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Joe Rogan Experience #2330 - Bono

Bono is the lead singer of the rock band U2, as well as an activist and author. His memoir, "Bono: Stories of Surrender," is available wherever books are sold. Watch the companion film on Apple TV+, and the soundtrack is available digitally and on limited edition vinyl. https://⁠www.u2.com⁠ ⁠https://tv.apple.com/us/movie/bono-stories-of-surrender/umc.cmc.oxoxnpaecaatg9tzf6pgfsh2⁠ ⁠https://www.penguinrandomhouse.com/books/804259/bono-stories-of-surrender-by-bono/⁠

BonoguestJoe Roganhost
May 30, 20252h 59mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:000:47

    Rogan reacts to Bono’s film: black-and-white “fever dream” memoir on stage

    1. BO

      (drumbeats) Joe Rogan podcast, check it out. The Joe Rogan Experience.

    2. JR

      (instrumental music plays) Train by day, Joe Rogan podcast by night, all day. Uh, I fucking loved your film. It was really great.

    3. BO

      You saw it?

    4. JR

      Watched it last night, yeah.

    5. BO

      Oh.

    6. JR

      It was cool too, because I always feel special when I gotta p- enter in the password 'cause I know that nobody else has seen it yet, you know? I gotta e- enter in the email and the password, and I watched it, and I screen mirrored it on the TV. It was great, man. And it's, it was so, uh, like, almost like a fever dream. It was wild, like the way you set it up, all black and white.

    7. BO

      Yeah. If you get past the first three minutes... (laughs)

    8. JR

      Yes.

    9. BO

      ... it is a ... I could... I, I ... Even my own mates were like, "Oh, don't do that."

    10. JR

      (laughs)

    11. BO

      (laughs) It's like, wow. And, and it is like a fever dream.

    12. JR

      Yes.

    13. BO

      That opening. But that really happened to me, so you know.

  2. 0:472:58

    Early U2, punk shouting, and how grief surfaced in “I Will Follow”

    1. JR

      Well it was great, man. It's great. And it's also like, I love the way you did it, like you played the beginning of some songs, and you talked about the origin of the songs. The thing that I have a hard time believing, though, is that you weren't a good singer when you were young.

    2. BO

      (clicks tongue) Well, you know punk rock, you're a bit of a shouter. You know, that's really what you do, you just get up there and shout. You, sh- I'm shouting at God, I'm shouting at everyone. Right? I'm shouting at the band. That scene in the, in w- when we're doing I Will Follow-

    3. JR

      Yeah.

    4. BO

      ... that's really true. So I'm, I'm there and we're improvising this song that becomes I Will Follow If You Walk Away, Walk Away, Walk A- I mean, it's like this while we're ... We're trying to get s- just do something original, and we're really ripping (laughs) off ... The irony is we're really ripping off Public Image Limited, this... Johnny Rotten became John Lydon again for this band called Public Image Limited back in the late '70s. And, and I'm singing about, you know, it's a suicide note really, and I'm singing about this c- and they're saying, like, "What's it about?" And I said, "I think it's this, it's this guy is gonna follow somebody into the grave, you know? They're gonna ... It's, I think it's about a, it's a, it's a s- it's a child following their mother, missing them so much that he'll follow them into the grave."

    5. JR

      Whoa.

    6. BO

      And then, we realized that our, our, our rehearsal room, the little yellow house, is beside the cemetery where my mother is buried.

    7. JR

      Whoa.

    8. BO

      And I've never visited her once, or talked about her once. And we're, we'd been rehearsing there for months. And it's funny, you know, you can deny somebody in conversation, you can deny somebody to yourself, but in the songs, all that shit comes out.

    9. JR

      Wow. Wow.

    10. BO

      So, yeah. But thank you for watching it. That's, that's, um ... Thank you.

    11. JR

      I loved it. (clears throat) It w- it was such an interesting w- way you put it all together. I've never seen anybody do that like that. Like, you did like, it- it, it's like a documentation of your career, but in this like, very unique way with like, talking about things and then explaining these moments, and then the music plays, and it's, and it's all black-and-white. It was really cool.

  3. 2:588:01

    Turning a memoir into a live show: fear of self-indulgence and finding humor onstage

    1. BO

      Yeah. There's a ... (clears throat) There's a sort of ... Black-and-white lends it a kinda clarity. I did this series of shows in the, the Beacon, uh, Theatre in New York. And, and it was going so well, we thought we should record it. I will tell you, the night before we opened our show in New York, my missus, Ali, (laughs) said, "I don't think you should do this."

    2. JR

      (laughs)

    3. BO

      "Just please, please do not do this to yourself in front of, you know, a New York crowd. Cancel it now, do what most people do on a book tour, get somebody to (laughs) interview them, and just, they'll come anyway, everyone will be happy." And I don't know, I just went, for once, I'm, I didn't take her sage advice and I, I did it. And the difference was, with an audience, it was funny. And she was like, "Oh, that's the bit I didn't get in the rehearsals. It's funny."

    4. JR

      Oh. So what was she thinking? It was self-indulgent?

    5. BO

      It's just ... Uh, that it was dull, self-indulgent, here you are. I mean, all these things, they're a version of ... L- (laughs) here's another great thing about me. No.

    6. JR

      (laughs)

    7. BO

      I, I mean, it is a ... I was calling it a memoir.

    8. JR

      (clears throat) Right. Uh-huh.

    9. BO

      Me- me book what I wrote meself, it's the memoir. And it i- ... Look, there's something narcissistic and ... But it's, it's your material, you know? That's what you get. Your k- y- you know, your ... It's not just your body, your psychology is the canvas, and you know, I grew up John Lennon, you know ... The Beatles were everything for me. And you know, John Lennon made a sort of performance art out of his wedding to Yoko, and he did a bed-in for peace, and he was ready to look ridiculous for peace. And you know, I do ridiculous (laughs) quite well, (laughs) I'm told. So that was my definition, you know, of, of art really-

    10. JR

      Yeah.

    11. BO

      ... was to just, just go out there. But the thing that being in U2, it was just giving me everything, (clicks tongue) took away, if it took away anything, was, you know, people don't come along to our shows for a belly laugh. You know what I mean?

    12. JR

      Right, right.

    13. BO

      So as a comedian, you understand that, you know?

    14. JR

      Yeah.

    15. BO

      It's, it's like I ... You know, I had wrote this (clears throat) line, it came outta nowhere, I, I haven't put it in a song yet, I don't think, but you know. I think it's, um, laughter is the evidence of freedom. And I don't ta- I don't trust people to talk about freedom now, I want people to be free. If you are, if you talk ... Be, be it then. Be it.

    16. JR

      Yeah.

    17. BO

      And, and so I wanted to be that on stage. I wanted to be loose, I wanted to be myself, I wanted to own up to the ridiculousness of my life, as I've just explained, the madness of my (laughs) family, but turns out it's ... everyone's family is a little opera. And it is a bit of a soap opera, but it's also, also a, a real opera. These are big feelings, you know?... you're going after your da, like you're like a young, what, you know, elk is a romantic word for it, (laughs) but it's, you know, you're just taking him on.

    18. JR

      Yeah.

    19. BO

      And this poor man is just... He's lost his, his wife. He's trying to bring up two kids. I'm just a- an obnoxious kind of thing who some- somehow psychologically blames him for the death of my mother, because as Jim Sheridan says to me, (imitates Jim Sheridan) "It doesn't have to be actually true to be psychologically true."

    20. JR

      (laughs)

    21. BO

      (laughs) And that kids feel-

    22. JR

      Yeah.

    23. BO

      ... all these feelings, you know, and they don't have to be logical. And, and I went after my da, and I... By playing him every night in, in the Beacon Theatre and around the world, I actually learned to, to love him. Uh, I learned to like him, actually. I always loved him, but I learned to like him. That was... He made me laugh more. So I got humor.

    24. JR

      Mm-hmm.

    25. BO

      Humor was the gift from that show, and...

    26. JR

      And the humor was evident with the audience there.

    27. BO

      Mm-hmm.

    28. JR

      Yeah.

    29. BO

      But not evident- (laughs)

    30. JR

      In rehearsals.

  4. 8:0111:12

    Feral performers and breaking the fourth wall: Iggy Pop, Patti Smith, and crowd chaos

    1. BO

      Well, the one- what happened was Andrew Dominik, Australian director, and he did some of the sh- the, the, the shots without any audience, just he cleared them out on a day off. And then some of them came in, which were hardcore fans, as you say, and that was, in a way, that was, that was, that was the most terrifying, um, because I, as a performer, I'm drawn to spontaneous acts. That's what... When we started out as a band, I was attracted to performers who I thought might leave the stage-

    2. JR

      Right.

    3. BO

      ... and follow me home, mug me, or- (laughs)

    4. JR

      (laughs)

    5. BO

      ... you know, you know, tell my fortune, or, you know-

    6. JR

      Yeah.

    7. BO

      ... uh, whatever.

    8. JR

      Wild people.

    9. BO

      W- well, just, yeah. I mean, and I'm still attra- Iggy Pop-

    10. JR

      Yeah.

    11. BO

      ... when I was growing up was the, you know... Patti Smith. I'm, I'm-

    12. JR

      Yeah.

    13. BO

      Patti Smith used to enter the stage elbowing her way through the crowd. Myself and Larry Mullen, drummer in U2, we, we left stage one night in the, like, when we were, like, 21, 20 years old, elbowing our way through, through the crowd to get out, just got into a taxi in London, fucked off. (laughs) And, and we felt a liberation. You know, breaking the fourth wall has been everything for our bands, trying to smash it by surfing it, um, you know, by, by jumping into the crowd. I had the, um, preposterous moment of going into a crowd in the, in Los Angeles. I forget, the Forum or somewhere like that, (clears throat) with a white flag, right, the nonviolent white flag, the same flag that I'm still on about, the flag of Surrender, right, in that show. (laughs) But back then I'm 23 or whatever, and I'm going into the crowd, and I see people who are, you know, pulling at me and all this. The next thing, and I'm th- I'm throwing a punch, somebody in our own, our, in our own (laughs) audience. That's how much nonviolence meant to me.

    14. JR

      (laughs)

    15. BO

      You know, you know, (laughs) but I, uh, I'm a- I'm attracted to feral performers, I suppose is a word for it.

    16. JR

      Yeah.

    17. BO

      It's just- it's, it's... You're in it, and you're not-

    18. JR

      It's not contrived.

    19. BO

      ... fully in control of it.

    20. JR

      Right.

    21. BO

      And (clears throat) Mark Rylance is a great one. Daniel Day-Lewis walked offstage one night, saw a ghost of his father, rumor had it when he was playing Hamlet, but yeah. So having the crowd in who knew what was gonna happen, that unnerves me a bit because I c- how do I surprise them? Turns out by making... I w- I b- I became a sit-down comic. Does that make-

    22. JR

      Yeah.

    23. BO

      If you're a stand-up, for a minute, a minute I was a sit-down c- comedian.

    24. JR

      Well, what you're doing and what, what, I think what you're saying that you're attracted to is something that's not contrived, something that's pure. It could be messy. It could be wi- it could be, you know, Patti Smith elbowing people-

    25. BO

      Mm-hmm.

    26. JR

      ... or you running through the crowds.

    27. BO

      Mm-hmm.

  5. 11:1217:58

    What makes music ‘real’: primal ritual, awe, and Bono’s Johnny Cash stories

    1. JR

      There's... It's, it's real. And there's so much in this world that's not real. There's so much that's manufactured. There's so much that's produced and run through a focus group. And there's so, there's so much that doesn't resonate. Like you don't feel it as a piece of art. You don't feel it as, like, a real person pouring out their emotions and their soul. But great music, you feel. It, it gets into you. It gets into your cells, you know? It's a-

    2. BO

      Yeah.

    3. JR

      And no one can f- figure out wh- how it works, or why it works, or why this w- does and this doesn't. And why does Johnny Cash have such a fucking cool voice? Like it's, what is it? What, what is it? Like but-

    4. BO

      I, I-

    5. JR

      ... there's something about-

    6. BO

      Yeah.

    7. JR

      ... real that's just... It's like a vitamin. It's like going out in the sun when it's been raining, like, "Ah." Like you, you, you soak it in.

    8. BO

      Yeah. It is, you know-I mean, you can ... There's pretentious ways of describing it, and people say it's we, we first sang to each other before we spoke, you know, like, like bird song. I don't know who said that. It's probably on drugs. But (laughs)

    9. JR

      (laughs)

    10. BO

      ... but could have been a scientist. And, um, uh, anthropology might suggest we certainly ... that goat song, you go back to Greek tragedy, you had a drum and a voice. So it's very primal.

    11. JR

      Yeah.

    12. BO

      And, and there is ... It is the language of the spirit. It, we, we ... It, it is somehow there is worship involved, whether it's God, nature, money, a extraordinary woman has just walked across the street. But it seems to be that music is where we are creatures of, uh, awe-

    13. JR

      Yes.

    14. BO

      ... and, and wonder. And, and, and, you know, you mentioned Johnny Cash. I, I had, I had the blessing in my life of, of getting to know him, and as a believer, I don't know if you know, I- I'm a believer, I'm just not a very good one, (laughs) but he ... There was no- not a pious bone in his body, and, and I learnt th- that by the company he would choose. He didn't like ... He, he got nervous around people who were too self-righteous, and he had this huge spirit in him, you know, prayerful spirit. Myself and Adam Clayton were, were, um, driving through America, I think, around the time of The Joshua Tree, and I'd met Johnny a couple of years ... But he's, you know, I found out where he, where he lived. He had a zoo in Nashville. He had a house in Nashville, and we go into ... To, to meet June, uh, his missus, and, and Johnny, and, and he shows us this table. It's filled with plates of every ... Like, I'm like, "Wow, we're coming. We're just the two of us." She said, she said, "No, honey, that's my cookbook. I'm just doing a photo shoot for my cookbook. We're in here, you know. We're having a ..." So we go into their kitchen, and we sat there, myself and Adam, and, uh, and, uh, Johnny goes, "Sh- shall, shall we pray?" And, uh, Adam's wasn't a praying type at that, at that time, but he was like, "Well, it's Johnny Cash."

    15. JR

      (laughs)

    16. BO

      So, you know-

    17. JR

      You have to pray.

    18. BO

      ... we, we all held hands and whatever, and Johnny Cash made this beautiful, poetic blessing, and I, I just thought like, "Wow, of course, he's touched," and then he just turned to Adam and just goes, "Sure miss the drugs, though."

    19. JR

      (laughs)

    20. BO

      And Adam just f- fell in love with him, you know?

    21. JR

      Yeah.

    22. BO

      Because he couldn't be pious.

    23. JR

      Right.

    24. BO

      He just ... He had to be himself.

    25. JR

      Yeah.

    26. BO

      Um, years later, if it's ... Years later, and we really-

    27. JR

      Look at that.

    28. BO

      Oh, wow, there you go. Oh, that's so ... Oh my God.

    29. JR

      There it is.

    30. BO

      That's Adam there, yeah.

  6. 17:5824:46

    Sinatra as a masterclass: ‘My Way’ becomes an apology and the craft of phrasing

    1. BO

      Oh, man. Well, they're two incredible people, and don't get me started on, on Frank Sinatra 'cause, um ... How long is this, by the way? The-

    2. JR

      As long as we wanna go.

    3. BO

      Well, no, 'cause-

    4. JR

      Why?

    5. BO

      Well, just, uh, Frank Sinatra ... Now he- it's, it's two questions. (laughs) One of them should be Frank Sinatra, because I- I'd just- I can go on and on. I, I learned so much from him, and I got to know him, and as bizarre as that sounds, um ... He's such a name-dropper, Frank. Um, no. But, uh, I did. And probably, if you're interested in singing, I could tell you one miracle that I learned from Frank Sinatra, which is a version of, of My Way. And the original version, you know, it's a boast. And years later, he sang it, and I have a copy of it. It's, um ... And Pavarotti stars in the film. As you know, I- I'm- I'm-

    6. JR

      Yeah.

    7. BO

      ... I- I play him for, for a moment. But it's a version of My Way with ... I mean, Pavarotti's the greatest singer on earth, but shouldn't sing in English. << Friends, I do it now >> You don't want-

    8. JR

      Yeah.

    9. BO

      You don't want that. And so I have a version of it with- without the greatest singer in the history of the world, Pavarotti, on it. It's just Frank singing, 20 years after he'd sung My Way as a boast. Same key, same text, same arrangement, and now it's an apology.

    10. JR

      Wow.

    11. BO

      And that's a, that's the thing about singing, and Johnny Cash had that. And, you know, I- I- I wish, I aspire to the place when my voice, to- to- to try and answer your first question, when I become a singer that can do that.

    12. JR

      Sinatra, most people don't realize, had a completely different voice when he was younger.

    13. BO

      Mm-hmm.

    14. JR

      His voice when he was younger was very high-pitched-

    15. BO

      Mm-hmm.

    16. JR

      ... and beautiful. It had so much-

    17. BO

      Mm-hmm.

    18. JR

      ... flexibility to it, and so much tone. And then probably all the cigarettes and Jack Daniels-

    19. BO

      Mm-hmm.

    20. JR

      ... over the years sort of hardened his voice.

    21. BO

      Mm-hmm.

    22. JR

      And then-

    23. BO

      Skinny kid. He, he used to, he used to s- swim underwater to get his, to get his lung expanded, so he could get those bigger, bigger, bigger notes.

    24. JR

      Really?

    25. BO

      Yeah.

    26. JR

      Yeah, we have his mug shot out there. He got arrested when he was, like, 125 pounds.

    27. BO

      Wow.

    28. JR

      Yeah. He got arrested for, um ... What was the term? De- seduction? I think it was seduction. I think he seduced a married woman. Yeah.

    29. BO

      Oh, my lord.

    30. JR

      Yeah. There he is.

  7. 24:4629:41

    Imposter syndrome and swagger as armor: Super Bowl after 9/11 and a Dylan fiasco

    1. JR

      Was it surreal when you were a young man and you were just starting to achieve success to encounter these people that were essentially heroes, and be embraced by them and hang around them? You know, a lot of people feel imposter syndrome, like they feel just... It's bizarre to be around these legendary human beings. Like, they're right there. Like, I, I, I still kinda get weirded out by it. Even when I met you today, I'm like, "Oh, that's Bono." Like it's still weird, you know? It's still weird to meet people that are, like, hugely famous.

    2. BO

      Mm-hmm.

    3. JR

      And when you were a young man, when, when U2 was just blowing up, was it strange, the, the transition... Like to accept the fact, like, "This is where we are. We belong here"?

    4. BO

      Bu- Well, you, you, you got it right the first time. There is a part of you that doesn't think you belong here.

    5. JR

      Right.

    6. BO

      And then when you're younger, you, you, you're not admitting that to yourself. And I have a, I've, I've a few annoying (laughs) more than a few annoying aspects depending on who you, you're talking to. But if I have an annoying gene, um, part of it is, when I'm at my most vulnerable, I'm a- I give it the most swagger.

    7. JR

      Ah.

    8. BO

      So we were playing the Super Bowl. We were walked on just after 9/11, big emotional moment, and we're... We got eight minutes, whatever, to switch over, and I've got my ears in 'cause the only way I'm in touch with what's go- what's, what's going on, and we're walking through the crowd. We've got the crowd on the, on the pitch, I think one of the first times that was ever done. And, and somebody goes, "Yay," and they boom, and I can feel my ear come out. And that will mean I'm off air. And if you look at the film, as I've had to, of us walking (laughs) up to get on stage, I am giving it so much chin. You just go, "Who is that obnoxious Irish fucking..."

    9. JR

      (laughs)

    10. BO

      "What, where does he get that attitude?"

    11. JR

      Here it is right here.

    12. BO

      Oh, there it is. Uh, I think I'm singing there, so it's... If you just go back (laughs) a little bit, you'll get the real, uh, that's the chin. No, no, just before there, but-

    13. JR

      (laughs)

    14. BO

      ... but, uh, but look, not a care in the world. And that's, I mean, bullshit is a word for it.

    15. JR

      Yeah.

    16. BO

      Swagger is another word for it. But-

    17. JR

      It's a shield.

    18. BO

      ... it's a shield.

    19. JR

      Yeah.

    20. BO

      And as I get older, I... You know, part of the film was taking off my armor and just dropping the sword, dropping the shield, taking it off. And now, in that moment, you wake up, it's a bit like the dream where you're naked in front of the whole school (laughs) and, and it's really cold. And, and, and then you realize, yeah, your life, as you are realizing yourself now, "Oh, how did this happen to me?" And, "And how did I get to meet these extraordinary people?" And so it's... That's why I wrote the book, Surrender. That's why I did it. But 'cause it was just starting to realize. When I was younger, I was like, "Yeah, you know." Uh, Bob Dylan once asked us, I was 24, and he says, uh... He was recording there. I was gonna interview him, and he said, "Do you wanna go on stage or whatever and do a song?" And I said, "Well..." He said, "Leopard Skin Pillbox Hat's an amazing song." I said, "Oh, if the lyrics allowed to," I... And I'd been learning to improvise as a singer, and, um, and I, uh, I went out on stage. And he said, "Do you know Blowing in the Wind?" (laughs) I said, "I probably, uh, I probably got that one down," but I didn't.

    21. JR

      Oh.

    22. BO

      And I just walked out on stage, and I could see it was a home crowd, Ireland people. "Oh wow, this... One of ours is up there with Bob Dylan. Wow. Oh, it's Bono. Wow, okay." "And he's gonna sing... Oh my God, he can't sing. Oh, oh, he's changed the melody. Oh, he's changed the words."

    23. JR

      (laughs)

    24. BO

      And you could just see him go down in flames. And afterwards, I see Bob and I said, "Look, I'm sorry about that. I've just... It's just the way we've been working at the moment is just kinda improvising stuff." And he was like, "It's okay. You know, everything... I, I make 'em up all the time," and he was generous about it. "Nothing's fixed in time." Something like that.

    25. JR

      That's a great Bob Dylan impression.

    26. BO

      Yeah.

  8. 29:4134:59

    Pavarotti, Princess Diana, and using celebrity to reach his father

    1. JR

      One of my favorite moments in the film was when your bandmates were concerned that Pavarotti was gonna show up with a camera crew.

    2. BO

      Yeah.

    3. JR

      And he showed up with a camera crew. (laughs)

    4. BO

      He did. He did. One of the-

    5. JR

      And it was just funny. It was like a, it was a really well-timed moment, like, and when you said it on stage, it was so well-timed because it's like here you're honoring this man who's like this incredible, fantastic singer, but your bandmates, they've got a good instinct like, "This is gonna be a big press op as well, like, this is part of the reason why he wants to do this." And then that's not gonna be fun 'cause it's gonna be weird, and then, boom.

    6. BO

      Yeah, one of the great, one of the great arm wrestlers, um, emotional arm wrestlers of all time. He, he, it's interesting that there was a generosity there which, whi- which, which he wanted opera, because opera was kind of the punk of its time. Classical musicians looked down on opera, you know?

    7. JR

      Really?

    8. BO

      These are stories from the street. They're, they're too accessible, you know?

    9. JR

      Really?

    10. BO

      And... Oh, yeah, yeah, opera-

    11. JR

      Oh, that's crazy. I would have never imagined that.

    12. BO

      Opera was much rougher, and his... and he instinctively knew, and he was constantly trying to make relationships that would cross the divide and make sort of opera popular. And so, to the point where, yeah, he did. He used to call our house and say... y- y- you know, at first it was with me, but then when... He would haunt our housekeeper, Theresa, and say, like, "Is God at home?"

    13. JR

      (laughs)

    14. BO

      "Well, tell God to... he is late on the song." Or, you know, he'd do this kind of carry on. And, and I... again, this, these figures in, in my life. I knew that I was in... you know, on sacred ground when I was near him.

    15. JR

      Right.

    16. BO

      I knew this. But the band, they didn't have the... (laughs) they didn't have the relationship with opera. They... well, actually, Edge's dad was into opera, but my dad... it was, it was... I u- I was using Luciano Pavarotti to get to my dad.

    17. JR

      Yeah.

    18. BO

      That was the real thing. And so, as you see in the film, I play my father just by turning my head.

    19. JR

      Yeah.

    20. BO

      And I become him. And, and, and I was trying to impress him. I'd be in Finnegan's Pub, where we'd be sitting not speaking to each other, and, and, and I try something and I go, um, "What do you think about, uh, Luciano Pavarotti calling the house?" And he'd go, "Did he get a wrong number?"

    21. JR

      (laughs)

    22. BO

      You know, it'd be all that. And, and so, yeah, there was an emotional through line because our house was an opera. Unfortunately, my dad was... going on in his life was operatic. Um, but it's also funny.

    23. JR

      Yeah. Yeah, and it's also this... you are both celebrating the brilliance of this incredible singer, and also you're, you're taking the piss out of this whole cult of celebrity thing that comes along with it.

    24. BO

      Yeah. And Princess Diana.

    25. JR

      Yeah. Yeah.

    26. BO

      The best line-

    27. JR

      That thing with your dad and Princess Diana was hilarious? (laughs)

    28. BO

      So... because Edge's, Edge's dad is, is, uh... Edge's mother and father are from Wales. So to... you know. So we're with Pavarotti in M- Modena, I think it was, and he... s- s- so the Princess of Wales is meeting the great tenor, and he is offered to meet, you know, anyone who wants... you know, Edge's family, because they're from Wales, to meet the Princess of Wales. And he says to me, "Look, do, do, does your dad want to go?" And I of course know the reason. I know the answer and the reason for the answer. But he says, "Well, just ask him." So I ask him. I just go, "Dad, listen, you wouldn't want to, uh, go meet Lady Di, you know, the princess?" "What? What? Uh, why would I want to meet a member of the British royal family? That's like asking me do I want to meet the winner of the lotto." And I'm like, "Okay, got it, got it, got it." And then later, she comes into our dressing room and melts him-

    29. JR

      (laughs)

    30. BO

      ... just by reaching her hand out, "How do you do?" And he's like, "Oh, very well, thank you." Um, and as I say, 800 years of oppression gone in a second.

  9. 34:5952:08

    America as an idea: anti-bullying roots, Buffett’s activism advice, and AIDS policy wins

    1. BO

      Well, were you... were you... I've read that you got into martial arts because you felt picked on at some point.

    2. JR

      Yeah.

    3. BO

      Is that true?

    4. JR

      Yes. Yeah. Yeah.

    5. BO

      So you don't like bullies?

    6. JR

      No. No. No, I don't like that at all. It's the weakest inclination of the human spirit, you know, to pick on the weak. It's terrible. It's, uh-

    7. BO

      Yeah.

    8. JR

      ... it's a terrible instinct that humans have from... probably from the time where you had to ostracize weak people because you lived in a tribe of people barely surviving and you couldn't tolerate any weak links in the chain. I mean, that's essentially probably where it came from. It probably came out of a survival instinct-

    9. BO

      A Darwinian thing.

    10. JR

      ... yes, where everyone was barbarians and you had to force people to be the hardest version possible, because otherwise the genes wouldn't survive.

    11. BO

      Yeah.

    12. JR

      And then-

    13. BO

      It is... the survival of the fittest, it's... yeah, which is the world we live in.

    14. JR

      Yeah.

    15. BO

      I mean, this is one of the things that attracts me to Christianity, is the idea of the first will be last and the last will be first. It's so radical.

    16. JR

      Mm-hmm.

    17. BO

      And it's literally the opposite of the survival of the fittest.

    18. JR

      Right.

    19. BO

      But America... why I love America is, is it has... I mean, the British Empire bullied it.... and it stood up. I was... We were coming here, uh, I was asking someone in the car about th- the Declaration of, of Independence and, you know, how many Irish signatures there were or... It wasn't that many, I can't remember what there were. But they were all committing treason, man.

    20. NA

      Mm-hmm.

    21. BO

      They were putting their lives... They were pledging their lives, their fortune, and their sacred honor. So America, the very essence of America is this idea of sticking it to the bully.

    22. NA

      Yeah.

    23. BO

      And, and I know America can be a bully. We all g- we have our moments and all, uh, and all that. But it's the essence of who you are, and, and it happened again with the, the geezer with the tash, um-

    24. NA

      (laughs)

    25. BO

      (laughs)

    26. NA

      The geezer with the tash, that's a great way of-

    27. BO

      You know, the-

    28. NA

      ... calling Hitler.

    29. BO

      You know, but-

    30. NA

      Yeah.

  10. 52:081:03:46

    Aid, fraud, and overcorrection: USAID cuts, moral urgency, and how policy breaks people

    1. BO

      all of that was torn down without a heads-up, without any notice because people thought foreign aid was like 10% of the budget or 20%, and it was doing things that it shouldn't have been doing. And I'm sure there was some waste, but I can tell you, as a person who, who saw what the United States were doing around the world and saw this, this... I saw America display itself at its finest. And I remember being in the Oval Office with President Bush and, and ha- and these antiretroviral drugs, I said, "Paint them red, white, and blue, Mr. President. These are the best advertisements for America there'll ever be." And he's looking at me (laughs) thinking I'm taking the piss, but I'm not, and he wasn't as it turns out. And, and he, he spoke about the, the least of these, which is a wild concept. I don't know if you know this, but it's like the... it's, uh, it's in Matthew, I think it is. It's, it's, it's, uh, it w- it's the only time that, um, Jesus speaks of judgment. It's not like what's going on in your pants. It's not like (laughs) what's going on over here or over there. The first time Jesus Christ speaks in kind of force of judgment is the way we treat the poor-

    2. NA

      Hmm.

    3. BO

      ... the poorest of the poor, and he says, "Well, in the way that you're treating these, the least of, of them, the, the sick, the blind, the people w- w- who, who are suffering from malnutrition, that's how you treat me. I am them." And so now, when we cut to the people... Like you, you went to Boston University, r- um, you taught at f- uh, Boston University, right?

    4. NA

      I taught martial arts there, yeah.

    5. BO

      So, so just recent report, th- it's not proven, but their surveillance enough suggests 300,000 people have already died from just this cutoff, this hard cut of USAID. So there's food rotting in boats, in warehouses. There is... This, this, this will, will fuck you off. This will not... You will not be happy. No American will. But there is, I think it's 50,000 tons of food-... that are stored in Djibouti, South Africa, Dubai, and wait for it, Houston, Texas. And it, that is rotting, rather than going to Gaza, rather than going to Sudan, because the people who know the codes- (laughs)

    6. JR

      (laughs)

    7. BO

      ... or for the warehouse th- tha- tha- are fired, they're gone. And so this, I don't know, I just, it's, I'm... What do you think? What, what i- what is, what is that? That's n-

    8. JR

      (sighs)

    9. BO

      That's not America, is it?

    10. JR

      Well, they're throwing the baby out with the bath water.

    11. BO

      Right.

    12. JR

      Right? This is the problem. The problem is, e- for sure, there have been a lot of organizations that-

    13. BO

      Yeah.

    14. JR

      ... do tremendous good all throughout the world. Also, for sure, it was a money-laundering operation. For sure, there was no oversight. For sure, billions of dollars are missing, in fact, trillions, that are unaccounted for, that were sent off into various... Th- they, they don't even know where because there's no receipts. The way Elon Musk described it, he said, "If any of this was done by a public company, the company would be delisted and the executives would be in prison." But in the United States, this is standard. When Biden left office, when it was clear that Trump won in the 73 days, they spent $93 billion from the Department of Energy on just radical loans, just throwing money into places.

    15. BO

      Right.

    16. JR

      And there's no, no oversight, no receipts. Like, the, the whole thing is w- it's, there's a lot of fraud, a lot of money laundering. But also, we help the world, and when you're talking about making wells for people in the Congo to get fresh water, when you're talking about food and medicine to places that don't have access, like, no way that should've been cut out, and that should've been clear before they make these radical cuts. Like, there's gotta be a way to keep aid and not have fraud. And you can't ha-

    17. BO

      Yeah.

    18. JR

      You can't say, "We're gonna kill everything so that there's no fraud." But then you're killing all the good, and you're doing it without letting anybody know it's gonna happen so no one's... It's not like they had three years to prepare, "Let's build a new infrastructure."

    19. BO

      Yeah.

    20. JR

      "Let's make sure that everything's set up."

    21. BO

      Hmm. Hmm.

    22. JR

      They want to change and they want to change quickly. And due to the nature of American politics, they have about two years before the midterms, right? So everything has to get done as quickly as possible. You have to have show of growth in GDP. You have to show that the economy's booming again under these ideas, make America first, tariffs for the world, bring back American manufacturing, and this mad rush to do it all as quickly as possible while cutting out as much waste as possible.

    23. BO

      Yeah.

    24. JR

      But the ironic thing is even though Elon Musk has proposed all these things and the Doge Committee has proposed all these things, they've made no cuts in terms of the budget. They've cut nothing.

    25. BO

      They ve- it's-

    26. JR

      They vote against it.

    27. BO

      ... such a tiny part, I mean, if, if, if, if it's big government or whatever p- people wanna, wanna shrink, I, I, I, I, I g- I, I get the instinct. But this, the life-saving part-

    28. JR

      Yes.

    29. BO

      ... i- i- it's like the little finger of the giant.

    30. JR

      Right. Exactly.

  11. 1:03:461:08:06

    Free speech, bots, and fundamentalism: how the internet distorts reality and polarizes

    1. JR

      Oh, I would give you zero advice. I, I don't know if I'm qualified to give advice. But I would say that America goes through these great periods of overcorrection.

    2. BO

      Right.

    3. JR

      It goes these great periods of... like you, you saw it during COVID, during the lockdowns and the authoritarianism, and we fell into a kind of state of tyranny where there was just massive oppression of free speech, including government-sponsored oppression. They were contacting, uh, different social media platforms and banning legitimate doctors and scholars because they had different opinions about how things-

    4. BO

      Right.

    5. JR

      ... should be handled. There was a wide scale censorship, a push for a changing of the First Amendment, "The First Amendment needs to be overhauled. The First Amendment doesn't appl- apply to hate speech or to disinformation." There was all these, like, new ways of talking about censorship-

    6. BO

      Right.

    7. JR

      ... in this country and condoning censorship, and it's very dangerous because it's all about money. It had nothing to do with protecting people. There's-

    8. BO

      That's what I worry about.

    9. JR

      Yeah.

    10. BO

      The, the argument about free speech is that it seems to be sponsored by a lot of people who you sense don't really respect it so much. And it... but it is a very economic, um, for them to not have to-

    11. JR

      Yes.

    12. BO

      ... to live with the consequences-

    13. JR

      Yes.

    14. BO

      ... of, of a story. I think... Well, is it the communication? Do, do... I think it's the... 'Cause in 1996, this is a long time ago, Communications Act, Decency Act, that meant the internet did not have to apply by the same rules as the rest of the media.

    15. JR

      Right.

    16. BO

      So, we could say anything we wanted. And at first, that felt like liberation, but I'm not so sure anymore. And so, I mean, I, I... You can tell me more about this. I'm, I'm, I am not a free speech absolutist, um, but I, like... I do want to believe in free speech. But I'm nervous that the people who are supporting free speech and, and using their bots and their, their, their own activists are, are people from countries who would not at all respect our, your, or mine ability to express ourselves. And, um, that's what I worry about, is... I think, I think the, the old interweb is being (laughs) is being played like a, like a harp-

    17. JR

      Unquestionably.

    18. BO

      ... like, like an orchestra.

    19. JR

      Yes.

    20. BO

      And the people, you know, behind the curtain w- would surprise us, I think, if we knew.

    21. JR

      I think it's worse than that. I think it's programmed like an EDM concert. I think... I don't... I think it's not even an orchestra. I, I, uh, I worry... And this has been substantiated by data that more than 50% of the interactions going on on the internet and social media are not real.... and there was a-

    22. BO

      That's wild, this statistic.

    23. JR

      ... former FBI analyst-

    24. BO

      Sounds like so.

    25. JR

      Yes. Former FBI analyst had said it might be as much as 80%.

    26. BO

      Um.

    27. JR

      It's bots, as you said. And this is, this is a problem with the concept of free speech. I'm, I'm completely wholly in favor of free speech, just like the ADL was back in the day when they let the Ku Klux Klan march.

    28. BO

      Mm-hmm.

    29. JR

      They, they... Like, look.

    30. BO

      Yeah, yeah, yeah.

  12. 1:08:061:39:58

    Humor as an antidote to extremism: Daryl Davis, ridicule, and comedians reading the room

    1. BO

      Well, humor helps.

    2. JR

      Humor helps.

    3. BO

      Like, uh, hu- hu- humor helps. One thing we know about the Ku Klux (laughs) Klan is, if you mention the silly costumes-

    4. JR

      Yeah. (laughs)

    5. BO

      ... they, they don't like that. They... You know, it, it's like they want you to be afraid or they want you to be nervous.

    6. JR

      Yes. Yes.

    7. BO

      But it's like, dude, look at the stage gear.

    8. JR

      You're a ghost.

    9. BO

      (laughs) It's like, it's like, come on.

    10. JR

      Do you know who Daryl Davis is?

    11. BO

      No.

    12. JR

      Daryl Davis is a musician who, um... He's... Was a traveling blues musician and, uh, did some shows where, afterwards, he met some people that told him that they were in the Ku Klux Klan. And he was like, "Are you kidding?" And they show... The guy shows him his fucking Grand Wizard iden- ID card or whatever the hell it is.

    13. BO

      Oh, yeah.

    14. JR

      He becomes friends with this guy.

    15. BO

      "Here's my card."

    16. JR

      Daryl's Black.

    17. BO

      (laughs) Right.

    18. JR

      Daryl's a Black man. And becomes friends with this guy, goes to his house, meets his family. The guy throws the robe away, gives up his membership in the KKK. Renounces his membership and gives Daryl the robes, says, "I want you to have this." Daryl has done that personally. The last time I talked to him was a few years back. He'd done this personally to over 200 people, just by being an amazing human being, by being a brilliant artist-

    19. BO

      Right.

    20. JR

      ... and, and hanging out with them. Just being kind and talk... And as an example of just a great human. And they were like, "I guess I'm wrong. I guess I'm wrong. This idea that Black people are inferior and the white man is a superior race, that can't be true because I love this guy."

    21. BO

      (laughs)

    22. JR

      And so, they would just quit.

    23. BO

      Yeah.

    24. JR

      They'd quit. And he has this tact.

    25. BO

      It's not the smartest theory.

    26. JR

      It's a terrible theory. But if you're in a place with only terrible theories and that's what you grow up, there's Daryl.

    27. BO

      Uh.

    28. JR

      And they give him all his robes.

    29. BO

      (laughs) I, I...

    30. JR

      (laughs)

Episode duration: 2:59:50

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