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Joe Rogan Experience #2235 - Mike Rowe

This episode is brought to you by ZipRecruiter — 4 out of 5 employers who post on ZipRecruiter get a quality candidate within the first day. Try ZipRecruiter FOR FREE at http://ziprecruiter.com/rogan Mike Rowe is the creator and host of "Dirty Jobs," "Somebody’s Gotta Do It," and Facebook’s "Returning the Favor." He is also the CEO of the mikeroweWORKS Foundation, a nonprofit championing the importance of skilled labor and addressing the critical workforce gap, and host of the podcast "The Way I Heard It." www.mikerowe.com www.mikeroweworks.org

Mike RoweguestJoe Roganhost
Nov 27, 20243h 6mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:0015:00

    (drumming music) Joe Rogan podcast,…

    1. MR

      (drumming music) Joe Rogan podcast, check it out.

    2. NA

      The Joe Rogan Experience.

    3. JR

      Train by day, Joe Rogan podcast by night, all day. (rock music) We got cigars. We got coffee. We got Mike Rowe.

    4. NA

      Cigars.

    5. JR

      We got Carl, Carl's over there snoring. (laughs) So what were you doing on QVC? What were you selling?

    6. MR

      That was the greatest line from Blazing Saddles, by the way, when Gene Hackman-

    7. JR

      Which line?

    8. MR

      He says, "Cigars?" Remember? Peter Boyle is coming... He had just left and Gene Hackman is there after getting the soup spilled in his lap and he's basically saying, "I had cigars," as the creature stomps off in Frankenstein.

    9. JR

      I don't remember that.

    10. MR

      Hmm. Tiny little moment.

    11. JR

      It's been too long since I've seen that movie.

    12. MR

      Best, uh...

    13. JR

      He's a little bit of a fucking distraction. Can he, uh, calm down?

    14. NA

      I don't hear him on the audio.

    15. JR

      Trank him.

    16. NA

      I don't hear him at all.

    17. JR

      Oh, we hear him-

    18. MR

      Geez.

    19. JR

      ... because we don't have our headphones on. Maybe we should put our headphones on.

    20. MR

      I thought you were talking about me.

    21. JR

      No, Carl.

    22. MR

      For an awful moment-

    23. JR

      He's-

    24. MR

      ... I'm like, "God."

    25. JR

      We wore him out. Jamie was throwing the toy for Carl and now he's like (imitates Carl's snorting) .

    26. MR

      He's such a great dog. He's got, I mean...

    27. JR

      He's adorable.

    28. MR

      I mean, it's such a personality thing at that... For me, with dogs and pets in general, you know? Like you know right away if this thing has a personality.

    29. JR

      Oh, he's got a lot of... Carl's got a lot of personality.

    30. MR

      Yeah.

  2. 15:0030:00

    Well, your show, l-…

    1. MR

      in your interest.

    2. JR

      Well, your show, l- like, sort of illuminated a lot of really crazy jobs that people probably weren't aware of, that you go, "Oh, yeah, if this guy didn't do this, we'd kind of be fucked."

    3. MR

      Yeah.

    4. JR

      And you don't even think about it.

    5. MR

      Yeah.

    6. JR

      It's just a thing that's going on behind the scenes or, you know, out of your radar.

    7. MR

      Yeah. That was it, man. It was... I-

    8. JR

      How did you get started in that? Like, what... who came up with the concept?

    9. MR

      Well, I mean, technically I guess I did, but, I mean, I... honestly, there are no new ideas. This... I stole this from George Plimpton, uh, Studs Terkel a little bit, Charles Kuralt some, uh, Paul Harvey a little bit, you know? That, that kind of storytelling was always kind of interesting to me, and, um, I, I freelanced for years, probably 20 years, in the entertainment business, uh, working, uh, pretty much whenever I wanted on shows that I didn't care about at all.

    10. JR

      Hm.

    11. MR

      And I was, uh, I was taking my retirement in early installments and really happy with the model, you know? I'd been fired a few times from QVC and hired back, and it was 1993 when I finally left, and I had a decent toolbox. I was great in auditions, so I could get cast, but I didn't, I didn't really much care about the nature of the work, and, uh, had a pretty good balanced life, really. And then I was in, uh, San Francisco working for, uh, (laughs) CBS on a show called Evening Magazine. You know the show? It comes on after, like-

    12. JR

      Sure.

    13. MR

      ... like the local news. And I was a host, and I would go, um, every day. This is a cushy gig. Nobody watched the show, but it was fun to work on. It was, um... you know, go to museums, you go to wineries, and then you throw to these wrapped packages, right? It's all just l- it's... if there's a three-legged dog in Marin overcoming a heart-tugging case of canine kidney failure, you know? That, that was like an Evening Magazine story.

    14. JR

      Right, right, right, right, right.

    15. MR

      I mean, we did these all the time. Um, and, uh, my mom called me, and I was in my cubicle at CBS, and she says, "Michael, your, your grandfather will be 90 years old tomorrow." And, uh, my granddad, by the way, seventh grade education, uh, electrical contractor by trade, but also a plumber and a steam fitter, pipe f- he could fabricate, fix anything. He had that, that chip, you know? And he... I grew up next to him on this little farmstead north of Baltimore, and I, I knew I was gonna follow in his footsteps. I knew it. But the handy gene is recessive, right? I didn't get that, and it was my pop who got me... he, he basically said, "Dude, just get a different... you, you can be a tradesman. I know you're enamored of being a tradesman. Just get a different toolbox." So that's what got me into entertainment, and 20 years later, I w- I had completely run amok. I had sung in the opera, I had sold stuff on QVC, I-

    16. JR

      You sang opera?

    17. MR

      Eight years, man.

    18. JR

      Did you... were you classically trained?

    19. MR

      Not really.

    20. JR

      (laughs) How did you get, how'd he get involved in opera singing?

    21. MR

      Well, it's a weird... look, s- sidebar, you go to the Rosedale Public Library, and you ask the librarian for the shortest aria they have, like ever written, which happened to be by Giacomo Puccini.

    22. JR

      Is an aria a song for some things?

    23. MR

      An aria is a song. It's the... there... in an opera-... m- most of the big moments are arias, right? And, and most of the arias are, you know... I mean, they're, they're sung by the main characters, and they're lots of ones that you would recognize. And they're in German, they're in Italian for the most part. Uh, this one was Italian. It was, uh, from La Bohème, which is just another version of Rent, essentially. But, uh-

    24. JR

      Ah.

    25. MR

      ... it was called the Coat Aria, and, uh, it was only two minutes long, and it was in Italian. So I walked around Baltimore (laughs) with... You remember the Sony Walkman?

    26. JR

      Yeah, I remember. I had one of those.

    27. MR

      I had one, too. And I listened to a guy named Samuel Ramey singing the Coat Aria, about 2 minutes and 40 seconds. And the words didn't mean anything to me, but the sounds did. And I can carry a tune, so I just memorized the sounds, and then I crashed an audition for the Baltimore Opera, uh, in 1983.

    28. JR

      So n- no classic training at all, just a Walkman-

    29. MR

      Uh-

    30. JR

      ... th- and a cassette?

  3. 30:0045:00

    No. …

    1. NA

      fucking around-

    2. MR

      No.

    3. NA

      ... having fun with the toy then selling it?

    4. MR

      Well, that's what I did. I, look, remember ...

    5. NA

      That's what you did? Was that novel that you were doing it that way?

    6. MR

      Yeah. Yeah.

    7. NA

      Yeah.

    8. MR

      In, in relative terms, like, that was actually one of the great, one of the, one of the true great life lessons, you know? You, you don't have to be, um, outrageous to stand out. You just have to be relatively outrageous. So QVC was a steady diet of, of men and women-

    9. NA

      Right.

    10. MR

      ... doing the same exact thing-

    11. NA

      Right.

    12. MR

      ... all the time.

    13. NA

      Right.

    14. MR

      And then at midnight or 3:00 AM, I showed up and put a cat bag over my head or busted open a lava lamp. So-

    15. NA

      So you were like a morning DJ?

    16. MR

      ... kind of, except-

    17. JR

      Right? Because, like, they're kind of fun, and that was different than the regular radio guy.

    18. MR

      You know, I would... I mean, for me, I thought of it more like, um, like my favorite comedians. And by the way, I, I saw one last night. Thank you. Uh, Ron White was over at the mothership.

    19. JR

      He's there tonight too.

    20. MR

      I stopped by last night.

    21. JR

      Are you around tonight?

    22. MR

      No, I gotta get back tonight.

    23. JR

      Ah.

    24. MR

      Something about Thanksgiving. But I watched his-

    25. JR

      (laughs)

    26. MR

      ... set last night.

    27. JR

      He's awesome.

    28. MR

      He was, he was great. And the thing I love-

    29. JR

      He's never been funnier. He's-

    30. MR

      I-

  4. 45:001:00:00

    Yeah. …

    1. MR

      to, to watch people realize, oh, we're, we're gonna do it this way now, you know?

    2. JR

      Yeah.

    3. MR

      We're gonna do it this way now. And, and, and that's been... Whether it's comedy or whether it's music, you know, it's... When culture changes, it feels like there's some instigator, some jagged little pill who's pushing it forward, and I guess maybe that's, that's true, but I also think there's this, this larger hive mentality in the audience, and-

    4. JR

      Right.

    5. MR

      ... they start to realize, oh, there's a, there's another way to deliver a paper.

    6. JR

      Right.

    7. MR

      There's another way to do a thing. And it feels new, but it's, it's probably what you've been doing for the last 12 years.

    8. JR

      Yeah, it's definitely the same way I've always done it. It's just having conversations with people. I like talking to people. It's fun.

    9. MR

      Yeah, but you make-

    10. JR

      I enjoy it.

    11. MR

      Good.

    12. JR

      I'm c- I'm a curious person and I like talking to people.

    13. MR

      But-

    14. JR

      That's... It's real simple.

    15. MR

      Yeah.

    16. JR

      (laughs)

    17. MR

      But y- it, it's... Just 'cause it's simple, right, you make it sound like a parenthetical. "Oh, it's just a conversation."

    18. JR

      Yeah.

    19. MR

      That's only just the hardest thing there is to do.

    20. JR

      But it's not, really. It's not if you-

    21. MR

      Then why don't more people do it? Then why-

    22. JR

      'Cause they don't enjoy it. They don't enjoy it like I enjoy it. Like, some people genuinely don't like talking to people. You know why? 'Cause they're interested in themselves.

    23. MR

      Mm.

    24. JR

      You have to be interested in other people. I think we're all connected. I really firmly believe this in a non-hippie way. I think it's, like, a scientific reality. I mean, if... I think if we could figure out a way to study it, we would recognize that we r- we're psychically all connected in some strange way. And I, I am curious as to how someone from... With a, a different biology, uh, different life experiences, d- different geographic location in which they were raised, like, how are they navigating the world and why are they interested in opera? Like, why? (laughs)

    25. MR

      Mm.

    26. JR

      What is it? Why... What got you to be a beekeeper? Why, why are you so fascinated with painting? Wh- what, what made you start writing music? Like, w- I'm interested.

    27. MR

      Yeah.

    28. JR

      I like talking to people. So for me, it is easy. It really is. It's just-

    29. MR

      Uh-

    30. JR

      ... talking to people like I would talk to p- Like, you and I could have the same exact conversation if we were having dinner somewhere.

  5. 1:00:001:15:00

    Yeah. …

    1. JR

      crazy, ridiculous bad money. Uh, he said, "I'm gonna take your tape and tell all these other production companies that MTV wants to sign a deal with you and it'll start a bidding war." And, and he was brilliant.

    2. MR

      Yeah.

    3. JR

      And he did it, and that's exactly what happened. And the next thing you know, uh, I couldn't answer my phone 'cause my phone was just calling. Peop- agents and people would just call me.

    4. MR

      Yeah.

    5. JR

      Like, some guy called me from Universal. I was like, "What?" Like, "What the fuck is going on?"

    6. MR

      Yeah.

    7. JR

      I was sitting in this shitty apartment on my way out the door to play pool and this guy's telling me he wants me to get on a flight that night. We have a flight at 10:00 PM leaving out of LaGuardia. I was like, "What are you talking about?" And so then I called my manager. I go, "This guy just fucking called me from..." He goes, "Don't answer your phone." Just, like, "Go play pool. Get out of here. I'll, I'll take care of it." Next thing you know, I was in Hollywood. It was, like, that quick. And I was on a show called Hardball. It went six episodes. And the only reason why I stayed in California, I wanted to go back to New York. I hated it. I hated actors. I just couldn't deal with being around these weirdos. They were these weird, phony people. They would say, "Good to see you." Because they couldn't remember if they met you.

    8. MR

      Right, right.

    9. JR

      So instead of saying, "Nice to meet you," and fucking up, or go, "I'm sorry I met you!"

    10. MR

      Right.

    11. JR

      "I'm sorry I fucked up."

    12. MR

      Right.

    13. JR

      They didn't wanna be real. They, so they, everyone said, "Good to see you."

    14. MR

      "Good to see you."

    15. JR

      Everyone was good. And it was super insincere. I was like, "This is so weird."

    16. MR

      Yeah.

    17. JR

      It was a super uncomfortable experience. And it was the worst experience on a show because...... the people that ran the show, Jeff Martin and Kevin Curran, super funny talented guys who'd worked on Married With Children and The Simpsons. Brilliant. But the studio didn't think that they were good enough to run a show, so they brought in this hack. And this guy comes in and just butchers all the, the scripts. It was horrible. So that gets canceled. The only reason why I stay is because I had a lease. So I got a nice apartment. I'm like, the first apartment I ever had.

    18. MR

      Right.

    19. JR

      I was like, "I thought I was gonna be on TV forever," like this is gonna be easy. And now, fuck, I gotta get out of here, 'cause I wanted to go back to New York. I thought about breaking my lease. But then, um, NBC contacted me and they said, "We have this show. Uh, it's called News Radio, and we're recasting one of the, one of the roles. Do you wanna come in?" And so I came in and auditioned for it, and the next thing you know, I'm working with Phil Hartman. It was bizarre.

    20. MR

      Yeah.

    21. JR

      No aspirations whatsoever to be an actor. Never wanted to be on TV. And then I'm working with Andy Dick and Phil Hartman and Maura Tierney and Khandi Alexander, Vicki Lewis, and Dave Foley. Like, this is crazy.

    22. MR

      From The Kids From Second City, jeez.

    23. JR

      Yeah, he was brilliant. Dave Foley, by the way, was the secret producer of News Radio, 'cause he would, they would give him full autonomy. So he would completely rewrite scenes, like on the spot, come up with punchlines for everybody. We all did that for everybody. Like, we would all come up like, "Maybe you should say this. Maybe you should say that." It was like super collaborative. So just fortune. Complete, utter good fortune. 'Cause I had friends that were on terrible sitcoms, and they were living in hell.

    24. MR

      Yeah.

    25. JR

      And we'd hang out at The Comedy Store, and, you know, they were living in hell. And I was like, "Look, I'm on a show that nobody watches, but it's fun as shit, and I can't believe I'm on TV. This is nuts."

    26. MR

      Yeah, you're in on the joke.

    27. JR

      Yeah, it was fun. It was really fun. But it was just fortunate. I could've easily never, never done any of those things. Easily.

    28. MR

      I thought for years that, really, a sitcom had to be the best gig in the world. To, to have, to do a, basically to do a play every week.

    29. JR

      If it's a good sitcom.

    30. MR

      If it's a good sitcom.

  6. 1:15:001:18:59

    Mm. …

    1. MR

      kind of a, a microcosm for the country, and I'm not saying it is, but from a TV standpoint, I was like, "This is new." No... I, I've never seen feedback like this. Cur- I've never seen curiosity among the viewership like this.

    2. JR

      Mm.

    3. MR

      And so, that's, that's where the idea came from.

    4. JR

      Ah.

    5. MR

      I was like, "What, what if the viewer programs the show, A, and what if, B, the host of the show is the person that I meet who welcomes me into their shithole, or wherever they-

    6. JR

      Right.

    7. MR

      ... work? And what if, what if I'm not a host after all? After 20 years of impersonating a host, what if I'm, uh, a guest or an apprentice-

    8. JR

      Oh.

    9. MR

      ... or a, or an avatar, or a cipher, right? Like-

    10. JR

      Right.

    11. MR

      ... like, what if I just think of myself differently than this guy who hits the mark and looks at the camera and tells you, "The Cat Sack is 29..." I mean-

    12. JR

      Right, right, right, right.

    13. MR

      ... it's like, what if you just let all that go? And, uh, you know, I, I don't know that I would've thought of it like that at, at 20... at 22, certainly not, not even at 32. But at 42, I was entering a more introspective kind of phase.

    14. JR

      Mm.

    15. MR

      And so, I, I was really just curious to see what would happen if I, if I thought of myself as something different.

    16. JR

      Well, if we think about the history of just media, it's, it's very recent, right? You have radio, which is like... When w- when did people start listening to radio? It was the 1800s? Okay, and then you have television, which kicks on in the '50s, and everyone's a presenter. "Ladies and gentlemen, The Beatles!"

    17. MR

      Yeah.

    18. JR

      Right? Everyone's Ed Sullivan. Everyone's Jack Carr, B- Jack Parr. Like, there's these type of people that do this job.

    19. MR

      Mm.

    20. JR

      It's like, you ever g- go to a... You ever do a morning radio show?

    21. MR

      Oh, yeah.

    22. JR

      I'm sure you have.

    23. MR

      Yeah.

    24. JR

      Morning DJ voice, "Hey!"

    25. MR

      Yeah.

    26. JR

      "Five o'clock on the hour, let's go with Bon Jovi." There's a voice that they have.

    27. MR

      Mm-hmm.

    28. JR

      A strip club DJ, similar. There's a voice.

    29. MR

      Anchorman.

    30. JR

      Anchorman.

Episode duration: 3:06:01

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