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Joe Rogan Experience #1335 - Jim Gaffigan

Jim Gaffigan is an actor and stand up comedian. His new stand up special "Quality Time" will premiere August 16th on Amazon Prime.

Joe RoganhostJim Gaffiganguest
Aug 14, 20191h 43mWatch on YouTube ↗

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  1. 0:004:00

    Amazon Prime special and the shifting standup-special landscape

    1. JR

      Dun-dun-dun. Ladies and gentlemen, (claps) one of the greats, Jim Gaffigan.

    2. JG

      Oh.

    3. JR

      How are you, sir?

    4. JG

      Thank you, thank you. It's great to be here.

    5. JR

      Great to see you, man. I'm excited that you're doing a special on Amazon.

    6. JG

      Yeah.

    7. JR

      I think it's important that there's a, a bunch of other platforms for all of us-

    8. JG

      Right.

    9. JR

      ... to do specials on. And when a guy like you goes over to Amazon, legitimizes it, makes it a big deal, it's exciting.

    10. JG

      Yeah, and it, it's, uh, it's fascinating how the, the outlets for specials has changed so dramatically.

    11. JR

      Yeah.

    12. JG

      'Cause when we were, when we were kids, it was just HBO.

    13. JR

      Yep.

    14. JG

      And then Comedy Central, when, uh, I released Beyond the Pale, it was, uh, that perfect moment where, uh, in every dorm room in America, Comedy Central was on.

    15. JR

      Yep.

    16. JG

      You know, it w- it had shifted from MTV to Comedy Central bec- probably 'cause of Chappelle and, and Jon Stewart. And so, but it shifts. You know, it's like, then Netflix was big, and, um, and we see these other platforms coming out. So it'll be, it'll be interesting. If I can convince people, 'cause everyone goes to Amazon.

    17. JR

      Mm-hmm.

    18. JG

      Or someone in their family does. So if I can convince them the next time they're buying paper towels-

    19. JR

      (laughs)

    20. JG

      ... and socks-

    21. JR

      (laughs)

    22. JG

      ... to just go over to Prime, 'cause they, everyone has a Prime membership.

    23. JR

      Yeah, that's a weird part about it, right? It's like-

    24. JG

      Yeah.

    25. JR

      ... it's shopping, but it's also, like, the same as iTunes.

    26. JG

      It, y- yeah, people have asked me, they're like, "What if, uh," you know, well, one person asked me, they were like, "What if someone doesn't have a Prime membership?" And I'm like, "Then they're-"

    27. JR

      Who are you?

    28. JG

      "... probably not on the Internet."

    29. JR

      Yeah, who are you?

    30. JG

      Right? They probably can't afford even, uh, you know, high-speed Internet.

  2. 4:009:27

    Independent releases vs. Netflix: discoverability and the mystery of view numbers

    1. JG

      Or they just, you know, some of, uh, how it was explained to me was, I released, uh, Noblesse, my special before this, uh, independently.

    2. JR

      Right.

    3. JG

      You know, through a lot of different platforms.

    4. JR

      Well, why'd you decide to do that?

    5. JG

      Well, some of it was, I, I got an offer that was attractive. Uh, I knew that... I mean, I, I love Netflix, I have five specials there. Uh, but I kind of looked at Netflix, I always describe it as, it's a, it's a swimming pool, swimming pools are great, the, you know, a special, having a special is kind of like a floaty. But, like, Netflix, there were just hundreds of floaties in this, in this pool. So how do you know y- people are gonna watch yours? You get-

    6. JR

      Mm-hmm.

    7. JG

      ... like a week at Netflix, uh, for, for accessibility. And I also thought that, uh, it would have a greater impact internationally. I don't think it did for me, personally. Um, and, and it was something to try differently, you know?

    8. JR

      You know what's weird too, is you never really know what the numbers are.

    9. JG

      No, you don't know the numbers.

    10. JR

      They don't tell you.

    11. JG

      You don't know the numbers, and it also shifts. Like, so like the, the great success that, uh, Segura and Ali Wong had, and you know, like, we're comedians. We watch all of, uh, the specials on Netflix. I mean, whether we watch the whole thing is another thing, right?

    12. JR

      Yeah.

    13. JG

      That's like, uh, with Ted Alexandro and I, we're always like, I'm like, "Did you watch it?" And he goes, "I, 10 minutes. Did you watch the..."

    14. JR

      (laughs)

    15. JG

      It's like the best compliment is, "I watched-

    16. JR

      Yeah.

    17. JG

      "... the whole thing."

    18. JR

      Yeah.

    19. JG

      "I watched Chris Rock's whole special."

    20. JR

      Right.

    21. JG

      You know, and, um, so I wanted to do something different. You know, I was offered, uh... And it's, it's, you know, it's a, uh, you know, it's expanding your audience. And I also understood that a lot of people consume things on demand. Like, I have young kids, so I'm just, I'm still buying on iTunes like it's 1981.

    22. JR

      Mm-hmm.

    23. JG

      You know, and people consume things on demand, I was convinced on that. And so it went...... uh, we did this kind of like everywhere but Netflix, and then there was a second window that was on Amazon Prime, and it got a real ... uh, a lot of viewers. And so that prompted Amazon to approach for this special.

    24. JR

      So, independently, when you released your last one, did, like, a production company come to you and say, "Hey, Jim, this is what we wanna-"

    25. JG

      Yeah.

    26. JR

      "... you know?"

    27. JG

      Yeah. It was Comedy Dynamics.

    28. JR

      Oh, okay.

    29. JG

      And they were like, "We're gon- we're gonna distribute it. Uh, we're gonna sell it piecemeal different places."

    30. JR

      Mm-hmm.

  3. 9:2712:14

    The end of appointment TV and the binge-watching problem

    1. JR

      I, I think in the future, there's not gonna be anything on live television except sports. I really do.

    2. JG

      Oh, yeah.

    3. JR

      I think-

    4. JG

      Definitely.

    5. JR

      TV, like the idea of, like, tuning in at eight o'clock on Tuesday night and that's the only time to see something-

    6. JG

      Oh, yeah.

    7. JR

      ... is ridiculous.

    8. JG

      No, appointment television-

    9. JR

      Yeah.

    10. JG

      ... is absurd.

    11. JR

      Nonsense. That's a great way of putting it.

    12. JG

      Yeah.

    13. JR

      Appointment television. (laughs)

    14. JG

      Yeah, it's just, it's insane.

    15. JR

      Yeah.

    16. JG

      You know?

    17. JR

      A release date ... And that's th- one of the other great things about Netflix, like when Stranger Things comes out, you get the whole damn season.

    18. JG

      Yeah. Yeah, definitely. And so, like, the binging thing-

    19. JR

      Mm-hmm.

    20. JG

      ... is really ... It's absurd. Like, there's, there's gotta be some consequences of that 'cause-

    21. JR

      Oh, yeah. It's unhealthy. (laughs)

    22. JG

      We're just not getting enough sleep.

    23. JR

      Now, this ... A light friend of mine, she told me that she was up watching, uh, Stranger Things till six o'clock in the morning. She had to get up at 10:00 to take her kid to school. (laughs)

    24. JG

      Yeah, it's just ... There's ... And we binge it like, like there's some reason behind it.

    25. JR

      Yeah.

    26. JG

      There's ... It's just convenience.

    27. JR

      You just get obsessed. "I wanna find out what's next. Oh my God-

    28. JG

      Yeah.

    29. JR

      ... they left me hanging.

    30. JG

      Yeah.

  4. 12:1415:25

    Unexpected hits and why authenticity wins (Impractical Jokers and podcasts)

    1. JG

      ... TruTV put on Impractical Jokers-

    2. JR

      Amazing.

    3. JG

      ... and those guys are selling out arenas. Amazing.

    4. JR

      That fucking show is so crazy popular.

    5. JG

      It, it's, you know, it's fascinating watching that show because I, you know, you try and understand it because... But I think it's the authenticity of those guys.

    6. JR

      Yeah. They're pals.

    7. JG

      And it's not manufactured.

    8. JR

      Right.

    9. JG

      And, and I think people like that.

    10. JR

      Yes. Yeah.

    11. JG

      It's very appealing. You're like, you know... And I think that's also, like, real guys.

    12. JR

      Yeah.

    13. JG

      I think there is so much beautiful people that we consume, so, so much beautiful people that we're shocked when we see a regular-looking person.

    14. JR

      (laughs)

    15. JG

      We're like, "Wait a minute, what, what, did that person, that person must be a bad guy." I used to j- have a joke about that.

    16. JR

      They seem like you could hang out with them too.

    17. JG

      Yeah.

    18. JR

      Like, they seem like regular guys that would be fun to hang out with.

    19. JG

      Yeah.

    20. JR

      It's like, "Oh, I wanna be with them." (laughs)

    21. JG

      No, like, when I first heard the premise, I was like, "Oh, this is..." But by the way, it's been going on for a while.

    22. JR

      Quite a while, yeah.

    23. JG

      And I was doing shows in London, and m- we have the same agent, and they were doing an arena three nights in a row.

    24. JR

      (laughs)

    25. JG

      In London.

    26. JR

      That's crazy.

    27. JG

      Crazy.

    28. JR

      It's amazing. Like, who the fuck saw that coming? When I heard about it from Ari, Ari Shaffir was telling me that these guys were selling out theaters, and I was like, "Really?" I'm like, "That's incredible." I go, "How big?" They went like, "5,000 people." I was like, "What?"

    29. JG

      Yeah.

    30. JR

      "What?" And that was years ago. Now, it's, they've moved to arenas.

  5. 15:2524:43

    Media narratives, criticism, and the pressure to filter art through politics

    1. JG

      Because also, like, even, generally when there are articles written about comedians, uh, you're kind of... There's always like, "All right, let's see what this half-day of research-"

    2. JR

      (laughs)

    3. JG

      "... how they interpret it." Do you remem- I remember in the-

    4. JR

      Your entire body of work, right?

    5. JG

      ... in the '90s there would be like, New York Magazine would be like, "The end of standup comedy."

    6. JR

      Yes. (laughs)

    7. JG

      And you'd read the article and you're like, "Well, I guess, oh, they followed that person. They don't even really even do standup."

    8. JR

      Yeah.

    9. JG

      Um, so it is, there is no point behind it, but I'm just kind of a sucker for trying to understand where the zeitgeist is trying to steer things. But in the end, I think comedy, you know, Seinfeld describes it as like, it all comes down to butts in seats.

    10. JR

      Mm-hmm.

    11. JG

      Butts in seats. Like, they can kind of promote, uh, you know, like the new best thing, but, you know, those people, uh, show up to shows. They, you know, they're not told where to go.

    12. JR

      Y- I think what's also important to note is that the narrative's no longer being controlled by media. Like, you, you can't... An article in Newsweek or, uh, uh, on a website or an, uh, uh, some YouTube piece, it doesn't define things anymore.

    13. JG

      Yeah.

    14. JR

      The, the landscape is too big. Not, no media outlet has any sort of monopoly on how to define someone or something. The, the people decide now. It's really a meritocracy in that way.

    15. JG

      Yeah.

    16. JR

      That if you, if you have something that's good, people find out about it and they like it. And you can write all your hit pieces that you want, they don't work anymore.

    17. JG

      No.

    18. JR

      It doesn't work.

    19. JG

      But-

    20. JR

      You know, you'll, you'll change a few people's minds, 'cause they'll buy into it, but then if they investigate themselves, they'll feel, "Oh, you're a piece-of-shit journalist. This is a terrible article about something."

    21. JG

      It's... You know, it... But I sometimes think, well, like, I have two theories on this. O- one, I sometimes think, "Was it always like this and I didn't see it?" Or here's my other theory. My other theory is that in the collapse of traditional media, meaning the collapse of newspapers and, and just, uh, you know, television news bureaus, that there, because there's no money to pay, uh, someone to be, say like, a, a movie review. My wa- my, uh, father-in-law is, he used to write movie reviews f- in Milwaukee, and he would review the movies, and that was his job. And that job is really only present in, in very rare situations. Otherwise, it's just the opportunity of someone that does it out of a passion thing, meaning someone who has a blog, or it's someone who is, doesn't need a financial incentive. So, in other words, they're like, "You got 50 bucks to write a review of this thing." Or, so it ends up not being...... close to objective. Does that make sense?

    22. JR

      Hmm. Yeah, no, it does. And I, I think if you're gonna really study something, like if you, if you want to know about a person, you know, say if it, it's a politician or, you know, an actor or comic or whoever you're writing about, the idea that you're gonna figure them out with just a, a few hours of Google searching is kind of crazy. Like-

    23. JG

      It's absolutely crazy.

    24. JR

      I mean, and, and the, the rush is to define someone in either very flattering or very unflattering ways. The, the-

    25. JG

      Yeah.

    26. JR

      ... this, that's really where most of the energy goes.

    27. JG

      Right.

    28. JR

      Most of the stories are either hit pieces or they're fluff pieces that seem to be propped up by a publicist.

    29. JG

      Yeah, there is ... I, I feel as though ... Like, I did this movie that came out, um ... It was just a small indie comedy where I was a guy, uh, w- who had two separate families and they didn't know about each other. So it's like, he's a good guy. No, but he had two families. And it's a comedy. It's set in the '90s and y- you know, the, the reviews that didn't like the movie, that didn't surprise me, you know? Or the criticisms. But like, a lot of the reviews were kind of, um ... There was a tone of like, "How dare this white male (laughs) have two fam-" Like, they couldn't get beyond ... Like, it wasn't ... Like, they would insert like, a, a social commentary-

    30. JR

      Mm-hmm.

  6. 24:4326:45

    Comedy as a ‘vacation’ from politics—and how humans stay confidently wrong

    1. JG

      Well, you know, there- there's- there's also this, too, is that, you know, I'm- I tend to lean left. I'm pretty, uh, liberal socially. And, um, but, uh, and, you know, when Trump was elected and, like, there was the Women's March and all this stuff, there was this- I had this thought process of, like, "How do I- how do I, you know, cont- how can I contribute? How can I help make this country better?" Which is- sounds grandiose, which it is. But the thing is, is like, I'm not changing anyone's mind.

    2. JR

      Mm-hmm.

    3. JG

      I really believe that. It's like- and if anything, I think at my shows, it's like people are kind of like, "Huh, a break from it."

    4. JR

      Yes. Yes.

    5. JG

      Do you know what I mean? Like, it's- we're all thinking about it-

    6. JR

      Yeah.

    7. JG

      ... all the time. We're like, "All right, there's a- a tariff, uh, a Chinese tariff! What does that mean? I don't know what that means! Is that- are American farmers destroyed? What- what's going on?" But, like, when they come to my show, they don't want me to rehash it.

    8. JR

      Yes. Yeah, no, I think that's one of the keys to your success, is that you provide a vacation.

    9. JG

      Yeah.

    10. JR

      A fun, silly, well thought out, comedically brilliant sort of vacation from the nonsense of the day.

    11. JG

      But also pointing out that humans are- we're absurd.

    12. JR

      Yes.

    13. JG

      We're stupid.

    14. JR

      Yes. Yeah. Sure.

    15. JG

      We are so stupid. Like, we just think- humans think we have it- every generation, we think we have it figured out.

    16. JR

      Yeah.

    17. JG

      That's, uh, like the- the- the suredness of people makes me concerned.

    18. JR

      (laughs) It should, right?

    19. JG

      Like, you know, there were people at a time that were like, "Here's how we serve the- how- here- how we solve the flu is we're gonna put these leeches on people. Trust me, it's working." Like, they- they were convinced that would work.

    20. JR

      Yeah. Yeah, it makes you wonder, like, what- how we're gonna view this generation 100 years from now or 200 years from now.

    21. JG

      Oh, it's gonna be fas-

    22. JR

      (laughs)

    23. JG

      I mean, I've got a- I've got a 15-year-old-

    24. JR

      Ugh.

    25. JG

      ... who, uh, is so, uh- my children are- they're so fascinating. But-

  7. 26:4532:12

    Raising five kids in New York and navigating comedy-club dynamics

    1. JR

      And you live in New York City still.

    2. JG

      I live in New York City.

    3. JR

      Yeah.

    4. JG

      Yeah.

    5. JR

      Which is cra- I- I- I always- we talked about this a long time ago.

    6. JG

      Yeah.

    7. JR

      That that's a wild place to raise kids.

    8. JG

      I- is it?

    9. JR

      I don't know. You tell me.

    10. JG

      I don't ... I feel like there is, um, there is socioeconomic, uh, cultural more diversity my kids walking to a subway station-

    11. JR

      Sure.

    12. JG

      ... than if we lived in the suburbs.

    13. JR

      For sure, yeah.

    14. JG

      Um, and, uh, yeah, you know, it's- you know, they don't have a yard, but, like, I'm kind of like, I don't know, it seems like people that have yards, they're, like, paranoid about their kids getting snatched anyway. So, uh, but, I don't know, it's what- I also- you know, I feel like there's a lot of convenience in New York that I like. And I also, to be perfectly honest, it's like, in LA, I feel like I feel kind of smothered by the entertainment industry.

    15. JR

      Hm.

    16. JG

      And- and maybe it's, uh, my insecurity, but it's like-

    17. JR

      No, I think you're right.

    18. JG

      ... there's like- y- you drive down the street, there's all these billboards, and- and each of those billboards is saying, "You're a failure!"

    19. JR

      (laughs)

    20. JG

      "Look at this person! This person- this is their fifth show where they're gonna get an Emmy nomination, and people don't even know your name!"

    21. JR

      Yeah.

    22. JG

      You know? So it's- I mean, obviously, just fate had it where I stayed in New York, 'cause there's plenty of reasons to live in LA.

    23. JR

      Well, first and foremost, you're a comic. You're always-

    24. JG

      Yes.

    25. JR

      ... recognized as a comic, but you do a lot of other things as well. But, like, being- y- you do a lot of other movies and television shows and stuff. But being in New York City, I think you- in- in some ways, you get the b- best of both worlds.

    26. JG

      Yeah.

    27. JR

      Because you get many clubs to perform in-

    28. JG

      Yeah.

    29. JR

      ... many clubs to practice in, but you also don't get that sort of scrutiny of the- the agents and the managers in the entertainment industry, so you can work on your shit. And then, on top of that, you're not surrounded by the business.

    30. JG

      Yeah.

  8. 32:1235:48

    The Comedy Store comeback: management, culture, and the perfect rooms

    1. JG

      It's amazing the transformation The Comedy Store has gone through.

    2. JR

      Yeah.

    3. JG

      Like, it is the ... I would say it's probably one of the most important clubs in the country, beyond a doubt. Maybe ... I'm thinking it's, like, up there, right? As, like, the surefire thing if you're an audience member. You go to The Store, you're gonna see a great show. But, like, 15 years ago, I don't know if that was the case.

    4. JR

      No. No, it wasn't the case in 2008.

    5. JG

      Yeah.

    6. JR

      Yeah, it was, it was pretty bad for a while.

    7. JG

      And who is, who is responsible? 'Cause that i- that comes down to management.

    8. JR

      That has a lot to do with it. It also ... The internet, a lot of us, uh, talking about how great The Comedy Store is.

    9. JG

      Yeah.

    10. JR

      Also, getting rid of the old management, firing them.

    11. JG

      Right.

    12. JR

      They found the old guy, uh, was running the place, was stealing money, and they fired him.

    13. JG

      (laughs) There's ... Comedy St-

    14. JR

      He was a piece of shit anyway. He was just running it poorly.

    15. JG

      There's so many stories where it's like, "And then it was revealed they were stealing."

    16. JR

      Mm-hmm.

    17. JG

      And you're like, "What?"

    18. JR

      Yeah. Yeah, they, they, they did a sting operation and caught him stealing money.

    19. JG

      Oh.

    20. JR

      Yeah, he was a bad guy, but just running the place poorly too.

    21. JG

      Yeah, yeah.

    22. JR

      And he was the reason why I wasn't there for seven years.

    23. JG

      Yeah.

    24. JR

      Yeah, so-

    25. JG

      Yeah.

    26. JR

      I came back, and, you know, b- b- all the talking about The Store with comics on podcasts too-

    27. JG

      Yeah.

    28. JR

      ... got people so excited about it, and then you'd look at the lineup. Like, on a Tuesday night, it's just a murderer's row.

    29. JG

      And also, those rooms are great. The layout of the rooms-

    30. JR

      Mm-hmm.

  9. 35:4837:22

    Talk shows vs. long-form: why podcasts reveal the real person

    1. JG

      When did you decide to not ... 'Cause you used to do those shows.

    2. JR

      Yeah.

    3. JG

      Was there a ... Was i- it's a time management thing?

    4. JR

      It's a time management thing, and it's also I don't believe that they have a good format. I think that format is nonsense. I think the format of waiting for commercials and the audience, being right there and playing to the audience, it's not, it's not an effective way to have a conversation. It's definitely not an effective way to express ideas that are complicated. You wanna be able to, like, f- air them out in a long form way. (clears throat) And you can't do that on those shows. You just can't. It's, it's in, it's out, and if anything weird or controversial comes up, you stick your foot in your mouth, you never have a chance to take it out. Nobody really gets a chance to see how your mind really works. Like, what, what are you thinking? What, what, uh, w- where is your head at? How do you come to these conclusions? What's your thought process? Who are you as a person? Are you a good person? Are you trying to do good?

    5. JG

      Yeah.

    6. JR

      Are you flawed? Are you ... What, what, uh, what are you?

    7. JG

      Yeah.

    8. JR

      And you find that out in a long form conversation, so like ... (clears throat) ... when I had Bernie Sanders on, one of the things that people said was most interesting is like, "This guy's not a cartoon. He's a really nice guy. I see him on these shows and he seems like this fucking cartoonish character-"

    9. JG

      Right.

    10. JR

      "... but now you see him here in this long form conversation where there's no interruptions at all. He just has a chance to think and talk and express himself." And you go, "Oh, now I know the real Bernie because I never knew him in these goddamn debates when he's screaming for 12 seconds-

    11. JG

      Right.

    12. JR

      ... about healthcare, about taxes, or about whatever it is."

    13. JG

      Yeah. I, it's fascinating. Like, uh, right, here, let me a- let me ask you this.

    14. JR

      Okay.

    15. JG

      'Cause-

  10. 37:2240:23

    Nicotine gum, appetite, testosterone talk, and the unglamorous work of improvement

    1. JR

      Nicky says, um, "Give me one of them." So let me try those out.

    2. JG

      Oh, they're beautiful.

    3. NA

      (laughs)

    4. JG

      They're delicious.

    5. JR

      Is it good?

    6. JG

      I go original flavor.

    7. JR

      And you used to, used to do the chew, right?

    8. JG

      I used to dip-

    9. JR

      Mm-hmm.

    10. JG

      ... and then I used to smoke cigarettes. Like, there's... My wife has, uh-

    11. JR

      Thank you.

    12. JG

      ... uh, videos, like, you know, we have all these old videos of us doing standup.

    13. JR

      Mm-hmm.

    14. JG

      And she was transferring them to, like, DVDs at the time. Now we're gonna have to get them off the DVD. And she would find these videos of me doing standup smoking on stage.

    15. JR

      Whoa, back in the day, son.

    16. JG

      And she was like, "What are you doing?"

    17. NA

      (laughs)

    18. JG

      And I'm like, "Yeah, I used to smoke." I used to... You know, I had yellow fingers. (chewing) I was chain smoking.

    19. JR

      I smoked cigarettes before I go on stage, even recently. I smoked one of Chappelle's cigarettes, uh, last weekend. It gives you-

    20. JG

      Yeah.

    21. JR

      ... a crazy head rush. Before you go on stage, I like it. (chewing)

    22. JG

      It's-

    23. JR

      When I wanna smoke cigarettes... Sorry for the smacking in the-

    24. JG

      Yeah.

    25. JR

      ... microphone, folks. It's a terrible thing to smoke cigarettes, but there's a weird rush that you get from, from the nicotine.

    26. JG

      Oh, yeah.

    27. JR

      It's like a, it's a head rush. It's like you feel good.

    28. JG

      Yeah.

    29. JR

      It-

    30. JG

      Yeah.

  11. 40:2346:10

    How comedians write and test material: notes, recordings, and the road’s feedback loop

    1. NA

      (laughs)

    2. JG

      No, I'm so focused on... I, I sometimes listen to my set while I work out. It's like, when you work out, you have to focus on working out.

    3. JR

      Yeah, but that's a good thing to do. I do that when I'm on the elliptical sometimes.

    4. JG

      Yeah.

    5. JR

      I listen to, listen to comedy. I think listening to sets is, uh, one thing that not enough comics do. They record their sets, but they don't listen to them because it's gross and you feel-

    6. JG

      Oh, it's-

    7. JR

      ... it's annoying, you don't wanna hear it.

    8. JG

      Yeah, yeah.

    9. JR

      But it's way, the way you learn.

    10. JG

      Yeah.

    11. JR

      And I feel like, I mean, cr- I don't know, I would like to know y- how you feel about this, but-

    12. JG

      Yeah.

    13. JR

      ... I feel like the amount of time that you spend concentrating on your material has a direct result in how good it is and how good it gets quick, especially when you're producing specials so you abandon-

    14. JG

      Yeah.

    15. JR

      ... all your material-

    16. JG

      Yeah.

    17. JR

      ... and then you have to write new stuff. For me, the process is greatly accelerated by physically writing. Physically writing is very important.

    18. JG

      Yeah.

    19. JR

      I devote a lot of time to sit in front of a computer, staring at it, smoking pot, writing things out-

    20. JG

      Right.

    21. JR

      ... looking at notes, writing things out.

    22. JG

      Yeah.

    23. JR

      Performing, those are critical, but also listening. Listening to those recordings and then writing notes on the recordings.

    24. JG

      Yeah. For me-

    25. JR

      It's work.

    26. JG

      ... the process is... It shifts all the time, right? So there's sometimes you just give birth to a chunk. You go bler, it just comes out.

    27. JR

      Yes.

    28. JG

      And you're like, "Oh my gosh, thank God."

    29. JR

      Yeah.

    30. JG

      And sometimes it's just like you're chiseling away at granite and it's just bit by bit underneath. But for me, it's doing these longer sets, like doing an hour in 10 minutes. I will... And it's a shift from before. It used to be like I needed the sits, uh, sets in the city to like, uh, build piece by piece, but now I'm kind of... I'll talk about like something that happened, uh, when I was a kid, and then I'll polish it over a long period. 'Cause in an hour show, it's, you know, I believe you have to do A material every time you do a theater, and it has to be new because you want people leaving going, "I'm coming back when it comes back here."

  12. 46:1055:34

    Political fatigue, WWII reminders, and how quickly societies can turn

    1. JR

      ... in all these different places. So I think, like, we've... I've been talking a lot with comics lately about, like, "What was your reaction to Trump winning the election?" Comics saw it coming more than-

    2. JG

      Yeah.

    3. JR

      ... most people who live in LA, 'cause most people who live in LA are very liberal-

    4. JG

      Yeah.

    5. JR

      ... very left-wing, convinced that, you know, this is... Even it did- didn't matter who you voted for, Hillary was gonna win California no matter what.

    6. JG

      Yeah.

    7. JR

      Like, we were... Th- this was a pro-

    8. JG

      Yeah.

    9. JR

      ... Democrat state, and when Trump won, I, I ran into people that were shell-shocked. They couldn't-

    10. JG

      (laughs)

    11. JR

      ... fucking imagine.

    12. JG

      I mean, I think, uh, I mean, I was surprised.

    13. JR

      Were you, man?

    14. JG

      I was def- I was definitely surprised. But that being said, I wasn't surprised by, um, the, uh, the logic behind some of the people that voted for Trump last time that are sheepish to admit it now.

    15. JR

      Yes.

    16. JG

      Um, I understood some of that logic, but I thought it was fascinating 'cause there was a time for me... 'Cause I tour with, uh, Ted Alexander a lot, and he's like an o-

    17. JR

      I love Ted.

    18. JG

      He's like, he's like an Occupy Wall Street guy. Like, he's, like, uh, very, uh, progressive. And we would tour, and he would have... During the election, he would have some material on Hillary and some material on Trump, and it worked everywhere. It worked in Texas, worked in Tennessee, which I think is the most conservative place-

    19. JR

      Tennessee.

    20. JG

      ... outside of Nashville. And, and so it would work everywhere. And then the election happened, and that same material... And it wasn't just the context of the, uh, post-election. It was... I c- I describe it as people looking at the ceiling, is that people didn't wanna hear it. An- and I think some of it is people were like, "We deal with this all day. We need a break from it." But it was both sides.

    21. JR

      Yeah.

    22. JG

      So, like, Trump voters were more emboldened, kind of like, "That's right!"

    23. JR

      (laughs)

    24. JG

      And then also the left, people were like, "Please."

    25. JR

      (laughs)

    26. JG

      "Can I... I just wanna hear Jim talk about horses for 10 minutes." Do you know what I mean?

    27. JR

      Yeah.

    28. JG

      And so there is something fascinating that occurs, and there's also something fascinating about international shows because when Bush was, when W was president, there were much more people coming up to me, going, "How dare he s- you know, start the Iraq War?" And with, uh, with Trump, they're like, "Yeah, you probably didn't have th- anything to do with that."

    29. JR

      (laughs)

    30. JG

      Yeah, I would say that's-

  13. 55:341:05:11

    Free speech, cancel culture, and ‘true believer’ politics inside entertainment

    1. JG

      You know what I think is ... An- and I think this is also a reflection of the success of comedians' podcasts, is that w- what people don't realize is that comedians really appreciate a different point of view. We actually, uh, like f- we have friends that, like, we don't agree with. In fact, we almost find it entertaining. Like, "Let's talk to this friend because I know I disagree with him." And we can have that banter, and I think that particularly in this, uh, cancel culture, there is ... And so, like, you get these comedians, like you, hosting these podcasts, having these discussions, and, and comedians have kinda like the, uh, boldness to step in it and say, "Hey, I don't know about that. Tell me about that." Whereas, like s- from a societal basis, there's like, "Don't question. Don't question, uh, why w- we're pursuing this, because if you question it, that means you're not a true believer, and we're-"

    2. JR

      Yeah.

    3. JG

      "... looking for true believers." Whereas ... And by the wa- it's, it's just interesting because, uh, I think ... You know, I have a friend, Tom Shillue, who I love, who's, who has a show on, uh, on Fox, uh, Nation. And it is weird, 'cause like six years ago, and I did this interview and I talked about it, and, and I could see the interviewer go, "Y- you're friends with someone that works at Fox?" And I'm like, "Yeah." You know? It's like, it's okay.

    4. JR

      Yeah.

    5. JG

      It's okay. He's not a monster.

    6. JR

      Yeah.

    7. JG

      He's not killing, you know, he's not putting children in cages. He's-

    8. JR

      I'm good friends with Steve Hilton. He has a show on Fox. He interviewed Trump. Uh, my family and his family-

    9. JG

      Yeah.

    10. JR

      ... go on vacations together. Nice guy.

    11. JG

      And it's like, why ... Like, uh, it's, it's, it's this strange thing where I'm like, I can understand how important these beliefs are, and I can understand how threatening, um, democracy is, and I can understand how we have to face our history and, and all these things. But it's like, the discourse has to remain-

    12. JR

      Yes.

    13. JG

      ... doesn't it?

    14. JR

      Yes. We have to be able to talk to each other, and I think that's one of the things that kinda died with the Trump election. People were like, "You're with us or against us." You're either for him or y- or you're f- for the future and compassion and, and, and-

    15. JG

      Yeah.

    16. JR

      ... caring about everyone, or you're a monster. And there's no, there's no discussion about finances, or the best way to run the economy-

    17. JG

      Yeah, yeah.

    18. JR

      ... or international trade. No, no, no, no, no. You're, you're with the good or the bad. (banging on desk) You're binary. It's one or zero. You're black or white. You're one or zero.

    19. JG

      And it, that is the same thing that they criticized about W-

    20. JR

      Mm-hmm.

    21. JG

      ... saying, "You're either with us or against us."

    22. JR

      Yeah.

    23. JG

      Which, by the way, being a father of daughters, you know is also a line from Beauty and the Beast.

    24. JR

      Yeah. (laughs)

    25. JG

      Right? (laughs)

    26. JR

      Yeah, but it is, it's-

    27. JG

      (laughs)

    28. JR

      ... tr- and appropriately so, right? It's like very childlike. Like that, that perspective is very childlike. There's a lotta people that are conservative that are very good people.

    29. JG

      Absolutely.

    30. JR

      Yeah.

  14. 1:05:111:18:46

    Elk hunting, wild game ethics, and the ‘difficult pursuits’ worldview

    1. JG

      What does elk meat taste like?

    2. JR

      You want some?

    3. JG

      Not really.

    4. JR

      I wish, I wish he were around here. I'd give you some.

    5. JG

      (laughs)

    6. JR

      Not really? You don't care?

    7. JG

      I mean, I would-

    8. JR

      If I had a kitchen here, if I had a kitchen here-

    9. JG

      Is it-

    10. JR

      ... and I cooked some, would you eat some?

    11. JG

      I'm sup- We're at this compound. You, you have this huge place. You got a horse track in the back. You don't have a kitchen here?

    12. JR

      I'm going to e- open up a kitchen here. Seriously.

    13. JG

      Yeah.

    14. JR

      I'm actually, I'm gonna, I'm thinking about putting together a restaurant.

    15. JG

      So the-

    16. JR

      And having friends come over and eat here.

    17. JG

      ... elk thing, what makes ... Maybe you've talked about this and I haven't heard the episode. But elk meat, is that good? Or it's just-

    18. JR

      Fantastic. Yeah, it's a wild animal. It's wild. It's wi-

    19. JG

      But does it taste like deer?

    20. JR

      It tastes better than deer.

    21. JG

      You don't like veni- Well, venison-

    22. JR

      'Cause it-

    23. JG

      ... you're like, "Oh, this is good," you know, if I have really strong mustard and I'm not hungry.

    24. JR

      No, man. It's just prepared poorly.

    25. JG

      Yeah.

    26. JR

      Venison's delicious. It's, it's, all of it is how the meat is taken care of after the animal dies, whether it's cooled quickly, and how it's processed. That's all it is, how it, how it's cleaned, how it's cut up, how it's vacuum-sealed and frozen, uh, almost immediately after the animal dies, how you don't let in the glands. Like, they have tarsal glands that they can get ... They, they have hormones. Like, a lot of times-

    27. JG

      Right.

    28. JR

      ... when you're shooting these animals, it's during the rut. So they're, they're breeding, and this is when-

    29. JG

      Oh.

    30. JR

      ... this is when they have-

Episode duration: 1:43:57

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