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The Future You Avoid Is Riskier Than the One You Face with Reid Hoffman | A Bit of Optimism Podcast

The future is something we create, not just something that happens. To guide progress toward real good, we need bold, optimistic visions of what society can become. Reid Hoffman makes the case for better science fiction - stories that don’t just entertain, but illuminate the futures we can strive for. As a serial entrepreneur and cofounder of LinkedIn, Reid brings a unique perspective on how storytelling shapes technology, society, and innovation. He argues that imagining optimistic futures is essential if we want to create them. In this episode, we also explore how technology like AI is changing the way our brains work and how our faculties will evolve, why humanity has shifted from focusing on external threats to internal ones, and how optimism isn’t blind faith—it’s a clear-eyed strategy for shaping a better world. Check out Reid’s new book here: https://www.superagency.ai/ + + + Simon is an unshakable optimist. He believes in a bright future and our ability to build it together. Described as “a visionary thinker with a rare intellect,” Simon has devoted his professional life to help advance a vision of the world that does not yet exist; a world in which the vast majority of people wake up every single morning inspired, feel safe wherever they are and end the day fulfilled by the work that they do. Simon is the author of multiple best-selling books including Start With Why, Leaders Eat Last, Together is Better, and The Infinite Game. + + + Website: http://simonsinek.com/ Live Online Classes: https://simonsinek.com/classes/ Podcast: http://apple.co/simonsinek Instagram: https://instagram.com/simonsinek/ Linkedin: https://linkedin.com/in/simonsinek/ Twitter: https://twitter.com/simonsinek Facebook: https://www.facebook.com/simonsinek Simon’s books: The Infinite Game: https://simonsinek.com/books/the-infinite-game/ Start With Why: https://simonsinek.com/books/start-with-why/ Find Your Why: https://simonsinek.com/books/find-your-why/ Leaders Eat Last: https://simonsinek.com/books/leaders-eat-last/ Together is Better: https://simonsinek.com/books/together-is-better/ + + + #SimonSinek

Simon SinekhostReid Hoffmanguest
Sep 16, 20251h 6mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:002:06

    Reid Hoffman’s sci‑fi roots and the urge to shape a better world

    1. SS

      I'm going down that rabbit hole. [chuckles] What science fiction do we need these days, Reid? [laughs]

    2. RH

      So the thing that was really magical for me, but for us-

    3. SS

      Yeah

    4. RH

      ... you know, in the '60s, '70s, '80s, even to some degree the early '90s, was a notion that what we're creating with technology, what we're creating as the possible human future-

    5. SS

      Yep

    6. RH

      ... can be amazing. Like this, the sense of the world could be much better-

    7. SS

      Mm-hmm

    8. RH

      ... for all human beings.

    9. SS

      Mm-hmm.

    10. RH

      Not to say without big challenges and navigations and issues, but it could be. And you don't have to be as simplistic as, like, "The Jetsons." Um-

    11. SS

      Right. [pensive music]

    12. RH

      But it just kind of a sense of what are the, what does the path ahead look like?

    13. SS

      There are only a handful of entrepreneurs who it's safe to say that their companies changed the way we do things. Reid Hoffman is one of those entrepreneurs, and LinkedIn is one of those companies. There was a time when posting our resumes online would get us fired. [whip cracking] Now, being on LinkedIn is just how we work. His mentality of giving power back to the people has permeated every aspect of Reid's life, even his full embrace of AI and what it can do for humanity, which he writes about in his book, "Superagency." But it was our conversation about idealism, the need for it, and what happened to it that really inspired me. This is "A Bit of Optimism." [whimsical music] What did you wanna be when you were a kid?

    14. RH

      Oh, that's interesting. There are different phases. Um, it was, um... I'd say the first thought was probably a science fiction author, um, because I was reading a lot of science fiction.

    15. SS

      How old, how, how old are you now a- approximately?

    16. RH

      Uh, I am... Well, my birthday was two days ago, so I'm 58 and two days. [chuckles]

    17. SS

      Oh, happy birthday.

  2. 2:064:10

    From ‘director of the CIA’ to rejecting power fantasies and finding real leverage

    1. RH

      Thank you. And then I started realizing that you wanted to kind of m- uh, contribute to making the world better. So then I had this kind of plan, and I think it's a very science fiction, uh, enhanced plan, that I and a group of friends would all get into positions by which we could influence the world to try to make it more peaceful, less warlike, more compassionate, you know, kind of key, what we think of as essential human virtues.

    2. SS

      Right.

    3. RH

      And then realized that... Oh, and, [chuckles] and, and this is, this will be a very weird thing that I've never, ever said before on a public camera. My theory, now this is again a 12-year-old's theory-

    4. SS

      Right. Okay

    5. RH

      ... uh, is, was like, "Oh, and the right way to do that will be to become the director of the CIA." And then when I was talking about that with my dad, he bought a book for me called "The Crimes of the US Intelligence Agencies." [both laughing] And I was reading through it, like, "Oh, assassinations. Oh," [laughs] like... And I was like, "Okay, scratch that plan." Uh, and then after that, I didn't have a plan for a long time. Um, I guess through universities it was try to contribute to public intellectual discourse, which what I mean is, is who are we and who should we be as individuals-

    6. SS

      Mm-hmm

    7. RH

      ... and as groups. Um, and you know, I thought maybe being an academic would be a path to that, so there was a, there was a number of years where I thought I'd become a philosophy professor. Uh, and then, uh, I realized that the, that the kind of the scholarship canon of-

    8. SS

      Yeah

    9. RH

      ... the academic humanities was more about scholarship and less about the kind of the evolution of the human condition, about the participation and-

    10. SS

      Yeah

    11. RH

      ... the improvement of society. And I was like, "Okay, I don't wanna do that."

    12. SS

      Yeah.

    13. RH

      Fortunately, I'd gone through Stanford, so I understood, I was like, "Wait a minute. What is this software entrepreneurship thing? That could be interesting." [chuckles] And that's, you know, how I ended up on my modern path.

    14. SS

      And, and the rest, as they say, is history.

    15. RH

      Yes.

  3. 4:105:48

    Why Reid always answers with a plan (and what that reveals)

    1. SS

      Um, what I think is so interesting is I asked you what did you wanna be when you grew up, like when, what did you wanna be when you were a little kid, and you said, "My plan was..."

    2. RH

      Yes.

    3. SS

      Those are not the same que- [laughs] question.

    4. RH

      Yes.

    5. SS

      Like, I wanted to be an astronaut.

    6. RH

      Mm-hmm.

    7. SS

      There was no plan for that. It was just the idea of it was so magical and fantastical.

    8. RH

      I don't think I have ever had a, a thing that it wasn't a plan, like all the way back to five. Like, so like that's the way I an- like the, the way that Reid answers that question-

    9. SS

      Yeah. Yeah, yeah

    10. RH

      ... is that way, right?

    11. SS

      Yeah.

    12. RH

      It's like you say, "Okay, what do you wanna be? You wanna be an astronaut. Okay, what do you need to do in order to become an astronaut?"

    13. SS

      Right.

    14. RH

      Like, okay, I need to understand physics. I need to have a certain kind of physical capability. I need to be within certain kinds of, of programs in order to do it, you know, et cetera, et cetera. And then that would start being like, like, you know, like, like at least components of thinking to start-

    15. SS

      Right. Right

    16. RH

      ... if not action.

    17. SS

      The, the... But you, the one fantasy you had, I guess, was to be a science fiction author.

    18. RH

      Yep.

    19. SS

      What was the reason you wanted to be a science fiction author?

    20. RH

      Well, it was participating in the dialogue. I mean, the thing that I loved about science fiction as a child-

    21. SS

      No five-year-old or 12-year-old says, "I wanna participate in the dialogue."

    22. RH

      Oh, yeah. No, no. The... Look, I, I, I, [chuckles] I was, I was... Well, look, I may not have said that sentence, but that was what the intent was.

    23. SS

      "Mom, Dad,"

    24. RH

      [chuckles]

    25. SS

      "I would like to contribute to the discussion of the betterment of humankind through my works of science fiction."

  4. 5:488:45

    D&D, Chaosium, and ‘participating in the dialogue’ by doing the work

    1. RH

      Yes. Look, to give you a sense here, I'll, I'll tell you a funny anecdote from 12. Um, so I was actually intensely into fantasy role-playing games. Um-

    2. SS

      Yes

    3. RH

      ... I started when I was eight because my dad hired a babysitterUm, who introduced me to Dungeons & Dragons, and then was surprised by my-- the next day when I was talking to him, was like, "Could you go out on dates more often?" [laughing] Right? Like, "Hire Michael the babysitter back."

    4. SS

      Right.

    5. RH

      Like, every night's good, right? Um, and, and so when I got to 12, I was talking to some of my, uh, friends at school, and one of them said, "Hey, there's this, there's this, um, fantasy role-playing game company called The Chaosium," um-

    6. SS

      Mm-hmm

    7. RH

      ... which publishes a game called "RuneQuest" that is, like, uh, the next block over from my house. And so I literally walked down there, walked into the office, and started trying to, like, get in the action, 'cause it was kinda-

    8. SS

      Yeah

    9. RH

      ... like, like, how do I, how do I participate in this making of fantasy role-playing games and doing stuff? And I remember the, the really irritated, um, look that the, uh, editor-in-chief was like, "Who the f..." Like, it's our customers, so we kinda can't kick them out brutally.

    10. SS

      Right.

    11. RH

      But like, how the fuck do we get rid of this kid? And, and so what he did, and, and it was only years later when I realized what that look meant.

    12. SS

      Right. Right.

    13. RH

      [chuckles] It was like at the time it was like, "Hmm, I'm here." Uh, and he, um, he handed me a, uh, a scenario pack, which is kinda what they give to the person who's leading the game adventure, the game master-

    14. SS

      Right

    15. RH

      ... dungeon master to do stuff.

    16. SS

      Right.

    17. RH

      He said, "We're working on this. Go look at this and then come back." And I think he thought, "Okay, this kid'll never come back 'cause, like, I've given the kid work." Being the obsessive kid that I was, this was, I think, Friday afternoon. I came back Monday afternoon with the entire thing, like, red-lined. But like, I'd worked through it. I was like, "This part doesn't work. You need a character here." You know, da, 'cause I just worked the entire weekend-

    18. SS

      Right

    19. RH

      ... on this thing.

    20. SS

      Right.

    21. RH

      And, [chuckles] and I... No, I did know when he, when I handed it to him, he was like, "Oh, God. That didn't work." Uh, and then he started looking at it and went, "I need to pay you for this." [laughs] Right? 'Cause, like, "I wanna use this, so I'm gonna write you a check." And, uh, and so it was my actually first ever, uh, job for payment. But it was that same kind of participate in the dialogue. Be-

    22. SS

      Yeah

    23. RH

      ... be, be kind of part of what is being created. And that was the... You know, that's, that, that's the reason why, like, that as a science fiction author, which I may still at some point try to get some science fiction created. I don't know if I will ever write any myself, but I may try to organize a project to create some of the kind of science fiction I think we need these days.

    24. SS

      Ooh. I was about to go to the next question. Some of the science fiction dot dot dot that we need these days.

    25. RH

      Yes.

    26. SS

      Okay. [chuckles]

    27. RH

      Yeah.

  5. 8:4511:26

    The science fiction we need now: optimistic futures, not just dystopias

    1. SS

      I'm going down that rabbit hole. [laughs] What science fiction do we need these days, Reid? [laughs]

    2. RH

      So the thing that was really magical for us, for me, but for us-

    3. SS

      Yeah

    4. RH

      ... you know, in the, you know, the '60s, '70s, '80s, even to some degree the early '90s, maybe even into the '90s, was a notion that what we're creating with technology, what we're creating as the possible human future-

    5. SS

      Yep

    6. RH

      ... can be amazing. Doesn't mean that there aren't real issues. You know, "Terminator" was made in the '90s, and so are then some things to kind of navigate. But, like, this, this sense of the world could be much better-

    7. SS

      Mm-hmm

    8. RH

      ... for all human beings.

    9. SS

      Mm-hmm.

    10. RH

      Not to say without big challenges and navigations and issues, but it could be. And you don't have to be as simplistic as, like, you know, "The Jetsons." Um-

    11. SS

      Right

    12. RH

      ... but it's just kind of a, um, you know, kind of a sense of what are the, what does the path ahead look like? And right now, when you look at the majority of science fiction, especially of the, the video format, you know, movies-

    13. SS

      Mm-hmm

    14. RH

      ... and so forth, the vast majority of that is dystopic.

    15. SS

      Yes.

    16. RH

      Um, and the problem is you don't get a future... Like, you don't get a future that you want by avoiding-

    17. SS

      Right

    18. RH

      ... the futures you don't want. It's a little bit like if I was planning on driving from San Francisco down to see you in LA, if I said, "Well, I first have to plan to avoid all possible traffic accidents, all possible potholes, all possible..." I'll never get to LA.

    19. SS

      Right.

    20. RH

      It's just I won't get there. I won't even get-

    21. SS

      Right

    22. RH

      ... in the car to go.

    23. SS

      Right.

    24. RH

      And so you have to have a, like, this is the future that we're trying to get to. And of course you go, "Hey, it's raining a lot. I should drive a little slower." [chuckles] You know, there's a lot-

    25. SS

      You adjust.

    26. RH

      You know, you adjust. But you have to have that, and we need that in science fiction. We need that, that kind of sense of imagination of, of goodness. And matter of fact, in 2019, 'cause I had been talking to the creative arts agency about this, um, you know, some of my friends there, Richard Lovett and others, had asked me to come and, and give a talk at the end-

    27. SS

      Mm-hmm

    28. RH

      ... of their talent summary, and I basically was like, "You know, it's up to you guys to start, stop harming our, the imagination of our human futures."

    29. SS

      Yeah.

    30. RH

      And I get it that the most natural drama is man versus machine, where the evil-

  6. 11:2614:17

    AI discourse as today’s sci‑fi—and how much to trust the builders

    1. SS

      Two completely different paths. I'm gonna go down one, and I'll come back and go down the other. Okay, two rabbit holes. One, is the whole discussion about AI right now the science fiction? Is the discussion of AI the imagining the future, what could be the idealism to some of the scariness as well? Because it's dominating every conversation, every conference, you know, for good, for good reasons and annoying reasons. But, uh, is that the s- the s- the, the, the science fiction dis- discourse of the day?

    2. RH

      Most of it. Most of it is because, um-It's much easier to imagine how things go wrong than how they go right.

    3. SS

      Mm-hmm.

    4. RH

      Uh, and so-

    5. SS

      But tho-those, those that are investing in, in AI, you know, have no dystopian anything, it's all utopian, and i- is-- it-- can we trust that their science fiction views of the future are the ones that should inspire us? Or should w- should we be cynical given their, their conflicts of interest?

    6. RH

      Well, I would say call it 85% trust, 15% cynicism. [chuckles]

    7. SS

      Okay.

    8. RH

      Right? So is the fact that, you know, the facts, the people at OpenAI and Anthropic and Google and Microsoft are all actually, in fact, people like you and I care about what happens with, you know, their friends and family, their communities, and all the rest, that cares about, like, what happens in terms of the progress of the elevation of human welfare? Absolutely, yes.

    9. SS

      Mm-hmm.

    10. RH

      Um, and so, you know, the kind of the simplistic, you know, what is kind of classic, mostly lefty populist story, which is, "Oh, because of profit, they're gonna, like, ruin the whole-

    11. SS

      Yep

    12. RH

      ... human race." It just, it's, it's literally a deep misunderstandings in both human nature and the nature of corporations and how people work together, in the nature of, like, for example, even when you're a completely full-blooded capitalist, you're like, "Well, actually, in fact, ru- ruining humanity would be bad not just for me, but for my business." So it's kind of like it's this question on, like, the intents and so forth are good. Now, the reason why the 15% holdback is blind spots. Um, and part of where it's useful for, uh, for people who have, you know, uh, concerns is to say, "Well, I think there's a blind spot here, and there's something you-- we should do something about." Now, the most often blind spot is, "Well, we're driving to LA and we don't know, um, what the danger is ahead, so we should go five miles an hour." And you're like, "Well, that's not gonna work because-

    13. SS

      Right

    14. RH

      ... other people are not gonna go five miles an hour. Not other companies, not other countries, not other industries, et cetera, et cetera." So you, you have to say, "No, no, we're gonna go at, at the kind of speed of traffic."

    15. SS

      Right.

    16. RH

      "But we're gonna try to navigate it within going the speed of traffic."

  7. 14:1719:34

    Capitalism’s failures and tradeoffs: Kodak, medicine, and the ad model

    1. SS

      Okay. I, I ha- I'm gonna put on my cynical hat here.

    2. RH

      Mm-hmm.

    3. SS

      So you, you talk about the, the mi- the misunderstanding of capitalism, you know, that, you know, it's not good for business to destroy the planet or to destroy the inv- the, the market.

    4. RH

      Yeah.

    5. SS

      Um, you're talking about Adam Smith capitalism, which is, you know, which is, which is more long-term focused.

    6. RH

      Mm-hmm.

    7. SS

      It's what old-fashioned Goldman Sachs used to called long-term greed.

    8. RH

      Mm-hmm.

    9. SS

      Right? And a strong argument can be made because of the way that capitalism has become more and more short-termist, more and more shareholder-focused, not customer or, uh, employee-focused, that we will do damage to the market because by the time it's damaged, I'm out of here, right? And it, it just reminds me of, of Kodak-

    10. RH

      Yep

    11. SS

      ... where Kodak, in the 1970s, invented the digital camera-

    12. RH

      Hmm

    13. SS

      ... suppressed the technology f- because they didn't wanna cannibalize film sales and paper sales and chemical sales, and the thought of having to reinvent their company was like, "Ugh," and licensed their digital technology to Fuji and other Ja- Canon, other Japanese companies who sort of pioneered digital photography, and then eventually digital photography takes over and basically bankrupts Kodak. And the executives who made those decisions, who had foresight, let's be honest, they knew the world was gonna go digital. They weren't idiots. But at the end of the day, they bankrupted the company, but they were long gone and retired with their big, fat bonuses for driving the stock price up for the 10 years that, you know, they were making money, making coin off of the license. So is it maybe 50/50, not 85/15? [laughs]

    14. RH

      Well, but it would be... Can we-- Look, the worst part is actually the, the one that I most often use for where I think capitalism goes very wrong in human welfare is unfortunately the incentives in the medical industry, which is the incentives in the medical industry are we are all in cross, uh, chronic desperate conditions and need to be paying for drugs and dialysis and everything else every week in order to sustain. And I think that's the classic where the economic incentives kind of align to, to, you know, bad for society and stuff.

    15. SS

      The, the wrong thing.

    16. RH

      The wrong thing.

    17. SS

      Yeah.

    18. RH

      'Cause by the way, the, the collapse of Kodak is exactly the kind of thing where bad board of directors, bad management causes a company to collapse. And by the way, that does create chaos for the workers of Kodak, for the company town in Kodak, and so on. So it re-

    19. SS

      It destroyed Rochester.

    20. RH

      Yes, exactly.

    21. SS

      Yeah.

    22. RH

      So real issues. But at the overall, they, the, the market actually still assumes and goes to places beyond those bad actors, and the impact on, call it society as a whole, humanity, is not necessarily bad-

    23. SS

      Oh, I see what you mean. So they made, they made bad decisions for the company.

    24. RH

      Yes. And for their community-

    25. SS

      They didn't necessarily make bad decisions-

    26. RH

      ... and their employees

    27. SS

      ... for society writ large-

    28. RH

      Yeah

    29. SS

      ... you know, e- excluding the, the town in which they worked in.

    30. RH

      Yes. So but that's also-

  8. 19:3421:59

    ‘Superagency’ and the risk of precautionary paralysis in AI

    1. RH

      important... Look, if there was no t- you know, earlier this year, as you know, I, I, I published a book, "Superagency," to try-

    2. SS

      Yeah

    3. RH

      ... to make the optimistic case for AI. And, and obviously, it's, like, the most optimistic book for AI-

    4. SS

      Yeah

    5. RH

      ... that's out there, especially written by, you know-

    6. SS

      Dare I say, dare I say science fiction.

    7. RH

      Yeah. Well, um-

    8. SS

      [laughs]

    9. RH

      ... a, a lens to a, a more pragmatic science fiction. But yes. And, and, um... Now, if there was, if, if, if, if there was no criticism, I would've put more criticism in it, 'cause it's not that I'm absent to criticism, it's just that-

    10. SS

      Yeah, yeah

    11. RH

      ... the dialogue is so much like, "AI is coming for your jobs and for your lives and for..." You know, like, it's like, okay, like, that's science fiction, right? And it doesn't mean there aren't huge transformations, but the way that-

    12. SS

      Right

    13. RH

      ... we're talking about AI, part of what I was trying to remind people is, is the same way people talked about the printing press, right?

    14. SS

      Yeah.

    15. RH

      They said, "Well, but this time it's different." It's like, well, each time is indeed different.

    16. SS

      Yeah.

    17. RH

      And this time might be different. It has a lot of differences.

    18. SS

      Yeah.

    19. RH

      But don't take the trivial of I can think of something to go wrong, and therefore... 'Cause this is like, for example, a classic thing that is dis-discussed in this, and I'll get back to the, to the how much do we trust the companies. But classic thing is precautionary principle.

    20. SS

      Yeah.

    21. RH

      Which is, well, if something serious can go wrong, we should actually in fact try to totally minimize it. And if you're like, "Well, okay, you could die driving to LA." And if you say, "Well, I'm never gonna get in the car until I know that I couldn't drive dy- you know, die driving to LA," then you're never gonna get in the car.

    22. SS

      Right.

    23. RH

      [chuckles] So you have to be- have precautionary principles-

    24. SS

      Well, th- but there's, there's, there's acceptable risks.

    25. RH

      Yes.

    26. SS

      You know, you're not gonna get in a car without brakes.

    27. RH

      Yes. Uh, 100%.

    28. SS

      We have our cars inspected for a reason.

    29. RH

      Yes.

    30. SS

      And we want pilots to walk around-

  9. 21:5923:54

    What human faculties do we lose when we outsource thinking to AI?

    1. SS

      So, so here's, so here's, here... I have a question. I-

    2. RH

      Yeah

    3. SS

      ... I'd love to get your opinion about this, which is, and y- you know, you talked about how technology throughout history is disruptive and scary, and it does absolutely change the way our lives work. And I think we have to accept that depending on the technology, but some of those technologies change our, our brain. They change how we work. The Iliad was handed down through oral history. It's like, "Son, it's time I tell you the story of the Iliad." I'm like, "You memorized 800 pages?" Like, "No, no, my dad told me, and now I'm gonna tell you." And like-- And then when the printing press came out, the brain literally was like, "I don't need to remember stuff anymore," and it just stopped remembering stuff. I remember just in, in my lifetime, I used to have a mind like a steel trap for phone numbers. You told me your phone number, I knew everybody's phone number, lists of phone numbers. And then I was one of the first people to get a Casio digital diary with 2K of memory, and I put all the phone numbers out of my head into the technology 'cause I like technology. To this day, I know my phone number and my sister's phone number, and I can't remember anybody's phone number because my brain was like, "You don't need it. I'm gonna turn that function off." Or the calculator, we just stopped being good at math, right? Like, I think most of us are okay letting go of some of our talents and gifts and, and outsourcing it to technology. The question I'm asking is what facilities, what faculties are we gonna lose because we're outsourcing to the AI? And my fear is that it's not just our memories, maybe that's acceptable, but rather there's gonna be a decline in, in, in human skills and other really important things like ability to cope with stress and other things because we outsourced it to the machine. That's what I'm asking, which is what faculties are we gonna lose because of the technology?

  10. 23:5434:15

    AI-driven examination, zero-cost testing, and the end of easy credential games

    1. RH

      Well, the faculties are definitely gonna change, but let me give you an example that I've been telling a bunch of the, you know, educators, university people, because it's a very common thing to say, "Hey, I'm gonna, I'm gonna..." You know, we're, we're, we're, we're at the day of the, you know, the GPD 5 launch. "I'm not gonna write an essay. I'm just gonna have GPD 5 write the essay, and I'm gonna submit it, and I'm not gonna have to think or suffer or, you know, stare at a blank page in order to do that."

    2. SS

      Right.

    3. RH

      Actually, in fact, I actually think the, the, the-- our capabilities for training human beings is gonna go way up, because what's gonna happen is examination is all gonna happen by AI, and the examination will be like oral exams for PhDs, right? Like, like we all learn going through college, you know, to say, "Hey, I can predict the three to five questions that are likely to be on the exam. I'll prepare for those. I prepare just enough to be able to answer those within a three-hour period and get a good grade," and da, da, da, and that's my competence level.

    4. SS

      Right.

    5. RH

      Now, what we're gonna have in small N years, this might be three, right?

    6. SS

      Yeah.

    7. RH

      Two. Um, could be five, where literally the cost of examination is zero, and literally you can start taking the examination whenever you want. You could take it on day two of the class and take it on day 17 as well, and 23, and however you learn. And part of the reason why we reserve oral exams for PhDs is because it's the one that you have to... If you're really gonna do it, you have to prep the whole area.

    8. SS

      Yeah.

    9. RH

      Like you have to be A to Z on it. [clears throat] And so what I think is actually gonna happen is we're gonna be able to calibrate what we've said as a human society-

    10. SS

      Yeah

    11. RH

      ... for which skills do we want, how do we want those examined, and how are people prepared? So I actually am not a idiocracy believer here.

    12. SS

      Yeah.

    13. RH

      I'm a, um, I'm a, "No, no, this is our question of our choice about how we set this up," and actually, in fact, it's gonna get a lot more rigorous.

    14. SS

      I think you make, I think you make a very good point with regards to school.

    15. RH

      Yep.

    16. SS

      But let's now leave school, and the AI is writing the press release for me, it's writing the blog entry for me, it's writing my article for the newspaper, it's writing my book for me. You know, and very competently, I might add. When I was in school, I had to do the studying to demonstrate to the test that I knew it. But in the-- in-- once I go get a job, the-- I'm not getting tested anymore. They only want me to do a good thing, like write, write a piece, and that's it. That's my job, to keep writing press releases or whatever. Um, so where is the learning? Where is the struggle? Where is the, the ability to, to hone your craft if you're actually never doing your craft?

    17. RH

      Well, what I think, as opposed to the, like, like if you, you compare person A and person B competing, and today's environment is, you know, person A and person B sit down with a blank page and have to craft what looks like a press release.

    18. SS

      Right.

    19. RH

      You know, a press statement, and you do it from scratch, is like that's no longer the-

    20. SS

      Correct

    21. RH

      ... that's no longer the-

    22. SS

      That's no longer a thing

    23. RH

      ... the thing. Um, but then the question is, well, what does it look like? 'Cause person A and person B are still gonna be competing, you know-

    24. SS

      Yeah

    25. RH

      ... c- in our universe, and maybe it's the which way do they prompt the AI better, recognize the strategic game of the, of the, of the nature, do things that are, um, better evocations for, you know, the competitive game of, of press releases.

    26. SS

      But the c- but the c- I don't know if the construction is a fair construction, right? Because I ag- school, it was me versus test.

    27. RH

      Yes.

    28. SS

      You're talking about, uh, not-- We're not always in competition. You know, we're in competition sometimes for promotion. We're in competition sometimes for the job. But sometimes I'm the guy. I'm the guy doing the thing. I'm, I'm, I'm the guy. There's no competition. So what do you do when there's no-

    29. RH

      But actually, in fact-

    30. SS

      ... 'cause the competition is in sense a, a, a, a, a, a test, a measurement.

  11. 34:1535:27

    Real stakes for optimism: AI as medical assistant and accelerating cancer cures

    1. RH

      Like, don't do that. And like, for example, if someone said, "Hey, I'm gonna take the AI system today, and I'm gonna run the, like the, the, the nuclear defense system-

    2. SS

      Yeah

    3. RH

      ... with it." You're like-

    4. SS

      Yeah, don't do that

    5. RH

      ... "Yes, there have been bad movies about that. You know, 'Terminator,' 'War Games.' Don't do that." [laughs] Right?

    6. SS

      Yeah.

    7. RH

      But that doesn't mean don't build AI. That doesn't mean, you know, like, you know, for example, like Siddhartha Mukherjee and I are doing is, like, how can we accelerate the cure of cancer? And oh, this reminded me of the, the note that I wanted to say earlier, just so people hear it. My optimism is not just a blind faith or a reasoned faith in the future. We have a line of sight to creating a medical assistant that's as good or better than current GPs, available to everyone who can access a smartphone on the planet-

    8. SS

      Yeah

    9. RH

      ... that runs for less than $5 an hour.

    10. SS

      Yeah.

    11. RH

      The quality of human life elevation for that is immeasurable. It is so-

    12. SS

      Yeah

    13. RH

      ... large that it just, it's, it's life-changing. So there are there prizes that are-

    14. SS

      Yeah

    15. RH

      ... worth paying, playing for here that are-

    16. SS

      Yeah

    17. RH

      ... actually really important, and they're not just, like, abstractions about, like, "Oh, good, we'll, we'll be able to code a lot better."

  12. 35:2739:17

    Why optimism got harder: awe, agency, and suspicion of technologists

    1. SS

      Okay, this is the perfect segue to go back to the second rabbit hole that I was gonna go down about the changing nature of science fiction-

    2. RH

      Mm-hmm

    3. SS

      ... as you, as you articulated, which it was very, very optimistic, and it became dystopian at some point. Uh, w- why was science fiction so optimistic for so many years? And where are we getting the optimistic views of the future now, if not from science fiction?

    4. RH

      I think it was optimistic because people allowed themselves to simply be amazed by what technology can create. And I, I actually do think that some remembrance of that simple amazement is a very good thing. I mean, like, for example, one of the things that I say about, you know, ChatGPT and Copilot and Gemini and Claude is-If you're encountering any serious decision in your life, you should always consult for a second opinion. It's a little different about a first opinion, you'd be a little bit more careful. But I've literally had, like a friend of mine was at a hospital with his cousin where he was uncertain about what that, that hospital was telling the cousin. Consulted GPT-4, and GPT-4 said, "Go to another hospital." Got to the other hospital, and the people at that hospital said, "It's a good thing you're here 'cause two hours later you'd be dead." Right? And, and fixed it. 'Cause the first hospital's like, "Ah, take some antibiotics, you're fine." And it's like, um, and that second opinion is a hugely valuable thing. Um, and so I, I think that's where we kind of are already, and that, that's the simple amazement. The, oh my gosh, the, these really amazing things can happen. And by the way, how do we evolve as human beings? We're Homo techni more than Homo sapiens.

    5. SS

      Yeah.

    6. RH

      We evolve through technology. Not just things like this podcast or the glasses that you and I are wearing or [chuckles] you know, these kind of things, but, you know, the books and all the rest. There's all kind of evolution through technology. So that's what I think is a thing that we kind of shifted off of. Now, in terms of the optimism today, I think that it's, um, much harder because it's a little har- like it's a little harder to, to state that simple optimism without getting a lot of critique. And like people say, "Well, it's very nice and good for you to say as a technologist inventing this that it's gonna change the world. What about all the people who aren't inventing the technology and just have to kind of go along with it?" And you go, "Well, whether or not I do it or not, the technology [chuckles] is gonna change and it's gonna go through it, so I'm in it 'cause I'm trying to shape it in a way that would be best for them and best for kind of our children and grandchildren, future generations and future societies, and all the rest." But, um, I do understand that kind of agency question, part of the reason why I called it superagency. But so it means that, that, like for example, I, I get tons and tons of, of, of critique that I'm not a call it an intellectually honest optimist, which by the way I am, but like I'm a commercial, I'm an investor, you know, I'm a, I'm a technologist, et cetera. Because it, that's the kind of critique you run into. And so I don't really know where the sources of optimism come, and that's part of the reason. Like, you know, in my normal life right now, I would be more focused on like building the cancer drug cures than writing the book "Superagency," but I think that voice needs to be heard. I would be completely delighted when it's other people. And I do track the other, you know-

    7. SS

      Yeah

    8. RH

      ... the other, you know, kind of really great leading AI voices like Ethan Mollick and other people and try to support them and help them in terms of what they're doing 'cause it's, it's, it's really important.

  13. 39:1744:32

    Simon’s Cold War theory: losing shared ideology turned sci‑fi inward and dystopian

    1. SS

      Like can I share a theory-

    2. RH

      Yeah

    3. SS

      ... as to why I think we had more optimism in our science fiction then and-

    4. RH

      Mm. Please

    5. SS

      ... and what, what happened to it? I think it's, I think it's the Cold War. [clears throat]

    6. RH

      Hmm.

    7. SS

      I think because one of the, you know, great, great competitions exist on three tensions I'll call them I guess.

    8. RH

      Hmm.

    9. SS

      There's an existential tension, life or death.

    10. RH

      Hmm. Hmm.

    11. SS

      There's an economic tension. Are we gonna make money and be able to provide for ourselves, our economy, our families? And the third one is the philosophical one, that we have a philosophy, a, a, an ideology that we believe in and it, and we belong to this ideology and it gives us a sense of camaraderie and, and patriotism. But it also, it also connects us, right?

    12. RH

      Hmm.

    13. SS

      And I would argue that our, our science fiction in part was a reflection of, uh, our ideology that was competing against, at the time, Soviet-style communism.

    14. RH

      Hmm.

    15. SS

      And so if you look at all our utopian versus dystopian science fiction, it was we all get along, we live in peace, there's prosperity, like we're accepting, we're including of people who, who are alien to us literally in, in many cases. And there were conflicts along the way, but we wanna include everybody else. And this was an e- it was an exaggerated and tangible depiction of our values to remind us what we stand for as we stand in great competition against the thing that would challenge that idealism and, or that ideology.

    16. RH

      Hmm.

    17. SS

      And idealism is the reflection of the ideology.

    18. RH

      Mm-hmm.

    19. SS

      And then with the collapse of the Soviet Union, we still had the economic competition versus everybody else.

    20. RH

      Hmm.

    21. SS

      We still have the existential competition. We still would like to live in peace, and we, we, we still have enemies.

    22. RH

      Hmm.

    23. SS

      But I would argue that the ideological, uh, uh, thing kind of just went away.

    24. RH

      Mm-hmm.

    25. SS

      And I think, um, America in particular kind of forgot what it stood for because there was nothing challenging it.

    26. RH

      Hmm.

    27. SS

      There was nothing standing in op- in opposition. And so I think our science fiction became dystopian because now it was us versus ourselves. It was no longer us versus somebody else.

    28. RH

      Hmm.

    29. SS

      And if you look at where we've ended up, it is largely us versus ourselves right now.

    30. RH

      Mm-hmm.

  14. 44:3249:19

    Leadership as moral obligation: preach the future worth building (and LinkedIn’s ‘enemy’)

    1. RH

      Well, well I think that's a moral requirement of good leadership. It's part of the reason why I talk to the various, you know, very smart, very well-meaning critics, and we also say, "And here is the positive version, the elevation-

    2. SS

      Yeah

    3. RH

      ... of humanity." And then by the way-

    4. SS

      Yeah

    5. RH

      ... one of the subtle things of it is we would like to, in human condition, I think diminish how much is our condition is beating up the evil people. It's like, no-

    6. SS

      Right

    7. RH

      ... how do we, how do we elevate? Like if like, to some degree, if you're a good person, it's, it's how do we elevate people versus how do... Like, like, like it's just the ordering one or two. How do we elevate people? How do we prevent the bad people?

    8. SS

      Yeah.

    9. RH

      If you're a good person, that's the order. If you're a bad person-

    10. SS

      Yeah

    11. RH

      ... in part, it's the other order.

    12. SS

      Yeah.

    13. RH

      Right? It's the-

    14. SS

      You still, you still need to be able to know what you... I think idealism is ethereal.

    15. RH

      Yeah.

    16. SS

      It's hard to see. It's hard to imagine. An enemy is tangible, and it's much easier to know what you stand for if you can see what you stand against.

    17. RH

      Yes.

    18. SS

      And even, you know, Jobs back in the day, and I'm curious what you did at LinkedIn, but you know, Jobs, he still had Big Blue, and he still had, you know, Microsoft.

    19. RH

      Yeah.

    20. SS

      And he, he still articulated an enemy that was standing in a, in the way of, of, of his idealism, but the idealism came first.

    21. RH

      Yes. And-

    22. SS

      So I'm curious what was, you know, when, when, when, as, as you were building LinkedIn, like who, who was, who was standing in the way? What was the grand enemy standing in the way of the idealism that you promoted?

    23. RH

      Well, it probably were two things. Um, one was kind of a social norm that was bad for society and bad for individuals, which was, um, no one should have a CV online, posted online, public posted online. This is like, it was like, "No, no, you're, you're disloyal to your organization, and so therefore-

    24. SS

      Yeah

    25. RH

      ... you know, you shouldn't do that." And I was like, "No, actually, in fact, that's better for the individual's opportunity. That's better for society, maximizing the opportunity of individuals and the creation of, of their best work." And it's a little bit more challenging for organizations because you can't just hold onto your people 'cause no one knows who they are. That was part of-

    26. SS

      Right

    27. RH

      ... the reason why they wanted that, you know, that, that, that myth of if your CV is online, maybe you don't get the promotion or bonus or, you know, maybe we fire you, et cetera.

    28. SS

      Right.

    29. RH

      I mean, literally very early days of LinkedIn, it was like, "Oh, shit, I wanna be on LinkedIn 'cause maybe I'll get fired for being on LinkedIn." It was like... And you know, um, various, some companies like tried to ban people from being on LinkedIn all this. So there's that, and then there's the old industry. Um, you know, the various, you know, like, um, monster.com and everything else for kinda-

    30. SS

      Yeah

  15. 49:191:06:31

    Identity after wealth: investor vs philanthropist, status incentives, and Reid’s ‘gift’ philosophy

    1. SS

      Can I ask you a question that I don't understand?

    2. RH

      Hmm.

    3. SS

      I mean, I kind of have a theory, but let-- I'm gonna ask it anyway. Why is it, and maybe, maybe this is not true, but I think it's true.

    4. RH

      Hmm.

    5. SS

      Uh, when a male entrepreneur has some sort of liquidity event, company goes public, he sells the company, whatever, and comes into generational wealth, if you ask them, "What do you do now?" They say, "I'm an investor."

    6. RH

      Hmm.

    7. SS

      Right? And so now I know they give to philanthropy. I know they do philanthropic works, but they define themselves as investors, which I find funny because you've just made more money than you'll need ever, and you now your goal is to make more money.

    8. RH

      Hmm.

    9. SS

      And like, "Oh, you've got a fund now. Oh, wonderful." Uh, whereas when you talk to female, uh, females who have some sort of liquidity event-

    10. RH

      Hmm

    11. SS

      ... where they have now generational wealth, and you ask them, "What do you do?" They say, "I'm a philanthropist."

    12. RH

      Hmm.

    13. SS

      And of course, they do investing, but they define themselves first as, as philanthropists. Why can't all people who have a, a, who sell a company or go public and come into more money than they'll ever need-

    14. RH

      Hmm

    15. SS

      ... why can't every single one of them define themselves as philanthropists first?

    16. RH

      Well, they certainly can. It's probably the-

    17. SS

      Why don't they?

    18. RH

      Yes. It's probably-

    19. SS

      Why don't they?

    20. RH

      Like, I, it's not a pattern that I've, um, observed perhaps as clearly as you. Um, but-

    21. SS

      I could be wrong.

    22. RH

      Yeah.

    23. SS

      It's, it's an initial, it's an initial observation.

    24. RH

      Yeah. But you know what I... My hypothesis would be in that is that what's the fitness function by which you're awarded status-

    25. SS

      Yeah

    26. RH

      ... by people around you, which is part of the kind of competitive game.

    27. SS

      And, and, and, and men, it's money.

    28. RH

      Yeah. And, and for women, it's more like, do you care about society and community and so on?

    29. SS

      You're a good person, right?

    30. RH

      Yes, you're a good person. So like, like that would be my hypothesis. Um-

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