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The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #2177 - Chris Robinson

Chris Robinson is the lead singer and co-founder of the rock band The Black Crowes. The bands critically acclaimed and first new album in 15 years "Happiness Bastards” is out now.

Chris RobinsonguestJoe Roganhost
Jul 18, 20242h 19mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:002:47

    Columbo, old TV quirks, and why “justice at the end” sells

    1. NA

      (drumming) Joe Rogan podcast, check it out.

    2. CR

      The Joe Rogan Experience. Train by day, Joe Rogan podcast by night, all day. (rock music) Especially like the first seasons, like 1972 or '3, I think.

    3. JR

      Columbo, I almost forgot about that show. They were, they used to tell him not to smoke?

    4. CR

      Well, no, like the character. I could tell they're probably just building up. Like, like you notice that he has a cigar in his hands-

    5. JR

      Right.

    6. CR

      ... the whole series, or every episode. But, but I, it's funny in 1972, people were like, "Please don't smoke in here." Or, or, "Mr. Columbo," or, "Lieutenant Columbo." He's always being, like, reprimanded for it.

    7. JR

      Interesting. I forgot about that.

    8. CR

      And he's always really, you know, Peter Falk's charact... He's always like, "Oh, oh, sorry." And he puts it out always. He's never like upset or anything.

    9. JR

      Yeah, he was... That was an interesting character, right? Because he was like this bumbling guy who was actually not. He was kind of setting you up the whole time, letting you underestimate him. Acting all... "Pa- pa- pardon me."

    10. CR

      Yeah.

    11. JR

      "But another thing."

    12. CR

      He's always about to leave-

    13. JR

      Yeah.

    14. CR

      ... but he's like, "Oh yeah." And he comes back and like hits the-

    15. JR

      And he's annoying people, and they're like, "Ugh." And then all of a sudden-

    16. CR

      Incredible, though, uh, aesthetic. And like the other day I'm watching this episode that Jonathan Demme directed, Steven Spielberg. I mean, like all of these famous directors start to cut their teeth in TV and on episodic things like that, but-

    17. JR

      Oh, really?

    18. CR

      There's a real tone to it and stuff that's cool, and the way everyone looked. But one other funny thing about it that I've noticed (laughs) in Columbo is there, always starts with a murder, and then... Usually, a l- a lot of times in the arc of the story, someone shows up to the crime scene, (clears throat) usually whoever did it or whatever, right? And so... But they're never upset. You know? (laughs) There's never someone who runs in, "What happened here?" "Your uncle's been murdered." "Oh, I didn't do it." You know? (laughs) Like it's kinda like how it starts instead of some dramatic, you know, like, "Oh my God," you know, "How could this have..." You know, no one's even f- They're just like, "Okay, uh, well, you're bothering me now." You know? In cop shows you can always tell police, even SVU, they're always like, "I've had enough. Can you guys leave?" And they leave. I'm like, is that how it goes? I- I don't know.

    19. JR

      No.

    20. CR

      (laughs)

    21. JR

      (laughs) It's weird how many of those shows there are where they catch the bad guy. Like that is, it's like something that I guess people with anxiety need to let them feel like if someone is a bad person and they do commit a murder, they're gonna get caught.

    22. CR

      Like are the, are the interest in those kinda dark scenarios, you're only interested in them when there's justice at the end? Is that what you're saying?

    23. JR

      Oh yeah, for sure.

    24. CR

      Like, because anything nebulous or whatever is like, uh-

    25. JR

      Right.

    26. CR

      ... too real maybe.

  2. 2:474:00

    Quincy, punk panic, and growing up as real ‘outsiders’

    1. JR

      Yeah, there's those shows and then there's medical shows. Remember when there was, there was a time where there were like, every other fucking show on TV was about a hospital?

    2. CR

      Yeah, yeah.

    3. JR

      Yeah.

    4. CR

      And the only one that I really remember is Quincy. So Jack Klugman yelling at everyone all the... You know?

    5. JR

      Oh yeah.

    6. CR

      He's yelling about the- the sandwich. He's yelling about the blood sample. He's...

    7. JR

      Yeah.

    8. CR

      When we were kids, we were hardcore. We were in, you know, that initial phase of American kinda hardcore punk stuff, 'cause we had just missed out the like '77, '78, '79.

    9. JR

      Hmm.

    10. CR

      And then there was an episode about the LA scene and they, and Quincy goes to the punk club, "Don't you see what you kids are doing to yourselves with the-"

    11. JR

      (laughs)

    12. CR

      "... loud music and the anger and the- the pills or whatever." You know, he like... And there was a thing when- when we were kids and there was this song, I forget which band did it, but if you were, you were fake if you were a Quincy punk, you know? 'Cause they took like the way people looked on Quincy or whatever, and that instantly became you're-

    13. JR

      A fake punker.

    14. CR

      Yeah, yeah. You're bullshit now.

    15. JR

      When you started out, like what- what was the inspirations for your band? Like what were you guys into?

  3. 4:006:28

    Family roots: a singer dad, folk songs at home, and music as altered space

    1. CR

      I mean, it's- it's hard to untangle because my dad was a singer, so our dad was a singer. And he was very f... Well, my dad was kind of a strange guy in general. Um, a lovely guy, but dynamic to say the least. But he'd had like a- a hit in the late '50s called Booma Dip Dip, like a top 40 kinda record. And uh, and a couple subsequent sort of, you know, rock and roll singles when he was living in New York and stuff. And then when he... That kind of pales out and then he moves back to Atlanta and he immerses himself in like the folk music scene, and he was signed to a label called ABC-Paramount. So by the time I come along in '66, it's kind of, he's not doing it anymore. Um...

    2. JR

      What was he doing?

    3. CR

      He... Well shmata guy. He was in middleman. He was like Willy Loman, you know? He was in the garment business. My, hi- my grandfather, Ike Robinson, they were in children's wear, my dad was in women's wear, and then ended later back in children's wear. But the one thing around the house that I remember, earliest memories are him pulling out this- his guitar and singing folk songs. And just, I don't know, I w- I'm dyslexic person and, uh, so my... You know what I mean? So there was... I don't know if that has anything to do with it, but there was something about always singing these songs, it would like open up stuff for me. Almost like being high or in a- in a ps- in a, not in a psychedelic way, but in a way that it changed the space. You know what I mean? And records started doing that to me very early. And that kinda is where... So it's kinda n- We think it's normal. Other kids' dads aren't playing old folk songs at the house, that I know, you know. But by the time Rich and I, you know, were kinda like...... angst-ridden suburban youth, you know. For some reason my parents decided to move to the suburbs. Financial reasons, general apathy, uh, (laughs) you know? Ready to, you know, begin the mound of, uh, resentment and regret. I don't know. Um-

    4. JR

      (laughs)

    5. CR

      (laughs) All the things the suburbs represent me, you know what I mean?

    6. JR

      (laughs)

  4. 6:288:25

    Night Flight, New Wave Theater, and discovering the underground from Georgia

    1. CR

      Uh, I would say for me there was a television show in the... Do you remember Night Flight on USA Network back in the early days?

    2. JR

      I remember the name. I don't even remember what it was about.

    3. CR

      Yeah, it would be like... It would come on at midnight and it would be concerts and f- like films-

    4. JR

      Oh.

    5. CR

      ... like cool, like... It's probably the first time I saw Eraserhead or Rude Boy, the movie about The Clash, and, uh, you know, decline of Western civilization punk things and new wave things. And, uh, I always had an interest in s- the... In stranger things, you know? In things that weren't normal or, you know, uh, you know, Mr. Roper on Three's Company, or, or whatever.

    6. JR

      (laughs)

    7. CR

      Like, you know what I mean? Um, and this show, they had a show that came on at 2:00 in the morning and it was from Los Angeles called New Wave Theater. And that was like huge, huge. Being a kid e- in the suburbs in Georgia where, you know, it's still pretty much like that band, all the people listen to that band. Alabama, you know, the-

    8. JR

      Mm-hmm.

    9. CR

      ... they wear like trucker hats and flannels and, like, want to beat you up 'cause you have a Ramones record or something. You know?

    10. JR

      (laughs)

    11. CR

      (laughs) And that's how it was, you know?

    12. JR

      Wow.

    13. CR

      So this show was like a real beacon of... You know, my mom was like, "Oh, yeah."

    14. JR

      There it is.

    15. CR

      Peter Ivers, a, uh, a very interesting, uh, character, Peter Ivers. Um-

    16. NA

      Wealth of material that surfaced in many incarnations. Tonight they're here as 45 Grave: Piece of Wax. (instrumental music plays)

    17. CR

      45-

    18. JR

      Oh, geez.

    19. CR

      Yeah, so this is what I'm really into. Don Bolles is the drummer in 45 Grave, who was in The Germs. (instrumental music plays)

    20. JR

      Not a happy childhood amongst them.

    21. CR

      (laughs) No, but... Well, I don't know. But they definitely-

    22. JR

      (laughs)

  5. 8:2513:44

    Art vs. algorithm: counterculture, authenticity, and early punk’s real stakes

    1. CR

      ... made amazing, beautiful, cool outsider art. And, you know, I think something that we have a, a hard time understanding in this day and age is art that's made because of the visceral interaction with you and other people that has nothing to do with, "I'm gonna be a big star." You know?

    2. JR

      Right, right, right.

    3. CR

      And some of the things I think... I, I mean, fuck, I'm like the, one of the last... I mean, The Black Crowes, we have to be one of the last bands of the time where we kinda felt it was our duty to never truly give in to the other side. You know what I mean?

    4. JR

      Mm-hmm.

    5. CR

      And kind of understand this us versus them idea. You know what I mean? Or vibe. As something that's inspiring and something that is like, um... You know, I was always interested in counterculture, you know? And anyone... Again, that's like why the algorithm maybe isn't as perfect or, or it never will overtake everything 'cause there's always gonna be the one person who's like, "I'm going this way."

    6. JR

      Yeah.

    7. CR

      And that's not enough for me. You know, the deep dive people and the... And so we kind of found ourselves in the crosshairs of this kind of stuff. The Cramps, we were into The Cramps, The Gun Club. So, and then REM comes around, their first record, Chronic Town. And so my dad had... My, my mom and dad had a lot of records. Maybe 250 records, 300 records, you know? Which was a lot of records back then. Bluegrass records, you know, Lester Flatt and Earl Scruggs records, or Mose Allison records, uh, Jimmy Reed records, Johnny "Guitar" Watson, and then they had, you know, Buffalo Springfield records and the, um, Bob Dylan records. I mean, that's a big hu-... Uh, I mean, for millions (laughs) of people, but something as a kid that... I knew no other kids would go, "You guys want to come over and listen to records? I'm gonna put on the-" You know? "The Times They Are A-Changing." It'd be like, again, it would be a reason to get beat, beat up, you know what I mean? (laughs)

    8. JR

      Yeah.

    9. CR

      But that kind of stuff catapults us into... Then punk rock comes along and it's like, oh, it's... Anyone can do this. You don't have to be s-... We'll figure it out later what talent, or whatever. You know what I mean? Like, you, we just want to plug in and start going, "Dun-dun-dun," and singing horrible things and trying to be offensive. You know what I mean? 'Cause think about even... Now you go to the... You know, now people walk around in Dead Kennedys T-shirts and it's like, "Oh, cool." But back then Dead Kennedys made people... Like, the name of that band, the Circle Jerks. Like, the names of these bands made people upset.

    10. JR

      Right.

    11. CR

      And-

    12. JR

      Legitimate rebellion.

    13. CR

      (laughs) Yeah.

    14. JR

      In- instead of posturing, which is-

    15. CR

      Exactly.

    16. JR

      ... a lot of what's going on today with Dead Kennedys T-shirts.

    17. CR

      But, I mean, I think inevitably anything like that... I mean, Edgar Allan Poe was that in a literary way in the, you know, the, the tail end of the Victorian age. But now he's just like a thing hanging in some goth kid's car, like a air freshener (laughs) or something.

    18. JR

      (laughs) Right.

    19. CR

      You know what I mean?

    20. JR

      Yeah.

    21. CR

      So things get swallowed up culturally-

    22. JR

      Right.

    23. CR

      ... and, and regurgitated as just a c-... You know, and it just so happens that Dead Kennedys have one of the greatest logos of all time, but...

    24. JR

      Yeah. Well, it's al-... There's always gonna be adherence to the, you know, what most people are interested in and what's popular, and then people that are trying to mimic what's popular so that they can become popular. And then there's always legitimate counterculture where people are just like, "I don't vibe with any of this."

    25. CR

      Yeah.

    26. JR

      "I just need-"

    27. CR

      "I'm looking for something else."

    28. JR

      "Yeah, I'm looking for, to something that's real, something that's raw." And as... I think that's gonna accelerate with AI music and, you know, all this electronic music. And again, as you were saying before, stuff that's sort of created-... to feed the algorithm.

    29. CR

      Yeah.

    30. JR

      You know, there's, there's strategies to become successful rather than just expression that resonates with people.

  6. 13:4417:36

    Corporate clashes and ‘keeping the fire’: Black Crowes vs. sponsorship culture

    1. JR

      Wasn't this sort of rebellion out... You guys had like a falling out with ZZ Top, right? When you were on tour? Wasn't part of it something about corporate involvement?

    2. CR

      Yeah, we were always... And it's funny, I just saw Billy Gibbons a couple weeks ago in London and we've been friends for many years and I'm a massive ZZ Top fan. I mean, one of those records, especially the early records, I mean they just sound delicious.

    3. JR

      Yeah.

    4. CR

      You know what I mean? I just... And when, what is it, uh, is it, which one is it? Is it Rio Grande Mo- I don't know, one of those records where you open it and there's like a giant plate of Mexican food. Like growing up in Atlanta, like that was s- I didn't know what that... You know what I mean? Like you could get that? (laughs)

    5. JR

      (laughs)

    6. CR

      We had barbecue and we had soul food, you know, we have our own regional culinary identity but to see stuff like that, I was like, "Wow, I gotta try that."

    7. JR

      Mm.

    8. CR

      You know what I mean? Um, but no, we, they... I don't even know if ZZ Top, where they were in their career, if they knew anything that was going on about like these guys that were the opening band. Except for the fact that, you know, in the music business at that time when you're still selling records and you're selling 250,000 records every week or whatever for a couple of years (laughs) so like it starts to be kooky, when it was a thing.

    9. JR

      Mm-hmm.

    10. CR

      But they were sponsored by Miller Lite and, uh, I just got into this thing where, you know, so we'd go on stage and do our thing and there's big Miller Lite posters all over the state or whatever, you know. And I got, in my little troublemaker mind, "We're the Black Crowes, you know what I mean? We don't li- we, no one gives us money, thi- we don't drink this beer, no one gives us fucking money. You know, I'm standing under this sign 'cause I have to be here tonight but I want you to know that no fucking beer company sponsors our music. No one owns us. No one..." You know what I mean?

    11. JR

      Right.

    12. CR

      I had this, this (laughs) naive sort of thing about like, I don't know, and we, my brother and I talk about it a lot and as we've gotten older and especially since we put the band back together these last few years and have been in a really positive place and a really good place, I realize like, you know, part of our... Part of that that we were involved in, we believed in like as if rock, the ess- what we feel is really the true essence of rock and roll, is like, I, I, I describe it as like the movie Quest for Fire. You know, when they have to keep the fire burning in that little thing (laughs) and they're going across the swamp and they don't want the Neanderthals to get it or whatever. That's kinda how we felt, in a weird way, about everything that was out at, you know, one minute you're in control. Your kids were writing songs. We're in control of that. I'm in control of like this is what we're doing, this is how we look, this is what we are. And then you're in the grownup world and you've sold, you've made people tens of millions of dollars and I'm hardly a s- a savvy business person. I never could be, I never would be, it wasn't in the cards for me. Um, and so part of our, like, (laughs) being hard about it or being difficult, uh, not being compliant, was trying to f- s- in our minds keep this pure thing.

    13. JR

      Mm-hmm.

    14. CR

      You know what I mean?

    15. JR

      Yeah.

    16. CR

      And in a way that still is part of what we are today.

    17. JR

      How old were you guys back then?

    18. CR

      Oh, in the summer of '89, Rich was 18, I was 23 when we made our first record.

    19. JR

      Wow.

    20. CR

      Yeah, yeah.

    21. JR

      Just a young rebel. (laughs)

  7. 17:3620:51

    Rock’s cultural shift: hip-hop rebellion, the death of album sales, and vinyl ritual

    1. CR

      (laughs) Well, you know, the other thing is, is ro- you know, you remember, rock and roll was, culturally and socially, its place and- and its importance and its reverence was (laughs) a lot different than today.

    2. JR

      Yeah.

    3. CR

      You know, I think... So one thing I think is cool about hip hop music is the hip hop stars have taken over the, that kind of attitude.

    4. JR

      Yes.

    5. CR

      Um, which I li- when I see f- their fashion and I see, you know, I mean there's lots of, hip hop's not one thing, of course.

    6. JR

      Right.

    7. CR

      And I'm 57. I like what I like. You know, I like old records anyway. But when I hear new things that I like and I'm like, "Okay, so they're singing about drugs, they're singing about sex and, you know, they're singing about, you know-"... may- may- maybe I can't really identify with the violence of poverty and stuff. You know what I mean?

    8. JR

      Mm-hmm.

    9. CR

      Like the extreme (clears throat) nature of some of it. But- but instead, that's another form of rebellion as well.

    10. JR

      Yeah. And it's- it's- that's- isn't it... Hip-hop itself is an interesting art form, because there's not a push to pop-ify it. You know? Like the- the hardcore hip-hop artists are very successful.

    11. CR

      Yeah.

    12. JR

      And the lyrics are rough. (laughs)

    13. CR

      (laughs) Yeah.

    14. JR

      You know, they're- they're very hard-edge lyrics, but yet these are the lyrics that, you know, get millions and millions of views. You can't even say "millions of sold albums" anymore, because it's like... That's- that had to be the weirdest thing, to watch the sale of albums evaporate.

    15. CR

      Not just the sale. You're absolutely correct. Not just the sale, but the- the meaning of a record.

    16. JR

      Mm-hmm.

    17. CR

      Like, of... You know. A- a- again, in the big scheme of things, the record business isn't as old as, say, you know, p- writing or whatever. But in the way that we would listen to music and you would... You know, there's a company that would find talent and put that, the whole thing.

    18. JR

      Mm-hmm.

    19. CR

      But yeah, making a record and saying, "Okay, we're songwriters. Uh, this is what we're... This is our n- this is our latest work. This is what we've been working on."

    20. JR

      Mm-hmm.

    21. CR

      "This is our craft, and this is our talent and our poetry and our... This is what we want to say." (laughs)

    22. JR

      Yeah.

    23. CR

      And now, it's like, you know, an- you know, an album? You know what I mean? Like, I personally think that it's still an important medium, and I- I've yet to give up on it. You know what I mean? Uh, if they said, "Wri-..." You know, "Oh, you-" You know what I mean? What am I sup-... That's what I've always, that's what Rich and I have always done. We- we write songs. It was one of the only things, again, that way we can- could experience the world, was through that. 'Cause he's as, you know, as crazy as me, just doesn't talk as much.

    24. JR

      Mm.

    25. CR

      You know? Not crazy, but I mean different. You know? Um, artists, you know?

    26. JR

      I think it resonates with a lot of people, which is why there's this resurgence of vinyl, right? Like, people still want to listen to actual vinyl. They still want to see an actual album, you know? And-

    27. CR

      Agreed.

    28. JR

      And- And there's- there's a lot of, like, looking at that. There's a lot of reminiscing from people that are, like, my age and your age, that were around when these things were the way you consumed music. You would... It's a ritual.

  8. 20:5127:26

    Record-store culture, DJ nights, and chasing real-life discovery

    1. CR

      I've been buying records since I was 12 years old. You know what I mean?

    2. JR

      Yeah.

    3. CR

      Like... And it was weird. Maybe that's because my mom and dad had a lot of records. But, you know, my wife and I, we just moved just around the block in LA, and we've been together seven years, but we kept our records separate. (laughs) I don't know. We have thousands and thousands. I just put 4,000 records in storage, because we don't have space for that.

    4. JR

      Wow.

    5. CR

      And... But I'm like... But it's funny, because no matter what, if I see a record store, I'm going in. And I'm- I can- I could... And, you know, after however many years of buying records, I know what I'm looking for. And I don't buy records online very much. I still like to-

    6. JR

      How come?

    7. CR

      I don't know. I like to... I'm like a kid when I s-... If I've been looking for something and I see it, my- I'm like, I get a shot of- of, like, endorphins. I'm like, "Oh." You know what I mean?

    8. JR

      Right.

    9. CR

      I'm looking around like, "I don't want anything." You know? (laughs)

    10. JR

      Yeah.

    11. CR

      I- It's weird. It's geeky stuff. It's nerd stuff.

    12. JR

      Yeah.

    13. CR

      But, um, but the record store was really important to me as a young person and a musician. Because before, you could go on your phone, or before the algori- whatever. Like, there's a p- another person that looks cool. Like, "Oh." You know what I mean? Like, they have Chelsea boots on, or like a cool band T-shirt. In the suburbs back in the '80s, y- y- it wasn't like... You know what I mean? If you saw someone, you took the chance. It'd be like, "We need to go to their house and look through their records." You know what I mean? And it's funny that it's still that way. You know what I mean? I have so many friends in my life, and we're friends because of records. You know what I mean? And it's like, my wife and I DJ all the time in LA, and we go to New York, and we carry our records around and-

    14. JR

      You DJ? Like how?

    15. CR

      Yeah.

    16. JR

      Uh, uh. Like...

    17. CR

      We have the- My wife's name is Camille, so we have the best DJ name ever, The Captain and Camille.

    18. JR

      (laughs)

    19. CR

      (laughs) Uh, we'd do all... Yeah, concerts and bars and parties and gigs and stuff. Yeah.

    20. JR

      Really?

    21. CR

      Yeah.

    22. JR

      When did you start doing that, DJing?

    23. CR

      Uh, I started, like... Well, back in the '80s, everyone used to take a turn playing records at the pizza place. They had two turntables, called Fellini's, in Atlanta, where all the, as my dad referred to them, dirtbags and lowlifes hung out. Everyone in a band, of course.

    24. JR

      Mm-hmm.

    25. CR

      Um, but then in, uh, I guess in the early 2000s, a friend of mine that worked at the great record store, Other Music, in New York, my friend Michael, we started doing these nights and playing like a lot of weird psych folk as a (laughs) ... as a kind of, as genre. And we both loved those records, and we called that, we called Gurus Galore. And, uh... Yeah. And just when I wasn't doing the Black Crowes, I had this band called The CRB. We were like a little psychedelic, folk-rock, little group that toured around and made a bunch of records. But our s-... We played two sets a night, so it was kind of like Grateful Dead model, like very heady, trippy. So, but the CRB, uh, w- and especially in California, we always had friends DJ the shows, w- doors open till after the show, and in between sets, playing records. Um, I don't know. It's just something we've always done. And my wife used to DJ before I met her and stuff, so.

    26. JR

      ... it's just, just something you enjoy?

    27. CR

      We- I- by the way, if I could make, if I could make money doing it, I would never do it. If I- if me and Camille could just play records, I would be the happiest person in the world.

    28. JR

      You would stop performing?

    29. CR

      No, I'm kidding.

    30. JR

      No.

  9. 27:2635:27

    Cities, danger, and travel as cognitive nutrition (LA, Atlanta, Italy, Sicily)

    1. JR

      Well, like, what parts of LA are this happening in?

    2. CR

      I mean, it happens all over, but especially more downtown and, like, to the east.

    3. JR

      Downtown?

    4. CR

      I mean, yeah. If- you have to survive getting into the place, you know? (laughs)

    5. JR

      (laughs) Downtown is so fucked up.

    6. CR

      (laughs) I know.

    7. JR

      But that's probably something that adds to the f- feeling of it.

    8. CR

      You know what it does? And it's funny, because I had a nostalgic moment about- when we were started talking about- Look, man. Um, don't get me wrong. My parents did the best they could. They were just fucking people too. But part of- the other part of adventure and the other part of being interesting and like, new wave theater, my mom's like, "They all look like mental patients, just like you!" You know? Like, great. You know? But was- s- to go to downtown Atlanta in the '80s was dangerous too, you know, during the crack epidemic and-

    9. JR

      Hmm.

    10. CR

      ... uh, it was a violent place. And, um, and we were, you know, obviously, we were white kids from the suburbs traversing, like, this urban place to get into these little underground clubs to see these bands. Um, that added to it. You know what I mean? It added-

    11. JR

      To the experience, yeah.

    12. CR

      And just the aesthetic, you know what I mean? I was obses- I'm- I still am an obsessive, influenced by the beat writers and beat culture. And so for me, like, you know, Jack Kerouac isn't writing about the suburbs. He's writing about the, you know, Mexico City or whatever. You know what I mean?

    13. JR

      Mm-hmm.

    14. CR

      Like, all the- Gregory Corso or Allen Ginsberg, all these poets and people are writing about all these experiences that don't seem to be happening in like a neighborhood where they call the houses a five, four, and a door, you know? (laughs)

    15. JR

      Right.

    16. CR

      You know what I mean?

    17. JR

      Right.

    18. CR

      So a certain angst is cultivated.

    19. JR

      Yeah.

    20. CR

      You know? That only- the only thing that could satisfy that would be something that I felt was gritty and real.

    21. JR

      Well, there's a- there's something about- if you can- I mean, I haven't been to downtown LA to see music in quite a while, but the last time I went there, I saw Gary Clark Jr. and Honey Honey at this, uh, very small place with, uh, you know, maybe there was like 200 people in there. I took my daughter, and it was like a late show on a Monday night, like 11:30. And here we're seeing Gary- Gary Clark Jr. and Honey Honey play a cover of, uh, Midnight Rider. And, uh, it just, it just has felt so special, because there was-

    22. CR

      Yeah, yeah.

    23. JR

      ... no one there.

    24. CR

      And you survived.

    25. JR

      And you survive.

    26. CR

      (laughs)

    27. JR

      And you get out. You're like, "Let's get out of here. Where's the car? Get the fuck out of here."

    28. CR

      (laughs) But you know what's weird about that? And I, I get it. And we- w- but haven't- I, I, I spend a lot of my time reading. I read a lot of varied materials. And one thing that comes up is humans are dangerous. (laughs)

    29. JR

      Yeah.

    30. CR

      And places where there's a shit ton of them are usually pretty gross and dangerous, you know? (laughs)

  10. 35:2743:50

    Fame, defiance, and the SNL stories: refusing to ‘vote for me’ culture

    1. CR

      I have the freedom. You know, it's funny, I, I tell this story, we were on Saturday Night Live two times, the second time was in, on our second album, Southern Harmony. And we went on this show, it was the number one rec- album in, in America. It was, it debuted at number one. Our new single was a song called Sometimes Salvation. We were gonna play that. And then we were gonna play one of our big hit records, and at the time it was, uh, you know, called Remedy. And we had just written this song called Nonfiction. And I was like, "Let's play Nonfiction." And r- my ... And it's funny 'cause as different as my brother and I are, Rich was like, "Yeah, fuck it." You know what I mean? (laughs) Like, "It's a cool song." The guy, whoever was the music guy, he was like, "You can't do that." And I was like, "Well, I mean, we can do what we want, I think." (laughs)

    2. JR

      (laughs)

    3. CR

      He was mad 'cause we were smoking weed in the dressing room. I'm like, "Didn't John Belushi OD in the bathroom?" I'm like, "What do you fucking care? Call the cops."

    4. JR

      Yeah.

    5. CR

      I told them, "Call the cops. We get arrested at Saturday Night Live for smoking weed, it'll be bigger than our, than this."

    6. JR

      (laughs)

    7. CR

      But the guy ... Now that I'm older, I realize I was just totally being just horrible, like, kid. But he goes, "You're making a big mistake not playing this single." And I said, "Okay, well here's the deal-"... you're on this show next week with some other fucking band. And then the next week after that, and then the next week after that. Well, this is my band, so let me make the mistake. I'm not gonna let you tell us what to do. And if it's a mistake, then we'll fucking eat it, won't we? And I'm still here. (laughs)

    8. JR

      (laughs) And where is he?

    9. CR

      Well, it's funny. Someone told me he has a... I forget his name. I ran into him once before. He f- did not like our attitude.

    10. JR

      (laughs)

    11. CR

      He has... He was on a p- a podcast about Saturday Night Live or something and said we were the worst people he ever dealt with in his entire career there. And I was like, "Well, thank you." (laughs)

    12. JR

      That's funny. The worst how? 'Cause you just didn't listen to him?

    13. CR

      'Cause we... Yeah, yeah. We didn't do what he wanted.

    14. JR

      That's not what you're supposed to do with artists.

    15. CR

      Especially when you're young and you're still-

    16. JR

      Yeah.

    17. CR

      ... like, the fire is like so intense, you know what I mean?

    18. JR

      That's always the problem with executive mindsets versus artistic mindsets, right? When you... Some, uh, producer character who just wants everything to go according to this very specific plan they have laid out. And you're trying to take an artist. And first of all, just trying to take an artist and making them sing one song is kind of crazy.

    19. CR

      Yeah.

    20. JR

      Right? It's just-

    21. CR

      Uh, yeah. I mean, there's... I mean, I think we see that now.

    22. JR

      Yeah.

    23. CR

      You know, we see people like, "I'll do it. I'll do it." You know what I means? (laughs)

    24. JR

      Yeah.

    25. CR

      There's someone who's ready to jump up and do anything, and I think that's been a part of showbiz. But that's kind of what we were saying before. I think the talent show thing, the-

    26. JR

      Mm-hmm.

    27. CR

      ... you know, the, "Vote for me."

    28. JR

      Right.

    29. CR

      Uh, you know what? No one was voting for us.

    30. JR

      Right, right, right.

  11. 43:501:02:41

    Social media as ‘tasty garbage’: attention traps, lost craft, and real community

    1. JR

      There's a difference between having... Uh, it's the difference between having a fine meal at a very nice restaurant versus eating garbage.

    2. CR

      Yeah.

    3. JR

      Eating t- tasty garbage. And TikTok is tasty garbage.

    4. CR

      Yeah.

    5. JR

      It's just-

    6. CR

      You're right. That's absolutely... I've never thought about it like that.

    7. JR

      It's bad for you, and you can't put it down, and you keep going to it, and you overconsume it.

    8. CR

      And at least when you do... when it's just visual, you don't get a big stain on your shirt and... (laughs)

    9. JR

      But you get a stain... I, I think you get a stain on your brain.

    10. CR

      On your soul. (laughs)

    11. JR

      Yeah, I really do. I do. I think so much of what's going on today, like e- even if I just waste 10 minutes scrolling through TikTok, when it's over, I just feel, like, confused. Like, what am I doing? Like, why am I fucking paying attention to this shit?

    12. CR

      I, I, I don't... I'm not... I don't have any... I never had mi- I never did any of that.

    13. JR

      You don't have Facebook, Twitter, nothing?

    14. CR

      No. I mean, the band has one, I guess, but, you know?

    15. JR

      That's perfect. That's perfect.

    16. CR

      But I don't, I don't personally.

    17. JR

      Good.

    18. CR

      I never tweeted or any of those things.

    19. JR

      Good for you.

    20. CR

      And it's funny. My phone, like, I'm still this way. You wanna... My best friends, like the three or four people in the world that, like, I'm super, super the closest people, w- we talk on the phone. (laughs)

    21. JR

      Yeah. Oh, yeah.

    22. CR

      Like-

    23. JR

      I love talking on the phone.

    24. CR

      For hours.

    25. JR

      Yeah.

    26. CR

      You know what I mean? About whatever. So it's... I, I, I get it, but I don't... Yeah, I'm one of those older pe- I don't know. I just-

    27. JR

      Well, you developed in a different time, and this, this time is fucking bizarre. It, it's-

    28. CR

      I can't imagine spending your life... grown-ass people s- spending all of their time playing video games. That's a real thing.

    29. JR

      Well, at least that's exciting.

    30. CR

      It is?

  12. 1:02:411:29:42

    The muse, songwriting rituals, and why Black Crowes keep it ‘no laptop on stage’

    1. CR

      I think music is a part of that as well.

    2. JR

      Yeah.

    3. CR

      You know, like you said. I mean, and I, you know, there will always be... I don't know. There... I think that there's a connection in the, in creation, art cre- you know, where does the idea come from? I mean, I think there's people who can manipulate that and make like, "I'm gonna make a pop song, and it's gonna sound like this."

    4. JR

      Mm-hmm.

    5. CR

      And not saying that it's not special or not good, but then I think there's other things that there's... I'm not using it in a Christian way or whatever, but there's a divine spark of something that happens or whatever drops in your lap, imagination-wise.

    6. JR

      Mm-hmm.

    7. CR

      The muse.

    8. JR

      Yeah.

    9. CR

      You know, the muse is real.

    10. JR

      The muse is real. I think it is real too.

    11. CR

      And the one thing that I, I do believe about the muse... And I consider the muse a female presence, a per- a female, uh-

    12. JR

      Most do.

    13. CR

      ... dynamic, you know?

    14. JR

      Yeah.

    15. CR

      And I feel that sh- that the muse, at least my, the muse that I f- feel is a- is a very jealous (laughs) thing. And I don't mean it in like any possessive way or se- anything weird. But just like the second your devotion is turned somewhere else-

    16. JR

      Mm-hmm.

    17. CR

      ... the muse could leave you.

    18. JR

      Hmm.

    19. CR

      That might be as superstitious as throwing salt (laughs) you know, over your shoulder or whatever, but I honestly believe that. And it makes it difficult in life because life isn't just the muse. Life isn't just the dream world that I live in-

    20. JR

      Right.

    21. CR

      ... in my imagination, and the ideas have to come from somewhere. It's not just singing and dancing, and you have to have ideas. What is this? You know, for me, I- I've always had to be involved with every aspect, the album covers, the stage design, the fucking laminate. Everything has to fit into a world that I can in- feel like I wanna inhabit, you know?

    22. JR

      Yeah.

    23. CR

      Something that's comfortable and interesting.

    24. JR

      Yeah.

    25. CR

      And I think if you remo- so it's not just the musical part of the muse, it's the whole thing. And I think if you're like, "Oh, you know what, I'm gonna get int- I'm not..." Uh, uh, y- your, if my reverence for that goes away, uh, e- even in the slightest, I feel that she will turn her back on me forever and I'll have nothing, no more poetry, no more music, and then...

    26. JR

      Well, you're probably right, because let's assume the muse is real. The muse, the muse would probably reserve its greatest inspiration for its most devoted followers.

    27. CR

      I would, I think so.

    28. JR

      Yeah. The most devout followers are the ones that are gonna be adherent to a ritual, sit in front of the computer or the notepad, or however you write, and just like spend time-

    29. CR

      Yeah, I could never ever write lyrics on a screen. I could never do it.

    30. JR

      You write it on paper?

Episode duration: 2:19:57

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