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Joe Rogan Experience #1172 - Morgan Fallon

Morgan Fallon is a DP, director, and producer on the CNN documentary series "Parts Unknown"with Anthony Bourdain.

Joe RoganhostMorgan Fallonguest
Sep 13, 20181h 45mWatch on YouTube ↗

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  1. 0:0015:00

    All right. Four, three,…

    1. JR

      All right. Four, three, two, one. (claps) What's up, Mo?

    2. MF

      What's up, man? How you doing?

    3. JR

      How are you, buddy? Good to see you, man.

    4. MF

      Good. It's good to see you.

    5. JR

      Um, I'm glad we decided to get together and do this, you know, and, and talk and, um, you know, it's c- it's a crazy subject, right? I mean, uh, you and I have known each other for since 2012 when, uh, I did Meat Eater. You were there filming when I shot my first deer, which is a very important part of my life, man. And, um, then you went on to, uh, direct and produce Parts Unknown with our late friend, Anthony Bourdain. And, uh, we just thought it'd probably be a good thing to come in here and just talk, talk about him.

    6. MF

      Yeah, man. And, uh, and I'm really grateful for it, you know. It's actually, you know, a lot of people, um, have been saying to me like, "Oh, it must be really hard to talk about that. It must really..." It's, I actually find it kind of the opposite. Like I wanna talk about him and I wanna talk about who he was and what that experience was, you know, so, um, thanks, man.

    7. JR

      My pleasure, brother. Did you, did you know him before you guys started working together?

    8. MF

      No. No. I met Tony, uh, 10 years ago and I was called in, uh, he had a, a DP on his show who, at the last minute, canceled and couldn't go to Egypt, so, uh, I got a call like a week before, you know. He's like, "Do you wanna go to Egypt with Anthony Bourdain?" I was like, "Y- yeah, fuck yeah, absolutely." (laughs)

    9. JR

      Right.

    10. MF

      You know. Um, and, uh, and so I met him in Cairo, man. Like, you know-

    11. JR

      Wow.

    12. MF

      ... it was kinda like perfect, yeah.

    13. JR

      Holy shit. That's like Indiana Jones type of shit. (laughs)

    14. MF

      (laughs) Yeah, yeah. Exactly, man.

    15. JR

      Is that the episode when you guys ate a camel?

    16. MF

      No. No. We didn't eat a camel.

    17. JR

      Oh, that was a different one?

    18. MF

      No. But, um, you know, uh, I met him there. You know, we started filming. We were on the streets of Cairo and like, you know, it's just like all of a sudden, I was thrown into these kitchens where it's like, "We're eating pigeon." You know, it's like, "Go and cover them cooking pigeon." And, you know, I had-

    19. JR

      Right.

    20. MF

      ... I had seen the show like maybe once before, but I had n- I knew who he was and I knew what that adventure was.

    21. JR

      Right.

    22. MF

      You know, and I was so amped for it. Um, and then there was like this seminal moment on that show where, uh, we go out and we, we go ripping across the desert with the Bedouin and go out and cook a goat, uh, in the ground, you know. Um, and so as we're driving out over the desert, we're like, "Well, we need to get, we need some shots from car to car," right? And I was like, "I'll get on the roof," you know. And, uh, and there's like this four, for some reason, there's a four-post bed tied to the roof of this, uh, Land Rover.

    23. JR

      (laughs)

    24. MF

      And so I get up there and kinda like l- you know, latch my arm around it, and these guys take off at, I, I swear, 80 miles an hour across the desert. I mean...

    25. JR

      And you're on a bed?

    26. MF

      Absolutely. (laughs) Yeah. Absolutely no regard for the fact that like (laughs) I'm on the roof, you know, um, shooting. And, uh, and when we got there, we got to camp. I survived it. Um, I had this big black and blue where I was holding onto the four-post bed. And I, I go over and I show Tony, and, um, that was it, man. From that moment on, (laughs) he was, he was like, "I like this guy." (laughs)

    27. JR

      (laughs)

    28. MF

      And I started going out with him, you know. I started getting invited to do more shows.

    29. JR

      Wow.

    30. MF

      So that was it, man.

  2. 15:0030:00

    Yeah. …

    1. JR

      um, ice fishing. They were on-

    2. MF

      Yeah.

    3. JR

      ... the water and they had this ice fishing shack, but inside the ice fishing shack, they had fine silverware and fine china and they had bottles of really excellent wine and they were cooking on a wood stove. They had a wood stove and they were cooking foie gras like right there on the stove. And then they were laying out what they think makes you a good dinner companion. And, you know, Dave was like, "I shut my phone off. I turn it off. I put it away." And he goes, "I don't check it." I don't ... He goes, "I don't put my elbows on the table." You know, and he's like, "And I come prepared with stories." And Tony's like, "You prepare? You prepare stories?" (laughs)

    4. MF

      (laughs) Yeah.

    5. JR

      He goes, "I have, I have stories to tell."

    6. MF

      Yeah.

    7. JR

      "I come prepared." Like, to him it's like, not really a performance, but it's an agreement that you're gonna, you're gonna go there and you're gonna share this enthusiasm for this experience together. And you're gonna try to enhance it with your own anecdotes and personality and your own appreciation for the food and the wine and then afterwards they're smoking Cuban cigars. It's like the whole thing is ... It made you want to go eat at a really good place.

    8. MF

      Yeah. Or in a, you know, in a-

    9. JR

      A shack.

    10. MF

      ... in a shack.

    11. JR

      On a-

    12. MF

      You know?

    13. JR

      ... frozen lake. Yeah.

    14. MF

      With, with people who understand that, that there's an elegance to all of these things.

    15. JR

      Yes. Yeah.

    16. MF

      You know? That you can create an environment that, that has an elegance. I mean, that's ... You know, I'd say that's like a hallmark of a lot of the chefs that I've met through the show, is like, you will see that, you know, no matter how big they get, no matter how successful, there is an inherent kind of desire to please on multiple levels.

    17. JR

      Yeah.

    18. MF

      You know? You'll have like ... I remember we were in, uh, Daniel Boulud's house in France, like at his parents' house, right? And so here's Daniel Boulud, like the mega chef, you know. Um, but like, running around to all of the crew members, like, "Do you have something to eat? Are you good? Do you want another glass of wine? Do you wanna like ..." You know? (laughs) And it just inherent to his nature.

    19. JR

      Yeah.

    20. MF

      It's exactly what you're talking about. This idea that, you know, they have this just ... Ongoing desire to please their guests.

    21. JR

      Yeah.

    22. MF

      To entertain, to, you know, make sure that everyone's taken care of, you know.

    23. JR

      They're curators of an experience.

    24. MF

      Absolutely. Yeah. Yeah. You know, and so to be able to, you know, run around the world for 10 years and explore that. (laughs)

    25. JR

      Yeah.

    26. MF

      It was nice, man.

    27. JR

      God-

    28. MF

      You know?

    29. JR

      ... man, I can only imagine.

    30. MF

      Yeah.

  3. 30:0045:00

    Yeah. …

    1. JR

      like, uh, when we were in Montana, that's when I real- ... Well, I always knew how hard he went. But when I was blasted out of my mind, and he was like, "Where's that bottle? Where, where's those joints?" And I was like, "Jesus, man."

    2. MF

      Yeah.

    3. JR

      You, like, I can't even h- I'm hanging onto the earth here. (laughs)

    4. MF

      Yeah, well, that was a late night, man.

    5. JR

      Yeah.

    6. MF

      That was ... That one, I mean, you know, listen, like in all fairness, not every night was quite like that.

    7. JR

      Yeah.

    8. MF

      You know? But that ... We had a lot of fun that night, for sure.

    9. JR

      It was real fun.

    10. MF

      Yeah.

    11. JR

      And it, and it really ...... an interesting thoughtful dialogue around the campfire with-

    12. MF

      Super, yeah.

    13. JR

      ... Lann Towne from, uh, Backwoods Country Hunters and Anglers-

    14. MF

      Yeah.

    15. JR

      ... and all these, the other guys that were with us, right? You know, these guys who, uh, it was good to get a different perspective on what going out and getting your own wild food is like.

    16. MF

      Yeah.

    17. JR

      You know, and then having him cook it there. And it was delicious.

    18. MF

      Yeah, it was awesome. And, but not ... But also being able to put those ideas on, like, a major network on primetime.

    19. JR

      I know, right?

    20. MF

      It's pretty, pretty rare, man, (laughs) you know.

    21. JR

      Yeah, kudos to CNN for having the cojones to put together that kind of a show and have it on-

    22. MF

      Big time.

    23. JR

      ... you know?

    24. MF

      Yeah. Big time, man. Uh, again, I ... What can I say? These is the best creative partners you could ask for in terms of that, you know.

    25. JR

      You really enjoyed it that much.

    26. MF

      They, they took big risks.

    27. JR

      Yeah.

    28. MF

      Yeah. What's not to ... That was the dream job. If you do what I do, you know, you are interested in making documentary television, you know, um, that's it, man. That's the-

    29. JR

      How did it wind up at CNN?

    30. MF

      ... y- that's the show.

  4. 45:001:00:00

    Mm-hmm. …

    1. MF

      most, um, you know, some of the most like dynamic, grassroots capitalism that I've ever seen. I mean, people who will literally find any s- any way to scrape out an existence and a living. You know? This is not like... This is not a lazy culture. This is a culture that will fight through anything. You know? You go to Lagos, and Lagos is one of the most dynamic cities I've ever been in. It was constantly moving, constantly people trying to make money, constantly people trying to find a niche, you know, in a city of 20 million people. You know? So, I find a lot of beauty in just like raw human endeavor there.

    2. JR

      Mm-hmm.

    3. MF

      And I think that, you know, if they can clear some of the, like obvious stumbling blocks that they have in terms of corruption, in terms of, you know, foreign pressure, um, in terms of, you know, manipulation of markets, um, th- there's, there's tremendous promise there. I mean like d- just in, just in terms of the just, um, the internet and technology sector in Africa is like absolutely booming. You know? You have kids that come in from the villages on the streets of Lagos who can take your computer apart and rebuild it by hand. You know? Self-taught. And all of that potential is there to be tapped. You know? And, and they're starting to. You know? So, I guess I just find it a hopeful place.

    4. JR

      That's amazing that you only had one bad experience.

    5. MF

      Only one. Only one. But I can say that about traveling the world kind of in general. I mean, we've been in a number of, you know, relatively hot zones. I mean, we never did active conflict because we don't, you know, make that kinda show. Um, but, you know, being in places like Gaza or the DRC, or-

    6. JR

      Mm-hmm.

    7. MF

      You know, I, I can count on one hand in, you know, in many, many years of doing this, you know, the number of times that I actually felt threatened by someone. You know? I've found that the most likely scenario is you're gonna get like accosted by a sandwich, you know, or someone trying to, you know, introduce you to their kids, you know, or take a selfie with you. And that's, that's the world that I know. (laughs) I don't really understand the world that we see (laughs) , you know, on TV here, man, 'cause that's not, that's not my experience. You know?

    8. JR

      Right.

    9. MF

      You know? A lot of good people. Uh, a- and again, getting back to Tony, I think that, you know, uh, that's the legacy, right? I think that he really showed people that.

    10. JR

      That is a problem with our view of the world is that if it doesn't look scary, they're not gonna show it to you.

    11. MF

      No. They're totally-

    12. JR

      'Cause if it's not dangerous... I mean, other than his show, what else are you seeing on CNN where they're in Africa where it's a good thing? What else are you seeing where people are in Egypt where it's a good thing? What else are you seeing where people are interacting with people on the street and there's not some sort of a murder story or-

    13. MF

      Yeah.

    14. JR

      ... a rape story or something awful?

    15. MF

      Yeah. I mean, uh, I think you're starting, you're starting to see it a little bit. Um, but mostly you're seeing it in like, you know, on like CNN's Africa, you know, Network or-

    16. JR

      Mm-hmm.

    17. MF

      ... you know? There, you're starting to see them covering stories about entrepreneurs and seeing-

    18. JR

      Right.

    19. MF

      You know, d- positive aspects, you know, building economies and stuff like that, but-

    20. JR

      But it's a real problem in our view of the world-

    21. MF

      No.

    22. JR

      ... for people that don't travel.

    23. MF

      Well, listen, Africa just simply doesn't make news in the United States. I mean, and l- it's, uh, it takes a genocide.

    24. JR

      Yeah.

    25. MF

      You know?

    26. JR

      Well, all I've been hearing about Africa lately is what's going on with white farmers in South Africa, which s- uh-

    27. MF

      Yeah.

    28. JR

      It's very scary stuff, where people are...... encouraging people to attack white farmers. You know, and there's a whole lot of sociopolitical and economic shit that goes on with that, that I'm not even gonna pretend I understand. But, uh, that's what you hear about. You don't hear about good things. You hear about how many farmers have been murdered-

    29. MF

      Yeah.

    30. JR

      ... in their homes.

  5. 1:00:001:11:41

    Yeah. …

    1. JR

    2. MF

      Yeah.

    3. JR

      ... and then I watched like ... I binged, watched like three of them in a night and I was like, "Goddamn, what a good show it was."

    4. MF

      Yeah. Yeah. It was good, man.

    5. JR

      You guys nailed it.

    6. MF

      Yeah.

    7. JR

      I mean, you really ... You should be really proud.

    8. MF

      Thanks, man. Yeah. And I'm ... You know, I'm actually still working on one right now, which is, uh, maybe the weirdest experience, you know?

    9. JR

      Mm-hmm.

    10. MF

      You were asking about process before, you know? After we'd shoot it, that's when Tony really came in, you know?

    11. JR

      What do you do if he's not there for narration?

    12. MF

      Well, that's the, that's the thing.

    13. JR

      Who narrates it?

    14. MF

      You know? I mean, um, it's ... I'm not gonna replace Tony.

    15. JR

      So no-

    16. MF

      Yeah.

    17. JR

      ... narration?

    18. MF

      No.

    19. JR

      Yeah.

    20. MF

      No. I mean, we have our sidekicks, uh, talking to him. We have ...... his dialogue in the field-

    21. JR

      Mm-hmm.

    22. MF

      ... you know. But w- who's gonna step in and do that voice?

    23. JR

      No one.

    24. MF

      And, and how offensive would it be if we did that?

    25. JR

      It would have to be someone w- who is so close to him that it didn't, didn't freak everybody out. It'd have to be someone who was on the show 1,000 times and was just there with him always.

    26. MF

      Yeah.

    27. JR

      And that person doesn't really exist.

    28. MF

      Doesn't, yeah. There's no v- you know, there's no voice there.

    29. JR

      When you would give him a rough cut, um, say, if y- like I said, a show on Puerto Rico-

    30. MF

      Yeah.

Episode duration: 1:45:38

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