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Joe Rogan Experience #1168 - Mareko Maumasi

Mareko Maumasi is a bladesmith and custom knife maker. https://www.maumasifirearts.com/

Mareko MaumasiguestJoe RoganhostGuest (secondary clip/reading)guest
Sep 6, 20181h 52mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:000:02

    Intro

    1. MM

      ... (humming)

  2. 0:022:06

    Meteorite steel knife: what’s in it and where it comes from

    1. JR

      Four, three, two, one. Boom! The lost art of- of knife making-

    2. MM

      (laughs)

    3. JR

      ... it's still alive. How are you, man?

    4. MM

      I'm doing good, man. I really-

    5. JR

      Thanks for coming down here. I appreciate it.

    6. MM

      ... I, I'm fucking huge. I really appreciate you having me down.

    7. JR

      Hey, listen, man. You've made two awesome, well, four awesome knives for me, but this one, um, is one I use all the time that, uh, I've posted on Instagram that people freak out, as we were talking about before the podcast. It actually has meteor in it.

    8. MM

      Yeah.

    9. JR

      Meteorite. What's ... Meteor's a big one? Meteorite's a little one? Is that the idea? Do you know?

    10. MM

      I guess. (laughs) Yeah. I don't-

    11. JR

      You should know.

    12. MM

      (laughs) I- j-

    13. JR

      You're the knife maker.

    14. MM

      So, I didn't actually make ... So I made the knife, I forged the knife, but the steel is, is a very special kind of steel that very few people can actually manufacture on a small scale in the world. And that was made by my shop mate, Peter Swarsberg. And so he, um ... The meteorite is kind of a, a small element in the whole matrix because most meteorite is, uh, all nickel or all iron or something like that and this one particularly is a lot of nickel and some cobalt and if you're gonna make a- an actual usable steel out of it, you can't really use a whole lot of it in the overall mixture.

    15. JR

      Mm. So is there any meteorites that are made out of all iron?

    16. MM

      Yeah, definitely.

    17. JR

      You just have to find 'em?

    18. MM

      You just gotta find the ones. Yeah, and there, there are impact sites all over the world. Like they're hitting the world all the time. Uh-

    19. JR

      How ... So wh- ... Is it w- ... Can you just take 'em? Like when they land, is it yours if you find it?

    20. MM

      Yep. They-

    21. JR

      Like you don't have to report it to NASA or anything, right?

    22. MM

      No. No. Um-

    23. JR

      "Hey, bro."

    24. MM

      (laughs)

    25. JR

      "Found some space junk."

    26. MM

      Most of them are, are, are so small that they ... By the time they-

    27. JR

      Get here.

    28. MM

      ... wh- hit the actual Earth's surface-

    29. JR

      Mm-hmm.

    30. MM

      ... they've completely disintegrated or burned up. So it's the really massive ones and this was part of, uh, an impact, I think, in South America.

  3. 2:066:00

    Why handmade craftsmanship matters in a digital world

    1. JR

      There's a dope pattern. Um, I'm really into craftsmanship, man. I've, I always have been. I love handmade pool cues and this desk, which is a handmade desk.

    2. MM

      Yeah.

    3. JR

      And I feel like it's one of the things that I really appreciate in this modern digital world, and I also feel like, unfortunately, it may be one of the things that's slipping away.

    4. MM

      It, it definitely is slipping away. I think with, um, you know, with technolo- ... Technology has been great for us in a lot of different ways. Like we couldn't be fucking talking into a piece of metal.

    5. JR

      Right.

    6. MM

      And it's recorded on a computer. (laughs)

    7. JR

      It's going through a wire-

    8. MM

      Yeah. (laughs)

    9. JR

      ... flying through the air.

    10. MM

      Like it does a lot of great things, but in doing all those great things, it actually has taken us away from really creating and working with our hands and so, like, you know, e- even this whole like, uh, farm to table movement where people-

    11. JR

      Mm-hmm.

    12. MM

      ... even growing their own vegetables.

    13. JR

      Yeah.

    14. MM

      You got your own chickens. You ... They're, they're laying eggs for you. Like knowing where this stuff is coming from, having like first-hand contact with that, um, just having that relationship in general with it brings so much more value to the overall experience of eating those eggs or using that knife or-

    15. JR

      Yeah.

    16. MM

      ... sitting at this fucking table right here.

    17. JR

      And it seems like a f- a fairly recent movement in that direction, right? Like it feels like things got so digital that people are like, "Whoa, whoa, whoa," with the Facebook and the fucking Instagram. "I want a-"

    18. MM

      Right.

    19. JR

      "... You know, I want a wood table."

    20. MM

      Yeah.

    21. JR

      "I wanna saw this bitch-"

    22. MM

      Something tangible.

    23. JR

      "... myself." Yeah.

    24. MM

      Put your hands on it.

    25. JR

      Yeah, I don't want it to be-

    26. MM

      And get your hands all dirty.

    27. JR

      ... plastic. Yeah. I want real stuff and th- there's something about handmade things, whether it's a handmade pair of boots or a handmade bag, like th- it's like there's something about things that are made by hand that people get a, like a deep appreciation of- from.

    28. MM

      For-

    29. JR

      Yeah.

    30. MM

      ... sure. Well, and I think it ... I think it also kind of goes back ... Like I was saying, like as technology has advanced, we've kind of grown away from these kind of what's considered like blue-collar work.

  4. 6:008:33

    Ancient materials in modern tools: bog oak, lakewood, and the story inside a handle

    1. MM

      And I saw your conversation or I listened to your conversation with Guy Ritchie and you brought up that there was ... I think actually Jamie pulled it up and it was like, "Bog oak," and Guy Ritchie-

    2. JR

      Yeah.

    3. MM

      ... was like, "Bog oak? What bog?"

    4. JR

      Yeah.

    5. MM

      "Are there American bogs?" (laughs)

    6. JR

      (laughs) ... there are-

    7. MM

      No, I don't know if there are any American bogs. It was from a, a bog in Russia, and it was carbon dated to 5,400 years old.

    8. JR

      Jeez.

    9. MM

      So essentially, it's been sunken in a bog, just sitting there-

    10. JR

      That's the other knife that you made for me-

    11. MM

      Yeah.

    12. JR

      ... that has a handle made, bog oak.

    13. MM

      So-

    14. JR

      That's, how did, how does one get ahold of bog oak?

    15. MM

      So, people are raising logs. Like, there actually was a show, I think it was on Discovery Channel or History, where people were, their job was raising logs out of, out of the swamps-

    16. JR

      Out of the bogs?

    17. MM

      ... down in Louisiana and the South, and using, making use of that wood for table projects and craft projects-

    18. JR

      Mm-hmm.

    19. MM

      ... like this. So that, but that's happening all over the world.

    20. JR

      Mm.

    21. MM

      And some of that stuff are these ancient logs that have, you know, it's, uh, the right conditions where the log, the tree falls over, it just sits there and steeps, and hangs up.

    22. JR

      You know, that's a big thing for pool cue shafts, lakewood shafts. They, they like to take these logs out of the bottom of like, Lake Michigan or something.

    23. MM

      Right.

    24. JR

      And then they, uh, dry it all out, and then they make shafts out of it. And there's something about it being in the bottom of the water for so long, it does something to the, to the way they feel.

    25. MM

      Right.

    26. JR

      What do you got there, Jamie?

    27. MM

      (laughs)

    28. JR

      That's ancient bog wood artisan dice.

    29. MM

      Dice. (laughs)

    30. JR

      Oh.

  5. 8:3316:14

    Knife-making culture and Mareko’s path: from restaurants and salsa to apprenticeship

    1. JR

      Interesting. So, there must be a community of you people, these, these knife-making people.

    2. MM

      Yeah, there, there are quite a few people who have started getting into the knife making, um, the knife making. Um, espe-

    3. JR

      The world of knife making.

    4. MM

      ... the world (laughs) of knife making. Uh, really, there, the, the resurgence of kind of handcrafted, hand-forged knives kind of started back in the '70s. Um, and it was, it, it stemmed off from, um, I think it was the Custom Knife Making Association, or, uh, yeah, Cuf- Custom Knife Makers Association. And then it stemmed off to the ABS, which is the American Bladesmith Society, and that was all about the forged blade, and kind of the mission to retain that knowledge and that history, and, and the skills that go into actually taking a piece of metal and forging a blade out of it. Like, your blades, they were forged to shape. They, where, uh, one per- approach is to just take a, a bar of steel-

    5. JR

      Mm-hmm.

    6. MM

      ... trace out a line, cut that out.

    7. JR

      Right.

    8. MM

      With a stock, I mean, it's totally valid way of doing it. Um, forging, the forging aspect, uh, especially if somebody doesn't actually know what they're doing, they're just like, heating up a piece of steel, they don't know how fucking hot it is getting, they don't know how, when to stop hitting it, they may be hitting it too cold. They may be overheating it and hitting it while it's way too hot. Uh, they could really, actually do detrimental damage to the, to the material and turn out a piece of shit.

    9. JR

      Right.

    10. MM

      Um, so the forged aspect really just brings kind of an, an aesthetic and kind of a depth of story to help bring kind of more to that product. Um-

    11. JR

      Well, it's another level, right, of handcraftmanship.

    12. MM

      Yeah, it's just another layer of it, yeah.

    13. JR

      Right, it's not just handcrafting something from a, you know, just a piece of metal that you bought, and you put all the pieces together and polished it down and sanded it.

    14. MM

      Right.

    15. JR

      When did you get into this?

    16. MM

      So, I (sighs) , uh, it's a kind of a funny story. So, I got into this back in 2008, is when I f- uh, met Bob Kramer. At the time, I was working in a restaurant, uh, actually in my hometown of Olympia. Um, and I was working at a restaurant, I was moonlighting as an assistant salsa dancing instructor and doing like-

    17. JR

      (laughs)

    18. MM

      ... uh, uh, like community performances and shit like that. And, uh, I was 24, and I didn't know what the hell I was doing with myself, and I didn't really have much of a direction in my life. I was terrible at school. Um, you know, I had maybe 40 credits towards, towards an AA, but I don't even have a, like an actual certification or degree or any kind. So anyways, I was, I was sharing this with my dance partner, and she had just started working for this guy who was a knife maker, and she's like, "Oh, you should meet him. He's really interesting. Uh, you know, you kind of feel like you're lost. He's been all over the world." He's even like, he was even a clown at one point, and-

    19. JR

      This is Bob Kramer?

    20. MM

      This is for Ring- Yeah.

    21. JR

      He used to be a clown?

    22. MM

      He was a clown f- I think for a year for Ringling Barnum & Blay- Bailey.

    23. JR

      (laughs)

    24. MM

      Um, and from what I understand, it was a great experience, and he loved it, and, uh, but anyways, she's like, "You know, I think you guys would hit it off. I think he, he, you know, maybe he could help bestow some wisdom as to where you're at and where he was at, and maybe what kind of choices or options you have ahead of you." And so, I met up with him, uh, at the brew pub that I was actually working at, and got some beers, got some fish and chips, sitting and bullshitting, and it ended up turning into a, uh, job opportunity. Neither of us really went into it knowing that that's the direction it was gonna go. But, uh, he was anticipating, he had a, an article coming out in The New Yorker, like, in a month, um, that was gonna really, like, blow his shit up. And he had had a couple big articles, like in Saveur Magazine, and he was featured in, uh, Cook's D- Illustrated at one point. And each time, like, there's a huge influx, and so I think in, in part of anticipation for that-... he was like, "Look, you seem like a nice guy. You don't really seem to (laughs) have a direction. Maybe we could work something out. I can't make any promises to you that I have full-time work for you." Um-

    25. JR

      So, he just took you on as an apprentice.

    26. MM

      Essentially.

    27. JR

      I saw a video with him-

    28. MM

      Yeah.

    29. JR

      ... with, uh, Anthony Bourdain.

    30. MM

      Yeah.

  6. 16:1418:01

    Demand, waitlists, and the modern reality of being an artisan

    1. JR

      (laughs) M-A-U-M-A-S-I Fire Arts. Uh, if you go there, that's his page. You'll be able to check it out and... Order books are closed. You're fucked.

    2. MM

      (laughs) Yeah, just-

    3. JR

      You gotta back order.

    4. MM

      Yeah, I, I'm, uh... I'm at three years right now, and I just... kind of, like, I had to shut it down 'cause it's... kind of at a, at a overwhelming point.

    5. JR

      Yeah.

    6. MM

      It... Like, it's a good problem, but it's overwhelming because it's a fucking ******* show.

    7. JR

      I can only imagine.

    8. MM

      Yeah.

    9. JR

      Yeah.

    10. MM

      And balancing doing the work with now the... you know, like, the marketing and branding-

    11. JR

      Mm-hmm.

    12. MM

      ... maintaining relevance through social media and taking the time to create content on top of all that, it... I mean, especially when you're first starting to do it, uh, the content part, side of it, it *** ti-... time-consuming.

    13. JR

      That's a crazy, like, long waiting list, man. Three years.

    14. MM

      Yeah. And, uh, realistic... M-... Or, uh... It's actually... and at least in the knife-making world, it's not uncommon for people to actually wait longer than that.

    15. JR

      It's the same thing with the pool cue world.

    16. MM

      Right?

    17. JR

      It's the exact same thing.

    18. MM

      Okay.

    19. JR

      A l-... A lot of these, uh, famous pool cue manufacturers, like Southwest or Sugar Tree, I mean, they have 10-year waiting lists. And it's just because they do it right. It takes a long time. Everything's done by hand.

    20. MM

      Right.

    21. JR

      They're highly sought-after. And because of that, like, you could buy a pool cue from, uh-

    22. MM

      (clears throat)

    23. JR

      ... you know, a company that makes them through, you know, computerized process.

    24. MM

      Sure.

    25. JR

      And they're fine. They play really good. Just like a knife that you'd buy from a store that's c-

    26. MM

      Right.

    27. JR

      ... you know, made by a machine, and it's all done mass-manufacturing. It'll cut your meat. It works great.

    28. MM

      Yeah, it gets the job done.

    29. JR

      Yeah.

    30. MM

      But it doesn't feel the same.

  7. 18:0126:02

    Do objects hold ‘memory’? From craftsmanship to morphic resonance

    1. JR

      Well, there's little something that people leave in things that they make. I mean, there really is. I mean, I, I think it exists in everything that people make, whether it's clothing or jewelry, or furniture, or anything. I mean, I think there's a little something that people leave when they... in, in a thing that they make.

    2. MM

      What i-... There's something you talk about sometimes about how animals inherit, like... uh, pass down through genes, like-... watch out for this plant or watch out for these-

    3. JR

      Mm-hmm.

    4. MM

      ... predators and shit like that, like passing something on like that kind of in a way. Like, where I'm toiling over something like that for, you know, 40 dedicated solid fucking hours-

    5. JR

      Right.

    6. MM

      ... making sure it's as perfect as I possibly can make that thing at this point in my life-

    7. JR

      Mm-hmm.

    8. MM

      ... with the skills I got, and ...

    9. JR

      I, I think there's something to that. I mean, I, even if it's just a thought, even if you just know when you touch it, like if I touch this knife, I know that you made this, you know? When I'm, when I'm cutting something with this and I'm cooking, I know that you made this. So maybe it's just even if it's only in my head, it's still ... It just feels different, you know? And I, I, I, I don't know. I mean, there's, there's Rupert Sheldrake who's a ... I don't know what exactly kind of scientist he is, but he has this bizarre theory, and he's a really interesting guy to talk to, so, uh, uh, I would never discount it. He thinks that everything has memory.

    10. MM

      Right.

    11. JR

      He thinks you just, you just can't access that memory, but he thinks there's things that have memories. And he thinks that our idea that memory is something that only animals and humans possess is, is just, it's probably not true, and that, that's probably one of the reasons why people don't want to buy a house where someone was murdered.

    12. MM

      Right. (laughs)

    13. JR

      You know what I mean? Like, the idea is that a haunted house-

    14. MM

      Jesus.

    15. JR

      ... even if it's not really a ghost, like maybe that home has memories.

    16. MM

      Yeah.

    17. JR

      You know, maybe a ... Like, my dad went to Gettysburg, and, uh, he's not woo-woo at all.

    18. MM

      Sure.

    19. JR

      He's like as fucking straight-laced, across-the-board, no-bullshit as it gets, and he said, "Man, you could feel sadness there." He goes, "You just think of how many thousands of people died at Gettysburg," and he said, "When you're there, it just, it feels sad, like you feel death."

    20. MM

      Crazy.

    21. JR

      Yeah.

    22. MM

      Yeah.

    23. JR

      Yeah. I don't know if that's real or if it's maybe the knowledge that you have that there was a war there. I mean, I don't know.

    24. MM

      I, I used to do this thing where I would walk through cemeteries.

    25. JR

      Hmm.

    26. MM

      Um, just interested, like looking at people's names and-

    27. JR

      Right.

    28. MM

      ... and like when, when did they live and what do people have to say about them or what, you know, what's left behind. And just walking through cemeteries, like sometimes I would even do it on Halloween to try to creep my ass out.

    29. JR

      (laughs) Oh, god.

    30. MM

      And it's, it's definitely (laughs) feels weird in there-

  8. 26:0240:31

    Listening, learning, and staying safe in the shop (noise, lungs, and buffers)

    1. MM

      You know what I've actually gotten into recently, is listening to, uh, old recordings of like, uh, Alan Watts.

    2. JR

      Oh, yeah.

    3. MM

      And like-

    4. JR

      Oh, he was great.

    5. MM

      ... reading Joseph Campbell and just like-

    6. JR

      Yeah.

    7. MM

      ... I don't know, just absorbing it and trying to figure out what that means to me today.

    8. JR

      Mm-hmm.

    9. MM

      In this like-

    10. JR

      The hero's journey?

    11. MM

      ... very different world. Yeah.

    12. JR

      Yeah, Watts is a fascinating guy, plus that accent made him sound so much cooler.

    13. MM

      Yeah.

    14. JR

      (laughs)

    15. MM

      Drone out and long better drone better.

    16. JR

      Yeah.

    17. MM

      His ... Actually the first time I ever got into a good, uh, like a, uh, like a meditative space was a meditation led by Alan Watts from like, I don't know, when the fuck he was, like 60, 70s.

    18. JR

      Mm-hmm.

    19. MM

      And just the way he explained it, for me, like it was the first time it ever made sense how meditation should ... He's like, "Don't try to not think of anything, but just accept them, that they're there. And, but also ignore them at the same time."

    20. JR

      Yeah.

    21. MM

      It was weird and then I just totally like, I felt like I was above myself watching me just sitting there listening to this recording. It was a trip.

    22. JR

      Well, he was such a heady guy. The, just the sound of his voice and just hearing his thoughts. When you, when you hear a really deep thinker like him, one of the things that it does is it kind of gets you into that pattern of thought and you realize like, oh, I can probably kind of sort of think that way too. If I just allow myself to be guided by his words and sort of try to pay attention to how he's doing this.

    23. MM

      Yeah.

    24. JR

      He's, um, he was an interesting guy because not just was he a deep thinker, but his, the, the influences of those people, it's, it's very different. Like there's very few recordings even back then for them to listen to. You know, this stuff was based on reading, um, and their education and their actual life experiences, so they were very unique and original. They were really the cornerstones for a lot of these deep philosophical ideas, you know. And so then when you hear an Alan Watts recording today, you know, maybe someone like me or some other people that listen to that, they'll might, might, uh, share those ideas or reflect on those ideas, but clearly these are not my ideas. These are ideas that have come from these intense cornerstone people, whether it's McKenna or Alan Watts or someone like that. Do you get a chance while you're, when you're working, do you listen to shit or do you just-

    25. MM

      Yeah. I got all the time to sit and listen.

    26. JR

      Do you have headphones or like, 'cause-

    27. MM

      Yeah.

    28. JR

      ... it seems like it'd be loud as fuck.

    29. MM

      Yeah. So I just got ahold of these, uh, like Bluetooth head, head, like earbuds.

    30. JR

      Mm-hmm.

  9. 40:3144:34

    Damascus demystified: pattern-welded steel and how the ‘braid mosaic’ is made

    1. JR

      ... um, how the fuck do you create those patterns, like Damascus steel?

    2. MM

      (laughs)

    3. JR

      What- what is that? Oh, this doesn't have too much of a pattern.

    4. MM

      That one's not the, uh, Damascus steel unfortunately.

    5. JR

      Yeah.

    6. MM

      It's beautiful though.

    7. JR

      Yeah. Now, what- what does create those ... Like that.

    8. MM

      There you go.

    9. JR

      How do you do that? We're looking at a crazy image that looks like ... It almost looks like someone drew on it.

    10. MM

      Yeah. (laughs) This is, uh, this is a pattern I just came up with recently. It's called ... I call it the braid mosaic, for lack of better term. Um, but it just looks like a braid and it's something I've been wanting to create and-

    11. JR

      How do you create it?

    12. MM

      ... I finally figured it out. So essentially wha- ... To create pattern-welded Damascus, uh, first off, Damascus is kind of a blanket ... Has become a blanket term. Traditionally and originally it actually referred to the steel that ... Like, the type of steel that your knife, this knife, the Meteorite knife, is made from. And it eventually became a blanket term for all kinds of, kind of, patterned steel in general, whether it's ... It- it curves naturally or if it's kind of forced and created the way that braid pattern was made. Um, so that's pattern-welded steel and so you have to start with at least two, uh, different types of high-carbon steel. Ideally, s- steels that heat treat in a similar range. When you heat them up and squish on them, they've ... They move at a similar rate and so, uh, most commonly, people are working with 1080 and 15 and 20. Those are just codes for two different types of high-carbon steel but essentially you bring them up to a high temperature, you, uh, you squish them, uh, either under a big hammer or under a press. You can even actually do it by hand but you have to do kind of a smaller billet, uh, to create the patterns and get it to stick 'cause the trick is really getting, um, getting them close eive- evenly squishing it out. And it's like, um, if you've ever like rolled out dough or anybody who's ever made like pastry dough, like you would use in a croissant.

    13. JR

      Mm-hmm.

    14. MM

      You tear open a croissant you see all those layers in there and that's from a piece of dough being rolled out, folded over, rolled out t- ... And so it's kind of the same fucking thing-

    15. JR

      Mm.

    16. MM

      ... but with metal, but you have to have the kind of, uh, the right kind of (gasps) temperature environment, kind of, uh, you- you want as little oxygen in there as possible 'cause the oxy- oxygen creates carbon, um-... or not carbon, but iron oxide that help, uh... kind of is detrimental to creating solid weld bonds. And there are different ways to achieve that, but, um, once the 1080 is the black steel, the black color, and the 15 and 20 is the, is the silver color in this.

    17. JR

      And what's the difference in the way those steels perform? Is one of them-

    18. MM

      So-

    19. JR

      ... harder or more durable, or-

    20. MM

      (clears throat) So, they pretty much-

    21. JR

      ... holds an edge more?

    22. MM

      They pretty much form almo- or perform almost exactly the same. They're, they're in f- in fact, chemically speaking, they're almost exactly the same, except for the 15 and 20, uh, has a high level of nickel in it, 0.2% by volu- or by weight. And so that steel is traditionally used in saw blades, especially large, big, uh, mill band saws. Um, you know, like in Oregon, there's... Like, one of the oldest and continuously running, uh, w- wood sawmill is still there and doing its thing with these giant band saw blades that are, like, 30 feet in di- or, uh-

    23. JR

      Mm-hmm.

    24. MM

      ... in circumference, and they're, like, foot wide, and they're just monsters. And, um-

    25. JR

      Foot wide? You mean, like, thick?

    26. MM

      No, no, no. Like, they're only, like, maybe a 16th of an inch thick, because-

    27. JR

      Oh, right.

    28. MM

      ... you want a narrow saw curve-

    29. JR

      To cut through, right.

    30. MM

      ... so you're not wasting the material. But they're wide to help prevent-

  10. 44:3458:50

    Heat treatment and blade performance: quenching, tempering, toughness vs. hardness

    1. JR

      Have you seen an original samurai sword?

    2. MM

      I've seen a few, actually.

    3. JR

      This one's from the 1500s. Check this shit out.

    4. MM

      Yeah, let's see it. Oh, shit. Th- this is the one that, uh, Mr.-

    5. JR

      Yeah.

    6. MM

      ... Neil deGrasse Tyson was-

    7. JR

      Yeah.

    8. MM

      ... posing with the other day. Yeah.

    9. JR

      That's a real one.

    10. MM

      Do-

    11. JR

      That's an actual real samurai sword-

    12. MM

      Right, right.

    13. JR

      ... from the 1500s.

    14. MM

      Yeah, I see the ray skins. Nice.

    15. JR

      Yeah.

    16. MM

      Do you know when it was made exactly?

    17. JR

      I don't think they know.

    18. MM

      Okay.

    19. JR

      They just know it's from some time period in the 1500s. But there's a-

    20. MM

      For sure, for sure.

    21. JR

      ... cert- certificate of authentication that came with it that explains.

    22. MM

      I'm just looking to see what the hamon activity looks like.

    23. JR

      What's that mean?

    24. MM

      So the hamon is, uh... You can kind of see this line that runs parallel to the cutting edge, and that usually indicates where the soft material stops and the hard material starts. Um, and so the idea with these kind of... uh, the challenge with any knife is making a knife that takes and holds a sharp edge-

    25. JR

      Right.

    26. MM

      ... for a good period of time, um-

    27. JR

      And what's the key to that?

    28. MM

      ... but is also tough, which means, like-

    29. JR

      Mm-hmm.

    30. MM

      ... you can drop it and it's not gonna break.

  11. 58:501:09:42

    Sharpening vs. honing: micro-serrations, rods, strops, and why gadgets ruin knives

    1. JR

      Now, um, there's gotta be an art to, uh, actually sharpening things too, right?

    2. MM

      Oh, for sure.

    3. JR

      And how do you know like the right angle to, uh, approach sharpening?

    4. MM

      It's ... I mean, there are a lot ... There are actually a lot of great information online. Uh, there ... Especially i- in big cities like Seattle, LA, New York, uh, Austin, they're ... Portland as well, there are super reputable people not only who will offer service but usually offer lessons as well.

    5. JR

      Mm.

    6. MM

      I suggest like if you can afford it, you know, you can dig around, you can find the stuff online, but it's not the same as having, essentially having a coach next to you saying, "Uh-uh." Or, "Yeah, that's great. That's perfect. That's where you wanna be doing that shit."

    7. JR

      Do you, do you sharpen both sides?

    8. MM

      I do.

    9. JR

      So you sharpen the top and the bottom?

    10. MM

      I'm sorry. You mean how?

    11. JR

      Both sides of the steel. Like would you sharpen it like this and then flip it over-

    12. MM

      Yes.

    13. JR

      ... and sharpen it like that?

    14. MM

      Sorry, yeah.

    15. JR

      Now what are those things? They have those metal things where people go shing, shing, shing, shing.

    16. MM

      Yeah, so those-

    17. JR

      You know, those, those ones seem like ... I'm like, "That looks brutal. I wouldn't do that to a good knife."

    18. MM

      (laughs) It ... So-

    19. JR

      Am I right thinking that way?

    20. MM

      Y- Well, it depends on the, the type of steel that your knife's made from-

    21. JR

      Right.

    22. MM

      ... and then what the material is that those rods are made from. So those are commonly referred to as sharpening rods or sharpening sticks, but the reality is they're not actually sharpening.

    23. JR

      What are they doing?

    24. MM

      So they're, uh, more accurately referred to as honing rods. So what's happening at your ... Oops, sorry. At the cutting edge of your knife is you have all these micro-serrations. Essentially, if you go, uh, take, take it under a microscope and look at the cutting edge, it looks like a saw blade.

    25. JR

      Mm.

    26. MM

      But they're, like they're fucking microns. A micron is a millionth of a meter, like they're teeny tiny. So, but what happens over normal use, uh, those teeth, they, they bend over, they flex over, or sometimes they eventually wear out and fall off. And so what the honing rod does, especially if they've bent over-

    27. JR

      There it is. He's showing it right there. Ooh.

    28. MM

      Yeah.

    29. JR

      Exciting, look at that blade edge. Oh.

    30. MM

      Yeah, so you-

  12. 1:09:421:23:29

    Cooking wild game and the ‘craft’ of food: reverse searing, protein density, and taste

    1. JR

      Yeah, man. Uh, you know, while I learned how to cook, I mean, I, I, I feel like there's some real art to that as well, from, uh, my friend Chad Ward, Whiskey Bend BBQ on, um, uh, Instagram. He's a, like a, a pit master, like a legit-

    2. MM

      Sure.

    3. JR

      ... world champion barbecue master, and he's the one that taught me how to cook slowly at low temperatures.

    4. MM

      Right.

    5. JR

      And then sear it after you're done. I, uh, I always thought you're supposed to just put it on high heat, cook the shit out of it, and then eat it, you know?

    6. MM

      Yeah. I mean- (sighs)

    7. JR

      It tastes fine that way too, but, you know, when you're dealing ... What I really had to learn-

    8. MM

      Yeah.

    9. JR

      ... uh, especially in particular, cooking with, um, wild game is very unforgiving.

    10. MM

      Oh, fuck.

    11. JR

      Because it's-

    12. MM

      It's low in fat.

    13. JR

      Yeah, it's got none.

    14. MM

      Yeah.

    15. JR

      It's, you're basically eating a sprinter. (laughs)

    16. MM

      (laughs)

    17. JR

      Like, here it is right there.

    18. MM

      The, the ... Yeah, yeah.

    19. JR

      So that's the end I, uh, reverse sear it in a pan with grass-fed, buddy. You hear that, baby?

    20. MM

      That's beautiful.

    21. JR

      Listen to that sound. Oh.

    22. MM

      (laughs)

    23. JR

      Oh. That's the last of my backstrap. I gotta, I gotta get some more meat.

    24. MM

      Mm-hmm.

    25. JR

      I eat the f-, I eat so much meat, it's crazy.

    26. MM

      Yeah.

    27. JR

      Su-, super healthy though, bitch.

    28. MM

      Yeah. (laughs)

    29. JR

      Fuck what you heard.

    30. MM

      (laughs)

Episode duration: 1:52:26

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