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The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #1092 - Mary Lynn Rajskub

Mary Lynn Rajskub is a stand up comedian and actress.

Joe RoganhostMary Lynn Rajskubguest
Mar 14, 20182h 0mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:003:48

    Name pronunciation, early awkwardness, and coming up “through the back alley”

    1. JR

      ... thing, anything.

    2. MR

      Oh, shit. (laughs)

    3. JR

      Life. Four, three, two, one. (snaps fingers) Live. And we're here with the Arnold Schwarzenegger of comics-

    4. MR

      (laughs)

    5. JR

      ... Mary Lynn Rajskub. When... How many people have ever, on one shot, spelled your name right or pronounced it right?

    6. MR

      Uh, y- n- never.

    7. JR

      Never. Never, right? Like, if you're at the DMV-

    8. MR

      It's kind of exciting, now that you mention it, 'cause they're going to introduce me and it's just, err... It just gives, like, an instant obstacle.

    9. JR

      Like, when you were coming up as a comic, that had to be a big issue. Like, uh, for, for the MC to bring you up, or the, the, the DJ when they bring you up, if you were the MC.

    10. MR

      The DJ (laughs) or the MC. I don't know. I never really looked at it that way.

    11. JR

      Well, somebody had to introduce you, right?

    12. MR

      Yeah.

    13. JR

      Like, uh, opening acts.

    14. MR

      Someone was introducing me. I think I was in such a, a, a, a bubble, uh, I didn't really... And I wasn't on the road hardcore, and I wasn't... I don't know. I wasn't identifying with, uh, me as a performer so much.

    15. JR

      What does that mean?

    16. MR

      That means I was doing performance art and people were laughing. I didn't know why they were laughing.

    17. JR

      (laughs)

    18. MR

      Right? I moved to LA and I was like, "Yeah, let's do shows." Like, I didn't know... I didn't think about it as, like, you're introducing me. I'm a per- I'm a performer. I would say only in the past couple years have I done the road proper. But I came in the back alley for everything, for comedy, for, for acting. Like, if I had come to LA with a stack of headshots, like, "Hey, I'm ready for acting," it would have never happened. I just came with a group of people, like, "I wanna do some live shows," and like, no business being in LA.

    19. JR

      (laughs)

    20. MR

      No business. Just doing weird shows, 'cause that, uh, that's what I was compelled to do.

    21. JR

      Right.

    22. MR

      Like, I could not have done it had I said, "All right. You're gonna do acting and performing," especially not comedy. Like, I didn't identify with that at all. (laughs) I had to figure out why people were laughing.

    23. JR

      That's fascinating. So, when you first got into show business, what was the goal? It's a weird word, show business.

    24. MR

      Isn't she?

    25. JR

      Show business.

    26. MR

      Isn't she a special lady? I'm, I'm audition-ready today, by the way.

    27. JR

      (laughs)

    28. MR

      If you notice, I have a good brow and a good, uh, sh- eye shadow line.

    29. JR

      (laughs)

    30. MR

      (laughs) I'm, I'm such a woman. I'm really more of a woman now than I've ever been. Uh-

  2. 3:488:07

    Comedy Store community then vs. now—and Joe’s Mencia ban fallout

    1. JR

      ... 'til The Store, you know? That's such an interesting little community, right? It's like everybody just kinda, like, like-

    2. MR

      Yeah.

    3. JR

      Like, you wanna talk about a positive community? Like, I was just expla- explaining this to someone the other day. Like, when I first started going there in 1994, there was a lot of conflict between comedians. There was, like, comedians that didn't like comedians. Like, oh, this guy doesn't like this guy, and she doesn't like her, and they all fucking, uh-

    4. MR

      Yeah.

    5. JR

      ... duked it out with each other a little bit. There's none of that now.

    6. MR

      Yeah.

    7. JR

      Think about how super supportive-

    8. MR

      It's amazing.

    9. JR

      ... that place is.

    10. MR

      It's amazing. It's-

    11. JR

      Like, everybody's friendly.

    12. MR

      Yeah, I love it.

    13. JR

      Like, there might be a 100 of us there on a regular basis, like, in and out, doing Sunday through Monday.

    14. MR

      Yeah.

    15. JR

      And there's no conflicts.

    16. MR

      It's really fucking cool. Um, did you... I'm sure you've talked about this a million times. Did you e- did you ever stop going there for a chunk of time? Were you-

    17. JR

      I stopped for seven years.

    18. MR

      Oh, okay.

    19. JR

      Yeah. I stopped for seven years, uh, after I had that dispute with Carlos Mencia.

    20. MR

      Right.

    21. JR

      Yeah. That was when he was w- way more popular than me, like, especially as a comic. And The Comedy Store took his side, and I was like, "All right, fuck you guys."

    22. MR

      That's right.

    23. JR

      And I, I took off. And it wasn't really The Comedy Store either. It was this one guy who was the manager. 'Cause Mitzi actually, I called Mitzi and gave her the whole rundown of what was going on. Um, I told her, and, uh, she's like, "Well, you just stay away from him." And then she gave me a spot that night, and then they called me up two hours later to tell me that I was banned. So, I said, "Wait a minute. I just talked to Mitzi. Like, she gave me a spot. She told me when to go up. So, if, if she's not running the store, like, who's-"

    24. MR

      Yeah.

    25. JR

      "... who's deciding I'm banned? You are? Like, what are you doing?"

    26. MR

      Uh.

    27. JR

      Like, do you guys understand what this is? I mean, this is like a little, you're having a little battle for, like, whether or not you're going to let people profit off of crime. Like, this is really what's happening. You have thoughtcrime, you have intellectual crime, you have plagiarism. And you're allowing one person, you're knowingly allowing them to profit off it, and no one's doing anything about it. So, when one of us does something about it, then you're gonna punish that person. You're, you're basically highlighting everything that everyone was afraid of.

    28. MR

      That's a good point. What does, like, what were the... What was the reason for your being banned? Because you were-

    29. JR

      Well, because-

    30. MR

      ... on their end of it?

  3. 8:0712:47

    Caffeine detour, then Mary Lynn’s art-school origins and performance art extremes

    1. MR

      Should I try one of these, should I try this?

    2. JR

      Are you ready for one?

    3. MR

      Is it, is it insane? I was only having like one sip, right?

    4. JR

      It's fucking crazy. Do you know my friend Tate, Tate Fletcher?

    5. MR

      Uh-uh.

    6. JR

      You've probably seen him around the store before, big giant gorilla. Uh, it's his company. They're very good.

    7. MR

      All right, I'm gonna try it.

    8. JR

      But if you're into that.

    9. MR

      Don't drink the whole thing, Mary Lynn. I like it, but I'm gonna-

    10. JR

      Oh, you can, you can do it. If it's, can you drink a, a grande coffee?

    11. MR

      Yep.

    12. JR

      That's about a grande of coffee's worth of caffeine. But it's strong.

    13. MR

      Oh, sh- fuck. I gotta go.

    14. JR

      You okay? Jesus.

    15. MR

      I gotta go work out.

    16. JR

      Jesus.

    17. MR

      I gotta go in the isolation tank.

    18. JR

      Doom, doom, doom. Find yourself.

    19. MR

      I just found myself (laughs) and I peed a little.

    20. JR

      That's okay. Um, so you started out as a performance artist, like that was your idea. What did you want to do?

    21. MR

      (laughs) That was your idea, that was your big idea. I went to art school for painting. And I was, uh, um, got really frustrated when people started to, uh, critique the paintings and I was supposed to be, you know, the, uh, getting more serious in art school and more conceptual. And everyone was doing something different and everyone was critiquing it in a different way and none of it made sense to me. And then, the idea of having to sell that object that you made, so you're gonna make something that's useless. I mean, it makes it sound like I don't like or appreciate art. I just, for me, I didn't, I couldn't grasp what the next thing to do was. You know, you're poor, you're in art school, you're making something and then you have to go sell and market that thing.

    22. JR

      Right.

    23. MR

      And, uh, I also was frustrated and, and kind of like boiling inside and needed to express myself. So I started doing performance art in school. And then-

    24. JR

      And what kind of stuff, like when you say performance art, that's a pretty open-ended description, right?

    25. MR

      (laughs) Oh, it's so open-ended. There were so many like weird performance art things that would happen. We, I mean, we had performance art class. There was a guy that like taped his genitals to the side and put on lipstick in a mirror, and that was his performance art piece.

    26. JR

      (laughs)

    27. MR

      Or the girl that like... And we would all sit there and watch it.

    28. JR

      Oh my God, that's so weird.

    29. MR

      And (laughs) sorry.

    30. JR

      Did you see his genitals? Did he go naked and pull it aside or how did he do that?

  4. 12:4715:31

    Slam poetry, early open mics, and discovering ‘commitment’ as the joke

    1. JR

      Oh my God. See, there's something about, like, performance art or, and slam poetry, those are-

    2. MR

      I did slam poetry too. That was the, one of my-

    3. JR

      I bet you did. (laughs)

    4. MR

      You know I did. Here's the best part, s- I got zeros. (laughs)

    5. JR

      You got zeros?

    6. MR

      Yeah.

    7. JR

      You didn't get any... Why?

    8. MR

      I never really wrote any poetry. I was just into the performance of it.

    9. JR

      (laughs)

    10. MR

      And I... (laughs)

    11. JR

      So you didn't have a- a poem?

    12. MR

      I think I was doing comedy.

    13. JR

      Oh, no. And they wanted it real.

    14. MR

      And I was doing, like, an awkward thing. Well, I mean, which was very real for me.

    15. JR

      (laughs)

    16. MR

      But I think I just wanted to express my-

    17. JR

      Right.

    18. MR

      I also had an ex-boyfriend who he said that comedy was his life. This was when I was, like, 19. And I think I attached to people... I, like, I thought he was the shit because he would be rude to people. Like, that was his version of comedy, was like bossing people around. Or one of his bits was, like, having a whistle and directing traffic. I mean, really adolescent, like... But for some reason, I was really attracted to him and, uh, like, I wanted to be him. Anybody who was, like, extroverted or something that I wanted, that's, I was attracted to that, right? So...

    19. JR

      Right.

    20. MR

      So he was like, "Comedy is my life, and I- I do this open mic." And I was like, "I'm gonna do that open mic." And I had taped, like, phrases to my body, and f- and phrases from commercials-

    21. JR

      (laughs)

    22. MR

      ... or snippets of conversation that I had heard. And I went up and I started reading them, and then s- I would improvise a little bit, and I'd be like, "Waxy buildup," or whatever, and just repeating...

    23. JR

      (laughs)

    24. MR

      Just letting it all filter through and come out my mouth for five minutes, of whatever the open mic was. And I started getting laughter, but it was, like, awkward laugh- laughter after the fact of that uncomfortable, like, "What is, what is she doing?" But my-

    25. JR

      Right.

    26. MR

      ... commitment level was so high that the fact that it didn't make any sense just caused laughter, right? So...

    27. JR

      Right, right, right. Well, that does, that works sometimes with just even with comics.

    28. MR

      Yes, absolutely.

    29. JR

      You know, like, there's a lot of people that are just really odd, and if you saw them, you would get it. But if you w- you saw what they wrote on paper, or what they said just written down on paper, you would be like, "What? That doesn't make any sense."

    30. MR

      Yeah. Well, I thought you were gonna say, which is a similar point, that the, that it comes in the pause in after what they're saying even if it doesn't make any sense. But you're saying sometimes people write things and it makes its own sense when you hear them say it.

  5. 15:3117:48

    San Francisco alt scene: bars, counterculture, and comedians crossing over

    1. MR

      Um, it was a really fun time in San Francisco because the comedy clubs were closing, so a lot of comics were coming to these open mic poetry rooms. And one of my favorite rooms was in this bar. And also, I was from the suburbs of Detroit, and so just being in San Francisco, uh, that was a real city and a friendly city, you know? Like, it's-

    2. JR

      Right.

    3. MR

      ... small enough and it's beautiful, and they have a real arts scene. And it was the first time that I had seen, like, a real counterculture and people that would hang out in coffee shops and, and a lot of young people that looked like I did. So I would go to bars for this open mic and there'd be, um, you know, like, a transvestite who was semi-homeless but was, you- you know, made up, who was, like, reading her poetry. And I was like, "I'm in. Like, I'm done." And I had no money, and I would sit and crouch on the floor and drink, like, a half a beer and be like, "Oh, this is-

    4. JR

      (laughs)

    5. MR

      ... is crazy." And I would watch her read from her journal. And I did a similar thing where I would just... And then it was always- I didn't, I didn't know my own mind or my own thoughts really, so I would write down random words and I would perform it. I mean, and still now, it- it's, you know, it- I've progressed a bit. (laughs) But it's like it informs you how the audience reacts-

    6. JR

      Right.

    7. MR

      ... or it begins to. And I just love seeing all these, like, different people and what, what they thought they were saying versus what they were really saying and what their intended effect was and how people were really s- seeing them. Anyway, so, so comics started dropping into these rooms, like Patton Oswalt and, um, Jeremy Kramer and, uh, Blanka Patch and, you know, the, uh, Gregg Behrendt, all these, uh, Ron Lynch people that were more, uh, San Francisco affiliated that were there at that time would start doing these open mic nights. Um, but because th- a comic is so versed in their own voice that watching them was so... I was like, "Oh, the- they know how to speak and they're more polished." And then that was attractive to me, so, so I kind of gravitated towards... And there were all these alternative rooms that weren't comedy clubs.

    8. JR

      Right, right, right.

    9. MR

      And that was like, I loved that. I just loved it because there was room for mistakes. There was room for the in between, you know? It was like that, the- the- the real alt scene of that time.

  6. 17:4822:34

    Getting paid vs. ‘workshop’ culture: UCB, Comedy Store, and the value of stage time

    1. JR

      Yeah. That alt scene's interesting. It's always interesting when, like, a little branch of a style of comedy breaks off, you know? And some people do it because that's, like, it- it's feels more true to them.

    2. MR

      Right.

    3. JR

      And then some people do it because it seems like the cool hip thing to do. And then some people, it's just a combination of both, right?... the alt scene's an interesting scene, you know, 'cause it, uh, it also is attached to that one place that doesn't pay anybody, the UCB.

    4. MR

      Yeah.

    5. JR

      Where I was always like, "Wait, what?"

    6. MR

      Oh, you mean, 'cause they're making money and no one else is making money?

    7. JR

      Yeah. I wa- I was always like, "What? Huh?"

    8. MR

      Yeah, but com-

    9. JR

      Like, how does that make sense?

    10. MR

      ... not ... People don't get paid at comedy clubs as well.

    11. JR

      Well, sure they do. The Comedy Store pays you.

    12. MR

      You mean, like, 25 bucks?

    13. JR

      25 bucks for regular sets, and then you get a lot more than that if you do the main room.

    14. MR

      Right.

    15. JR

      The main room, they pay you real money.

    16. MR

      So you're saying why doesn't UCB throw-

    17. JR

      They should pay.

    18. MR

      ... 25 bucks to people?

    19. JR

      They should get- You have to pay them something. People are paying to go there.

    20. MR

      Right.

    21. JR

      They're paying for gas. They're, they're, they're traveling there.

    22. MR

      Right.

    23. JR

      And you're selling tickets to see them do their art.

    24. MR

      Right, but yeah-

    25. JR

      That's all you do.

    26. MR

      ... but if you're gonna take that line, then everybody should be paid a lot more. There should be a-

    27. JR

      Well, so-

    28. MR

      ... genuine percentage.

    29. JR

      It's really only the Comedy Store.

    30. MR

      We're, like, going back to that argument from, uh, The Comedy Store-

  7. 22:3427:50

    Comedy as personal development: insecurity, social anxiety, and finding balance

    1. MR

      ... do you feel like you are always, um ... 'Cause I see you w- as somebody who's, like, so powerful and such, such a strong point of view and b- strong belief system. Do you f- feel like you've always kinda been that way?

    2. JR

      No, I don't think so. I think comedy, for sure, makes you chase down those ideas, like, what is, what is your real feelings on things.

    3. MR

      Yeah.

    4. JR

      'Cause you're thinking about things so often, and, and then as you're saying things, you're thinking about people's reaction to them. That's a big one. A big one is the ... Comedy's allowed me to really pay attention to other people's reactions more than, like, I think I wanted to, because I think if I had my own way, and I had nothing to do with standup, I probably would be way more antisocial, way more guarded and protected, and way more insecure, 'cause I hadn't answered those questions. I didn't pose them of myself 'cause they made me uncomfortable.

    5. MR

      Yeah.

    6. JR

      So what standup allowed me to do is like ... I wasn't the most outgoing person. I was a ver-

    7. MR

      Really?

    8. JR

      Yeah, yeah, yeah. I was very insecure. And, uh, even so, I'd get, like, social anxiety. I, I've talked about this before, but I would ... Like, talking to a bank teller. I'd be k- I'd know that I'm next to talk to the bank teller, and I'd kinda freak out. I wouldn't know how to ... I would, uh, wouldn't exactly know how to talk and say things and do it right. But I ... It changed from teaching martial arts. When I started teaching martial arts, um, I learned how to project in front of, like, this big r- room full of people. It's something I never imagined I was gonna do, any public speaking before that. It was never on the menu. I never even thought about it. But when I taught classes, I had to teach them, and I was teaching, uh, you know, like, in universities. I taught at BU, and I taught at some other places, uh, some other gyms and stuff.... and you know, you have to get these people's attention. You have to be clear and you have to have confidence. And ... But I knew what I was doing with martial arts-

    9. MR

      Right. I was just gonna ask you that. It probably helped a lot.

    10. JR

      Sure.

    11. MR

      Even if you were nervous, you were like, "Let the skill kind of take over."

    12. JR

      Yeah. We would oftentimes, like if we opened up a new school somewhere, we'd do a demonstration, and then you, we'd, they'd give a speech afterwards, explain what the martial arts were. But we'd do a demonstration first. Like, people would hold like boards and shit, and he'd kick them and stuff like that, which we never did in real life. We only did for demonstrations. Like, we never trained that way. But my point was, like, getting into stand-up, I didn't have a particularly clean point of view. I think ... I was 21 years old. I was thinking I was a moron. You know, I didn't have any life experience other than martial arts, uh, and girls. Like, that was all I could talk about. And I didn't ...

    13. MR

      (laughs)

    14. JR

      And I knew martial arts weren't really funny, so I was just-

    15. MR

      (laughs)

    16. JR

      ... relationship stuff. But, um-

    17. MR

      Hey guys, how about when we hit that block?

    18. JR

      (drum beat)

    19. MR

      We don't really do that. Am I right? (laughs) What's up ladies?

    20. JR

      (laughs) Who can relate? What's up with us kicking those blocks of wood, guys?

    21. MR

      (laughs)

    22. JR

      I mean, seriously. Hmm.

    23. MR

      Yeah, I mean, I had a, um, a similar thing of ... It, it, it helps-

    24. JR

      Yeah.

    25. MR

      ... to just even say anything and to be like, "Oh, I exist."

    26. JR

      Mm-hmm.

    27. MR

      "I have a voice." And I'm just now starting to ... I mean, I have a lot of material that's true, but I'm just now kind of starting to build that deeper, um, the belief system thing. You know, like I talk about my personal life and there are kernels of things in there, but it's, it's scary to kind of come out and-

    28. JR

      Yeah.

    29. MR

      But it's fun, because that's what people want, you know. That's what, like, that's what gets it going and that's what gets everybody excited and that's what, uh ... I don't know, it's cool.

    30. JR

      Yeah, you know what comedy's taught me? One really important thing, as a person, you're not done. Like there's no done.

  8. 27:5037:09

    Bad sets, hecklers, and ‘looking like a sexist’—plus Comedy Store vibes and identity

    1. MR

      Have you ever been on stage and just, uh, been, uh, not, not angry, but like not enjoying ... Kinda not wanting to be on stage and it shows in your performance? Or does, do you always get out of it through performing or, or speaking it?

    2. JR

      Yeah, you definitely ... You can get upset. There's a w- There was a woman who, uh, kept heckling me in the front row of the Comedy Store, just interrupting, just stopping bits before I had a chance to explain them, and then finally I had to kick her out. And it was so annoying. The way she did it was so, it was so entitled, like she was entitled to voice out her opinion in the middle. It was a b- I was doing this chunk last year on my last special about this guy who broke into the White House, that a guy just broke into the White House. You would think there would be all these things in place to keep someone from breaking into the White House.

    3. MR

      (laughs)

    4. JR

      The guy just humped across the lawn, ran across the lawn-

    5. MR

      We remember that.

    6. JR

      ... got to the front door, and there was only a girl sitting there. One unarmed girl-

    7. MR

      (laughs)

    8. JR

      ... by herself. He smacked her to the ground and just ran through the fucking White House. And I had this whole bit about whose idea it was to ha- just leave a girl by herself.

    9. MR

      I think I've seen you do that bit. (laughs)

    10. JR

      Yeah, and th- and then I said that ... Th- this was the part like this lady interrupted me. Um, I said, you know, a lot of people think that women can do everything men can do, right? And I go, "Well, that doesn't make sense, because men can't even do everything men can do." So I was in the middle of saying that doesn't even make sense because ... And the joke is, and I e- I explained it to her. I go, uh, "The joke is, lady, I've met Shaquille O'Neal, and his dick is where my face is. And if the White House is experiencing a Shaq attack-"

    11. MR

      (laughs)

    12. JR

      "... I'm the wrong dude to save the world."

    13. MR

      (laughs)

    14. JR

      "He's gonna run me over." But, you know, and that ... I tried to explain that, and like she just wanted to interrupt anything that had to do with men or women. So that was annoying, and I did not have a good set that night, because it was like, "Jesus Christ, just get the fuck out of here." And I had a k- ... And she apparently had done that to some guys that were on before, and she was so drunk when I was looking at her, their eyes weren't focusing. Just some smart lady that was drunk that thought she could stop what she thought was sexism, probably 'cause she was drunk.

    15. MR

      But there's a difference between, like, you then overcoming it and being like, "Ha ha, that was awesome," and then the feeling of, I think what I'm-

    16. JR

      I was tense.

    17. MR

      Yeah, like-

    18. JR

      Yeah.

    19. MR

      ... where you're just ins- inside your own head going, "I don't wanna be here. Like, that sucked. Like, it's not fun."

    20. JR

      It wasn't that. It was just like, I shouldn't have allowed myself to get so upset. But I, I came into the stage upset. That was part of the problem, is that I had a crazy day with a lot of fucked up things happened, and I carried that energy onto the stage. There was a lot of weird shit that happened in my life that day. It was just like, "Enough, enough, fucking enough."

    21. MR

      And then her ...

    22. JR

      You know? Yeah. It's like weird shit with friends and a couple weird business things. It was like a compounding day, and then this lady was hammered, and just ... And, and I gave her the bene- I t- I tried to talk her into just-... release, and I explained to her, this is how the bit would have gone if you didn't interrupt.

    23. MR

      (laughs)

    24. JR

      I go, "Okay. Get it? See, I'm gonna say something outrageous."

    25. MR

      (laughs)

    26. JR

      "Then I'm gonna say something more fucked up about myself."

    27. MR

      (laughs)

    28. JR

      "This is what I do." So I did it again, and she interrupted again. I'm like, "Get the fuck out. Just get out. Just get out." And I was, but I was really upset, and you shouldn't really get upset. So when you allow yourself to get really upset, it's usually because you came into it unbalanced. And again-

    29. MR

      Right.

    30. JR

      ... it's always you're neve- you're never done. Like, you might think, "Well, I understand how to behave now. I've got my shit together. I get it." But you don't. You do, you get it right now, but if you let it slip, you won't get it tomorrow. If you have the wrong attitude or the wrong approach, and the wrong dude cuts you off, you're like, "Fuck off!" Like, "Ah!"

  9. 37:0958:16

    Road comedy with TV fame: 24 fans, weird crowds, and safety as a woman on tour

    1. JR

      And you go, "No, thank you."

    2. MR

      So you gave me the confidence to get back in it. So I was on 24 when it came back and we filmed in London, because it had been done for like two years, and they brought it back. And it was the end of that airing, and it was the first time I was going on the road as a comic. So because my face was on TV and people were super into 24, my show's packed out, the first time I'd ever gone on the road, right? My first 45, 50-minute show. And I first hit the stage at like Side Splitters Tampa or whatever, you know? He's like, "You... All your shows are sold out." And, um, first of all, my opener and my middle are like, "This is great. It's sold out." But then, when they got on the stage, they'd come off the... Like, "Your audience is weird."

    3. JR

      (laughs)

    4. MR

      Because they're 24 fans and they were all... They don't come out to clubs, right?

    5. JR

      Right, right.

    6. MR

      Like I would sometimes have, uh, somebody sitting like with a, uh... This guy had an article of clothing that I had worn in season three. So I'm like trying to do comedy like, "Oh, okay." Like, "You just want me to sign your thing." But, you know, and my approach was... 'Cause I'm in my own head, so I'm like, "Hi. So my name's Mary Lynn." And doing-

    7. JR

      (laughs)

    8. MR

      ... doing my like... I'm uncomfortable and that's where my comedy comes from.

    9. JR

      Right.

    10. MR

      And the whole vibe was like, "What?" You know, like, "You're a TV star." Like, "We came to see you." And I, and I had to adjust, and like take that in. And then, not only take it in, but talk about it, you know? Like, uh-

    11. JR

      Yeah.

    12. MR

      ... you know? And I would just be like Jack Bauer and they'd be like, "Ha ha ha." Like losing their shit.

    13. JR

      Wow.

    14. MR

      And like I would just make somebody in the audience like, "You're my Jack Bauer." And then-

    15. JR

      (laughs)

    16. MR

      ... I just, you know, had to make it like five, 10, 15 minutes of like let's talk about it. Because it was such an amazing thing.

    17. JR

      Yeah.

    18. MR

      You know? And it was to me too, but I had this whole... That was the only drama I had ever been on, and I had this whole other world of comedy that I had been doing. But th- th- the intersection of that was just like bizarre. But, uh, but then I, you know... Like you said, you're never done and you never know what's gonna happen and you adjust to it. So I would do the 24 stuff, and then I would go into my stuff. That's my stuff about my life and my personal life and my point of view. And, uh, then that became really gratifying, you know? Once I sort of brought them in.

    19. JR

      Right.

    20. MR

      Like did, did the thing that they needed to hear about, which is also part of my life. So, you know...

    21. JR

      How long did it take before they stopped coming to see you because you're from 24 and started coming to see you because you're a funny comic?

    22. MR

      Oh, I'm still waiting for that to happen.

    23. JR

      (laughs)

    24. MR

      I'm still hoping for a career in comedy. (laughs)

    25. JR

      (laughs) No, seriously. You-

    26. MR

      Well, then it dropped off, right? So I did that same circuit a year and a half later, and there would be some super fans, there would be some comedy fans, and there would be some people that didn't know why the hell they were there. So-

    27. JR

      Oh, so it switched around.

    28. MR

      ... so then I would have, yeah, the guy that knows me from Always Sunny in Philadelphia, the lady that knows me from 24, and the guy who's out of his mind on drugs going, "You're not funny." And I'm like-

    29. JR

      Ugh.

    30. MR

      You know, and that... This poor person's like, "She's a superstar." Like, "Why is she in this shit hole?"

  10. 58:161:19:29

    Allergies, allergy shots, and the EpiPen adrenaline rush—into sauna/cryo biology

    1. JR

      Fluffed pillow. Oh, you get your pets in the bed with you?

    2. MR

      Yeah.

    3. JR

      Oh, yeah.

    4. MR

      I have to keep them out 'cause of my allergies, but then when they sneak in-

    5. JR

      (laughs)

    6. MR

      ... and surround me.

    7. JR

      What are you allergic to?

    8. MR

      Everything. I'm an aller-

    9. JR

      You have cats and dogs and you're allergic to them?

    10. MR

      Yeah, my husband got the cat. That's what put it over the edge.

    11. JR

      Mm-hmm.

    12. MR

      I had two dogs for the longest time, and I ignored it, and then it's the weather and the cat, and I just went over this edge where I always had, like, this really bad cold, and then I finally-

    13. JR

      Ugh.

    14. MR

      ... had to go, and I tried all the, uh, organic things, and then I finally had to go and get the, like twice a week. But when they tested it, it was like everything... Just like paper and pollen and pets and, uh-

    15. JR

      Paper? You're allergic to paper?

    16. MR

      Yeah.

    17. JR

      Wow.

    18. MR

      Uh, but then I got those shots twice a week.

    19. JR

      And what'd the shots do?

    20. MR

      I kinda miss my allergist. We would have little four-minute chats.

    21. JR

      (laughs)

    22. MR

      Uh, it's like you're inoculating, so you start doing a little bit and then you build up your tolerance.

    23. JR

      So they can inoculate you for cat dander?

    24. MR

      Mm-hmm.

    25. JR

      Really?

    26. MR

      Yeah. That's what an allergy shot is.

    27. JR

      I didn't even know that there were allergy shots.

    28. MR

      Yeah, and he, it's like a little cocktail of, like, all the things, the cocktail for me of all the things that I'm allergic to, and then I just build up my tolerance.

    29. JR

      Wow. So now if you're around a cat, nothing?

    30. MR

      Yeah, I cuddle him.

Episode duration: 2:00:08

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