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Joe Rogan Experience #1237 - Sebastian Maniscalco

Sebastian Maniscalco is a stand up comedian and he also hosts his own podcast with Pete Correale called “The Pete and Sebastian Show” available on iTunes. His new special "Stay Hungry" is now streaming on Netflix.

Joe RoganhostSebastian Maniscalcoguest
Feb 5, 20191h 57mWatch on YouTube ↗

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  1. 0:012:18

    Nerves, memory, and why brains “delete files”

    1. JR

      Here we go. Four, three, two, one. (slaps table) And we're live, you fucking handsome bastard. Look at ya.

    2. SM

      Oh, yeah.

    3. JR

      Look at ya.

    4. SM

      Stunning.

    5. JR

      (laughs)

    6. SM

      (laughs)

    7. JR

      What's going on, man?

    8. SM

      What's going on? Um, every... Well, I've done this once before, and I've watched you, you know, throughout the years. And when I come in here, I get a little, um, nervous.

    9. JR

      Why?

    10. SM

      You're a guy who knows a lot about everything, and I don't know a lotta, like-

    11. JR

      I don't know a lot about everything. I know enough to make it seem like I know a lot about everything.

    12. SM

      Whatever you're doing, it, it's, y- y- y- you know more than I do, right?

    13. JR

      Mm-hmm.

    14. SM

      Like, like we were on your treadmill out there.

    15. JR

      Right.

    16. SM

      And you go, "It's 13%..." What did you say? I, I-

    17. JR

      13% more difficult than regular running.

    18. SM

      Okay. Like, I forgot the fact, what you just said from the time we walked in-

    19. JR

      (laughs)

    20. SM

      ... I, I, I lost it. So I don't, I don't have the retention-

    21. JR

      Mm.

    22. SM

      ... that, that I wish I had, so-

    23. JR

      I gotta get you some Alpha Brain.

    24. SM

      I need something.

    25. JR

      Do we have any here?

    26. NA

      Yeah.

    27. SM

      Is that what I'm missing in my, my, my diet?

    28. NA

      No.

    29. SM

      Alpha Brain?

    30. JR

      I don't know. I mean, uh-

  2. 2:185:14

    How comedians learn: writing vs audio notes, books vs audiobooks

    1. JR

      You can, but you gotta write things down, and you gotta, like, wanna recall things.

    2. SM

      Yeah. That's a problem. I don't do a lot of writing as far as like a notepad or anything to just take notes, um.

    3. JR

      Do you, when you write your act, do you write it in your head or do you write it on paper or on a computer?

    4. SM

      It's audio. Just audio. I'll go up to the comedy store, I record it, and I listen to it on the way home.

    5. JR

      Really?

    6. SM

      And then I'll like go, "Oh, maybe I'll do this next time. Maybe I'll do that. I'll take that out, this out."

    7. JR

      Mm.

    8. SM

      And then, uh, so there's no writing. My act is more recalling stories than sitting in a room going, "Oh, I think this is funny."

    9. JR

      Right. Right.

    10. SM

      So that's kinda how I work. But, uh, yeah, the reason I say that to start off is just, like, I, I, I see you go down a lot of different paths w- on the podcast, and I often go, "Man, if I was sitting in that chair, could I add to the conversation?" And a lot of times it's, "No." (laughs) I c- I can't.

    11. JR

      Yeah.

    12. SM

      Just because, for whatever the reason, I, uh, I just feel like I need to be a little bit more, um, well-read.

    13. JR

      Mm.

    14. SM

      And-

    15. JR

      How often do you read?

    16. SM

      Uh, like I read the Goggins book.

    17. JR

      Yeah.

    18. SM

      And that-

    19. JR

      Great fucking book.

    20. SM

      Yeah. And that-

    21. JR

      Sad life that dude had, huh?

    22. SM

      It's a sad life, but then on-

    23. JR

      Yeah.

    24. SM

      ... on the flip side, inspiring to, you know, a, a guy like myself where, you know, I'm running, I'm running, say I'm working out, and I, I, I thought of this guy. I go, "You know what? Let's, let's put another mile into this."

    25. JR

      Yeah.

    26. SM

      So, uh, yeah. I mean, I'm just now starting to get into a little bit more books than I have in the, in the past. 'Cause in the past, to be honest with you, I haven't really, I haven't really read much.

    27. JR

      I, I try to read, uh, one new thing a week. And the way I try to do it is, uh, I have, uh, uh, I use a lot of audiobooks.

    28. SM

      Yeah.

    29. JR

      But I also read books, so I go back and forth in between them, in between reading and audiobooks. But I find for whatever reason I retain more with audiobooks than I do with reading. I, I, maybe it's my ADD or something like that. 'Cause when I'm reading, I kinda have to back up sometimes. Like, I'll go through a whole paragraph where I'm thinking about some other shit while I'm reading.

    30. SM

      Yeah.

  3. 5:1413:27

    Structuring a standup set: mapped specials vs improvising nightly

    1. JR

      Yeah. For sure. Yeah. When you're doing a bit, are you thinking about what you're... Like, are you like, do you have a bit on deck? Like while you're in the middle of the bit, do you, like, go from there? "I'm gonna talk about, you know, the gym or the, you know, the this or the that?"

    2. SM

      Uh, it's funny. Uh, and I don't know if you go through this. Do you ever go through, um... Well, first of all, when you're doing comedy, do you have a beginning, middle, and end, and do you know where you're going throughout that whole set? Or do you in the moment go, "You know what? I'm gonna do the bit about da, da, da"? Or is it set?

    3. JR

      It's not... It's both. It depends when. Like right now, uh, I don't have a lot of material because, uh, my Netflix special came out in, uh, October. So November, December, January, I have basically three months worth of new shit, which is about 40 minutes of all told material.

    4. SM

      Mm.

    5. JR

      And then I have 20 other minutes that are...... in the-- they're in, like, the baking stage. Like, I'm not ready to take them out of the oven. They're-- I fuck around with them, I'll shove them in the middle a bit some- sometimes, but they're not-- they're not 100% legit. They need to be fleshed out. But one of those became, like, one of my best bits now. It's weird how that works. Like, sometimes you'll just find this one part of it that makes it work, and boom, all of a sudden the bit's turbocharged.

    6. SM

      Mm-hmm.

    7. JR

      Um, so, uh, b- because of that, I usually-- I decide that day usually what I'm gonna open with, and then, um, I leave the middle part up to my imagination, and then I'll decide what I'm gonna close with.

    8. SM

      Mm-hmm.

    9. JR

      But when I'm d- ready to do a Netflix special, I basically have it all mapped out. I basically have a starting point and I have an end point.

    10. SM

      Yeah.

    11. JR

      But even, like, when I'm filming, I still fuck around and ad lib, 'cause I don't think... Uh, 'cause every show I do, I don't- I don't have, like, I'm gonna say it verbatim this way every time. I always fuck around, because I always feel like I could find a new way that's better if I just stay loose. And so even when I'm filming, I do it that way, 'cause I f- I want this to be like a real show.

    12. SM

      Yeah.

    13. JR

      And if it's a real show-- and I always film four shows. So I'm like, "If it's a real show, I'll fuck around." And, and so I- I've been filming before where I fuck around and I'll go down a dark road and there's no one there. I'm like, "All right, turn around." (laughs)

    14. SM

      (laughs)

    15. JR

      Like, like, thank God for editing. (laughs)

    16. SM

      (laughs) Yeah, I think, I think that's the way to do it, though, to be kind of in the moment-

    17. JR

      Yeah.

    18. SM

      ... and go with how you're feeling when you're filming something, just because that's-

    19. JR

      Yeah.

    20. SM

      ... the way you would be anyway.

    21. JR

      Yeah.

    22. SM

      Right? But sometimes, I've- I've- I've learned in the past, when I'm filming something, I feel like, "Man, I'd like to get everything that I want out on this special, and I don't wanna forget ev- uh, anything."

    23. JR

      Yeah.

    24. SM

      'Cause there'll be nights where I'm- I'm performing and I- I- I forgot a bit. I'm like, I'll be searching in my head for the bit, and I'm like, "I know there's another... something that-"

    25. JR

      Mm-hmm.

    26. SM

      "... goes along this." But then I- I just jump off it and go into a- a- an- another routine. So, for me, I don't know, I like to keep it different every night, just try and-

    27. JR

      Yeah.

    28. SM

      ... play around. And, uh, it- it's weird now that a Netflix special, uh, I just, uh, one came out, and I don't really subscribe to... Um, if- if I have a Netflix special out and you come to a live show, you're going to see some of those bits that I did in the Netflix special. I don't, like, retire the- the act. I know some guys go, "Okay, it's out there. I'm not doing this on my live show." Myself, I still like to do some of that material 'cause I enjoy doing it. And, uh, I also have some new stuff. So, I kinda... A- and I don't know how long that lasts. I don't know, like... I- I know some- some people were like, "Oh, I saw that on the Netflix. Why am I gonna pay to see it live if I could see it at home?" But there's something about going out, I believe, to a live show and seeing a- a live performance. There's different nuances that you might see in a bit or an add-on. Like, the- sometimes I add onto the joke-

    29. JR

      Mm-hmm.

    30. SM

      ... that I... Uh, my jokes are sometimes never finished, so I keep adding on. So, um, that's the way I've kinda worked at my entire career.

  4. 13:2718:01

    Timing, silence, and why late-night standup sets feel unnatural

    1. SM

      I have, and, uh, you know, his timing I think was, uh... I think timing in comedy is something, uh, a bit of a lost art. I don't think a lotta comedians are really taking to timing-

    2. JR

      Mm.

    3. SM

      ... like they have in the past. And I don't know if they're scared of the silence? 'Cause, uh, 'cause a lotta timing is silent, and a lotta guys and, and women tend to not relish in those moments of silence-

    4. JR

      Mm.

    5. SM

      ... where sometimes it's, it's comedy gold. A lot of people run through the material, and for me as an audience member, I like someone who kinda gives you as an audience member a little t- little beat, or maybe-

    6. JR

      Yeah.

    7. SM

      ... maybe some time to kinda marinate in the joke a little bit opposed to kinda blowing through the material.

    8. JR

      Don't you feel that, like, when you're in a large audience, that's even more critical? Because y- you have, like... There's thousands of people, and it seems like a big pause, like, in between punchlines, or you give a person a chance, give this whole group of people a chance to think about how ridiculous what you just said was.

    9. SM

      Yeah.

    10. JR

      It, it enhances it.

    11. SM

      Oh, absolutely. I mean, especially, like you said, in a large audience, which is even more fearful for a comedian to let the joke breathe-

    12. JR

      Yeah.

    13. SM

      ... because God knows, you know, if y- you got 1,000 people and then you got 20,000 people? I mean, uh, you know, 19 more thousand people (laughs) could yell or scream or say something.

    14. JR

      Yeah.

    15. SM

      So...

    16. JR

      Anything could go wrong.

    17. SM

      Yeah, but man, to stop and just let that joke breathe a little bit and just, and then maybe have it percolate. There's times where I'm on stage and, and I'll go a little bit longer than I thought I was gonna go without talking, but maybe give it, like, a facial expression or whatnot, just to see if I could eke out another crescendo of laughter.

    18. JR

      Yeah.

    19. SM

      And, um, those are the moments I really relish in because sometimes the silence is even better than saying anything.

    20. JR

      Yeah, and you also realize that you're not, like, rushing anything.

    21. SM

      Yeah.

    22. JR

      You know, you, you got ahold of it.

    23. SM

      Yeah, at least for myself, my act is more like a, um... It needs to, it needs to kinda sit.

    24. JR

      Yeah.

    25. SM

      I don't really do well on, like, five-minute talk shows doing, like, you know, the, uh, doing a four and a half minute set on Fallon. I need to, like, go out there. I- it takes me two minutes to, to, to get warm-

    26. JR

      Yeah, yeah.

    27. SM

      ... you know what I'm saying? Like, uh, uh, to get into a joke right away, eh, to me, I just, I need time. I need, I need to let it breathe.

    28. JR

      Yeah, no, I feel the same way. I've, I've always felt those late-night talk show sets are so strange. Not only that, but you're basically opening for yourself. I mean-

    29. SM

      Yeah.

    30. JR

      ... 'cause there's, no one has done standup yet, except a monologue-

  5. 18:0122:17

    Social media: privacy, promotion fatigue, and Bert Kreischer’s blueprint

    1. JR

      The f- he's got one thing down too; that guy does not fuck with social media. He's not doing nothing.

    2. SM

      Oh, he's not even on it.

    3. JR

      I mean, he l- like, kinda, I guess he posts stuff.

    4. SM

      Well, you know, I, I follow him on Instagram, and every once in a while I'll see something.

    5. JR

      Yeah.

    6. SM

      Um, which, you know, for me, I've kind of weaned off the social media a little bit. Um, I know a lot of guys live on it, and they, uh, take you into their lives, and here's... You know? Like, uh, here, I follow Bert Kreischer, right?

    7. JR

      I knew you were gonna say Bert Kreischer. (laughs)

    8. SM

      So, everybody... I, I'm wondering-

    9. JR

      Uh...

    10. SM

      ... if the people around Bert Kreischer-... are, are, are going to him, "All right, Bert, you wanna lose the phone?"

    11. JR

      Yeah.

    12. SM

      You know, like, we're all- we're having dinner here.

    13. JR

      Oh, yeah.

    14. SM

      Um, because, man, he really gives you a bird's eye view into not only his family life, but he's on a ski lift and he's got the, you know, skis and this-

    15. JR

      Yeah.

    16. SM

      ... and that, so, uh, which I- I appreciate, it's just for me, I don't know, is there some... I mean, uh, little sense of privacy-

    17. JR

      Yeah.

    18. SM

      ... uh, every once in a while, you know?

    19. JR

      Well, in Bert's defense, what Bert did was he had a legit TV gig.

    20. SM

      Mm-hmm.

    21. JR

      He was doing Bert the Conqueror and what was the- the other one, the other one, uh, where he was traveling around? Trip, Flip?

    22. SM

      Trip, Flip.

    23. JR

      Trip, Flip.

    24. SM

      Yeah, yeah.

    25. JR

      And, uh, you know, he was doing really well. But he was gone for long stretches of time. He- a- away from his family and he wasn't getting to do much standup. And he and I had a conversation about it. And I said, "Dude," I go, "You're too funny to be just working for a television show."

    26. SM

      Yeah.

    27. JR

      Anybody can do a television show, but not everybody can do standup the way you did standup. And, um, he, somewhere along the line, decided, "All right. Fuck this TV shit," and, uh, "I'm just gonna- just gonna concentrate on standup." And a big part of that was social media.

    28. SM

      Mm-hmm.

    29. JR

      So a big part of it for him was, you know, every year we have this, uh, Sober October Crew.

    30. SM

      Mm-hmm.

  6. 22:1731:22

    Meat nerding: pellet grills, searing technique, and extreme dry-aging

    1. SM

      Well, yeah. You're- you're- you're living in a lot of different worlds. But e- e- and- and- and I look at your, uh, Instagram, you're cooking meat, right?

    2. JR

      Yeah.

    3. SM

      But for me, I'm thinking, "How the hell does he get the meat, uh, s- like from- from top to bottom, like medium rare throughout?" You know?

    4. JR

      Mm-hmm.

    5. SM

      Like, that- that's, uh, for me, that's more of a learn- a le- (laughs)

    6. JR

      I can teach you, Sebastian. I could teach you.

    7. SM

      So-

    8. JR

      You know what the key is? Cooking it slowly.

    9. SM

      Okay.

    10. JR

      That's the key.

    11. SM

      So you got like this grill-

    12. JR

      Yes.

    13. SM

      ... uh, or whatever the-

    14. JR

      It's a Traeger.

    15. SM

      Yes.

    16. JR

      It's a pellet grill.

    17. SM

      Pellet grill is another-

    18. JR

      I'll get you one. You want one?

    19. SM

      (laughs) If it gets my meat the way it gets your meat-

    20. JR

      I'll get you one. Yeah.

    21. SM

      ... I would love one.

    22. JR

      I'll- I'll have them send you one, 100%.

    23. SM

      Perfect. Um, but yeah, it- so-

    24. JR

      You know what one of those are?

    25. SM

      Y-

    26. JR

      Do you know how they work?

    27. SM

      No.

    28. JR

      Oh, it's fucking fantastic. It's- it's, uh, the- like say if someone wants to make a desk like this outta hardwood, like this oak. The sawdust, they take the sawdust from s- from sawmills and they compress it and they make these little tiny pellets. And so there's no chemicals, no nothing. It's just wood. And then the- the way a pellet grill works, there's a bunch of really good companies that make 'em. Uh, I use a Traeger, but I've used a Yoder, that's a great one too, and Green Mountain Grills, that's a great one. This, uh, they have... They all work the same way. They have a heating element and a worm drive. So you got this big bucket of these pellets, and then the worm drive feeds the pellets into this heating element. And the heating element makes the pellets catch fire. So once they catch fire, it's a matter of how much pellets and how much fan to keep the- to- that's what it looks like up there. So then-

    29. SM

      See, look at this, Joe.

    30. JR

      Yeah.

  7. 31:2243:14

    Getting fit again: Pilates, pickleball, road routines, and packed meals

    1. JR

      Yeah, yeah. What do you do? Like, what, what are you into? Are you like, like linguine with clams? Like, what kind of stuff do you cook?

    2. SM

      You know what? I, I, (sighs) I like a- I like a lot of pasta. Um, I like a nice Bolognese sauce. However, I'm trying to stay away from those types of meals-

    3. JR

      Mm-hmm.

    4. SM

      ... because in the past I ballooned up to, you know, 205, 207-

    5. JR

      (laughs)

    6. SM

      ... not giving a-

    7. JR

      Oof.

    8. SM

      ... uh, crap about my, my health or, or, or anything. And recently, I've lost some weight due to the fact that, um, been watching, um, My Diet. 'Cause you know, I mean, I don't know. I mean, you're, you're in shape, so you, you, you seem a lot more disciplined than a lot of comedians when it comes to-

    9. JR

      (laughs)

    10. SM

      ... (laughs) to health. But, uh, for myself, I have, you know, taken on a regimen of, um, not drinking, uh, wine. I used to have like a little wine after, uh, the meal or during the meal. So I've eliminated that, and, uh, I've been doing some, uh, Pilates.

    11. JR

      Pilates?

    12. SM

      Yeah.

    13. JR

      Nice.

    14. SM

      Which has helped my, uh, my, um, balance and my core, and, and-

    15. JR

      Underrated exercise. Very underrated.

    16. SM

      I gotta tell you, Joe. This Pilates is really changed the way I look at, uh, physical fitness.

    17. JR

      You know who's really into Pilates? Sergey Kovalev.

    18. SM

      (clicks tongue) Really?

    19. JR

      Yeah. He just re- regained the U-- uh, the, um, WBC or WB... I forgot which, which light heavyweight championship on, uh, Saturday night. He's the Crusher. He's this badass Russian motherfucker. And, uh, he just, um, just, I mean, at 35, I think he is, just regained his title. And his routine's very unusual. And one of the things that he does for his exercise is Pilates. And, you know, people make fun of it, but the guy has got strength in all these weird places.

    20. SM

      Yeah.

    21. JR

      And the f- full range of motion and flexibility and...

    22. SM

      Well, that's what I have.

    23. JR

      Yeah.

    24. SM

      I'm 45 so my range of motion, my, my shoulders screwed up, my legs, my knee, and this has given me an exercise where I could, uh, not only improve my flexibility, but man, I mean, you walk out, I'm drenched.

    25. JR

      Yeah.

    26. SM

      And, uh, so yeah, I'm getting back on the physical fitness thing 'cause I've been on the road so, so much that, uh, I kinda let that slip a little. But I wanna get, uh, I wanna get back into it.

    27. JR

      Yeah. You know, some guys are real good about working out on the road. Like, Bryan Callen goes, everywhere he goes, he'll go to a gym, and he's real good at that. Like, he'll go and, uh, go work out with kickboxers, work out with jujitsu guys. Bryan does a lot of boxing.

    28. SM

      Mm-hmm.

    29. JR

      So he'll find like a local boxing gym and have a guy hold the pads for him, maybe do even a little light sparring. He gets really into it on the road. But that, I think that's the key is like to force yourself to not stay in your hotel and wait till the show goes. You just gotta force yourself to get out and go do something.

    30. SM

      Yeah. I, I wish I was a self-motivated guy, but I need help. So I've taken, uh ... My buddy, John Petrelli is personal trainer, so he comes on the road with me and, uh, you know, moti- motivates me to-

  8. 43:1455:38

    Sushi science and ocean ethics: sashimi myths, tuna auctions, and regulation gaps

    1. JR

      Did you ever see that movie Jiro Dreams of Sushi?

    2. SM

      Oh, is that the guy that's got the, uh, sushi joint at the, uh, in the train station?

    3. JR

      Yeah, in Japan.

    4. SM

      Yeah.

    5. JR

      Yeah. Have you seen that?

    6. SM

      I've seen half of it.

    7. JR

      It's really weird, 'cause, uh, it changed my idea of what sushi is. I used to think it's, oh, they're cutting fish up, they slap it on a piece of rice, it's great. It's good, tastes good, clean, easy for you.

    8. SM

      Mm-hmm.

    9. JR

      Now I realize, like, this guy, it's, is like his life's dedication to putting together the perfect tastes.

    10. SM

      Yeah.

    11. JR

      Yeah. Like, there was one guy that's been working on this egg plate for a year trying to perfect it, trying to get it right.

    12. SM

      Similar to like a joke, you know, like trying to make the joke so perfect-

    13. JR

      Yeah.

    14. SM

      ... this guy's trying to get the dish so perfect. Um, yeah. He-

    15. JR

      But I would never have thought that with sushi. With su- I thought, uh, like if someone-

    16. SM

      (laughs)

    17. JR

      ... said a sushi chef, I'd be like, "Oh yeah, right. Okay." Like he's not really a chef, he's just cutting up fish.

    18. SM

      Yeah, but there's something about the way they're preparing these, uh, I mean, uh, yeah, it's one thing if you're getting like, uh, sashimi, just salmon, but if they're putting it together with rice and, you know, it's, uh, it's like a science.

    19. JR

      Yeah. No, it's definitely a science. It's also a science because they age the fish, which I didn't know.

    20. SM

      I didn't know that.

    21. JR

      Yeah, I was watching this YouTube thing, uh, where these guys were going to this sushi place and they were saying that tuna, they, they will have their tuna in the frigerator for as long as two weeks in preparation for sushi. And just like dry aged steak, the aging of the tuna breaks down the, the, the bacteria breakdown some of the tissue and make it softer and more delicate and change the flavor profile.

    22. SM

      (smacks lips) Yeah, no, I had, had no idea. I thought they caught it, they float-

    23. JR

      Yeah.

    24. SM

      Don't, don't you freeze fish for it to be sashimi grade? Is, is that the deal?

    25. JR

      I don't know. Is that the case?

    26. SM

      I don't know.

    27. JR

      Let's find out. What makes something sashimi grade? I saw there was a guy who caught a big ass fucking tuna and they sold it for $3 million. Yes.

    28. SM

      Yeah.

    29. JR

      That's what I had cued up until you made me ask. Yeah, go back to that. Yeah, yeah, yeah. What in the fuck is that? $5,000 a pound. Japan's king of tuna. Is that racist? Is that racist?

    30. SM

      (laughs)

  9. 55:3857:34

    Four sold-out Madison Square Garden shows: performing in the round

    1. JR

      So, I, um, what was it like doing Madison Square Garden? You did four shows-

    2. SM

      Yeah.

    3. JR

      ... in the Madison Square Garden. And you did it in the round.

    4. SM

      Yeah. So, um-

    5. JR

      How many shows have you done in the round before?

    6. SM

      Leading up to then, I'd say probably 15, 16.

    7. JR

      Oh, so you've done quite a few in the round?

    8. SM

      Yeah.

    9. JR

      Do you like it?

    10. SM

      Um, it's a different animal. And, uh, my act is very physical and expressive, so it kind of works for that type of environment. Uh, although, you have to... L- listen, there's a screen above you, so people are watching screens-

    11. JR

      Yeah.

    12. SM

      ... uh, when they go to shows anyway. Uh, but the challenge to do it in the round is to hit those people within the first five rows that maybe can't see the screen. 'Cause once you go to the other side of the stage, you got your back to them.

    13. JR

      Yeah.

    14. SM

      And it's, it's kinda difficult to, uh-

    15. JR

      Look at you there.

    16. SM

      Yeah.

    17. JR

      Wow. That's so crazy.

    18. SM

      It was-

    19. JR

      That's 18,000 people?

    20. SM

      Yeah.

    21. JR

      That's fucking bananas, dude.

    22. SM

      So yeah, it's been, for New York, uh, New York for me has been really, really good to me over the years. Um, obviously I'm Italian, and there's a lot of Italians in the New York City area. But, uh, what I think has happened is I'm talking about, like, family, and I'm talking about, like, the immigrant experience, uh, my father being an immigrant from Sicily. And what I'm seeing at my shows is not only an 88-year-old grandmother, but a 12-year-old kid and kinda everybody in between.

    23. JR

      Wow.

    24. SM

      So, uh, it's very broad. It's comedy, and I'm not tooting my own horn here, I'm just saying it's comedy that you could come and not cringe because the material might be a little blue or what have you, and-

    25. JR

      Joey Diaz.

    26. SM

      (laughs)

    27. JR

      (laughs) Imagine if you had Joey Diaz open for you at Madison Square Garden.

    28. SM

      Oh my god.

    29. JR

      "Let me tell you, cocksucker, this is how you eat that muffler."

    30. SM

      (laughs)

  10. 57:341:06:20

    Saying yes vs doing your best work: press overload, family time, and focus

    1. SM

      So, yeah, I mean that's why I think I was able to do four shows at Madison Square Garden, just because my audience is a large swath of multi-generational, uh, it's multi-generational. There's just a lot of different people at the shows. And, um, to do Madison Square Garden for me, as, as we were talking prior to getting on here, I was saying that I think I took a little too much on my plate. And what I mean by that is, coming up in comedy, I used to say yes to everything.

    2. JR

      Yeah.

    3. SM

      The phone used to ring and it was my agent, "You wanna do-" "Yeah. Put me down. I'm in."

    4. JR

      Right. Well, you were trying to work, yeah.

    5. SM

      Trying to work.

    6. JR

      Yeah.

    7. SM

      And what has happened, once you get too busy, I think, uh, you need to learn to, you know, press the brakes a little bit. So, uh, I did a l- ton of press when I was in New York. And I had family there, I had friends there. And I think I, I spread myself a little too thin. So when the shows s- uh, came, I don't feel like I was r- operating at an optimal level to, to perform. Yeah, i- i- it was fun. I, I still had a good time. But, you know, the more and more I do standup, the more and more I feel like you really gotta be clear-headed, in the moment, and you can't, you can't overwork yourself. It's just who I am. I, I've always been a worker. I mean, when I wasn't going to college and I had time off in the summer, I was working. Uh, when I... I used to work summers as a janitor, uh, during high school. So all the time was always occupied with work. And I feel if I'm not working, I feel like... Or I'm not doing press or I'm not doing, uh, anything, I, I feel like, um-

    8. JR

      You're slacking.

    9. SM

      Yeah. I feel like... 'Cause my father, uh, has always put it in my head, you know, "What do you, what do you, you know, what are you doing?" Like, he'd come home and go, "What'd you do today?"

    10. JR

      (laughs)

    11. SM

      You know? I'm like, "I don't know."

    12. JR

      All that angry face. (laughs)

    13. SM

      (laughs) Yeah, yeah. It was like, all right, you know, "You're gonna paint the fence this, this week." And I'm, "Eh, I ain't gonna paint the fence." So there was always something to do.

    14. JR

      Right.

    15. SM

      And that work ethic has bled into my career. And now that I've had some success in my career, I, I think I'm, have to kind of pull it back a little bit and not say yes to an interview that maybe, you know-

    16. JR

      Is not gonna help, but is gonna take up a lot of your time.

    17. SM

      Yes.

    18. JR

      Yeah.

    19. SM

      Exactly.

    20. JR

      Yeah, no, I'm in the same boat. And, uh, I mean, I think sometimes even I do too many podcasts. I think, um... But there's a lot of fucking people I wanna talk to, so it's hard. But I think, um, I've d- I've definitely stopped doing interviews and all those different things for that reason. It's just, there's only a certain amount of time you have. And, you know, uh, like you, I have a family. Like you, I exercise. And I have a lot of hobbies, man. Between archery and martial arts and, and reading and just watching documentaries. And, you know, it's, is it gonna help... Like, I don't wanna be any more famous.

    21. SM

      Yeah.

    22. JR

      You know? We, we were talking about this earlier. I don't... It's good. I'm working. It's all I wanna do. What I wanna do now is do my best work.

    23. SM

      Yeah.

    24. JR

      That's my number one objective. Whether it's standup, whether it's UFC commentary, whether it's doing a podcast, I wanna do my best work. And I don't think that I can do my best work if I'm scattered. And I often am.

    25. SM

      I think you put the, hit the nail on the head, doing your best work, whatever you're doing.

    26. JR

      Yeah.

    27. SM

      So, if, if you're gonna come in here today and do a podcast, whatever you did prior to this cannot really take away from the energy that you need to do this.

    28. JR

      Yeah.

    29. SM

      Same thing with the MMA and then the announcing, and the same thing with the standup comedy. I feel...... that sometimes I jeopardize myself and I take on too much, and I've realized that and I'm going to kinda... 'Cause now, I got a fa- I got another baby coming, so-

    30. JR

      Congratulations.

  11. 1:06:201:13:40

    How Joe became “the voice of the UFC”: from post-fight interviews to commentary

    1. SM

      ... the MMA is definitely a, or the UFC is definitely a, an, an animal in itself. How did, how did you get, uh, into that position? Did you know th- Dana White and you started... H- I, I, for you, I, I, I, I always wanted to ask you this in the, at The Comedy Store, how did you become kinda the voice of, of the UFC?

    2. JR

      Well, I started, uh, in 1997. I was the post-fight interviewer. That was, uh, it was just a position that was available, and the UFC was very small back then, very few people knew w- what it was. It was off of cable. You couldn't get it on cable, you could only get it on satellite. And, uh, they needed someone to do post-fight interviews. So-

    3. SM

      But you, you were in that world to begin with?

    4. JR

      I was in the martial arts world, you know. I, I used to teach martial arts for a living before I became a comedian, I used to fight. Uh, fought in a lot of Taekwondo tournaments and had some kickboxing fights, and I'd always been a martial artist-

    5. SM

      Mm-hmm.

    6. JR

      ... since I was a kid. And so, um, I just was interested in watching the UFC, and then I started training in jujitsu. And when I was training in jujitsu, I was just a white belt, I was just starting out. That's when, uh, I got hired by the UFC to be a post-fight interviewer. But I only did that for two years and then I quit. It was just too much, and it was actually, like, it was...... I, I was losing money. I would make more money, uh, doing a weekend at a comedy club than I would doing it, doing the UFC.

    7. SM

      Hmm.

    8. JR

      And it just got to a point where it was just, it was too much of a pain in the ass. And so, uh, I still remained a fan, but I backed away. And then the UFC was purchased by this company called Zuffa in 2001 and when that happened, um, they started putting on shows in Vegas and I would go there, uh, with my friends. They got me free tickets. They reached out and they would try to get celebrities to go sit there so that it would, uh, they would... 'Cause they were very small at the time.

    9. SM

      Yeah.

    10. JR

      And they were trying... They were hemorrhaging money and they were trying to build it up. And in talking to Dana White one day, he, he... You know, I was talking to him about fights going on in Japan. I'm like, "Have you ever seen Sato fight? Do you know... What, what... Do you, do you know Sakurad? Do you know this guy?" And I, and I was bringing all these names and he was like, "Do you wanna do commentary?"

    11. SM

      (laughs)

    12. JR

      I'm like, "I don't wanna do commentary, man. I- I'm, I'm here to get drunk and watch people kick the shit out of each other."

    13. SM

      Yeah.

    14. JR

      "I'm not here to work." And he talked me into it for one show. Uh, UFC 37 and a half, it was a, a show that was on, um, one of those, uh, Fox Sports Networks, small- smaller networks, and, um, I think it was The Best Damn Sports Show Period was a part of it. I did that and then the rest is history.

    15. SM

      Wow.

    16. JR

      And then I did like 12 of them for free. Like the UFC didn't have any money. Like, well, they were hemorrhaging money. I mean, they had... There were rich people that owned it, but it was not a profitable venture.

    17. SM

      Yeah.

    18. JR

      And I said, "Look, just get me there, get me and my friends tickets and I'll do it." And so that's how I operated for like a, like over a year and then I just became the commentator. It's just weird.

    19. SM

      That's crazy.

    20. JR

      It's just Dana White. He's, he's a crazy man and he's, uh, he's got a, you know, weird way of looking at things that, that's very effective in, in, hi- in his crazy mind. He's like, "Let's take this guy who's never even thought about being a commentator and make him our commentator." I mean, I didn't know what the fuck I was doing. I mean, I really didn't... I didn't have any training at all in sports commentary. I just would see what was happening and start talking about it. You know, which is really like the wrong j-... I was more even play-by-play and color. It was like doing both of them at the same time. It was really weird.

    21. SM

      And as far as you doing that, do you, um, get any notes from anybody going, "Hey Joe, uh, try this, try that." Or you just developed that whole, that voice all on your own? What, what-

    22. JR

      100% on my own.

    23. SM

      So there's-

    24. JR

      The only thing that, uh, I had was, uh, there's like Marc DellaGrotta who's a good friend of mine. He is, um, he's, uh, one of the top trainers in the world. He's in the truck and, uh, I can communicate with him. There's a button where I can communicate with him and we talk about stuff. Like, I can say, uh, "Does he look like he's limping to you?" And he's like, "Yeah, there's something wrong with his leg." I go, "The left leg, right?" He's like, "Yeah, yeah, yeah." And then I'll start talking about it. Like I'll, I'll be able to bounce it back and forth-

    25. SM

      Oh.

    26. JR

      ... with him. Or sometimes I just... It's obvious and I'll say it myself and I'll k- I'll ask him, like, "I- am I wrong? Is he dropping his hand or is, is this... Is it..." Like, it's a nice, it's a nice thing to have someone to bounce-

    27. SM

      Yeah.

    28. JR

      ... uh, things off. It used to be Eddie Bravo. Eddie Bravo used to do it as well where I would, uh, be able to talk to him about certain positions 'cause he would be in the truck and I'd be able to ask him, like, uh, "Hi- which... His left leg's in jeopardy right now, right? Or he needs to step over with his right leg." We'd be able to go over... 'Cause like there's some aspects of martial arts that are extremely technical, especially jujitsu when things go to the ground and you're trying to commentary, do commentary and I- I have to decipher which is his left leg, which is his right leg, where is he tied up, where is he tangled, and I'm doing it in real time while I'm trying to be entertaining and talking. It's very complicated.

Episode duration: 1:57:07

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