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Joe Rogan Experience #2235 - Mike Rowe

This episode is brought to you by ZipRecruiter — 4 out of 5 employers who post on ZipRecruiter get a quality candidate within the first day. Try ZipRecruiter FOR FREE at http://ziprecruiter.com/rogan Mike Rowe is the creator and host of "Dirty Jobs," "Somebody’s Gotta Do It," and Facebook’s "Returning the Favor." He is also the CEO of the mikeroweWORKS Foundation, a nonprofit championing the importance of skilled labor and addressing the critical workforce gap, and host of the podcast "The Way I Heard It." www.mikerowe.com www.mikeroweworks.org

Mike RoweguestJoe Roganhost
Nov 27, 20243h 6mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:002:36

    Cigars, Carl the dog, and how ideas “arrive” at the same time

    1. MR

      (drumming music) Joe Rogan podcast, check it out.

    2. NA

      The Joe Rogan Experience.

    3. JR

      Train by day, Joe Rogan podcast by night, all day. (rock music) We got cigars. We got coffee. We got Mike Rowe.

    4. NA

      Cigars.

    5. JR

      We got Carl, Carl's over there snoring. (laughs) So what were you doing on QVC? What were you selling?

    6. MR

      That was the greatest line from Blazing Saddles, by the way, when Gene Hackman-

    7. JR

      Which line?

    8. MR

      He says, "Cigars?" Remember? Peter Boyle is coming... He had just left and Gene Hackman is there after getting the soup spilled in his lap and he's basically saying, "I had cigars," as the creature stomps off in Frankenstein.

    9. JR

      I don't remember that.

    10. MR

      Hmm. Tiny little moment.

    11. JR

      It's been too long since I've seen that movie.

    12. MR

      Best, uh...

    13. JR

      He's a little bit of a fucking distraction. Can he, uh, calm down?

    14. NA

      I don't hear him on the audio.

    15. JR

      Trank him.

    16. NA

      I don't hear him at all.

    17. JR

      Oh, we hear him-

    18. MR

      Geez.

    19. JR

      ... because we don't have our headphones on. Maybe we should put our headphones on.

    20. MR

      I thought you were talking about me.

    21. JR

      No, Carl.

    22. MR

      For an awful moment-

    23. JR

      He's-

    24. MR

      ... I'm like, "God."

    25. JR

      We wore him out. Jamie was throwing the toy for Carl and now he's like (imitates Carl's snorting) .

    26. MR

      He's such a great dog. He's got, I mean...

    27. JR

      He's adorable.

    28. MR

      I mean, it's such a personality thing at that... For me, with dogs and pets in general, you know? Like you know right away if this thing has a personality.

    29. JR

      Oh, he's got a lot of... Carl's got a lot of personality.

    30. MR

      Yeah.

  2. 2:366:35

    Morphic resonance and toxoplasma: when biology changes behavior

    1. JR

      That's a common thing with human beings and, and... It's this concept of, uh, morphic resonance.

    2. MR

      Hmm.

    3. JR

      Have you ever heard of that concept?

    4. MR

      No.

    5. JR

      Uh, Rupert Sheldrake, he wrote about this and the idea is... And it's based on some actual facts too about... There's, um, some real statistics about rats. Like if you teach a rat how to run a maze in ea- on the East Coast, a rat on the West Coast will run it faster.

    6. MR

      Why?

    7. JR

      It's like they learn the pattern somehow or another. It's very bizarre. There's like information that's apparently shared across species and the idea is that somehow or another they're quantumly entangled. Like that the entire group of these specific types of animals are quantumly entangled or it's entangled in some way that we don't understand.

    8. MR

      So it's a kind of, I mean, I would think biological evolution-

    9. JR

      Yeah.

    10. MR

      ... might, might flirt with that. I read a paper a guy wrote, name was Patrick House. He, this was his PhD and he was talking about Toxoplasma gondii and histoplasmosis and it was a crazy paper. His real premise was trying to understand the phenomenon of the cat lady and why every-

    11. JR

      Right. (laughs)

    12. MR

      Like why, why every culture, like this isn't unique to America.

    13. JR

      Right.

    14. MR

      In, in every culture you can find a woman who, you know, two cats, three cats maybe, but like went all the way to 38, right?

    15. JR

      (laughs)

    16. MR

      And just was like, "This is perfectly normal." So his paper was what happens to a person's brain to tell it it's normal to have 38 cats.

    17. JR

      (laughs)

    18. MR

      And then it gets super complicated because he identifies a gondii that lives in the cat's gut and, and basically breeds there. And what he learned was when the cats were crapping, the gondii would, would come out and then the rats and the mice that ate the cat crap, something was happening to their brains on a neurological level. This gondii basically disabled the part of the brain that would tell an otherwise sentient rat to run from the cat. But suddenly they weren't running. They became prey and they became docile and the cats started obliterating the mice and rat population because this thing that was breeding in its ass was effectively making its prey easier to catch. So Dr. House thought, well, you know, we've all heard about why pregnant women should stay away from cats, because that, that can have an effect. And a rat's brain and a human brain have a surprising number of, of parallels.

    19. JR

      Mm.

    20. MR

      So he basically postulated that, you know, Doris the cat lady was living a fairly normal life until she got just a little bit of cat shit on her-

    21. JR

      Yeah.

    22. MR

      ... on her fingers and, and ate it. And the gondii disabled the part of her brain that said, "Hey, maybe two cats is enough."

    23. JR

      (laughs) It's worse than that. It actually makes the rats sexually attracted to the smell of cat urine.

    24. MR

      Exactly. Right.

    25. JR

      Yeah. It actually makes them aroused.

    26. MR

      Yeah.

    27. JR

      Yeah.

    28. MR

      Now, I don't know if Doris went that far with her feelings.

    29. JR

      Have you ever seen them like run up to cats?

    30. MR

      Yeah.

  3. 6:3511:22

    Risk equilibrium: why safety gear can make people take bigger chances

    1. MR

      Look, I don't wanna compete. I'm gonna lose, but you'll love this, and you probably already know it, um, homeostatic risk and risk equilibrium and the unintended consequences, especially with motorcycle riders that emanate from safety protocols gone too far.

    2. JR

      Really?

    3. MR

      Yeah. So like every... Like if you study the way you drive your motorcycle, like you measure every decision that you make in terms of cornering and speed and braking and all that stuff, uh, and then you measure the same things with all the safety gear employed, including a helmet, especially a helmet, you drive faster. You corner tighter. You take more chances because the risk equilibrium that we all have in our brain is different from one person to the next, but what's the same is our desire to compensate for the environment around us, so compensatory risk and the subconscious decisions that we might make behind the wheel when we're buckled up versus not buckled up-

    4. JR

      Hmm.

    5. MR

      ... when, when we have ABS brakes as opposed to not having them. They did a big survey in Berlin years ago where they took half of the taxis and they put in state-of-the-art braking systems in half of them and left the others the same, and then they hooked up the, the cars to monitor every driver decision, and in, and in virtually every case, the drivers with the better safety gear took more chances because their brain is subconsciously compensating-

    6. JR

      Oh.

    7. MR

      Right? It's, it's the same-

    8. JR

      Makes sense.

    9. MR

      It's, uh, yeah. I mean, it's, it's controversial, but I, I understand it. It's, it's why the most dangerous intersections have signs that tell you when to walk and when not to walk-

    10. JR

      Yeah.

    11. MR

      ... and have, and have cross wi-... Because you... It... The little man is walking. It says go, so you step off and there's the big blue bus-

    12. JR

      Yeah.

    13. MR

      ... and then you're, and then you're spattered. So yeah, the unintended consequences of following traditional safety protocols, you know, is, has always really been interesting.

    14. JR

      This episode is brought to you by ZipRecruiter. It takes a lotta hard work to put this show together, which is why I'm grateful for the small circle of people that work behind the scenes. A team effort is what makes this show successful, just like it takes a solid team to make any business successful. If you're hiring and you wanna know how do you find the best person for your team, I think the answer is ZipRecruiter, and right now you can try it for free at ziprecruiter.com/rogan. ZipRecruiter is the hiring site that employers prefer the most based on G2. You'll immediately get your job posting in front of qualified candidates, and then you can invite top candidates to apply. See why so many business owners and hiring managers are thankful for ZipRecruiter. Four out of five employers who post on ZipRecruiter get a quality candidate within the first day. Go to this exclusive web address right now to try ZipRecruiter for free, ziprecruiter.com/rogan. Again, that's ziprecruiter.com/R-O-G-A-N. ZipRecruiter, the smartest way to hire.

    15. MR

      To me.

    16. JR

      Well, it completely makes sense if you have a vehicle that's more able and capable, you're gonna probably drive it faster-

    17. MR

      Right.

    18. JR

      ... and you're probably gonna take more risks-

    19. MR

      (laughs)

    20. JR

      ... 'cause it can do stuff. Like I used to think... I, uh, I used to have a Lexus SUV, this big boat Lexu-... And you know what I loved about it?

    21. MR

      Hmm.

    22. JR

      I drove slow in it.

    23. MR

      Mm-hmm.

    24. JR

      I was just, like, real... 'Cause it doesn't stop that good, it's not that fast, but it's just, it's big and comfortable, and it just chilled me out. And then I had an M3. I had two cars at the time, and my M3 was a zippy little thing, and I was flying around that thing. I was like, "Why do I drive different in this fucking car than I do in the big car?" The big car would just chill me out. I'd just get in that big old boat and I'd just, "Whoo."

    25. MR

      Sure.

    26. JR

      The world was, like, quiet out there. It was nice and relaxed.

    27. MR

      I think it's a, I th- I think it's a slightly different analysis, like if, if, if you're going to adjust your behavior consciously to adapt to the, uh, to the externality, right? Like, you know, you're gonna drive faster if you have a fast car because you know that's why the guy built the thing.

    28. JR

      Right.

    29. MR

      And, and it would almost be rude-

    30. JR

      (laughs)

  4. 11:2217:40

    “Safety Third”: Dirty Jobs lessons about compliance vs. real awareness

    1. MR

      Well, 'cause if it's right, Joe, if it's right, what it does is it turns all the safety first protocols not necessarily on their head, but... This happened in Dirty Jobs. I did a whole special called Safety Third because, because safety isn't really first, not really ever, and-

    2. JR

      'Cause if it was, you would never get a lot of things done.

    3. MR

      Well, you'd never get out of the studio.

    4. JR

      You would definitely never do construction.

    5. MR

      Heck no.

    6. JR

      Yeah.

    7. MR

      No, you wouldn't do anything.

    8. JR

      Yeah.

    9. MR

      You w- you wouldn't do anything. It's, uh... You know, I... (laughs)

    10. JR

      How are you gonna move steel girders if safety's first? You'd be like, "The first thing we should do is not move this fucking girder." (laughs)

    11. MR

      That's right.

    12. JR

      "This thing's too big." (laughs)

    13. MR

      That's right. Look, I mean, f- for me it was really, uh... It, it took two years to kinda puzzle it through because on Dirty Jobs for the first two years nobody got hurt, you know? We were... And, and we sat through probably 50 mandatory safety briefings, whether it's mines or confined spaces or high spaces or-

    14. JR

      Mm-hmm.

    15. MR

      ... you know, lockout, tagout. All those protocols and procedures were, you know, super intense.... and we were really, really focused on coming home alive and in one piece, so we, like, really paid attention. But after two years of these mandatory compulsory meetings and all of these procedures, um, we all started getting hurt. I mean, not, nothing serious, but broken fingers and, you know, a cracked rib and singed off my eyebrows and my eyelashes and, and mild concussions and things like that. I was like, "What the hell's happening?" What was happening is the, the safety experts in all of these mandatory meetings started to sound like... remember Charlie Brown's teacher?

    16. JR

      Yeah. (laughs)

    17. MR

      Mrs. Othmar. Wa, wa wa. We were just falling asleep.

    18. JR

      Right.

    19. MR

      So, it was like, "Holy crap, we're in compliance, but we are not out of danger."

    20. JR

      Got it.

    21. MR

      And so, that begs the question-

    22. JR

      Yes.

    23. MR

      ... what, you know, what happens to a normal person who actually comes to believe, either on the job site or, or just in life, that somebody else cares more about their wellbeing than they do?

    24. JR

      Hm.

    25. MR

      And, and it's like that's when complacency rears its ugly head. So on Dirty Jobs, we just... it was just shorthand among the crew, but it was always, "Safety third," which meant, "Heads up, man. Keep your head on a swivel. You can be an... You can be as compliant as you want, but in the end, if you don't wanna fall off the bridge, that's, it's kind of on you."

    26. JR

      Is there also a factor when you have a, a person who's the safety officer-

    27. MR

      Mm-hmm. Mm-hmm.

    28. JR

      ... who's kind of annoying, and they're like really, like super interested and, and maybe you kind of like pawn off the, the safety aspect to them, and then you don't think about it as much-

    29. MR

      Of course.

    30. JR

      ... because someone's supposedly looking out for you?

  5. 17:4026:04

    From freelancing to opera: hacking unions and stumbling into a career

    1. MR

      north of Baltimore, and I, I knew I was gonna follow in his footsteps. I knew it. But the handy gene is recessive, right? I didn't get that, and it was my pop who got me... he, he basically said, "Dude, just get a different... you, you can be a tradesman. I know you're enamored of being a tradesman. Just get a different toolbox." So that's what got me into entertainment, and 20 years later, I w- I had completely run amok. I had sung in the opera, I had sold stuff on QVC, I-

    2. JR

      You sang opera?

    3. MR

      Eight years, man.

    4. JR

      Did you... were you classically trained?

    5. MR

      Not really.

    6. JR

      (laughs) How did you get, how'd he get involved in opera singing?

    7. MR

      Well, it's a weird... look, s- sidebar, you go to the Rosedale Public Library, and you ask the librarian for the shortest aria they have, like ever written, which happened to be by Giacomo Puccini.

    8. JR

      Is an aria a song for some things?

    9. MR

      An aria is a song. It's the... there... in an opera-... m- most of the big moments are arias, right? And, and most of the arias are, you know... I mean, they're, they're sung by the main characters, and they're lots of ones that you would recognize. And they're in German, they're in Italian for the most part. Uh, this one was Italian. It was, uh, from La Bohème, which is just another version of Rent, essentially. But, uh-

    10. JR

      Ah.

    11. MR

      ... it was called the Coat Aria, and, uh, it was only two minutes long, and it was in Italian. So I walked around Baltimore (laughs) with... You remember the Sony Walkman?

    12. JR

      Yeah, I remember. I had one of those.

    13. MR

      I had one, too. And I listened to a guy named Samuel Ramey singing the Coat Aria, about 2 minutes and 40 seconds. And the words didn't mean anything to me, but the sounds did. And I can carry a tune, so I just memorized the sounds, and then I crashed an audition for the Baltimore Opera, uh, in 1983.

    14. JR

      So n- no classic training at all, just a Walkman-

    15. MR

      Uh-

    16. JR

      ... th- and a cassette?

    17. MR

      Yeah, I'd had a music teacher prior to that, like a, like a Mr. Holland type of guy, who actually changed my life. He kind of fixed a, a stammer that I had, and then he forced me to audition for plays that I didn't really wanna be in. And then, the craziest thing ever, this guy, his name was Fred King, he was known as King of the Barbershoppers. He was like a legend in this weird world of acapella singing, and he put me in a barbershop quartet when I was in high school and opened up, like, this very weird world of music written long before I was born that I found super interesting. And so, my best friends and I, uh, we (laughs) we just started learning these ancient songs and singing for people, usually unsolicited, from nurses-

    18. JR

      What kind of fucking dudes are you hanging out with-

    19. MR

      (laughs)

    20. JR

      ... that were interested in doing this with you? (laughs)

    21. MR

      I do n- uh, well, one of them is basically my producer, guy called Chuck Klausmeyer, who I went to high school with, produces my podcast, uh... And we still write, we- we'll write unauthorized jingles for our sponsors and sing them in four-part harmony. I'm not saying it's cool. I'm just saying it's a thing that I did when I was young, and I never really shook it, 'cause, like, way leads on to way, and-

    22. JR

      Right, so you knew how to sing.

    23. MR

      I could carry a tune.

    24. JR

      You g- e- so you had some experience singing, kind of?

    25. MR

      Yeah.

    26. JR

      And then you decided you were gonna learn how to sing opera?

    27. MR

      Well, what really happened was I decided that my toolbox wasn't gonna let me work in the construction trades or do anything my pop could do, and he really was a magician, and I really took his advice seriously. So, I wanted to be in entertainment. I didn't wanna be in the opera. I wanted to be on TV, but I, I needed an agent, and I couldn't get an agent unless I had my Screen Actors Guild card, and I couldn't get my SAG card unless I had an agent. So I couldn't audition for things that I wanted to do unless I found a way around this weird tautology. And a friend of mine, guy called Mike Gellert, told me, he said, "Hey, so there's the Screen Actors Guild." There, at the time, there was AFTRA, and I'm sure you were-

    28. JR

      Mm-hmm.

    29. MR

      ... part of both.

    30. JR

      Yeah.

  6. 26:041:19:44

    QVC at 3 a.m.: selling a pencil, the “cat sack,” and learning dead-air mastery

    1. MR

      Yeah. And then, oh Christ, since we're talk ... Well, it was a Sunday and, uh, during the intermission of something, I think it was Der Ring des Nibelungen, this giant Wagner epic torturous thing, and the, the chorus didn't have to be... This is the one, you saw it on Bugs Bunny. "Killed a rabbit, killed a rat-" It's that one, right?

    2. NA

      Right.

    3. MR

      Um, so there's an intermission and I'm, I, I'm not needed on stage for, like, 40 minutes after the intermission. So I go across the street to the Mount Royal Tavern, uh, to drink a beer and watch the football game, dressed as a Viking.

    4. NA

      Ugh!

    5. MR

      Which I, which I recommend by the way. Would you-

    6. NA

      (laughs)

    7. MR

      Like, would you walk in a bar with the horns and the spear? The bartender knew me. Everybody laughed and I, I sat down, but the game wasn't on. The bartender was watching a fat guy in a shiny suit selling pots and pans. And it was the early days of the QVC cable shopping channel. I'm like, "Rick, why are we, why are we watching this?" And he says, "'Cause I'm auditioning for that guy's job tomorrow morning."

    8. NA

      Oh.

    9. MR

      QVC was doing a national talent search. Anyway, uh, we had a conversation about the end of Western civilization and what it meant for polite society to have a 24-hour infomercial that just never went away, and whether or not, you know, there was any honor at all in auditioning for such a thing. And at that point, I thought it'd be great to have some money, you know? I hadn't had any before. And, (laughs) and I'm sitting there drinking this beer dressed as a Viking thinking, "I, I could probably do that job if I had to." So I went with him the next day and auditioned, and got hired.

    10. NA

      Wow. Was he mad?

    11. MR

      The bartender?

    12. NA

      Yeah, that you got the gig?

    13. MR

      You know, I-

    14. NA

      'Cause he didn't even know about it.

    15. MR

      Well ...

    16. NA

      (laughs)

    17. MR

      It's, it's a good question. I, I, I don't know what became of him. Um, we had a friendly-

    18. NA

      He's probably got a fucking voodoo doll of Mike Rowe-

    19. MR

      (laughs) ... with a bunch of pins in it.

    20. NA

      We had a wager. I said, "Look, I don't know if I'll get the job, but I, but I bet I'll get a call back." He was like, "You're not gonna get a call back for this thing." You know, we were just actors at the time. We were like people pretending to be actors, trying to find work. He sounds like a hater.

    21. MR

      You know, he was nice enough. He sang in the opera with me too, actually. He also tended bar. He just, he just wasn't in that one. But, um, yeah, it, it was a very strange thing, man, to ... That, that was my first job in TV. Look, I've done some minor local commercial stuff, but I talked about a pencil for eight minutes. That was the audition. It was so strange in those days. They didn't have a, um ... Like there's no playbook to see who can sell stuff on TV, you know?

    22. NA

      Do you have a script or are you-

    23. MR

      No.

    24. NA

      ... kinda like you have this-

    25. MR

      Oh, no.

    26. NA

      ... facts about the pencil?

    27. MR

      No.

    28. NA

      No? Nothing?

    29. MR

      Nothing. Here's what happens. It, again, it's, it's probably changed today. I think QVC did eight billion dollars last year. Back in 1989, 1990, it was nothing like that. And if they hired a salesman, that didn't mean you had anybody who understood really how to behave on TV. And if you hired a TV person, that didn't really mean you-

    30. NA

      Look at you.

Episode duration: 3:06:01

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