Joe Rogan Experience. (rock music plays)

    3. JR

      Train by day, Joe Rogan podcast by night, all day. (rock music plays) (laughs) It was fun hanging out with you last night.

    4. SW

      Yeah. Yeah, that was ... You know when you're in one of those rooms backstage, it's the same.

    5. JR

      Yeah.

    6. SW

      It's the same vibe. It's the same fun. Even if you don't r- you don't know the actual people, it's connection.

    7. JR

      Yeah, in a good room, yeah. Yeah, we're all having fun.

    8. SW

      (laughs)

    9. JR

      Tell- telling jokes. It's a nice ... The setup is so nice too, because where the green room is, it's in between the two rooms. So you can go to one room and watch-

    10. SW

      Oh.

    11. JR

      ... and then you can go to the other room, like because we have a balcony setup.

    12. SW

      Oh, I didn't notice that.

    13. JR

      Yeah, it's very nice. It's very, very convenient. And it- That actually was the projector room for the theater, so we converted the projector room for the theater into a green room.

    14. SW

      Very cool.

    15. JR

      It's in a perfect- It's a perfect position because it's in between the two rooms.

    16. SW

      So you got people going, leaving, going-

    17. JR

      Yeah.

    18. SW

      ... coming back from the set.

    19. JR

      Yeah.

    20. SW

      And then they can- you can see them doing it on the monitor.

    21. JR

      You can see them on the monitor, or you could just step off-

    22. SW

      Get off.

    23. JR

      ... into the balcony 'cause we have that comics balcony, so you could watch. Like if you're on stage, I could just sit up there and watch. I don't have to go downstairs. It's very nice. It's a fun vibe, right?

    24. SW

      Absolutely.

    25. JR

      (clicks tongue) It's great for me-

    26. SW

      I- I-

    27. JR

      ... to watch someone like you appreciate it, like go and, and check it out and go, "Wow, oh."

    28. SW

      Yeah. It's like, uh-

    29. JR

      It sucks that-

    30. SW

      You know, right from the beginning, the same, no matter where you go, I mean, if it's a good place. I would've stayed longer, but I didn't want to, uh ... Is this going now?

  2. 2:215:04

    Steven Wright’s start in comedy (1979): Boston’s Comedy Connection, early influences, first joke

    1. JR

      ... was it the dingho days? Was that, like, the first place where you started? Like, what was it like? What year did you start out, first of all?

    2. SW

      July '79.

    3. JR

      Oh, wow. What was the scene like?

    4. SW

      Well, it was The Comedy Connection, in Riv-

    5. JR

      The little one downstairs?

    6. SW

      No.

    7. JR

      That one still there?

    8. SW

      No. It was, it was, uh, on Warrenton Street. It was street level. That was the first one. Uh-

    9. JR

      Before Nick's?

    10. SW

      Before Nick's.

    11. JR

      So it was the same comedy store, or excuse me, the same, um, b- one that was, uh, the Charles Playhouse, right?

    12. SW

      Yeah.

    13. JR

      Yeah.

    14. SW

      You got straight in.

    15. JR

      Yeah.

    16. SW

      And it was right in there.

    17. JR

      It's an amazing room.

    18. SW

      Yeah. L- little, like-

    19. JR

      150 people probably?

    20. SW

      No. I don't even think that many. Maybe 100, maybe 90. That was the first-

    21. JR

      S- eight ceiling? Yeah.

    22. SW

      Yeah, low. That's where I, I went to see an open mic there, and then I thought ... I ... What I, what I was doing is I was, you know, into comedy from watching The Tonight Show. That's when I really got, like, oh, these comedian, you know, Carl and Robert Klein, all these guys. I had to watch The Tonight Show because my brother was older than me, and we had to watch what he wanted.

    23. JR

      (laughs)

    24. SW

      So I wa- you know, I started watching, then I started to like it. And then I heard that there was a club in town, and I thought, "I should go out." You know, I was 16 when I really was into it, but then when I was about 23, I heard of the club, and I thought, "Well, maybe I gotta go t- try it out." I mean, I wouldn't have to move to Los Angeles or New York, and I didn't ... I w- uh ... My character then, I couldn't have ... 23, I'm not gonna move to Los Angeles. It was like a ... That was too much for me. So I went to The Comedy Connection, and I watched a show, and then I learned that there was a ... The open mic nights was every Wednesday, so then I thought, "I'm gonna go back in two weeks."

    25. JR

      Do you remember your first set?

    26. SW

      I don't remember ... Uh, I remember the first joke was, but I don't remember the rest of it, was I said, "I, uh, went into a, a bookstore and I ta- started talking to this very French-looking girl. She was a bilingual illiterate. She couldn't read in two different languages."

    27. JR

      (laughs)

    28. SW

      And then it ...

    29. JR

      And that's how you started?

    30. SW

      Yeah.

  3. 5:0410:27

    Finding ‘the Steven Wright style’: absurd one-liners, influences, and Boston’s killer era

    1. JR

      So did you always write in that style? Like, the sort of non-sequitur absurdist ...

    2. SW

      No. See, I didn't even write anything until I went to the k- open mi- watched the show, and when I knew I was going back in two weeks. During that two weeks, I wrote things, but I had never written comedy at all.

    3. JR

      Right, but when you first started writing comedy, it was always that style?

    4. SW

      It was about s- 70% like that. There was more, like, normalish. Uh, I don't know why it came out like that. I mean ... (laughs)

    5. JR

      (laughs)

    6. SW

      I- I- You know, I was influenced by Carl and talking about everyday little things, and that's what I ... I said, "Oh, I'm gonna do that." And then the structure of a joke was from listening to Woody Allen's standup albums.

    7. JR

      Mm.

    8. SW

      But that, I hadn't know ... That's just how it came out.... with those two influences, plus my own mind.

    9. JR

      Well, that's where the, it gets interesting, right? Because in your own mind, because, because you have a totally different style than anybody else in Bo- well, really, anybody else in the country. But in Boston at that time, there was, uh, a lot of guys like Lenny Clarke, and Steve Sweeney, and Don Gavin. There was all these like very, very funny comics. But-

    10. SW

      Great, great... Every guy you mentioned was-

    11. JR

      Great.

    12. SW

      ... hilar- hilarious.

    13. JR

      Top of the food chain.

    14. SW

      Yeah.

    15. JR

      I tell everybody to this day that those days when, in the 1980s, when I lived in Boston, those were some of the best comics that have ever lived. Those guys were murderers.

    16. SW

      I totally agree with you.

    17. JR

      They were so good. You would go there at any given night and you'd watch Sweeney just destroy Nick's Comedy stuff. And he was so fucking good. His timing was so good, so much energy. And, you know, and it was all, so much stuff about Boston, and Boston people just fucking love that shit.

    18. SW

      Every one of those guys is different than the other guy.

    19. JR

      Mike Donovan-

    20. SW

      Mike Donovan is one of them.

    21. JR

      ... Kenny Rogers. Yeah.

    22. SW

      Kenny Rogers has been so prolific.

    23. JR

      Yeah.

    24. SW

      Mike Donovan, unbelievably hilarious.

    25. JR

      Yeah, so many good guys. Lenny, I mean, Lenny Clarke-

    26. SW

      Right, right, Lenny.

    27. JR

      ... is so funny. Goddamn, he's funny. And just great guys, too.

    28. SW

      Yeah.

    29. JR

      It's just like, it's such a, was a, an, a very unusual group of artists, because they're these wild kind of partying guys, but they had like real, like rigid rules about don't be a hack, and don't be a thief, and don't be a this. And you know, and do good comedy. And they all just wanted to kill. And it was, there was no real showbiz sort of like, uh, pot of gold at the end of the rainbow. It was really just being a headliner, just killing. That's all they did.

    30. SW

      And there was no show business there. There were no agents, no producers, no one t- to say, "Oh, you should do... Why are you doing it like that? Why are you doing..." It was like being on an island. That's how I've described it. When we all started, like the club started in '79, so everyone started maybe one year before, one year later. Everyone just started at once, and we were all learning how to do it.

  4. 10:2716:06

    Joe’s origin story: TV standup inspiration, Kinison shock, and open-mic confidence

    1. SW

      Now, were you living in Massachusetts?

    2. JR

      Yeah.

    3. SW

      And, and-

    4. JR

      I was living in Newton.

    5. SW

      ... and where did you get it in your... Why did it go into your head? Like I told you, it was, for me, it was watching The Tonight Show. How did it, the germ start?

    6. JR

      Well, definitely watching standup on TV. I used to love watching Richard Jeni on The Tonight Show.

    7. SW

      Oh, he was amazing.

    8. JR

      So good. He's incredible. I was driving home one night, uh, fairly recently, a few years back. And you know how sometimes like a Bluetooth on your phone just randomly plays a song-

    9. SW

      Yeah.

    10. JR

      ... when you plug it in? It just randomly played this Jeni bit. And I was laughing so hard driving home. And, uh, I, while I was driving, I downloaded the whole album, and I just listened to the album coming home from, uh, from Orange County. And it was like, he... I just forgot. I kind of forgot how good he was. I forgot how funny he was on all the tags, and bang, bang, bang, bang, bang. He just never stopped.

    11. SW

      He did several specials, standup specials. I saw him live in California. He's one of those guys where you laugh out loud. You know, sometimes you can watch a guy and you can think, "That's really funny." Right? But you're not really laughing out loud.

    12. JR

      Right.

    13. SW

      You're not-

    14. JR

      Right.

    15. SW

      J- it's not a judgment. But then there's other guys where it both lines up.

    16. JR

      Yeah.

    17. SW

      You know, like, like Jeni and Kevin Meaney.

    18. JR

      Mm-hmm.

    19. SW

      You're just like, "Oh my God."

    20. JR

      Kevin Meaney. Yeah.

    21. SW

      But Jeni, I mean, so prolific.

    22. JR

      He was so prolific.

    23. SW

      So prolific. Top guy.

    24. JR

      He worked at, um, uh, East Side Comedy Club in Long Island. And I got there on Sunday, and the host and a couple other comics were sitting there. They looked depressed. And I'm like, "What's going on?"

    25. SW

      (laughs)

    26. JR

      And they're like, "Jeni did four different hours. He did two different hours..."... two different shows Friday night. He did one hour for the first show, totally different hour for the second show. Then he does a totally different hour for the first show Saturday, and another totally different hour-

    27. SW

      I've never heard of such a thing.

    28. JR

      ... for the second. I never heard of such a thing.

    29. SW

      That's incredible.

    30. JR

      They said he never repeated a joke. They said he did four totally different hours-

  5. 16:0619:05

    Why standup can’t be taught: fingerprint voices, stage emptiness, and learning by repetition

    1. SW

      But I think, uh, a lot of... Y- you know, just 'cause someone's funny hanging out doesn't mean they could do that. I mean, you obviously have done it. But the big difference is, like if you're in a bar with someone hang-... And the TV's on and... There's a lot happening, going by. The waitress goes by, someone drops something, you c- someone says something about that, something's on the TV, something goes by, truck goes by, there's all these things. But when you go on the stage, there's nothing happening.

    2. JR

      Mm-hmm.

    3. SW

      So just 'cause you can do that with your friends doesn't really mean then you could go do that, 'cause when you walk out, there's nothing.

    4. JR

      Right. It doesn't mean that you can do it, but if you can't do that with your friends-

    5. SW

      Oh, yeah, definitely.

    6. JR

      ... you probably would never be able to do it.

    7. SW

      If you don't have that-

    8. JR

      Yeah.

    9. SW

      No, yeah.

    10. JR

      You're either funny or you're not funny. And if you can be funny with your friends-

    11. SW

      Yes.

    12. JR

      ... it's just a matter of like how can I figure out how to be funny-

    13. SW

      Yes.

    14. JR

      ... in front of everybody else? Yeah, that's where it's tricky. And to me, the most interesting thing about the art form is that no one can tell you how to do it. You do it very different than I do it, and we both do it very different than Seinfeld does it. And Seinfeld does it different than Louie Anderson did it. It's like everybody's got their own little weird way to do standup and you kinda have to figure that out on your own.

    15. SW

      It's like a fingerprint. Everyone's mind is like a fingerprint.

    16. JR

      Yeah.

    17. SW

      You have your own fingerprint and then you gotta figure it out.

    18. JR

      And also, if you look at art forms that are very popular, like standup is obviously a very popular art form, people love to go see it, there's no real courses on how to do it. There's no real structure of it. Like everything else, whether it's music, songwriting, literature, fiction, non-fiction, there's all teaching. People teach people how to do it. People who've done it already, they teach you how to set up your, your stories and how to, you know... The... There's ways to learn almost every other art form. But even acting-

    19. SW

      (sighs)

    20. JR

      ... they teach acting. You can't really teach standup. You gotta practice it in front of people. You can kinda take classes. The classes, the best thing the classes do is they get you on stage.

    21. SW

      ... yeah, I've always... Years after I was doing it, I thought back that you're the... you are your own teacher and student at the same time.

    22. JR

      Mm-hmm.

    23. SW

      You're standing on the stage. You don't think of it like that because you're just trying to do it.

    24. JR

      Right.

    25. SW

      But in hindsight... And you can only learn from doing it over and over and over and over. And your mind is soaking up like, oh, even mistakes at work, "Oh, oh, oh." Like it soak... Like everything, you need every second that works-

    26. JR

      Yeah.

    27. SW

      ... and every, "Oh, that doesn't... Oh, oh, oh." All right, and we'd tape them, audio tape them at the beginning of sets, because it's happened so fast. It's like a car accident. The next thing you know, the thing is, "Oh, what? What?"

    28. JR

      Yeah.

    29. SW

      And then you can like, "Oh," because some of it went better than you thought and some of it didn't go as good.

  6. 19:0523:30

    Steven’s joke-writing method: ‘noticing’ as a radar sweep (electrolysis pony story)

    1. JR

      Your w- writing process must be, uh, y- you, you have a very difficult style to write for, I would imagine-

    2. SW

      What do you mean?

    3. JR

      ... because your style is, it's, uh, it's non sequiturs, and they're very... like a lot of it's very absurd. Like is it, is it hard to... like when you write, do you sit in front of a computer? Do you just come up with ideas as you're walking around? Like what's your process?

    4. SW

      In the beginning, I would sit down and look at the paper, like look for a word to jazz my mind or look for something, and I would try to find jokes on purpose in the first six months. And then after that, like I had this thing once I was, uh, looking through the paper and, uh, it was an advertisement for electrolysis, and I thought, "What an interesting word." Just the sound of the word, what it means, both things at one... What the hell? What the hell? Right? So I made a note of that. And then, I don't know, my mind... you know, uh, because your subconscious is like a factory. It's working when you don't even know that it is.

    5. JR

      Mm-hmm.

    6. SW

      You're minding your own business, you're in line doing something that's... "This just in." (laughs)

    7. JR

      (laughs)

    8. SW

      And, and, uh, what my mind did with that was I came up... I had this thing about, um, living in an apartment building where they allowed pets, and I had a pony.

    9. JR

      (laughs) .

    10. SW

      I had a Shetland pony named Nicky, and he, he was once involved in a bizarre, like, electrolysis accident. All the hair was removed except for the tail. Now, I rent him out to Hare Krishna family picnics.

    11. JR

      (laughs)

    12. SW

      And that whole thing came because I saw the word electrolysis. So I would try to find things on purpose, but then after a while, I didn't... my mind was... I would just notice things because I think comedy, all art is based on noticing what's around you. And I would just... my, my mind... like I drew a lot. I, I know that you used to draw too.

    13. JR

      Mm-hmm.

    14. SW

      And then I would, I would draw realistically in high school and stuff, and like if you were gonna draw this cup and this, this, uh, uh, you... the two shapes and then you notice... If you're trying to draw it real, you... this shape, this shape, and then there's the shape that's in between. That's also a shape, which helps you get it accurate.

    15. JR

      Mm-hmm.

    16. SW

      And, but, so you know when... you don't really notice that shape unless you were trying to draw it. So I think that that exercised my mind of noticing. Then later on, uh, doing the comedy, I was already noticing, what I think I was noticing, just some people are very aware of what's around, and you know like in the tower in the... at the airport where the radar goes like this, like it just... uh, it goes like this, like-

    17. JR

      Mm-hmm.

    18. SW

      ... and then, then there's the little beeps of the planes, like-

    19. JR

      Mm-hmm.

    20. SW

      ... those are the planes. So I think my mind got like, uh, scanning like that, subconscious. Like I- I'm not going on... I don't walk down the street thinking, "I need another joke. I'm gonna go walk down that street." I'm just going around my day just doing it, but the sub... the thing is going... (whistles)

    21. JR

      Right, you're just scanning. (laughs)

    22. SW

      And then it'll see... (whistles) Then it'll see a word, it's like... (whistles)

    23. JR

      Yeah.

    24. SW

      Oh, oh, maybe that... Oh, okay. And then, oh. And then like, write it down, and I think of the joke. The wording comes pretty fast, like very... like in a minute, it's like... because in my mind, it can only be one way it can be written, and then I just would write it down and then, and then go on with what I was doing. But the, the noticing never stops. Don't you think what you do is... you're, you're reacting, right? You're talking about the world, but you have to really see the world.

    25. JR

      Yeah, you have to really see the world. And I, I, I do a real similar thing, where like if there's a certain subject that I'm working on, like, uh, like all throughout the day, I'm thinking about that subject. Like if there's a new bit, it's like it's just bouncing around in my head, like, "What is going on with that?"

    26. SW

      (laughs)

    27. JR

      Why do we accept that? Why is that so weird? Like what, what... you know? And then it just, it's just always playing in the background, like my mind is trying to sort it out. My mind is trying to figure out what my angle is, you know? And then sometimes, I'll just take it on stage and just roll it out and go, "Let's see where, where this goes."

  7. 23:3025:59

    Workshopping onstage: pressure, evolution of bits, and audience as co-editor

    1. SW

      Without it all figured out?

    2. JR

      Without it all figured out. I'll just do it in between bits that are real, so I'll do a bit that's good, like it's a solid bit, and then I'll work in that thing, and I'll just be like, "Let's see where this goes."

    3. SW

      Mm-hmm.

    4. JR

      You know, under pressure, after a bit that kills, you get stuck in this spot. Like there's something in there, like what it... where is it?

    5. SW

      Okay.

    6. JR

      You know, I have like little ma- destinations that I'd like to get to, I'd like to talk about this part of it, I'd like to talk about that part of it, but let me just see.

    7. SW

      I think because you're in front of the audience, everything's heightened-

    8. JR

      Yeah.

    9. SW

      ... so there's a pressure there. So your mind is kicked into another intensity-

    10. JR

      Yes.

    11. SW

      ... than if you were just, you know, at a red light.

    12. JR

      Yeah.

    13. SW

      So and you're trying to survive-... meaning get the laugh-

    14. JR

      Mm-hmm.

    15. SW

      ... you try, you don't want a minute of nothing. So your brain, like, you're turning up the knobs, like, we gotta figure th- let's figure this out-

    16. JR

      Right.

    17. SW

      ... and stuff.

    18. JR

      With all those eyes on you, like, there's something in there. I know it's in there. Let me fucking find it. You know? But p- people kinda know the process now, so the, people enjoy seeing that. Like, I've talked to people, like guests that have come back and they said, "You know, that bit, I saw that bit six months ago and now it's, like, totally different. It's amazing. Like, you figured out this and that." And yeah, yeah, it's like a process. So that, that, the fact that fans can come and check out the process and they'll see a bit and then they'll come back and see you six months later, it's like a fucking totally different thing.

    19. SW

      Mm-hmm.

    20. JR

      And so it's this, like, living, breathing thing that you kinda take on stage to water.

    21. SW

      Yes.

    22. JR

      Where is this going?

    23. SW

      It's true. It's...

    24. JR

      And then I sit with it and I'll, I'll stare at my notes when I get home or just trying to think, like, is, am I missing something? There's another angles or another way I could... How would another person approach this? A person who didn't have this structure already set up for this bit. Maybe someone will look at it differently.

    25. SW

      Mm-hmm.

    26. JR

      Maybe the ending should be the beginning. Maybe the beginning should be ending. You know, it's like-

    27. SW

      You, you triggered things, it was amazing.

    28. JR

      Oh, thank you. Thank you.

    29. SW

      Like, just like, just you can't see anything coming and the connect-

    30. JR

      (laughs)

  8. 25:5933:52

    Buc-ee’s, Texas weirdness, and exotic animal loopholes (tigers, zebras, elk)

    1. SW

      It just... So, we had a thing, uh, oh, when you were talking to those female comedians the other day, uh, no-

    2. JR

      Kim and Sarah?

    3. SW

      Yeah, but no, it was in your act, I think. It was about the guy. Oh, shit.

    4. JR

      (laughs)

    5. SW

      The oil guy. The guys with the money in Texas and they started Truck-

    6. JR

      Oh.

    7. SW

      ... Truck. Was it Truck World?

    8. JR

      Buc-ee's. Buc-ee's.

    9. SW

      What is it?

    10. JR

      Buc-ee's is like the craziest gas station ever. That's where we're supposed to talk-

    11. SW

      Is that a real place?

    12. JR

      It's a real place. (laughs) You should go. It's amazing.

    13. SW

      Is it called... Is it one, it's not a chain, is it?

    14. JR

      Oh, it's a chain. Yeah.

    15. SW

      And it's called Buc-ee's?

    16. JR

      Yeah, B-U-C-C-E-E-S. Buc-ee's, that's Buc-ee's. It's the (laughs) biggest gas station you've ever seen. It literally doesn't even make sense. That's not even the biggest one. Yeah, that's only, like even half of it. That's not even the building. That's a small one.

    17. SW

      Really?

    18. JR

      That's a little Buc-ee's 'cause that's the Buc-ee's car wash and then there's like this Buc-ee's gigantic store.

    19. SW

      Is it only in Texas?

    20. JR

      I don't know.

    21. SW

      Never even heard of it.

    22. JR

      I don't know. It's definitely-

    23. SW

      (laughs)

    24. JR

      ... a big Texas thing. It's like a Walmart, like a huge Walmart attached to a gas station. They sell everything in there. It's fucking nuts.

    25. SW

      (laughs) Look at that.

    26. JR

      It's amazing.

    27. SW

      Look at that thing.

    28. JR

      Look at the size of it. Look at the size of that place.

    29. SW

      Looks like an airport-

    30. JR

      (laughs)

  9. 33:5237:42

    Why Joe moved to Austin: pandemic governance, ‘freedom,’ and quality-of-life tradeoffs

    1. SW

      So, what brought you... Why did you decide to move to Austin?

    2. JR

      Uh, it was during the pandemic and, um, everything in California was just really going sideways. They were, uh... There was a lot of riots, there was a lot of smash and grabs, and there was a lot of, um, really incompetent government, where they were telling people that you have to stay lo-... We couldn't even do outside shows. You couldn't do outside shows. The Comedy St-... They wouldn't let the Comedy Store do shows in the parking lot. I'm like, "This doesn't make any sense." There's in- these incompetent bureaucrats who were telling people what to do over public health decisions. They had massive control over your life all of a sudden. The mayor never had any fucking control over who worked and who didn't work. Now all of a sudden he does, and he's a moron.

    3. SW

      But why-

    4. JR

      I was like, "I gotta get out of here."

    5. SW

      ... but why Texas?

    6. JR

      Well, I came to Texas, uh, with some friends 'cause we were all, like, disgruntled with California.

    7. SW

      And you've been to Texas before?

    8. JR

      Oh, yeah. Many, many, many, many, many, many times.

    9. SW

      Oh, okay, so you, you had a feeling for Texas.

    10. JR

      I've been coming here since... I love it here.

    11. SW

      Oh, okay.

    12. JR

      I've always loved it.

    13. SW

      All right, all right.

    14. JR

      And, uh, really what I wanted to do, I wanted to move to, like, Utah or Montana. I wanted to l- move to somewhere where it was this beautiful mountains and woods. I just wanted to... I'm like, I travel so much, I want to go somewhere that's nice and peaceful. Like, I don't want to be in cities anymore. I was like, "This city shit is bullshit." It's just too much.

    15. SW

      That's what I did.

    16. JR

      Yeah, that's... I mean, we were talking about it last night. I think you're on the right track. Y- it's al- it overloads your senses. I don't think it's healthy for you. So, there was that, and then, um, it was also... This is a great town. I mean, it's an amazing place. There's only a million people there, and then a million in the outskirts. So, it's, like, really mild traffic, very friendly people, like, great restaurants, a great artist community. There's a lot of great musicians here.

    17. SW

      Yeah, absolutely.

    18. JR

      And now-

    19. SW

      I never even noticed in the airport, I've never seen this. There's singers in the airport.

    20. JR

      Mm-hmm.

    21. SW

      Like, at different gates.

    22. JR

      Yep, yep.

    23. SW

      That was wild.

    24. JR

      And legit barbecue. They got a Salt Lick at the airport.

    25. SW

      They do?

    26. JR

      Yeah, it's very good. We got excited when Salt Lick was open. Yeah, the food here is incredible. But, so that was, uh... It was... But it... But the big thing was freedom.... freedom was number one because when we came here, everybody was like, restaurants were open. People were just walking around doing things. We, you know, we went out onto, uh, Lake Austin. This friend of mine who's, uh, she became a friend of mine. She was our real estate agent and she, she took us on a tour on a boat and my, my young daughters were like, "Oh my God, we wanna live here." They're like, "We wanna live on the lake, let's go." And my wife was very hesitant at first, but she took to it like a duck to water once she moved here.

    27. SW

      Why was she hesitant? There's two different-

    28. JR

      It's a big change.

    29. SW

      Yeah, yeah.

    30. JR

      All of her friends are in LA. You know, it's hard. It's hard just packing up your shit and moving.

  10. 37:4244:03

    Parking tickets, tolls, and the invention of the parking meter (plus jaywalking)

    1. SW

      I get like that over parking tickets.

    2. JR

      Yeah. (laughs)

    3. SW

      Park... Seriously.

    4. JR

      Yeah.

    5. SW

      Parking tickets infuriate me. It, I didn't... For years.

    6. JR

      Yeah.

    7. SW

      It's like, how dare you? What do you mean? You own, you decided you own this par- this piece of the Earth and you're gonna charge me? Everything you just said I have boiled down to parking tickets.

    8. JR

      That drives me crazy. And you know what drives me crazy? Tolls.

    9. SW

      Oh, yeah.

    10. JR

      When I go to New York, every time I go over those stupid fucking bridges, I get angry.

    11. SW

      (laughs)

    12. JR

      I'm like, you're making me pay again to drive over the bridge? You paid for this bridge a thousand times over, you cunts.

    13. SW

      (laughs)

    14. JR

      'Cause like the whole idea in the beginning was we gotta fund this bridge, so we need to charge people money to go across the bridge. But then after a while, the funding's done.

    15. SW

      Hmm. Yes.

    16. JR

      You paid for it, you fucks.

    17. SW

      Yes.

    18. JR

      But now you're just addicted to charging people. So you have this massive bottleneck where all these cars just stop dead 'cause everybody's gotta go through these stupid fucking booths and you're just raking in money and just staying incompetent, st- staying with your terrible money management so everybody's angry at ya and they still just keep paying it every day 'cause there's no way around it. You gotta go on the bridge? You gotta pay. Wear that fucking, put that stupid thing over your rear view mirror so it clocks you every time and dings your credit card. Fuck. It's theft. They're a bunch of creeps. The whole idea behind it is already been passed. Like you were supposed to pay for the bridge, you paid for the bridge. Now you're just stealing. Parking spots. Fuck you.

    19. SW

      I overreact to parking spots.

    20. JR

      I don't think you overreact, but I don't think you need to get violent.

    21. SW

      To the ticket, to ticket making (laughs)

    22. JR

      (laughs) Do you know Brian Holtzman? Did you see Brian Holtzman last night? Very, very funny guy and he just got here. He's a really funny guy from LA, but, uh, Brian used to be, uh, a meter maid. That's what he used to do.

    23. SW

      Yeah, yeah, yeah.

    24. JR

      He was like, he did, he was a comic and he did, uh, parking enforcement.

    25. SW

      Really?

    26. JR

      Yeah. We were just talking about it last night that I ran into him one night. I was at the Comedy Magic Al-

    27. SW

      He must have some stories.

    28. JR

      Oh, he's got great stories. He's funny. You should see him, he's very funny. You would enjoy him. He's so crazy. (laughs) Um, he does the late night spots. Like he likes to close off the show, so you know, he was on stage last night till 1:45 in the morning.

    29. SW

      Wow.

    30. JR

      Yeah.

  11. 44:0353:46

    Driving, silence, and ‘doing nothing’ as creative fuel

    1. JR

      (laughs) Yeah. It's, uh ... Have you ever fucked around with autonomous cars?

    2. SW

      I don't even know.

    3. JR

      You ever drive a, a Tesla?

    4. SW

      I wouldn't never ... It drives itself, you mean?

    5. JR

      Yeah.

    6. SW

      I wouldn't do that.

    7. JR

      No?

    8. SW

      No. You mean sit there and let it do... I mean, I might do it as a test, but I don't like the idea of it.

    9. JR

      Yeah.

    10. SW

      I love to drive.

    11. JR

      It's very creepy.

    12. SW

      I love it.

    13. JR

      I do, too.

    14. SW

      I love c- I love, I love ... I love it. It's one of my favorite things.

    15. JR

      What do you drive?

    16. SW

      I drive a Toyota Highlander.

    17. JR

      Oh, nice.

    18. SW

      And I drive a 1986 Jeep CJ7.

    19. JR

      Nice.

    20. SW

      I love going from point A to point B. There's something about moving that's good for you, at least for my mind, too.

    21. JR

      Yeah.

    22. SW

      It's like, it's like there's something unwinding just by moving forward.

    23. JR

      I used to come up with a lot of my best ideas driving-

    24. SW

      Yeah?

    25. JR

      ... with no radio on.

    26. SW

      Yeah, yeah, yeah. You gotta shut it off sometimes because-

    27. JR

      Yeah.

    28. SW

      ... if th- y- peop- you always got radio or phone or something, and you, sometimes you have to have nothing because nothing isn't really nothing. R- r- you gotta, like... It took me years to realize that doing nothing was really good. It was really doing something because your mind thinks differently when you're not going, when something's not going in.

    29. JR

      Yeah.

    30. SW

      Like, you can really think more.

  12. 53:461:00:55

    Exercise before shows: endorphins, looseness, and stage intensity as a tightrope

    1. SW

      I have several museum jokes by accident.

    2. JR

      (laughs) Just by accident, yeah.

    3. SW

      Well, I mean, I went to the museum.

    4. JR

      Yeah.

    5. SW

      I didn't go to get some jokes.

    6. JR

      Right.

    7. SW

      Like, see the women's, the name for the ladies room? Oh, that must be an exhibit. You know, you see the-

    8. JR

      Yeah.

    9. SW

      Or where they have the heads and arms from the statues that are in all the other museums, a museum who had all heads and arms. That's 'cause I went to a museum.... you know, or like, I exercise. I, I'm a bike rider. Like, an hour a day in the spring and summer, and, and, uh, on a stationary bike in the winter, every day, 30 minutes. I'm addicted to that.

    10. JR

      Mm.

    11. SW

      And that, that, like, it's a weird ... That's like a weird drug that makes you more relaxed and energetic at the same time-

    12. JR

      Mm-hmm.

    13. SW

      ... with no... And, and that affects your thinking too, somehow. It's like, it's all ... I mean, I do it to feel good, but I like how it affects my mind also. Then you add coffee, and then you're outta your mind.

    14. JR

      (laughs) I love cardio-

    15. SW

      So you-

    16. JR

      ... before shows. Like, it's one-

    17. SW

      Oh, you do? Yeah, I do too.

    18. JR

      If I could do like an hour of cardio before a show that night, I'm always so loose and relaxed.

    19. SW

      Yeah. You just feel ... You're like, "Oh."

    20. JR

      Yeah. Like, "Hey, everything's fine."

    21. SW

      Yeah.

    22. JR

      Big smile on my face. Yeah. I was out to dinner with my wife once, and I just had this giant smile on my face. And she's like-

    23. SW

      (laughs)

    24. JR

      ... "What are you ... What the fuck are you doing? What's so funny?" I'm like, "I did cardio today. I feel great."

    25. SW

      Yeah.

    26. JR

      It's like it's a, just a, like a ... It wrings out all the tension in your body-

    27. SW

      Yeah.

    28. JR

      It just leaves you free.

    29. SW

      Yeah. I have to do ... I love doing it.

    30. JR

      It's very good.

  13. 1:00:551:09:30

    Podcasting growth: early webcams to scientists, Graham Hancock, and mind-expanding conversations

    1. SW

      How long have you been doing the podcast?

    2. JR

      Um, 14 years? Is it almost 14 years?

    3. SW

      13 and a half, yeah.

    4. JR

      13 and a half years.

    5. SW

      Wow.

    6. JR

      Yeah, yeah.

    7. SW

      Amazing.

    8. JR

      Crazy.

    9. SW

      That must be one of the first ones that you have here.

    10. JR

      Uh, the first one was Adam Curry. He was number one. He's the Podfather, and then-

    11. SW

      Podfather.

    12. JR

      And then, um, Corolla had one-

    13. SW

      Oh, yeah.

    14. JR

      ... when he left radio, and Marc Maron had one, and there was a couple other that I had heard about, but it was, uh...

    15. SW

      (sighs)

    16. JR

      Kevin Smith. Kevin Smith had one real early on. Um, but it was, uh, fairly... Yeah, a fairly small amount of people.

    17. SW

      And what-

    18. JR

      Yeah, Tony.

    19. SW

      What, what drew you to it?

    20. JR

      Just having fun. Um, what drew me to it was, like, I used to like to do, uh, radio. I used to like to do, like, Opie & Anthony 'cause it was a bunch of comics-

    21. SW

      Oh, yeah.

    22. JR

      ... hanging around.

    23. SW

      Yeah, yeah.

    24. JR

      And, you know, it was like Jim Norton and Rich Vos. We would just hang out, and talk shit, and just laugh, and it was so much fun. I would look forward to doing it every time I went to New York. I couldn't wait to do the morning radio 'cause I get to hang with these comedians and just laugh.

    25. SW

      Jim Norton, Jim Norton's hilarious.

    26. JR

      He's the best. I love him.

    27. SW

      (laughs)

    28. JR

      But he, it's like, it was a camaraderie thing. It was a fun thing. We just would always leave there. Like, Ari Shaffir and I would do it all to- together all the time. And we would leave, and we'd just be laughing, like, "Wah." It was just so much fun. And then, the idea, uh, came... I'd s- I'd seen, uh, Anthony Cumio from Opie & Anthony. He had his own show that he was doing in his basement online, and Tom Green had his own show online. So, I was watching a few other people do things, and I was like, "Why don't I just try something? Just, like, do... Just have a webcam show. Just do it just for f- for the fucking fun of it. Like, just let's see what happens." We started doing that.

    29. SW

      You were doing it with your friend?

    30. JR

      Yeah, my friend, Brian. Um, and, uh, then I would bring in comedians like Tom Segura and Joey Diaz and Duncan Trussell and Ari Shaffir. And then it just became all of a sudden I have guests, and all of a sudden I have scientists, and all of a sudden I have authors, and psychologists, and physicians. And it was weird. It, it just, like, slowly became this thing that it is now.

  14. 1:09:301:13:23

    Elon Musk episode, AI fears, and the unsettling pace of the near future

    1. JR

      ... Elon Musk was a big one. That was a huge one, 'cause I got him to smoke pot.

    2. SW

      You had him in here too?

    3. JR

      (laughs) Yeah, I got him ... I got him to smoke weed.

    4. SW

      In here?

    5. JR

      Yeah, 'cause we were drinking. We were ... It was like, we were having a couple whiskies, and we're t- ... I wanted to loosen him up, 'cause he's very intense. I mean, his brain is ... Like, you can tell when you're talking to him-

    6. SW

      (laughs)

    7. JR

      ... his brain is working on, like, five different things while he's talking. It's like a different kind of thinking.

    8. SW

      (laughs)

    9. JR

      So, we were drinking a little bit, loosening up, and then I sparked up a joint, and it became a giant issue, 'cause he took a hit.

    10. SW

      Oh, I remember that.

    11. JR

      And the s- stock price of Tesla dropped, like, 6%. (laughs)

    12. SW

      It did? (laughs)

    13. JR

      Yes.

    14. SW

      (laughs)

    15. JR

      It went back up. I think it went past where it was the next day, but, you know, people panic on those things.

    16. SW

      It went back-

    17. JR

      And he almost lost his-

    18. SW

      It went back up when he wasn't high anymore.

    19. JR

      Exactly.

    20. SW

      He's like, "Wait, wait, wait."

    21. JR

      They're like, "It's okay, he can make decisions now."

    22. SW

      (laughs)

    23. JR

      And then, you know, it was, uh ... There was also an issue with, uh, top secret clearance. Because even though it's legal in Mass- in California, weed was, where we were, um, it's not legal federally.

    24. SW

      Yeah, it's weird.

    25. JR

      So, here he's involved in this thing that's illegal, and he's also involved in NASA. He's also involved in top secret rocket programs. You know? 'Cause he's got SpaceX. And they're like, "Hey, motherfucker. What are you doing over there?"

    26. SW

      (laughs)

    27. JR

      (laughs)

    28. SW

      Was ... Did he smoke, uh-

    29. JR

      (sniffs)

    30. SW

      ... in, in his, in his private life anyway?

  15. 1:13:231:21:34

    Native American history and the ‘Heyoka’ sacred clown: comedy’s cultural role

    1. SW

      I love the photographs out there of the, of the, uh, the Indians out there.

    2. JR

      Oh, that's Greg Overton. Yeah. Greg Overton is this amazing artist, and he's, uh, done a, a bunch of these incredible Native American, uh, art pieces. And this area, (clears throat) in particular was rich with Native American history, because it was a very, very fertile area. Because of all the lakes and all the rivers and all the wildlife.

    3. SW

      Mm. Yeah.

    4. JR

      So there's arrowheads everywhere out here. All over the place. I have a friend who has a ranch, and he's pulled thousands of arrowheads from his ranch. They do these excavations where they, they, um, know, like, the areas where they hunted a lot, you know, where there's a lot of, like, wildlife, and they, they dig into the ground and they sift through it, and he finds these incredible points. He's found Clovis points, he's found, like, Comanche arrowheads. It's amazing, amazing stuff.

    5. SW

      Yeah. Tremendous.

    6. JR

      Yeah.

    7. SW

      Do you know that photographer? Has he passed away or what?

    8. JR

      The artist? No. There's a, there's-

    9. SW

      You know, the guy that took the big pictures.

    10. JR

      The... Oh, the photographs.

    11. SW

      Yeah.

    12. JR

      The photographs are of Quanah Parker. Quanah Parker is the last Comanche chief.

    13. SW

      Oh. Oh.

    14. JR

      So, the Comanches were the people that were in control of the plains, in control of Texas, and they were the most fierce tribe, and they were the most difficult to get past. And they, th- they were the reason why people couldn't settle this area. It wasn't until the Texas Rangers figured out how, how to combat them on their own terms. They cold camped, they never used fires, they dressed like, like normal civilians, and they kind of lived like Indians. And they w- ran around, and that's Quanah Parker. So, Quanah Parker, his mother, Cynthia Ann Parker, was kidnapped by the Comanche when she was really young, she was nine years old. Her family was murdered in front of her, and they took her in, and she eventually became, um, the wife of the chief, and they had a baby. So she was white, and she had a half Native American baby, who was Quanah Parker, who was the last Comanche chief. And he was big for a Comanche, and just, like, very, very fierce guy. That photograph of her, uh, sucking, uh, having her, her kid, um, sucking on her nipple is a very famous photo, because she would do that in front of people, and they thought that was, like, so uncivilized-

Episode duration: 2:30:20

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