Skip to content
The Jefferson Fisher PodcastThe Jefferson Fisher Podcast

How To Outgrow The Version Of Yourself That's Holding You Back ft. Hunter Hayes

Every conversation starts with the one you're having with yourself. Hunter Hayes joins me to talk about how self-trust changes the way you communicate, why feeling stuck often starts with the stories you tell yourself, and how finding your own voice makes every relationship stronger. If you've ever struggled to speak up, trust your instincts, or communicate with confidence, this conversation is for you. Order The Next Conversation Workbook: https://www.jeffersonfisher.com/workbook Want a FREE communication tip each week? Click here to join my newsletter. https://www.jeffersonfisher.com/newsletter Thank you to our Sponsors: Cozy Earth. Upgrade Your Every Day. Get 20% off at cozyearth.com/jefferson or use code JEFFERSON at check out. https://cozyearth.com/pages/jefferson Tiny Health: Go to https://tinyhealth.com/jefferson for $50 off your first at-home test kit. Our Place. Visit https://fromourplace.com/JEFFERSON and use code JEFFERSON for 10% off sitewide. BetterHelp. Click https://betterhelp.com/jeffersonfisher for a discount on your first month of therapy. Like what you hear? Don’t forget to subscribe and leave a 5-star review! Order my new book, The Next Conversation, today! https://www.jeffersonfisher.com/book Suggest a topic or ask a question for me to answer on the show! https://www.jeffersonfisher.com/topic Join my School of Communication. https://www.jeffersonfisher.com/membership Follow me on Instagram https://www.instagram.com/jefferson_fisher Follow me on TikTok https://www.tiktok.com/@justaskjefferson?lang=en Follow me on LinkedIn https://www.linkedin.com/in/jeffersonfisher/

Jefferson FisherhostHunter Hayesguest
Jul 10, 202654mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:000:22

    Outgrowing your current self and balancing the “what if” mindset

    1. JF

      The person who's trying to figure out right now whether or not they need to outgrow the version of themselves they are right now, what would you say to that person?

    2. HH

      You always have the opportunity to outgrow the person that you are now.

    3. JF

      To take the opportunity.

    4. HH

      Yeah. Take the opportunity.

    5. JF

      Hunter, what if I have-

    6. HH

      If you're gonna play the game of what if, if you're gonna list all the things that could go wrong, then go ahead and list all the things that can go right.

  2. 0:221:32

    “Who’s at your table?” Choosing your inner circle as life changes

    1. JF

      The practical takeaways that I love to talk about is you said, "Hey, I'm gonna make some decisions for me right here. Rather than this committee thing, I'm gonna do something independent. Rather than, uh, feeling like life is happening to me, I'm gonna make some course corrections here." And there had to be some type, some point in your life where you say, "I, I need others at my table." So I, I love the metaphor, um, and this is something I apply for me, of filling the seats at my table.

    2. HH

      Mm.

    3. JF

      Like, everybody in life has a table.

    4. HH

      Mm-hmm.

    5. JF

      And I start with empty chairs. And really it's your, it could be your parents, your grandparents, whoever your guardians are, those are the people who are really the only ones at your table.

    6. HH

      Yeah.

    7. JF

      And as, as you get older, you go to a different table, and then you kinda have to fill them again in kind of your 20s, and then you fill them again in your 30s. And I f- I find who are the people, 'cause I'm very selective with kinda who's mentally at my table, and I fi- I f- I feel like you have found this full circle moment or clarity of who are the people you want at your table.

  3. 1:322:52

    Letting go of the institution: the scary shift when things start falling away

    1. HH

      That's ... Well, going back to the chapter of going away-

    2. JF

      Yeah

    3. HH

      ... uh, that was that. Um, and God and the universe kinda did it for me.

    4. JF

      No.

    5. HH

      There were a lot of things that needed to happen. There were a lot of changes that needed to happen.

    6. JF

      Mm.

    7. HH

      Very scary, like I'm gonna leave an entire institution behind. And, like, as an artist, there are so many pieces. I've heard a few of, of the people that I look up to describe it as, like, you're the, you're the hub, and there's so many pieces that keep the wheel, it together.

    8. JF

      Mm-hmm.

    9. HH

      And at the time, I needed to let go of a lot of things, and I wasn't ready to let go of any of those things. And so certain things just started kinda falling off naturally, you know?

    10. JF

      Yeah.

    11. HH

      I remember-

    12. JF

      For you.

    13. HH

      Yeah. I remember having a conversation with my, I think my agent at the time, and I was like, you know, spending more time in California, and I was kinda having a hard time telling him, like, "I think I'm gonna go there and be there."

    14. JF

      Mm-hmm.

    15. HH

      Does it ... Because what I was trying to say was, "Does that scare you?"

    16. JF

      Mm-hmm.

    17. HH

      And of course it didn't, but he was like, "Dude, you need to." He's like, "You should."

    18. JF

      Yeah.

    19. HH

      He's like, he's, he's like, "I mean, it'd be great to get some new energy." And he was, he was excited about the idea, and I think that kinda, like, let me sit in it a little bit more. And then everyone else, you know, I talked to another member of my team. I was, like, trying to, like, you know, apologize for, like, this shift that I wanted to make. And he was like, "Well, you ... It's funny, 'cause I've noticed in life you tend to find what you're looking for."

    20. JF

      Mm.

  4. 2:526:09

    Trusting your lived expertise: when the youngest person in the room has to lead

    1. HH

      And he's like, "You are clearly looking for new energy and change and doing all those things." So I say that to say yes, but also, like, touching back on something else. I mean, the, like, uh, yes, picking the people at your table, this was my chance. I, I think there was one big shift that happened, and I made one phone call, um, to somebody in this room.

    2. JF

      [laughs]

    3. HH

      And I was like, "Okay-

    4. JF

      Not me

    5. HH

      ... here's what I'm doing." I was like, "I am, I have played by everyone else's rules." Because I think another downfall, if I can touch back on that-

    6. JF

      Yeah, please

    7. HH

      ... um, we can, we can bullet point all these things so that people can [laughs] follow along to my, the way my brain works. But another downfall is, um, I was surrounded by people who have been doing this for longer than I have, and my tendency is to assume everyone knows more than me.

    8. JF

      Mm.

    9. HH

      And in a lot of ways, yes, absolutely for the rest of my life, everyone will know more than me. I have so much to learn from everybody. And I h- I am constantly learning how to hold the truth of, "Yeah, but so do I."

    10. JF

      Yeah.

    11. HH

      And, like, the most important thing I think that I realized in, like, 2018-19 was, you know, I was having a hard time talking the label into a certain song or this, that, whatever. And I, it kind of ha- started happening when I recorded Invisible and put a song called Invisible out-

    12. JF

      Mm-hmm

    13. HH

      ... uh, 'cause it was not, like, the big uptempo radio song, but it was something that I felt very called to. And luckily, like, my team around me knew how important this was, not only for people to understand me, but for me to create more of what I wanted so far as space for people to come and for me to play to-

    14. JF

      Mm-hmm

    15. HH

      ... and sing to.

    16. JF

      Mm-hmm.

    17. HH

      Um, space for the audience that I wanna sing with. Um, uh, the realization was I am fighting with people in a room who are all brilliant, but none of them have done any of the meet and greets that I've done.

    18. JF

      Yeah.

    19. HH

      None of them have shaken the hands of the people that I've shaken hands with-

    20. JF

      Yes

    21. HH

      ... you know, hugged, talked to, heard what, what everyone had. Like, our, our, our meet and greets, like, we're, we're constantly trying to figure out how to make more time-

    22. JF

      Yeah

    23. HH

      ... because we have conversations in these lines.

    24. JF

      Mm-hmm.

    25. HH

      And people share their story because of the way that they connect with music. And so I think that learning, that, that tipping point, I would say right around 2019-

    26. JF

      Mm-hmm

    27. HH

      ... um, was a big one for me in learning to trust the gifts that I have or the experience that I have or the, uh, practice that I've put in, trust myself. Not in a I know everything, but in a I have to create a threshold where I know how to say, "Guys, you have to trust me on this."

    28. JF

      Mm.

    29. HH

      You know what I mean?

    30. JF

      Yeah.

  5. 6:098:02

    Finding the line: gut checks, “flow,” and when to get in the backseat

    1. JF

      Where is the line for you of knowing, do I say, "You know what? Okay, guys. Yep, everybody else knows better than me,"

    2. HH

      Hmm

    3. JF

      versus, "No, I'm gonna put my flag in the ground," and say, "No, this is something I really believe in." Is it that trust yourself? Like, what's the phrase that, that Hunter Hayes tells himself in that moment?

    4. HH

      That's a great question. Um, I think it's different based on each case.

    5. JF

      Yeah.

    6. HH

      You know? 'Cause, like, the first thing that comes up is we were trying to figure out how, how to do a gig literally less than a week ago, and I was like, "I don't, I'm not feeling flow here. Like, I really, I would love to make this happen, but I'm not feeling the flow."

    7. JF

      Yeah.

    8. HH

      And I'm hearing everybody tell me, "Well, this is why you should do it. This is probably why we should consider it." And, um, and I was just like, "I, I'm just, I'm not feeling it."

    9. JF

      Yeah.

    10. HH

      And I got, I got, um, there was sort of two times where I was like, "I, I hear it, I get it, and I'm just not feeling the flow."

    11. JF

      Yeah.

    12. HH

      You know? And the third time, a new detail kind of emerged and I was like, "There it is."

    13. JF

      There it is.

    14. HH

      "There's the purpose."

    15. JF

      Okay.

    16. HH

      "I see the purpose now, and I'm, I'm, I'm just gonna sit in the backseat."

    17. JF

      Mm-hmm.

    18. HH

      'Cause now this is, there's something outside of what I know.

    19. JF

      Mm-hmm.

    20. HH

      And I can f- I, I see that, and I'm gonna trust everyone around me to help me pull this off.

    21. JF

      Is there a phrase that you kind of like, even a word that kinda comes to mind where you think, is it just a gut feeling?

    22. HH

      Well, I'd love to say it's a gut feeling and, and that case is a, I use that as an example because-

    23. JF

      Right

    24. HH

      ... I'm so convinced. You know, the first two times that we had this conversation I was like, "I'm, I, I, everyone is telling me why this should happen, and I'm feeling like this maybe shouldn't."

    25. JF

      You need to feel s- you need to feel like you can see it, right? That, that sense of safety of, like... Well, you keep bringing the word flow in.

    26. HH

      Yeah. That's a f- that's a word.

    27. JF

      No, that, I love that word. Is that a word you've always used, or a, a new word that you've integrated into yourself?

  6. 8:0210:47

    Flow state onstage vs offstage: being carried vs carrying

    1. HH

      Well, I, the, I'm learning what it means outside of the stage because when I'm on stage I can tell you when I'm in flow.

    2. JF

      Yeah.

    3. HH

      There's something that ha- because you have no choice. [laughs]

    4. JF

      [laughs] That's true.

    5. HH

      There's no, there's no walking away.

    6. JF

      Right.

    7. HH

      Uh, uh, you know, w- whether it be 50 people watching or 50,000 people watching-

    8. JF

      Yeah

    9. HH

      ... everyone can feel it.

    10. JF

      Right.

    11. HH

      That's the ultimate test of am I, am I here?

    12. JF

      Yeah.

    13. HH

      Or am I here?

    14. JF

      Yeah.

    15. HH

      You know what I mean?

    16. JF

      Right.

    17. HH

      Everyone can tell. I can smile. I can say all the things. I, I know the difference between when an audience knows... An audience knows when I'm in it, and an audience knows when I'm not.

    18. JF

      When you're not, yeah.

    19. HH

      And so it's the ultimate, like, exercise in you're either checking in or you're checking out.

    20. JF

      Mm-hmm.

    21. HH

      You know? So that is where I, I go back to with flow state. I, when the band and I... You know, even if it's something that's, like, s- really super well arranged, I can tell when we're all just in it.

    22. JF

      Mm-hmm.

    23. HH

      You know? And I can tell when we're all kinda figuring it out, you know?

    24. JF

      Yeah.

    25. HH

      Um, and so I, I think that's my guide.

    26. JF

      That's a good one.

    27. HH

      You know what I mean? 'Cause it feels like it's very... It, it's, it's not improv per se 'cause there's a lot of structure in what we do.

    28. JF

      Yeah.

    29. HH

      But there's something to the, like, I feel like I'm being carried-

    30. JF

      Yeah

  7. 10:4715:33

    Fifteen years of self-work: therapy, fear of loss, and identity beyond the artist

    1. HH

      I saw my first therapist, which I don't know if it's considered a co- like, looking back I have a lot of questions.

    2. JF

      [laughs]

    3. HH

      Because, uh, it was set up, it was, it was someone who worked at... It was giving credit.

    4. JF

      Mm-hmm.

    5. HH

      Uh, there was a, a company that I worked with-

    6. JF

      Mm-hmm

    7. HH

      ... uh, that handled finances.

    8. JF

      Mm-hmm.

    9. HH

      And for somebody like me, that's a very scary, still a very scary, like, topic.

    10. JF

      Mm-hmm. Sure.

    11. HH

      Because when something doesn't go well, it's on your shoulders to figure out.

    12. JF

      Right.

    13. HH

      Like, it, you know, it's your name. [laughs]

    14. JF

      For sure.

    15. HH

      And so, and, uh, yeah, I have a lot of stuff around that. That's a different conversation, but, um, there was somebody that they had in-house to sort of help, I, I think help artist/help the people working on it/help both sometimes. Um, but that person was actually, like, present in a lot of my meetings with them-

    16. JF

      Mm-hmm

    17. HH

      ... but also I had time to work with him separately.

    18. JF

      Mm-hmm.

    19. HH

      And so it started with just, like, how do I calm down on the road? 'Cause I was so high-strung.

    20. JF

      Mm-hmm.

    21. HH

      Still am. Um, but, like, you can imagine being 18, 19 and, like, all of your dreams are sitting right in front of you, and you're walking into one opportunity after another. That's just, like, f- you're flowing.

    22. JF

      Yeah.

    23. HH

      Right? But at the time there was a lot of fear around, well- You know, how many ways can I screw this up?

    24. JF

      Yeah.

    25. HH

      You know? Um, so that was my first person that I worked with, and then I worked with a, a therapist separately. Um, and we started to understand different things. I started to understand a little bit more of the OCD tendencies-

    26. JF

      Mm-hmm

    27. HH

      ... which that was a whole thing. Um, and then, you know, like she was the first person that said, "Okay, what if it all goes away tomorrow?"

    28. JF

      Yeah.

    29. HH

      'Cause that was the thing I was so s- afraid of, you know? And just like-

    30. JF

      Like, okay, what if the thing you're most afraid of happens?

  8. 15:3317:26

    Shared human fears and turning them into connection through art

    1. JF

      is, um, you know, we all come in thinking we're terminally unique, right? Nobody can relate to anything that's happening. This is my own special one, I'm a one case wonder right here. And then you re- really get to learn, hold up, it's all just the same fear in different flavors, you know, of what am I if I'm not this?

    2. HH

      Yeah.

    3. JF

      Who am I if I'm not this? Will they still stick around? Will they still, will they leave? If they know the worst things about me, will they, will they turn around and run?

    4. HH

      Mm.

    5. JF

      And I think that is, um, a deeply rooted fear in a lot of people, myself included, of, you know, what, what happens. And what artists like yourself get to do is you turn conversations into songs.

    6. HH

      Mm.

    7. JF

      Right? And you, what you said at the very beginning of this, which I thought was beautiful, is how do I create a song and then make sure that you can find yourself in it?

    8. HH

      Yeah.

    9. JF

      Like, see yourself, make, make enough room for you.

    10. HH

      Yeah.

    11. JF

      Where my mind goes, "Well, that's conversations."

    12. HH

      Yeah.

    13. JF

      Right? How, how do I make sure that I have a conversation that I can say, "I want you to see yourself in this conversation with me, where we, we can have this moment and, and create something that we can really walk away with?" In every conversation, I mean, in, in, in my short time with you, I'm gonna walk away with something.

    14. HH

      Mm.

    15. JF

      And I think if everybody takes that moment to ask themselves, you know, "What am I walking away from?" Or, "What am I letting go of?" You know, maybe I'm not walking away with anything. [laughs] You know, maybe I'm leaving something-

    16. HH

      Yeah

    17. JF

      ... uh, where it needs to be in a conversation. I think that's, that helps w- round people out so much better. So having that, hear you say, you know what, I had to ask some of these big questions. Who am I if I'm not the Hunter Hayes I hear on the radio?

    18. HH

      Yeah.

    19. JF

      Has to be a question where you gotta go to some pretty deep places, but it sounds like you've come from a lot of that.

    20. HH

      Mm.

  9. 17:2622:16

    Advice for growth: outgrowing yourself and playing “what if” on both teams

    1. JF

      I do wanna ask some questions for us to kinda think of another person in the conversation. And this is a chance that I would love if we take some of the things that you've learned-

    2. HH

      Mm

    3. JF

      ... over the last two years and say, "How, how can we give that person advice?"

    4. HH

      Mm.

    5. JF

      And with all self, you know, deprecating aside-

    6. HH

      Okay

    7. JF

      ... 'cause we don't know, we know we don't know, and, uh, we all have probably some level of OCD or ADHD or something. I got my own things.

    8. HH

      Yeah.

    9. JF

      You know? Um, the person who's trying to figure out right now Whether or not they need to outgrow the version of themselves they are right now.

    10. HH

      Mm.

    11. JF

      What would you say to that person?

    12. HH

      Uh, you kind of always need to... You, you, you always have the opportunity to outgrow the person that you are now.

    13. JF

      To take the opportunity.

    14. HH

      Yeah. Take the opportunity. Yeah.

    15. JF

      And for the person who's saying the same thing of that fear of, "Well, yeah, but what if?" Hunter, what if I have-

    16. HH

      If you're gonna play the game of what if and you, uh, then you have to play it b- for both sides of the team. You have to-

    17. JF

      Mm.

    18. HH

      If you're gonna list all the things that could go wrong, then go ahead and list all the things that can go right.

    19. JF

      Give-

    20. HH

      What if-

    21. JF

      Give the cons the same weight as the pros.

    22. HH

      Yeah. If for everything that you say that scares the shit... Can I say this?

    23. JF

      Sure.

    24. HH

      Scares the shit out of you.

    25. JF

      Yeah.

    26. HH

      Um, w- also name the things that you would be absolutely blown away if just everything went right.

    27. JF

      Right.

    28. HH

      You know? What if, what if I lose my job? What if that's what... Uh, what if that freedom is what allows me to-

    29. JF

      Yeah

    30. HH

      ... accept an opportunity that I otherwise wouldn't have taken?

  10. 22:1624:14

    Resistance as a signal: the “hill climb” that led to breaking patterns

    1. JF

      for 10% off site-wide. Plus, you get a 100-day risk-free trial with free shipping and returns. That sounds like check, check, check. Fromourplace.com/JEFFERSON and use code Jefferson, and now let's keep going. I know we talked about it, but I do want, I wanna put it in a different shell, like a different package. How did you know? Like, what was the gut instinct you felt that said, "Hey, I need to interrupt this cycle and just give it some space for a bit"?

    2. HH

      It was just one too many things where I felt like I was climbing up a hill.

    3. JF

      Say more.

    4. HH

      I was... Well, there was so much flow in the creative. There was so much, like, I was in my, you know, at the time I had a house with a basement, and I was working in my basement a lot with no sunlight, with, with, with all the things that nature gives you.

    5. JF

      Mm-hmm.

    6. HH

      I was working against the grain. I was in a, a dark room in the basement of my house, and I was more creative than I'd ever been. I was feeling a lot.

    7. JF

      Mm-hmm.

    8. HH

      And I was putting it in to the work. I was, I was-

    9. JF

      Mm

    10. HH

      ... making songs. There was no rules. Nothing had to be anything.

    11. JF

      Mm-hmm.

    12. HH

      I was working in secret-

    13. JF

      Yeah

    14. HH

      ... you know, on an album that no one had to hear.

    15. JF

      Mm.

    16. HH

      And that was another thing, like, Wild Blue was an album that I made, and it was, it w- it was my rebellious way of-

    17. JF

      Yeah, yeah

    18. HH

      ... being, being brave by myself.

    19. JF

      Mm-hmm.

    20. HH

      And I was like, "If I love this when it's done, it'll see the light of day. It'll happen if it's supposed to happen." Um, and I was turning in a lot of songs. I mean, hundreds of songs, um, a year. I was experiencing a lot of feeling unheard, feeling misunderstood.

    21. JF

      Mm.

    22. HH

      Um, I think looking back, I think I might have had a lot of opportunities to say, "Trust me," but I didn't know how to do that yet.

    23. JF

      You said trust me, meaning trust-

    24. HH

      Me.

    25. JF

      Yeah.

    26. HH

      Yeah.

    27. JF

      Trust myself.

    28. HH

      Yeah, yeah. I, I trust myself. I believe in this.

    29. JF

      Yeah.

    30. HH

      Um, and I don't think I knew how to do that. I think this was, I think it was exactly what it was supposed to be, and that it was a time that was designed to teach me that.

  11. 24:1426:45

    ‘Dear God’ breaks the rules: the risky song that proved the point

    1. HH

      Um, but I just noticed and I felt a lot of resistance, um- Where I, yeah, that's the best way I can say it. I had a beautiful opportunity-

    2. JF

      Mm-hmm

    3. HH

      ... to say, "Guys, I get it. I get it. Everybody's afraid. There's a lot happening. I know that this probably doesn't sink in just yet. Let's just try it." And, like, by the grace of God, there's something beautiful that happened during that time, is I turned in Dear God.

    4. JF

      Yeah.

    5. HH

      And Dear God's a song that breaks all the rules. Uh, that is, I talk about that song a lot, and I've said it a lot, but, you know.

    6. JF

      I still wanna hear it. Yeah.

    7. HH

      It was everything I wasn't supposed to write about.

    8. JF

      Mm-hmm.

    9. HH

      It was all the, like, the kind of production that I didn't feel like was ever gonna work.

    10. JF

      Wasn't it, like, it's still a top 25, like, top... It was a top-

    11. HH

      It's one of my top streaming songs.

    12. JF

      Yeah, that's crazy.

    13. HH

      It was everything I wasn't supposed to do.

    14. JF

      Mm-hmm.

    15. HH

      And my A&R person at the label was like, "Oh my God," and I was like, "What?" [laughs]

    16. JF

      [laughs]

    17. HH

      And he was like, "No, dude." He was like, "This, this mean... I don't know what we do with this, but this means something."

    18. JF

      Mm-hmm.

    19. HH

      And it started circling around the label, and the label was like, everyone was talking to me about this song, and I was like, "You're not supposed to hear that." [laughs]

    20. JF

      Right.

    21. HH

      You know what I mean? Like-

    22. JF

      Mm-hmm

    23. HH

      ... um, and it was, it was, it definitely felt like God just kind of ripping it out of my hands and going, "This is taking you too long. We're just gonna do this." [laughs]

    24. JF

      Yeah.

    25. HH

      Um, and we, you know, we didn't follow traditional promotion playbook for that song.

    26. JF

      It did break all the rules. Yeah.

    27. HH

      And it broke all the rules, man. It's, like, still one of my top streaming songs from that album.

    28. JF

      Yeah.

    29. HH

      For all, of all of my discography.

    30. JF

      Wow.

  12. 26:4531:46

    How the song was written: an “angry prayer,” deep questions, and a final surrender

    1. HH

      I sat down with, uh, I'm a big fan of Andy Grammer.

    2. JF

      Mm.

    3. HH

      Uh, we sat down for his podcast, uh, The Good Parts. There's a lot of conversation about faith and religion.

    4. JF

      Yeah.

    5. HH

      And we sort of unpacked a lot of things that I was trying to figure out at the time. Um, and I had it, just so happened, had a title. The deal was, uh, Andy was coming, it was late at night. He was coming in to do the podcast, and I was like, "If you're down to stay for, like, an hour, I'd love to write." And he was like, "Deal, I'm in." 'Cause we've been talking about it for years. We do the podcast, which is beautiful because in every writing room I feel like we talk for 45 minutes about the topic.

    6. JF

      Mm-hmm.

    7. HH

      And then the song finds its way into the room once we've opened our doors.

    8. JF

      Yeah.

    9. HH

      You know? It's-

    10. JF

      Say that again for me one more time.

    11. HH

      Every room that I get into with co-writers-

    12. JF

      Uh-huh

    13. HH

      ... I always bring ideas in. Sometimes they land. Sometimes we can all, we all know what we're talking about.

    14. JF

      Yeah.

    15. HH

      Sometimes I haven't communicated it or I'm not clear on it or, or everybody else might be on a different page. Um, sometimes the title will change. The idea will-

    16. JF

      Mm

    17. HH

      ... totally shift. But the, I would call it 30 to 45 minutes of conversation that happen-

    18. JF

      Mm-hmm

    19. HH

      ... for all of us to sort of, like, land.

    20. JF

      Yeah.

    21. HH

      It, you know, we, we pull the parachutes and we start floating down to the earth, and then when we land around it, the song is all, it's just there, and it happens quickly. It happens within 30 minutes to 90 minutes max.

    22. JF

      That's awesome.

    23. HH

      Right? Um, so the beautiful part about this song, Dear God, is the 45 minutes of conversation is in the world. Like, you can go listen to the whole thing. It's on a podcast, right?

    24. JF

      Mm-hmm.

    25. HH

      So we had this conversation. I had this idea that I wanted to write with Andy, um, because of the music that he makes and his messages and the way that he represents so many thoughts and feelings, and it was called Dear God. And I was like, "I kinda need to write an angry prayer," 'cause on every album I've had a, a song about faith, and on this album, I'm, I'm, I'm wrestling with a lot of things.

    26. JF

      Yeah.

    27. HH

      And so I wanna honor that and do that. And at the end of the song, at the end of the album, there's another prayer. But, um, he just started pacing around the room and just singing, like, you know, I had, I was noodling with all these, like, verse things, you know, "It's 3:00 in the morning, just me and my demons at war again, so I'm calling in. Are you listening?" You know, and Andy starts pacing the room and he just starts singing, "Why does my life have to hurt so much?" You know?

    28. JF

      Mm-hmm.

    29. HH

      And we just start going with all these questions, and it's just a song about questions. And the, the end of the chorus is, "Dear God, are you sure that you don't mess up?" Meaning me, right?

    30. JF

      Yeah.

  13. 31:4645:18

    ADHD, systems, and renegotiating expectations: ‘I can’t do it that way’

    1. JF

      So we've, we've talked about, you know, the, the version of yourself, how do you know when you should outgrow something. Uh, we talked about, you know, people kind of being around your table. Are there things that you think because... 'Cause you've, you've, you've said this with me, and I know you've, you've talked about it of with, as somebody who has, uh, ADHD, like, do you find that that affects your ability to like... There are people out there who I know, and I'm related to many, uh, of have ADHD and they go, "But yeah, I have a really hard time with either conversation or..." I- but I've never met anybody who songwrites-

    2. HH

      Mm

    3. JF

      ... as an artist, and do you find that that's a help or a hindrance, or how, how have you found a way to-

    4. HH

      I'd be willing to bet you have.

    5. JF

      Yeah, I'm sure I have.

    6. HH

      Which is the wild part. You know what I mean?

    7. JF

      Yeah.

    8. HH

      Like, uh, so I, I learned a lot about my brain this year, and I'm in the process of learning more, um, and the way that it works. And I think it was, it gave me permission to start seeing ways that I frustrate myself as, um... I, I relate a lot of things to general aviation 'cause I wanna get my pilot's license and there's a lot of lessons in that. And, you know, some planes are capable of, of reaching a certain, let's say like a certain speed.

    9. JF

      Yeah.

    10. HH

      But they really operate just, you know, somewhere else.

    11. JF

      Right.

    12. HH

      Uh, so your expectation could be, "Well, I'll get from this point to this point in this time." And it's like, well, there's also wind.

    13. JF

      Yeah. [laughs]

    14. HH

      Even if-

    15. JF

      Yeah

    16. HH

      ... you're doing everything right.

    17. JF

      There's also something called weather.

    18. HH

      Yeah.

    19. JF

      [laughs]

    20. HH

      There's so much out of your control, and you're just part of it.

    21. JF

      Yeah.

    22. HH

      Like, you, you've got a machine, and if you know how to operate it-

    23. JF

      Great

    24. HH

      ... you know, awesome. And every time you go up, you are, you are working with the wind.

    25. JF

      Yeah.

    26. HH

      Um, and I think that, like, understanding a little bit more, and again, very much in the middle of the process of understanding more about how my brain works, I've gone from s- being frustrated with certain ways that it works to, uh, I wouldn't say loving all of it, but, like, certainly trying to honor it-

    27. JF

      Mm-hmm

    28. HH

      ... and recognize, "Okay, I'm not crazy. It really, it, it doesn't work that way, so what do I have to do? What do I have to change? What systems do I have to put in place?"

    29. JF

      Yeah.

    30. HH

      Um, what things do I have to just kind of honor long enough for me to go, "No, I like the way that this works now." And I, I, I, I think some of the shifts that I've made this year, changes that I've made this year, um, have allowed me to, uh, experience more flow so that I can trust myself in saying, "I totally hear you."

  14. 45:1849:49

    Music as journaling and healing: production details, neurofeedback, and meaning-making

    1. HH

      Um, I journal, but I, I also kind of think that a lot of my, like, expression-

    2. JF

      Mm

    3. HH

      ... or, like, my version of journaling is, is working on music. Um, and then, like-

    4. JF

      That's true

    5. HH

      ... in production, for instance. Um, you know, I think sometimes the image of recording a song is we come into a place like this-

    6. JF

      Yeah

    7. HH

      ... we hit record, and, you know, and it happens in a couple of l- you know, takes. But for me, I sit with a song for hours, hundreds of hours, trying to learn what it's trying to tell me. So there's a part of it that is kind of accidentally therapeutic in that, um, so much of what I love about production is I'll record a part on an acoustic guitar, and I'll just sit with it. It'll bother me, 'cause it's just, it feels too aggressive. It feels too angry. It doesn't feel soft. Or, like, a, a great example is there's a song on, on, on... Well, there's, "Around the Sun" on Evergreen is a great example.

    8. JF

      Yeah, the last one, yeah.

    9. HH

      Um, that was technically the first song that I finished for the album. Um, and it, it takes a trip. The, the riff is played very, uh, the riff is, the first version of the riff that you hear is actually heavily manipulated from the day that I wrote the song-

    10. JF

      Hmm

    11. HH

      ... to show sometimes an idea doesn't feel the way that it's supposed to right away. And then as you go through the song, it's like the band starts to learn the riff, and it's played more confidently, and all of a sudden it's on a 12-string guitar, and it's like, oh, that's the way it's supposed to be heard. And then an electric guitar kicks everybody out-

    12. JF

      Right

    13. HH

      ... and starts, plays the solo. And for me, that's communication. That's me communicating, like, this is my process of learning this lesson. I wrote the song, I learned the song, and now I'm learning what the song wants me to know moving forward. And then towards the end, um, you know, there's like four different kick samples that come in.

    14. JF

      Yeah.

    15. HH

      There's a, there's a real drummer playing, but there's also, like, a lot of just energy, and I wanted it to feel like a dance song by the end of it.

    16. JF

      Right.

    17. HH

      It's kinda subtle.

    18. JF

      Mm-hmm.

    19. HH

      That's the goal. But, like, and even the bass part is not just like a bass part. It's like it's its own riff, because I wanted the song to grow in its own confidence as it goes.

    20. JF

      There we go.

    21. HH

      Right? So that was therapy for me. That was four days, you know, I, I... Another thing I really am a big fan of is neural feedback. Um, the, uh, the, um, I don't k- know how else to refer to it, but I've done a lot of that, and that's al- actually allowed me to put a lot of the lessons that I've learned from coaching or therapy into practice.

    22. JF

      Tell me what that is for people.

    23. HH

      It's, um-

    24. JF

      Neural feedback

    25. HH

      ... neural feedback, it sends, uh, I'm gonna destroy my explanation of this.

    26. JF

      It's okay. We're just, we're just gonna admit that it's gonna butcher it-

    27. HH

      Yeah

    28. JF

      ... but we won't care.

    29. HH

      Um, but essentially, as, uh, patterns get formed in the brain-

    30. JF

      Mm-hmm

  15. 49:4954:05

    Mentorship, faith, and conversational flow—then closing reflections on musicianship

    1. HH

      So true. Um, one of my goals this year was to sit down with mentors more often.

    2. JF

      Yeah.

    3. HH

      'Cause I, I have the, the bad habit of saying, "Oh, well, they, they have, they have more important things to do," you know? Um, and I've been challenging myself with, like, reaching out to people and going like, "Hey, I want breakfast. [laughs] I wanna sit with you."

    4. JF

      Yeah, yeah.

    5. HH

      Uh, and one of the first ones that I, I did, um, was beautiful, because I, I was like-

    6. JF

      Mm

    7. HH

      ... in my car trying to pre-pave and, you know, uh, Virgo myself into a conversation.

    8. JF

      [laughs]

    9. HH

      Where I was like, "This is... What, what is my goal? What do I want from this?"

    10. JF

      Yeah, yeah. Yeah, yeah, yeah. Come on.

    11. HH

      And I just heard God just yell just like, "You need to chill out."

    12. JF

      Yeah.

    13. HH

      "You need to just listen."

    14. JF

      You talk to God a lot?

    15. HH

      Um, yeah. Uh, it's very non, uh, I, I, I say it's unconventional. Um, it's quite conversational [laughs] throughout the day.

    16. JF

      I think He'd like that. Yeah, yeah.

    17. HH

      Um, because I, I, like, I'm strongest in my faith right now than I've ever been. Like, religion's a different conversation. I talk to God a lot in-

    18. JF

      Yeah

    19. HH

      ... sort of random moments. Um, and I feel like d- I get spoken to a lot. [laughs]

    20. JF

      Yes.

    21. HH

      And in, like, learning how to write music, I think I've, uh, I think that's, so much of that is tapping into what's happening, um, outside of here.

    22. JF

      Yeah.

    23. HH

      Does that make sense?

    24. JF

      Oh, it does, because that makes me get really excited. It makes me think of the, just the whole idea of not just what is this conversation trying to tell me. God, what are you trying to tell me? Like, what, what is... Exactly when you talk about flow state.

    25. HH

      Mm.

    26. JF

      Like, how do I know that I'm in, uh, the flow of all things-

    27. HH

      Yeah

    28. JF

      ... around me?

    29. HH

      Yeah.

    30. JF

      Um, w- how am I, how do I know I'm connected in all things? So I, I think we kinda answered it right there of, yeah, a conversation can absolutely be that way. 'Cause it's, you know when you're, you're in the flow of conversation and when you're not, when a conversation's going well and when it's not.

Episode duration: 54:05

Install uListen for AI-powered chat & search across the full episode — Get Full Transcript

Transcript of episode 0ubAw6WkmV0

Get more out of YouTube videos.

High quality summaries for YouTube videos. Accurate transcripts to search & find moments. Powered by ChatGPT & Claude AI.