Kara Swisher Explains Plan to Buy The Washington Post | Pivot

Kara Swisher Explains Plan to Buy The Washington Post | Pivot

PivotJan 7, 20259m

Kara Swisher (host), Scott Galloway (host)

Kara Swisher’s plan and strategy to buy The Washington PostJeff Bezos’s ownership, willingness to sell, and reputational considerationsTrust-based ownership and governance models for major news institutionsTransparency versus traditional backroom media dealmakingThe cultural and democratic importance of The Washington Post and peer outletsNewsroom culture, economics, and the difficulty of owning legacy mediaUsing storytelling and documentary-style formats to reengage audiences with journalism

In this episode of Pivot, featuring Kara Swisher and Scott Galloway, Kara Swisher Explains Plan to Buy The Washington Post | Pivot explores kara Swisher Plots Transparent, Public Bid to Transform Washington Post Kara Swisher and Scott Galloway debate Swisher’s very real effort to assemble a group to buy The Washington Post from Jeff Bezos, despite no indication yet that Bezos wants to sell.

Kara Swisher Plots Transparent, Public Bid to Transform Washington Post

Kara Swisher and Scott Galloway debate Swisher’s very real effort to assemble a group to buy The Washington Post from Jeff Bezos, despite no indication yet that Bezos wants to sell.

Galloway argues serious bids are done quietly, via trusts that insulate owners from newsroom politics, while Swisher insists on a radically transparent, public approach that challenges backroom, male-dominated dealmaking.

Swisher outlines a vision of opening up the Post’s operations, turning its financial and editorial struggles into a public narrative—possibly even a docu-series—while preserving it as a critical democratic institution alongside outlets like The New York Times and Wall Street Journal.

The conversation also touches on newsroom culture, billionaire ownership, governance structures, and Swisher’s emotional and professional connection to the Post as she frames this bid as both an intellectual puzzle and a quasi-noble mission.

Key Takeaways

Any credible bid must address Bezos directly and offer him protection.

Galloway stresses that a serious acquisition would start with quiet, direct talks with Jeff Bezos, proposing structures (like trusts or shared ownership) that reduce his political grief and give him plausible deniability.

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Swisher believes radical transparency can be a strategic advantage in media ownership.

She argues for broadcasting internal meetings, openly sharing losses and decisions, and making the Post’s reinvention a public narrative, breaking from the opaque, elite-driven tradition of media deals.

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Legacy news outlets may be better held in trusts than as pure businesses.

Galloway suggests institutions like the Post and New York Times should be owned by mission-driven trusts that hire leadership and then “stay out of it,” reflecting their public-good role over profit maximization.

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There is growing concern about concentration of serious national journalism.

Swisher emphasizes that it’s dangerous if The New York Times effectively stands alone, with uncertainty around the Wall Street Journal’s future and instability at other major outlets, making the Post’s health strategically important.

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New storytelling formats could help revive interest in newsroom institutions.

Swisher floats ideas like an HBO-style series that follows a season in the life of the Post, akin to “Drive to Survive,” using narrative storytelling to reengage broader audiences with the drama and stakes of journalism.

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Publicly challenging norms is part of Swisher’s strategy, not a side effect.

She explicitly rejects “quiet little deals that largely white men make,” arguing that forcing a public conversation about ownership and governance is itself a way to reshape how power in media is exercised.

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Emotional ties and identity can drive high-risk media plays.

Swisher acknowledges a personal, emotional connection to the Post and frames the effort as both fun and ‘slightly noble,’ showing how legacy, identity, and mission can motivate bids that are not purely financial.

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Notable Quotes

At the end of the day, these are institutions that should be owned by trusts and they should have a trust that basically hires the right guy or gal to run the thing and they just stay the fuck out of it.

Scott Galloway

I am so sick of these quiet little deals that largely white men make with others. So I’m doing it a different way.

Kara Swisher

If I ran this thing, everything would be transparent. I’d broadcast the fucking meeting. What’s the secret here? It’s losing money.

Kara Swisher

You are not gonna get this thing shit-posting the current CEO.

Scott Galloway

Let me just tell you, this is my breath work and I’m gonna fucking do it… I predict in 2025, I will meet with Jeff Bezos or my name isn’t Kara Swisher.

Kara Swisher

Questions Answered in This Episode

How realistic is Swisher’s transparent, public approach to buying a major media institution in an industry built on private negotiations?

Kara Swisher and Scott Galloway debate Swisher’s very real effort to assemble a group to buy The Washington Post from Jeff Bezos, despite no indication yet that Bezos wants to sell.

Get the full analysis with uListen AI

What specific trust or governance structures could protect journalistic independence while still satisfying billionaire owners like Bezos?

Galloway argues serious bids are done quietly, via trusts that insulate owners from newsroom politics, while Swisher insists on a radically transparent, public approach that challenges backroom, male-dominated dealmaking.

Get the full analysis with uListen AI

Could turning a newsroom’s internal struggles into a serialized documentary meaningfully grow audience trust, or would it risk trivializing the work?

Swisher outlines a vision of opening up the Post’s operations, turning its financial and editorial struggles into a public narrative—possibly even a docu-series—while preserving it as a critical democratic institution alongside outlets like The New York Times and Wall Street Journal.

Get the full analysis with uListen AI

In an era of digital platforms and social media, how essential is it to preserve legacy brands like The Washington Post rather than building new ones from scratch?

The conversation also touches on newsroom culture, billionaire ownership, governance structures, and Swisher’s emotional and professional connection to the Post as she frames this bid as both an intellectual puzzle and a quasi-noble mission.

Get the full analysis with uListen AI

What are the ethical implications of billionaires owning key democratic institutions, even if they operate through hands-off trusts and public-facing transparency?

Get the full analysis with uListen AI

Transcript Preview

Kara Swisher

... the cartoonist of the Washington Post has quit after a cartoon depicting, uh, billionaires, including Jeff Bezos, kneeling before President-elect Donald Trump, was blocked from publication. Ann, uh, Telnaes, I think that's how you pronounce it, uh, published a sketch of the cartoon, uh, on Subsca- Substack, saying it was the first time a work had been rejected because of who it depicted. Uh, she's a Pulitzer Prize winner, by the way. Amazing cartoonist. The Washington Post editorial page editor, David Shipley, said the cartoon was rejected because of its similarity to columns at the paper rather than the subject, although he managed to publish many similar columns over and over again. This is, it's nonsense what David Shipley said, and now I can say it very explicitly 'cause Amanda quit the Washington Post. Uh, he is really, uh, uh, this, this was nonsense what he was, his excuse. Um, in other related news, uh, Amazon's announced that it will release a behind-the-scenes documentary on Melania Trump by Brett Ratner, who was sucked up into the Me Too stuff rather egregiously. He seems to be a really, um, problematic person. Uh, and, uh, uh, and there's, uh, the New York Times did some really astonishing coverage on his behavior. Uh, so that was nice. Um, uh, what do you think, Scott? You wanna buy the Washington Post with me?

Scott Galloway

This is such peacocking.

Kara Swisher

Yeah.

Scott Galloway

First off-

Kara Swisher

I didn't invite you.

Scott Galloway

... if I'm gonna spend a lot of money to be put in pain, uh, he or she better be wearing-

Kara Swisher

Yeah.

Scott Galloway

... leather and be hot. I just-

Kara Swisher

(laughs)

Scott Galloway

(laughs) What, what are you do- uh, I, uh, anyways. No, I'm not crazy. I, I, that is literally-

Kara Swisher

Okay. All right. Good.

Scott Galloway

... I would, I think I told you when I had an experience-

Kara Swisher

I'm waiting to hear your feedback.

Scott Galloway

Well, no. I have-

Kara Swisher

But go ahead.

Scott Galloway

I braised s- back in the heyday of hedge funds, I convinced a hedge fund manager to give me $600 million to become the largest, uh, shareholder in the New York Times, and I learned a decent amount about newsrooms and, and the collision between shareholder governance and journalism and newsrooms, and I quickly learned, or I got a very expensive lesson, these are important institutions. I even wonder at some point-

Kara Swisher

Right.

Scott Galloway

... if they should have some sort of tax benefit 'cause I think they do a really important, they do really important work.

Kara Swisher

I agree.

Scott Galloway

But at the end of the day, these are institutions that should be owned by trusts and they should have a trust, uh, that basically hires the right guy or gal to run the thing and they just stay the fuck out of it.

Kara Swisher

Maybe I have that idea. Maybe I'm not doing it your way. God damn.

Scott Galloway

Well, I know, but what I would argue ... So just, just to bring in the viewers, uh, just to ring the listeners up, there's been a lot of rumors that you're assembling a group to make a bid for-

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