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Joe Rogan Experience #1335 - Jim Gaffigan

Jim Gaffigan is an actor and stand up comedian. His new stand up special "Quality Time" will premiere August 16th on Amazon Prime.

Joe RoganhostJim Gaffiganguest
Aug 14, 20191h 43mWatch on YouTube ↗

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  1. 0:0015:00

    Dun-dun-dun. Ladies and gentlemen,…

    1. JR

      Dun-dun-dun. Ladies and gentlemen, (claps) one of the greats, Jim Gaffigan.

    2. JG

      Oh.

    3. JR

      How are you, sir?

    4. JG

      Thank you, thank you. It's great to be here.

    5. JR

      Great to see you, man. I'm excited that you're doing a special on Amazon.

    6. JG

      Yeah.

    7. JR

      I think it's important that there's a, a bunch of other platforms for all of us-

    8. JG

      Right.

    9. JR

      ... to do specials on. And when a guy like you goes over to Amazon, legitimizes it, makes it a big deal, it's exciting.

    10. JG

      Yeah, and it, it's, uh, it's fascinating how the, the outlets for specials has changed so dramatically.

    11. JR

      Yeah.

    12. JG

      'Cause when we were, when we were kids, it was just HBO.

    13. JR

      Yep.

    14. JG

      And then Comedy Central, when, uh, I released Beyond the Pale, it was, uh, that perfect moment where, uh, in every dorm room in America, Comedy Central was on.

    15. JR

      Yep.

    16. JG

      You know, it w- it had shifted from MTV to Comedy Central bec- probably 'cause of Chappelle and, and Jon Stewart. And so, but it shifts. You know, it's like, then Netflix was big, and, um, and we see these other platforms coming out. So it'll be, it'll be interesting. If I can convince people, 'cause everyone goes to Amazon.

    17. JR

      Mm-hmm.

    18. JG

      Or someone in their family does. So if I can convince them the next time they're buying paper towels-

    19. JR

      (laughs)

    20. JG

      ... and socks-

    21. JR

      (laughs)

    22. JG

      ... to just go over to Prime, 'cause they, everyone has a Prime membership.

    23. JR

      Yeah, that's a weird part about it, right? It's like-

    24. JG

      Yeah.

    25. JR

      ... it's shopping, but it's also, like, the same as iTunes.

    26. JG

      It, y- yeah, people have asked me, they're like, "What if, uh," you know, well, one person asked me, they were like, "What if someone doesn't have a Prime membership?" And I'm like, "Then they're-"

    27. JR

      Who are you?

    28. JG

      "... probably not on the Internet."

    29. JR

      Yeah, who are you?

    30. JG

      Right? They probably can't afford even, uh, you know, high-speed Internet.

  2. 15:0030:00

    Wh- …

    1. JR

      sure, and also zero promotion of it. I never promoted it at all. I never did any television shows to promote it or took out any ads or did other people's podcasts to let people know about it. I just kept doing it.

    2. JG

      Wh-

    3. JR

      I just felt like, "Let me just keep doing it. I enjoy doing it, just keep doing it." And then it bec- totally 100% built by word of mouth.

    4. JG

      And so what, articles that are written about it, do you read those or no?

    5. JR

      No. No.

    6. JG

      Nothing.

    7. JR

      I don't think it's wise.

    8. JG

      Because also, like, even, generally when there are articles written about comedians, uh, you're kind of... There's always like, "All right, let's see what this half-day of research-"

    9. JR

      (laughs)

    10. JG

      "... how they interpret it." Do you remem- I remember in the-

    11. JR

      Your entire body of work, right?

    12. JG

      ... in the '90s there would be like, New York Magazine would be like, "The end of standup comedy."

    13. JR

      Yes. (laughs)

    14. JG

      And you'd read the article and you're like, "Well, I guess, oh, they followed that person. They don't even really even do standup."

    15. JR

      Yeah.

    16. JG

      Um, so it is, there is no point behind it, but I'm just kind of a sucker for trying to understand where the zeitgeist is trying to steer things. But in the end, I think comedy, you know, Seinfeld describes it as like, it all comes down to butts in seats.

    17. JR

      Mm-hmm.

    18. JG

      Butts in seats. Like, they can kind of promote, uh, you know, like the new best thing, but, you know, those people, uh, show up to shows. They, you know, they're not told where to go.

    19. JR

      Y- I think what's also important to note is that the narrative's no longer being controlled by media. Like, you, you can't... An article in Newsweek or, uh, uh, on a website or an, uh, uh, some YouTube piece, it doesn't define things anymore.

    20. JG

      Yeah.

    21. JR

      The, the landscape is too big. Not, no media outlet has any sort of monopoly on how to define someone or something. The, the people decide now. It's really a meritocracy in that way.

    22. JG

      Yeah.

    23. JR

      That if you, if you have something that's good, people find out about it and they like it. And you can write all your hit pieces that you want, they don't work anymore.

    24. JG

      No.

    25. JR

      It doesn't work.

    26. JG

      But-

    27. JR

      You know, you'll, you'll change a few people's minds, 'cause they'll buy into it, but then if they investigate themselves, they'll feel, "Oh, you're a piece-of-shit journalist. This is a terrible article about something."

    28. JG

      It's... You know, it... But I sometimes think, well, like, I have two theories on this. O- one, I sometimes think, "Was it always like this and I didn't see it?" Or here's my other theory. My other theory is that in the collapse of traditional media, meaning the collapse of newspapers and, and just, uh, you know, television news bureaus, that there, because there's no money to pay, uh, someone to be, say like, a, a movie review. My wa- my, uh, father-in-law is, he used to write movie reviews f- in Milwaukee, and he would review the movies, and that was his job. And that job is really only present in, in very rare situations. Otherwise, it's just the opportunity of someone that does it out of a passion thing, meaning someone who has a blog, or it's someone who is, doesn't need a financial incentive. So, in other words, they're like, "You got 50 bucks to write a review of this thing." Or, so it ends up not being...... close to objective. Does that make sense?

    29. JR

      Hmm. Yeah, no, it does. And I, I think if you're gonna really study something, like if you, if you want to know about a person, you know, say if it, it's a politician or, you know, an actor or comic or whoever you're writing about, the idea that you're gonna figure them out with just a, a few hours of Google searching is kind of crazy. Like-

    30. JG

      It's absolutely crazy.

  3. 30:0045:00

    Right. …

    1. JG

      The Cellar, I don't want to bump some of my friends that I started with.

    2. JR

      Right.

    3. JG

      And I also don't want to get bumped by somebody else.

    4. JR

      Mm-hmm.

    5. JG

      It's like I- you know, I- you know, I'm not gonna abuse doing a set, but I'll go in and I'll do 15 minutes. It won't disrupt anyone's night. But I also know that at The Cellar, you- you know, there's gonna be people that show up. Sometimes there's a pack of three or four people that are gonna do sets, and everyone's kind of off, uh, for that night. But also, it's-You know, it goes back, like, 20 years ago. I'm a low energy kinda comedian, and, uh, it used to ... You know, I used to put in avails at The Cellar, and it would kinda determine ... I would get, you know, like, "You get a spot Wednesday at 1:00 AM." And so, like, I would be bummed for the week.

    6. JR

      (laughs)

    7. JG

      So I don't wanna, I don't wanna give my power away in those situa-

    8. JR

      Yeah, I see what you're saying.

    9. JG

      I just wanna do standup.

    10. JR

      So you'd rather just do good spots-

    11. JG

      I'd rather go to Gotham.

    12. JR

      Yeah.

    13. JG

      And, and also-

    14. JR

      Gotham's great.

    15. JG

      And I, and I ... Look, I love The Cellar, but I feel like that's also, uh, the, the layout of the room is far more interactive, whereas I wanna try out material. Um, but I don't know. It's shift- it's shifted, because The Cellar is ... It's a great club with a great complex. I mean, there's three rooms.

    16. JR

      Mm-hmm.

    17. JG

      So ... But some of it is I'm now at the point where I just wanna do one set, and I also don't wanna, like ... I don't want a friend like Todd Barry looking at me like, "You're bumping me?"

    18. JR

      (laughs)

    19. JG

      You know what I mean?

    20. JR

      Do you call in, or do you just show up?

    21. JG

      I call in.

    22. JR

      Yeah.

    23. JG

      So I'll call, but, uh, sometimes I'll decide at, like, 8:10. I'll call Gotham and I'll go, "Is it okay if I come in?" And they'll say, "Yes. It's better if you come in at 8:40 or 9:10, just so that I don't-"

    24. JR

      Yeah.

    25. JG

      "... screw anyone up."

    26. JR

      Yeah.

    27. JG

      And then, you know, but, like, at Gotham, Seinfeld always goes there too, so it's like ... I'm like, "I gotta get there before Jerry."

    28. JR

      (laughs)

    29. JG

      (laughs)

    30. JR

      Well, that's the beautiful thing about a big city like New York, particularly about New York. There's so many different options.

  4. 45:001:00:00

    Yeah. …

    1. JR

      sure. The road is so critical for that.

    2. JG

      Yeah.

    3. JR

      You get a sense of how people... And especially when you do in clubs.

    4. JG

      Yeah.

    5. JR

      I found that the road, when you're doing clubs, you really get a sense of, like, the feel of a city, whether it's Cleveland or Columbus.

    6. JG

      Oh, yeah.

    7. JR

      Or, yeah.

    8. JG

      I mean, I love the fact even, you know, how, uh, you know, doing, uh, talking about... You know, I make a point of not doing too much material on having, uh, five kids, but, like, I'll do... Like, if I talk about having five kids in New York City, uh, in, at a show in New York City, people are like, "You're crazy." And then if I talk about having five kids in Boston, uh, and I'm generalizing, people in Boston might be like, "You're crazy. I came from one of those families." And if I do it in Utah, people would be like, "Yeah, we are crazy for having five kids." So it is the same joke, and it's the same point of view, but it's tweaked a little bit.

    9. JR

      Mm-hmm.

    10. JG

      And it's so fun kind of traveling around and learning that material, and learning the impact and how it's digested.

    11. JR

      Well, comics have a unique perspective on America because of that, because we don't just go to these different places, but we also perform material-

    12. JG

      Yeah.

    13. JR

      ... in all these different places. So I think, like, we've... I've been talking a lot with comics lately about, like, "What was your reaction to Trump winning the election?" Comics saw it coming more than-

    14. JG

      Yeah.

    15. JR

      ... most people who live in LA, 'cause most people who live in LA are very liberal-

    16. JG

      Yeah.

    17. JR

      ... very left-wing, convinced that, you know, this is... Even it did- didn't matter who you voted for, Hillary was gonna win California no matter what.

    18. JG

      Yeah.

    19. JR

      Like, we were... Th- this was a pro-

    20. JG

      Yeah.

    21. JR

      ... Democrat state, and when Trump won, I, I ran into people that were shell-shocked. They couldn't-

    22. JG

      (laughs)

    23. JR

      ... fucking imagine.

    24. JG

      I mean, I think, uh, I mean, I was surprised.

    25. JR

      Were you, man?

    26. JG

      I was def- I was definitely surprised. But that being said, I wasn't surprised by, um, the, uh, the logic behind some of the people that voted for Trump last time that are sheepish to admit it now.

    27. JR

      Yes.

    28. JG

      Um, I understood some of that logic, but I thought it was fascinating 'cause there was a time for me... 'Cause I tour with, uh, Ted Alexander a lot, and he's like an o-

    29. JR

      I love Ted.

    30. JG

      He's like, he's like an Occupy Wall Street guy. Like, he's, like, uh, very, uh, progressive. And we would tour, and he would have... During the election, he would have some material on Hillary and some material on Trump, and it worked everywhere. It worked in Texas, worked in Tennessee, which I think is the most conservative place-

  5. 1:00:001:11:23

    The wrong people. …

    1. JG

      age where ... Like, there used to be comedians, and I think it's inhibited some people's success, where, like, if it's ... Like Bill Burr, one of the best comedians today, and I think people are ... Sometimes people in the media are like, "You know, uh, the wrong people might like his material." And you're like, "That doesn't-"

    2. JR

      The wrong people.

    3. JG

      Do you hear what I'm saying?

    4. JR

      Yes, I do now.

    5. JG

      Maybe I'm being paranoid, but I'm like-

    6. JR

      No, I get that from this podcast.

    7. JG

      It's, it's a very strange ... It's, it's, it's almost kind of a, uh ... You know, and I, and I don't know if I've talked about this, but, like, I ... You know, like, there's this cultural revolution that is occurring that is ... It's well intended, but it's almost, it's almost puritanical. And it ... And by the way, I'm not somebody ... Uh, I'm against any form of censorship, but I'm also somebody that believes that if we can articulate, uh, transgender terms that make people that are transgender feel comfortable, there's, there's nothing wrong with that. We can adjust our language. We do it all the time. But I do think that there is kinda this almost puritanical thing that's ironically happening on the left that is what we, uh, uh, you know, as comedians, we used to make fun of the right for. Does that make sense?

    8. JR

      Yes, 100%.

    9. JG

      It's a very strange kind of like, "Wait, you guys are doing what you accuse these guys of doing forever."

    10. JR

      ... but they don't see it that way because they feel like they're right. And if you're right, then it doesn't matter if you're a zealot.

    11. JG

      And I do think it's well-intended.

    12. JR

      Yes.

    13. JG

      I do think it's well-intended. I don't question someone's motives. Like, I don't think that, like ... I remember, and I'm gonna get blowback on this. Like, I don't think that W, uh, w- had malicious intent. I think he was well-intended. You know, he failed at things, but I think he was well-intended.

    14. JR

      I think that's probably a logical perspective, and I think Dick Cheney's probably Satan.

    15. JG

      You think so?

    16. JR

      I think Dick Cheney was running, running the show-

    17. JG

      (laughs) I mean-

    18. JR

      ... straight from hell. That's why he had that bunker deep, deep down under the-

    19. JG

      But I think that bunker existed.

    20. JR

      He was right next to hell.

    21. JG

      It wasn't like he was like ... It's not like he was like, "I need a bunker."

    22. JR

      He had a straight shot, straight to hell. That's what it was. There was a elevator-

    23. JG

      It was down there. That's how it was heated.

    24. JR

      Yeah, that's why it was so warm. That's what he would ... Remember when he was in the bunker after 9/11? There was like, Dick Cheney's in a bunker. How come George Bush is playing golf? W's out there with like-

    25. JG

      Well, because he was in DC.

    26. JR

      ... a big target on his forehead. Yeah.

    27. JG

      He was in DC, and there was a separation of ...

    28. JR

      Of powers.

    29. JG

      I don't know. And then we all saw-

    30. JR

      The high of Dick Cheney.

Episode duration: 1:43:57

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