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Joe Rogan Experience #1122 - Donnie Vincent

Donnie Vincent is a biologist, explorer, conservationist, sportsman, and filmmaker. Links to some of his recent work is available at: https://www.donnievincent.com

Joe RoganhostDonnie Vincentguest
May 28, 20182h 36mWatch on YouTube ↗

At a glance

WHAT IT’S REALLY ABOUT

Hunting, Ethics, and Wilderness: Donnie Vincent Redefines the Modern Hunter

  1. Joe Rogan and filmmaker-hunter Donnie Vincent explore what ethical hunting really means, contrasting it with factory farming, trophy hunting, and cartoonish media portrayals of hunters and wildlife.
  2. Vincent describes his immersive, long-form hunting films as a way to convey the spiritual, ecological, and physical realities of living in wild places—from the Arctic to Australian buffalo country—rather than just kills.
  3. They discuss predators like bears, wolves, mountain lions, and orcas, emphasizing their ecological roles, the complexity of managing their populations, and the emotional contradictions of killing animals you deeply respect.
  4. The conversation also tackles veganism, large-scale agriculture, lab-grown meat, and overpopulation, arguing that no food choice is free of death and that hunters should be among the first to advocate for backing off when wildlife or habitat can’t sustain pressure.

IDEAS WORTH REMEMBERING

5 ideas

No way of eating is truly bloodless or impact-free.

Rogan and Vincent argue that large-scale crop farming kills vast amounts of wildlife (from rodents to fish via fertilizer-fueled ocean dead zones), so claiming moral purity as a vegan or vegetarian ignores real ecological costs.

Ethical hunting requires constant self-questioning, not blind tradition.

Vincent insists hunters should repeatedly ask themselves why they hunt, when they should back off declining populations, and whether their actions improve or harm habitat and wildlife long term.

Predator control is emotionally difficult but sometimes ecologically necessary.

Examples like black bears taking half of moose and deer calves, or individual mountain lions eliminating nearly 10% of a sheep herd, show why targeted predator hunting can protect prey populations—if it’s data-driven and selective.

Trophy hunting without meat use is socially and ethically toxic.

They criticize hunters who only take hides and skulls (e.g., some grizzly and African lion hunts), arguing that leaving edible meat behind fuels public backlash and undermines legitimate conservation-based hunting.

Wild, field-harvested meat offers both superior ethics and nutrition.

Stories of elk, bear, and mountain lion tasting exceptional—and often reflecting what the animals ate (like blueberry bears)—underscore the value of clean, non-factory protein closely tied to an animal’s natural life.

WORDS WORTH SAVING

5 quotes

It’s very difficult to articulate how much you love something, yet you’re willing to engage it in such a heavy way, such a violent way that you’re willing to step in, kill it, cut it up, get your hands bloody.

Donnie Vincent

Life eats life. And if you want to claim the moral high ground because you’re a vegetarian or because you’re a hunter, I think you’re missing the big picture.

Joe Rogan

If the population of human beings continues exponentially, hunters should almost be the first ones to give up hunting if it trends towards that someday.

Donnie Vincent

We’ve set this up so you don’t ever have to crack an egg in your entire life and you can eat eggs your entire life.

Donnie Vincent

We don’t even, we can’t even comprehend what that animal is… If orcas weren’t real and Bigfoot was real, we wouldn’t give a shit about Bigfoot.

Joe Rogan

The true nature and purpose of hunting versus media stereotypesEthical treatment of animals, PETA, and factory farming realitiesPredators and conservation: bears, wolves, mountain lions, dingoes, and orcasEcological impact of agriculture, dead zones, and overpopulationHunting methods, difficulty, and fair chase (bows, rifles, ATVs, concessions)Tension and overlap between hunters, vegetarians, and vegansDonnie Vincent’s long-form hunting films as conservation storytelling

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