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The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #1418 - Don Gavin

Don Gavin is a stand-up comedian and actor. His album "Don Gavin: Live with a Manhattan" will be available for the first time to stream on January 24.

Joe RoganhostDon Gavinguest
Jan 23, 20201h 14mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:001:30

    Revisiting the Boston comedy boom (late ’70s–’80s) and why it felt unique

    1. JR

      ... three, two... Hello, Don Gavin.

    2. DG

      Hello, Joe Rogan.

    3. JR

      Good to see you, sir.

    4. DG

      It's good to see you. It's been a long time.

    5. JR

      Pleas- Yeah, it's a pleasure to get you on here, man.

    6. DG

      I'm thrilled to be here.

    7. JR

      We've talked about you, uh, I don't know how many times. Many times.

    8. DG

      I've heard that from, from my son. He says you mention my name glowingly, is the word he uses.

    9. JR

      Yeah, well, hey, man, you were a giant inspiration to me when I was, uh, coming up-

    10. DG

      That's good to hear.

    11. JR

      ... when I was a kid. Well, you know, I've talked about this so many, many times, but that era of, uh, Boston comedy, when I started in '88, and, uh, you guys had already been through the Ding Ho and all that's, uh, been gone. And it was the heyday of comedy. It was an amazing time, and, you know, I was very fortunate to be able to see guys like you and, and Sweeney and, you know, and all those guys. Mike Donovan and Kevin Knox, and I mean, you can go down the list over and over and over again. Lenny Clarke, and just an amazing time for, for standup back then.

    12. DG

      Yeah, that was certainly the heyday. Uh, I came in, I started at around '79 and had been going on for one or two years, but going on meaning not much going on, you know. And then it built and built and built, and then to the point that, uh, that explosion, as you said, uh, wow. It... And, and I, I always like to think people talk about a Boston style, there wasn't a Boston style other than being very aggressive maybe.

    13. JR

      Yeah.

    14. DG

      Uh, there were... But everybody had different ways of doing, because we didn't know.

    15. JR

      Yeah.

    16. DG

      It wasn't like an LA style or a New York style. There was just d- all different approaches coming out to the same end, you know?

  2. 1:302:30

    The Ding Ho roots: hostile rooms, DIY beginnings, and early innovators

    1. JR

      Yeah, you started in '79, so that was really, like, the beginning of comedy clubs, right?

    2. DG

      Yeah. Well, they weren't even comedy clubs. You mentioned the Ding Ho. Ding Ho used to be a, uh, like a saloon, and (laughs) the guys that were sitting at the bar when we first went in there, they refused to leave. So they stayed at the bar and all they would do is when we put somebody on the... uh, up on the stand, you know, they'd turn around and say, "Hey, shut the fuck up, we're trying to drink here."

    3. JR

      (laughs)

    4. DG

      You know, and we couldn't get... we couldn't get rid of them, so finally we wheeled it out because they got so tired of hearing the microphone or the... But that was, that was a... just a little... a joint, that's all you can say.

    5. JR

      Just-

    6. DG

      And it became a Chinese restaurant there. Yeah.

    7. JR

      So it wasn't a Chinese restaurant at first?

    8. DG

      It was just a saloon, I think, you know, and that... And then suddenly this guy came in, there's a... there was approach to put comedy in there, and Barry Crimmins was one of the guys originally, and Lenny, myself, Sweeney, as you mentioned.

    9. JR

      Yeah.

    10. DG

      DJ Haz and people like that. Uh, Jimmy De- Tingle.

    11. JR

      Yeah.

    12. DG

      There was a bunch of us that came in at that time. And once again, no particular one style.

    13. JR

      Yeah.

  3. 2:305:05

    The ‘headliner hosts’ Boston format and running multiple rooms in one night

    1. DG

      Other than the fact that we kind of created that the headliner would be the host.

    2. JR

      Yeah, that was a weird Boston style.

    3. DG

      Yeah.

    4. JR

      Like when you have the Don Gavin Show-

    5. DG

      Yes.

    6. JR

      ... you would go out there and host-

    7. DG

      Yes.

    8. JR

      ... and you'd do a few minutes in between each comic.

    9. DG

      Right.

    10. JR

      Yeah.

    11. DG

      And, and he... Well, we didn't know it was weird. (laughs)

    12. JR

      (laughs)

    13. DG

      Because I wanted to be in charge, and if you... if Joe Rogan went on and he's supposed to do 15 and he'd do great, great. Now Bill Johnson comes on, he blows, I'm going to go up and take the mic after about six minutes, "Yeah, that was, that was Bill Johnson." Yeah, just great.

    14. JR

      (laughs)

    15. DG

      And then go on to the next guy.

    16. JR

      Yeah. Yeah.

    17. DG

      And then at the end, that headliner would close the show.

    18. JR

      Yeah. Yeah.

    19. DG

      So you had that much control over it. But when you started doing more and more shows, like I started at Nick's in Boston. Initially, it was a joke. It was supposed to be a tax write-off and they tried to sabotage it. He used... that used to be a steak joint.

    20. JR

      Really?

    21. DG

      Yeah, yeah, Nick's Steak Joint. And, uh, well, so when we did it one week, the stage was collapsed, next week there'd be no, no sound, next week no lighting. Uh, the, uh, the doors would be locked, uh. And, but then eventually more and more people coming in, then they got upset because we were getting in the way of the people going to the st- the steak bar. And then they said, "Well, maybe we can make money on this." We go upstairs, there was an upstairs there, and that was used only on one night of the week for Greek belly dancers.

    22. JR

      (laughs)

    23. DG

      Where, where they were paid $200, the, the Nick's was, $200. In fact, the- these Greek belly dancers, the, the production people, they brought in their own liquor, so they only made $200 for the whole gig.

    24. JR

      Wow.

    25. DG

      So once we're doing a theater one show, then two, and eventually, and around the time when you came in, we were doing five shows my... on m- my night on Saturday night, five shows in the same place, upstairs and downstairs.

    26. JR

      Yeah, I remember that. Um, that was before I was getting paid, so I was, uh, really an amateur, but I remember watching... There was a show in the upstairs room-

    27. DG

      Right.

    28. JR

      ... and then there was a smaller downstairs room, and then there was another time where they did it in the disco.

    29. DG

      (laughs)

    30. JR

      Right? They had-

  4. 5:058:26

    Party culture and the IRS crackdown: cash payments, audits, and fallout

    1. JR

      Well, that was the thing that was also about, uh... that was interesting about Boston comedy, was that the partying.

    2. DG

      Yeah.

    3. JR

      Like, they... You guys were a bunch of fucking savages. I mean, that's what I remember.

    4. DG

      Uh, yeah, it was pretty widespread at that point.

    5. JR

      (laughs)

    6. DG

      And... But again, we didn't know.

    7. JR

      Right.

    8. DG

      Uh, and almost all of us got in trouble with the IRS because-

    9. JR

      Yeah.

    10. DG

      ... you get paid in cash.

    11. JR

      Right.

    12. DG

      And then you just kind of forgot. That's what I said to them when I got called in. I hadn't paid taxes in seven years and I got called in this... And I said to the guy, I thought it was humorous, I said, "Well, I forgot," and he didn't think that was that humorous at all, so-

    13. JR

      No.

    14. DG

      So that didn't... That went on and on and on and on and on and on 'til finally he got that cleared up. But-

    15. JR

      How did they catch you on something like that? How did they calculate-

    16. DG

      Because I was on the cover of a calendar magazine in The Boston Globe. There was a group shot of about 8, 10 of us and there was my picture, and this guy had the picture and, you know, when he confronted me, he goes, "How come we don't know anything about this?" Uh, you know, "Did, did they pay for this? What do you do for a living?" You know? Used to be a teacher. "Where's that money?" You know? So yeah, so that was how I got caught. So the little bit of infamy, of fame, I guess, that I had just went to hell.

    17. JR

      (laughs)

    18. DG

      Pshh! Knock me down. Yeah.

    19. JR

      Yeah, everybody got done in with the IRS.

    20. DG

      Wow.

    21. JR

      ... I know Donovan, he got done in.

    22. DG

      Oh, the whole crew.

    23. JR

      Right?

    24. DG

      The whole crew, everybody.

    25. JR

      So how do you clear that up? Like, how do they decide how much you owe?

    26. DG

      Oh, that's certainly, that's a, uh, give and take type of situation. They have a, uh, you know, they have an appeasement thing, uh... I think. I mean, I had guys knocking on my, on the, on my door at 7:00 in the morning. And, and then you'd have to meet with this guy, and then that guy would get fired, and it would start all over again, and, and lawyers. And yeah, it wasn't, it wasn't pretty, but it finally got cleared up, you know. They, they took extra money. They knew that they weren't going to get the whole thing, so they took some of the money back.

    27. JR

      How many years did it take to clear it up?

    28. DG

      (sighs) For me, it was (laughs) quite a while, four or five years, I think.

    29. JR

      Wow.

    30. DG

      Yeah, yeah, yeah.

  5. 8:269:40

    From teacher to full-time comic: burnout, a car crash, and choosing comedy

    1. DG

      (laughs) And when I was doing, when I first started, I was a high school teacher.

    2. JR

      Yeah.

    3. DG

      I was, so I was teaching and doing this, the getting out of the clubs at 3:00 or 4:00 in the morning and then tr- uh, attempting to be a teacher about three or four hours later, so, yeah.

    4. JR

      (laughs) When did you quit?

    5. DG

      I got out of teaching in '84, I think. So I did, maybe crossed over the two together. Uh, and that was, uh, that was (laughs) a, a, a rough patch there because I knew something had to give, you know?

    6. JR

      Yeah.

    7. DG

      And I tell the story that, that, uh, I was coming home from teaching, and not from the clubs at night, but from teaching, and I fell asleep at the wheel. And this was, uh, on R- highway, and I was hitting the stanchions on the side of the highway, bang, bang, bang, bang. And eventually, as I'm going down this gully, and, you know, y- you always see fast in front of you? No, what passed in front of me was, how am I going to make it to the show tonight? And my head went through the windshield, the whole deal. I came up, uh, climbed up out of the gully and I'm trying to thumb to get home. And I, I've got blood running down my face. I had no idea how bad it was.

    8. JR

      (laughs)

    9. DG

      And then I had to go to the hospital. So I go... My friend, we go back there. I was gonna get the car out of the gully. The car was totaled, you know, to- I mean, beyond totaled. There's, and there's hair and blood on the, on the windshield.

    10. JR

      Sh.

    11. DG

      And I said, "Oh, I better pick one job or the other," so...

    12. JR

      (laughs)

    13. DG

      So, so the comedy, comedy won out.

  6. 9:4013:54

    Breaking in before open mics: auditions, early pay, bombing, and a Lenny Clarke fight

    1. JR

      Did they have open mic nights in '79?

    2. DG

      Sure. Oh, no. In '79, no, no, no.

    3. JR

      When you first started-

    4. DG

      No.

    5. JR

      ... what was it like?

    6. DG

      Uh, well, the first time, there was only one place in existence, and that was the Comedy Connection. And, uh...

    7. JR

      The little one?

    8. DG

      Uh, the one on Warrington Street?

    9. JR

      Yeah.

    10. DG

      Yeah, yeah. Probably, you know, the... Yeah, 150 seats or 200 or something.

    11. JR

      Yeah.

    12. DG

      And two guys ran that. Uh, the... I think they were... Sean Maury was the guy that had been on The Tonight Show. So that's... In our days, that was like, oh my god, you know? So he, he r- ran a comedy class, and two guys took the class, Billy Downs and-

    13. JR

      Paul Barclay.

    14. DG

      ... and Paul Barclay. And they decided that, you know, maybe we'll do this comedy thing. Again, people didn't know what a comedy club was. When... You mentioned that, like, when Jay Leno was way before us, there were, there were no comedy clubs. He worked maybe strip joints or, like, uh, at an auto place or this or that. There, there was, there was no place to go t- and even people would say, "What, what's a comedian?" You know, other than watching-

    15. JR

      Right.

    16. DG

      ... TV, you didn't know really what stand-up comedy was even. So, so the beginning of it started off slow. And I remember my first paycheck once I got paid $8. Uh-

    17. JR

      That was your first?

    18. DG

      $8, yeah.

    19. JR

      Wow.

    20. DG

      And I still have that. I have the copy of the check.

    21. JR

      Do you really?

    22. DG

      No, a copy of it. I actually cashed it. I needed the $8. (laughs)

    23. JR

      (laughs) Of course.

    24. DG

      Yeah, but... So that was with B- Billy Downs and, and Barclay too. And in those days, you are auditioned instead of a, uh, open mic night. So it was just the two of them. And I had to go in front of them, and I looked at the two of them. I said, "I don't, I don't thi- I don't really like this," because I s- I said, "I know at least one of you two are not going to understand what I'm doing," you know, "because you really don't look like a brain trust here." And, uh, and I got hired, and I immediately was really good. And the next show I r- that I did was really good. I'm doing the same 10 minutes because I was a bartender and had some patter.

    25. JR

      Right.

    26. DG

      And the third one, they called me, like, the night before and said, you know, "Somebody fell out. Can you come in?" And what I had done, I had written 15 minutes of comedy that day. Sure I had, you know, but in my mind, that's what I thought. And it was the worst death of the world.

    27. JR

      (laughs)

    28. DG

      That 15... I got about two minutes in. And people always say, you know, "What happens when you bomb?" Well, you don't, you don't really, don't, you don't really bomb af- after you've been doing this for a while. But that two or three minutes seems like an eternity, you know? It was f- it seemed like hours. And then I just went back into some of the old stuff, and I got out. And I actually got into a fistfight with Lenny Clark about it because he was... He kept on saying to me, you know, "Wha- uh, do you work in New York?" Well, you know, "You've been..." I said, "I've never been on a stage before in my life," you know. And so we, we, we were not friends at all at the beginning. And we got into... We got into a little go at it. And, and- (laughs)

    29. JR

      You guys had a fistfight?

    30. DG

      Well, he said... Yeah. He said, "Oh, that was a great set." He was shitting on me. And his friend saw, you know, was witness to the fight and broke it up. And he says to Lenny, he goes, he goes, "You..." He said, "What's that all about?" He said, he said, "You just said he had a good show." He's, "He sucked, he knows it," and then me, "And you're being an asshole to go calling him, you know, calling him out." And we then became fast friends after that.

  7. 13:5417:14

    Why Boston exploded: dense clubs, packed lines, and the scene’s later dilution

    1. JR

      But, but during the time when I was an open micer, things exploded. I was very fortunate. That was when there was three clubs on Warrenton Street alone.

    2. DG

      Right.

    3. JR

      Right?

    4. DG

      Right.

    5. JR

      There was Nick's, there was the Connexion, and then there was a comedy club at The Charles above the Connexion with a-

    6. DG

      Yeah, the Duck Soup?

    7. JR

      That was across the street. Yeah.

    8. DG

      Right. On the, uh, the thing-

    9. JR

      But do you remember when Mike had The Comedy Club at The Charles above the Comedy Connection for a brief period of time?

    10. DG

      Yeah, yeah.

    11. JR

      So there was three, and then there was Duck Soup that was on the other side.

    12. DG

      Right, right.

    13. JR

      So it was four-

    14. DG

      All within, like, 100 yards or something.

    15. JR

      It's crazy. And they were all packed.

    16. DG

      Yeah. And the lines would be out- that- that- uh, on the street in the middle of winter. I remember going out at my show on a Saturday, there's people out there with two inches of snow on their head.

    17. JR

      (laughs)

    18. DG

      And I'm going, "You're actually waiting to see me?"

    19. JR

      (laughs)

    20. DG

      "There's something wrong with you people." Yeah.

    21. JR

      Well, there was something magical about those times because comedy clubs just overall were only a couple decades old in the whole country. I mean, you had the earliest ones were, like, uh, Comedy and Magic Club, Comedy Connection, Catch a Rising Star in New York.

    22. DG

      Right.

    23. JR

      You had a couple of clubs that were open before, you know, before the, the Boston explosion. But this is all real recently. So, like, imagine s- an art form that takes over the entire country, and it really only started in the year 2000.

    24. DG

      Yeah, the in- from the inception-

    25. JR

      That's what it'd be like.

    26. DG

      The e- from the inception to the explosion-

    27. JR

      Yeah.

    28. DG

      ... it was not a mature, uh, t- uh, art form at the time.

    29. JR

      No.

    30. DG

      Maybe 10 years, 12 years.

  8. 17:1419:50

    ‘Murderers’ row’ and the outsider gauntlet: setting up visiting headliners

    1. JR

      Well, there was a ... there was about 12 of you.

    2. DG

      (laughs)

    3. JR

      You know, there was, like, 12 murderers who would just run around.

    4. DG

      (laughs)

    5. JR

      And to this day, I swear, I, I tell everybody, I think they're the best comics I've ever seen in my life.

    6. DG

      Wow.

    7. JR

      To this day.

    8. DG

      Wow.

    9. JR

      There was moments at the com- at the, uh, uh, Nick's Comedy Stop and at Stitches where I'm like, "That is about as good as standup comedy ever gets." And some of those moments, like, the, the comedy stop ... Nick's Comedy Stop used to do a dirty trick. When a famous comedian would come into town-

    10. DG

      Right. (laughs) Yeah, yeah, yeah. An outsider.

    11. JR

      (laughs) They would have some poor bastard, like, uh, you know, like, um, you know, fill in the blank. You don't even need him to na- uh, d- d- just someone who doesn't ... didn't do comedy that often.

    12. DG

      Right. Okay.

    13. JR

      Richard Lewis, let's say him.

    14. DG

      Yeah.

    15. JR

      And he would be the headliner.

    16. DG

      Right.

    17. JR

      But before him would be you, and Sweeney-

    18. DG

      And Kenny Rogerson.

    19. JR

      ... and, and Kenny Rogerson, and Donovan. And it would just be a murderers row of fucking savages.

    20. DG

      Yeah, yeah. Mike McDonald. This guy-

    21. JR

      Yes.

    22. DG

      This guy acted, this guy acted ... Yes.

    23. JR

      And th- these poor bastards. I, I, I saw ... I, I came to Nick's Comedy Stop right after Billy Crystal had bombed.

    24. DG

      Yeah.

    25. JR

      I, like, came up the stairs and they were talking about it. Like, you guys had set him up. And, y- you know, people were saying like, "You ain't ever seen nothing like it in your life. This poor guy's a movie star, and he went on stage and just ate plates of shit."

    26. DG

      Yeah. After, yeah, after five people had just been destroyed.

    27. JR

      Destroyed for an hour.

    28. DG

      Yeah. Yeah.

    29. JR

      Right? Like, so you got, like, each guy's doing 15 minutes.

    30. DG

      Yeah.

  9. 19:5031:46

    Fast talk, Irish roots, and ‘savages’ on and off stage (plus brawls)

    1. JR

      Yeah. Well, it was, uh, it was a dog eat dog world there. You had to be able to survive in Boston. And the, the tension span, like the way the, the standup was, it's like they didn't let you guys, like I say, they, you didn't let anybody breathe. There's a Boston style of comedy. It's like, here's a fucking punchline. Here's another punchline.

    2. DG

      Right.

    3. JR

      Here's another punchline. Take a breath. Boom, there's another one. And these other guys that would come in from out of town were not accustomed to that style of performing.

    4. DG

      It's a more laconic and more-

    5. JR

      Yeah.

    6. DG

      ... just like this. And I s- I was told that I talked 70 words a minute, Gus to 100 when I-

    7. JR

      (laughs)

    8. DG

      ... that I, that I (fast-forward sound) .

    9. JR

      Yeah.

    10. DG

      And I have, you know, one of those, uh, VHS tapes where I, and I play some of th- those one time recently. I'm going, "I have no idea." All I know why there's people laughing, but I have, I have no idea what I was saying.

    11. JR

      (laughs)

    12. DG

      I'm going, "Oh my God." Yeah. Yeah.

    13. JR

      Well, you had sneaky punchlines. You would sneak punchlines in. It would look-

    14. DG

      The asides.

    15. JR

      ... like you were done and the, the asides would come in.

    16. DG

      Right.

    17. JR

      And boom.

    18. DG

      Or a tag here or-

    19. JR

      Yeah.

    20. DG

      ... a tag there and move over there.

    21. JR

      Did you just develop that style on your own? Mm-hmm.

    22. DG

      Yeah, I didn't... Again, w- what did I know about style? I just, that's just the way it was. I was always a fast talker. You know, you come from big Irish families and if you don't talk fast, you're not going to get the bread or you're not going to get the food. So, you know.

    23. JR

      Yeah.

    24. DG

      So I had three brothers and, uh, and downstairs my cousins lived and there were six there. So four, you know, that's a... So there was always bang, bang, bang, bang, bang to that. And it was all... Everybody was an Irish Catholic basically that was on the comedy scene, you know?

    25. JR

      Yeah.

    26. DG

      It was certainly not homogenized by any means.

    27. JR

      Well, that's also interesting too, because it was in a lot of places it was more of a Jewish thing.

    28. DG

      Sure, sure.

    29. JR

      But Boston, it wasn't. Boston, it was like a lot of... And big guys too. That was the other thing. Everybody was like six foot three.

    30. DG

      (laughs)

  10. 31:4636:08

    Drugs, drinking, and the Ding Ho after-hours: cops, cards, and sunrise exits

    1. JR

      Were the drugs there from the beginning?

    2. DG

      Um, let me think. Pe- uh, pretty much. Yeah. Yeah. Pretty much. I mean, it's like in the old, it's like in the old days, you know, the s- you know the story about your mother says, "Don't..." you know, gives somebody who offers you drugs, says, "Don't take them." I said, "Well, they don't offer you, you have to buy them." You know?

    3. JR

      (laughs)

    4. DG

      So it's like- (laughs) but initially, you didn't have to buy them. That was the thing. Everybody, everybody was doing it, you know. It's like smoking. When I was growing up as a kid, 95% of people smoked and why? Because other everybody else smoked. You know, I stopped smoking in the year 2000. Mike Clarke and I had a bet and none of us... we haven't had a cigarette since. So, apparently it wasn't addictive, but everybody smoked. So the same thing in those days, everybody was either a drinker or doing the, doing the blow or, uh, smoking the bones and some... (laughs) You, you had at least two or three vices. A lot of, a lot of deck, deck chairs to throw off, you know?

    5. JR

      Did you have any of those vices before you got into standup?

    6. DG

      Uh, no, I think it grew (laughs) it pretty much, uh, blossomed once I got in there, now that I think of it. Uh, yeah, I used to smoke. That was about it. But nothing, no, nothing else, nobody-

    7. JR

      Drinking?

    8. DG

      Uh, not he- heavily at all. Hardly, hardly ever.

    9. JR

      Not heavily.

    10. DG

      And I covered up for them, ever since.

    11. JR

      (laughs) Yeah.

    12. DG

      I'm... I made up a lot of ground. I can say. I mean, now all, all the guys are AA. I'm the... I'm like the only one left drinking and I notice there's much more liquor everywhere I go. There's always liquor now, there's-

    13. JR

      Yeah, everybody cleaned up.

    14. DG

      Yeah, yeah.

    15. JR

      Yeah. They're, they're looking at you like you're the last Mohican.

    16. DG

      Yeah. It's like, uh, Bobby Nickman, a comedian and a writer, and he, he said that he first got into AA because he needed the stage time, you know, to take it up and talk in front of a crowd.

    17. JR

      Right.

    18. DG

      But he was one of the first guys that kind of cleaned up, and then this guy, and then this guy and, and there's very few of them now.

    19. JR

      Well, a lot of guys came from AA and that's how they got their start. You remember Dave Fitzgerald?

    20. DG

      Oh, sure.

    21. JR

      Funny guy.

    22. DG

      Yeah. Yeah.

    23. JR

      He got into comedy from Alcoholics Anonymous-

    24. DG

      Yeah.

    25. JR

      ... because he would go up on stage and tell these crazy old drinking stories-

    26. DG

      Sure.

    27. JR

      ... and people would laugh, and then he polished those stories up.

    28. DG

      Sure.

    29. JR

      Made them tighter, and then started doing standup.

    30. DG

      Yeah. Um, but, uh, it, it, uh... when you... in the... we'll say in the mid '80s, the early '80s, if, if you weren't a drinker, you were the exception to the rule, again.

  11. 36:0840:01

    Touring realities and industry scams: Houston stories and Spotlight Agency theft

    1. JR

      (laughs) God, I mean, it's, it's crazy how something like that can happen where there is just this one place and one core group of people, and then the comedy club scene branches out from that. Like Houston used to have this place called the Laff Stop. Did you ever work there?

    2. DG

      Sure, I did. Yeah, yeah.

    3. JR

      That was the same thing for Houston. Houston had a great scene.

    4. DG

      Houston, well, Houston was a little crazy, uh, with people too.

    5. JR

      It was wild.

    6. DG

      Yeah.

    7. JR

      It was wild.

    8. DG

      Yeah.

    9. JR

      Yeah, and when I first went there, it was when it was at its wildest. It was after Kinison had gone.

    10. DG

      Yeah.

    11. JR

      And Bill Hicks had left, and all those guys were gone and-

    12. DG

      Yeah, Collabo was another name-

    13. JR

      Yeah, yeah.

    14. DG

      ... in that group, yeah.

    15. JR

      Uh, Jimmy Pineapple.

    16. DG

      Yeah.

    17. JR

      J- Jimmy worked with me the first time I ever did a weekend there.

    18. DG

      Really?

    19. JR

      And the first time I was ever there, I was like, "Wow, this place is like a lot like Boston." Like early... like these were a bunch of wild fucks. They had an o-... they had a show going on in the main room and then in the bar area they had another stage and the open mic night started at 8:00, went till 2:00 in the morning. So you'd get done with your show, the show would be over at 10:00, and you'd go out to the bar and you'd be fucking hanging out there for another four hours because the show's still going on.

    20. DG

      Yeah.

    21. JR

      It was, it was crazy.

    22. DG

      It was crazy, but I do remember a good story there was we used to walk from the hotel to the venue and, um, and it was all the, you know, cowboys basically down, down there and so I get... I'm walking, I get hit in the back with a water balloon, but you would have thought I was shot with... shot by a, by, uh, a rhino gun, you know? Bang, that thing... I was soaking wet. When I get there, I had to put on one of their T-shirts and I'm going, "I can't believe how, how this guy hit me that good." So when I get to the club, I see the car, it was recognizable, I'm going...... they, oh, they're come, they're coming to see me. So I went inside, got a hammer, and went out during the show when they opened the advertisement and broke every window in their car-

    23. JR

      (laughs)

    24. DG

      ... including the directionals, the side thing, and stuff like that. And I called my agent on stage. He goes, "Well, I got hit by those window." I said, "Whoever did it..." And nobody took claim. I said, "What? But what a great aim you had." And, but I didn't mention a, about their car. Yeah.

    25. JR

      That's hilarious.

    26. DG

      Yeah.

    27. JR

      Did you go out and watch-

    28. DG

      Oh, yeah.

    29. JR

      ... or check to their window?

    30. DG

      (laughs) Yeah.

  12. 40:0141:58

    The modern Comedy Store and comedy ‘tourism’: packed rooms without the coke

    1. JR

      The way The Comedy Store works is essentially that way. I mean, Mitzi obviously ran it, but she let the comedians run it for the most part.

    2. DG

      Right.

    3. JR

      You know, she let everybody work out their own issues and p- solve their own problems, and she would just book you.

    4. DG

      Right.

    5. JR

      She'd just tell you when to go up, and it was just a madhouse.

    6. DG

      Yeah.

    7. JR

      And it, to this day, still very similar.

    8. DG

      Is it still the same?

    9. JR

      Oh, it's packed every fucking night now.

    10. DG

      Wow.

    11. JR

      Now it's crazy, because the internet, now people hear about it and they know about it. And you've got people flying in from Australia and England and Ireland just to come down and see comedy-

    12. DG

      Really?

    13. JR

      All the time. All the time.

    14. DG

      Wow.

    15. JR

      Always meeting people there that are, they, they basically have comedy tourism from Europe. They fly in to The Comedy Store, like, e- any night of the week. Because The Comedy Store, on Monday, they'll post the s- the schedule for the week.

    16. DG

      Sure.

    17. JR

      And so people read the schedule and they go, "All right, let's fly in on Tuesday." So they'll fly from fucking England, 11-hour flight, and come and see f- see comedy.

    18. DG

      Wow.

    19. JR

      Because there's no comedy club like there. They have a Comedy Store over there in-

    20. DG

      Right.

    21. JR

      ... in London, but it's not affiliated. It, they just stole the name, and they skirted into that international law by... You know, it's like they made their own 7-Eleven. "We're 7-Eleven too." Like...

    22. DG

      (laughs)

    23. JR

      It's not the same thing. But I don't know what the comedy's like over there in terms of The Comedy Store, but y- you know, they, when they wanna come here, they, they fly.

    24. DG

      Wow.

    25. JR

      And so on any given night, you run into people that are from all over the world.

    26. DG

      Wow.

    27. JR

      Yeah, it's crazy. You should come.

    28. DG

      Yeah.

    29. JR

      It's not... You should come just to see it.

    30. DG

      I did work, uh, y- you know, years ago, way, way, way back.

  13. 41:5849:02

    Don’s album release: ‘Live with The Manhattan’ and finally going digital

    1. DG

      Yeah. But it's funny that, uh, while we were doing it, uh, even though we were doing it for, for a living, it was, seemed like it wasn't a business.

    2. JR

      Yeah.

    3. DG

      Like, let's say I'm promoting this album that I have, and, uh, I had this album d- done before, and it's, it was great, but I never had anybody produce it. You know, just made some copies of it. And it's called Don, Don Gavin Live with the Manhattan. Live with the Manhattan. And that was almost like a bootleg. I'd sell them, you know, maybe have a few after a show out the back of my trunk. (laughs) Like, um... But finally, we're releasing it. That's one of the reasons I bought it now.

    4. JR

      When did you record it?

    5. DG

      I recorded it in 2011.

    6. JR

      Whoa.

    7. DG

      And so it's on for 10 y- 10 years old. But my material hopefully, uh, doesn't get stale. It's because I don't do a lot of c- uh, current events, and I don't do, do politics, so it's still, uh... I mean, I have, uh, some, (laughs) some jokes that are old as some of the pe- the people who come to see me.

    8. JR

      (laughs) Now, did you... Like, when you, when you put that out, is that the first thing that you've ever put out?

    9. DG

      Yeah, that's the only thing. And I, and I owned it, but I didn't do anything with it. So now, when I get to, uh, to, uh, Virtual Comedy Network with Joe Serpico, I mean, with Jimmy Serpico, he, uh, we did a, another album and a com- compilation of, uh, guys in Boston. And he, uh, saw... Somebody says something about me, my album. He goes, "I didn't know you had an album." And he got a copy of it, put it... He says, "Oh my God, this is something like discovering something." So he kind of came into my life for, to help out and see if we can produce this thing. And now it's on Sirius, uh, XM now and Pandora, and then it's going on, uh, all the streaming devices starting next week. But right now it's, uh, uh, I think they have the, uh, what do you call it? The rights just for those-

    10. JR

      Mm-hmm.

    11. DG

      ... two stations there.

    12. JR

      So if somebody wants to get it, how do they get it?

    13. DG

      Right now, they can get it on Sirius XM.... on Pandora. And as of, I think, next Thursday, it's on, uh, streaming live and 100+ shows.

    14. JR

      Okay. Because if it's on Sirius, you have to wait for it to air, right? You can't just... Uh, Sirius doesn't stream, right?

    15. DG

      I've got to be honest with you, I'm, I'm not good about any of this stuff.

    16. JR

      I don't think so. Do they stream, Jamie?

    17. DG

      You can probably search it. Yeah, yeah. They have downloadable stuff and whatnot.

    18. JR

      Oh, okay. So on the app, as opposed to on the-

    19. DG

      Yeah, yeah, yeah.

    20. JR

      ... actual thing that you... in your car?

    21. DG

      Mm-hmm.

    22. JR

      Okay.

    23. DG

      Yeah, I am so... Uh, in... Uh, anything mechanical. I-

    24. JR

      Well, I'm proud that I think you sent me your first p- text ever.

    25. DG

      (laughs) On the internet. Which took me almost an hour and a half.

    26. JR

      (laughs)

    27. DG

      Because, because I'm going, "W- okay, here's the T, here's an H over here." You know, I mean, that's how slow I was in doing that. And I-

    28. JR

      But you used to teach. You don't know how to type?

    29. DG

      No. No, I had girlfriends.

    30. JR

      (laughs)

  14. 49:0254:02

    Writing process, recording sets, and building jokes: stage-first experimentation

    1. JR

      How do you write? Do you just sit down?

    2. DG

      With a pen, mostly. Yeah.

    3. JR

      Yeah.

    4. DG

      Yeah. See? Hmm.

    5. JR

      Do you just sit down with an idea or do you have an idea, uh, ahead of time and you jot them down like in little notes and then-

    6. DG

      Yeah.

    7. JR

      ... try to flesh it out?

    8. DG

      Yeah, like, like this. You know? Just this thing.

    9. JR

      Oh, like right... That you got right there?

    10. DG

      Yeah. What- whatever. You know, that type of thing. Uh, um, I w- well... Like, a simple... This is not a whole joke, but just the other day I'm thinking about stoners, you know, and, and, and, and it's just, "Why can't we... W- where, why can't... W- where, why can't... Why can't we just all get a bong?"So, I thought that was funny.

    11. JR

      (farts)

    12. DG

      Not that good. I didn't say it was good.

    13. JR

      (laughs)

    14. DG

      You write stuff, you throw it away, right?

    15. JR

      I get it.

    16. DG

      Just throw it away. Write it, throw it away.

    17. JR

      But so, these ideas pop into your head and you write them down-

    18. DG

      Yeah.

    19. JR

      ... and then do you flesh them out on stage or do you flesh them out on paper?

    20. DG

      On stage, you know? But you've got... You know that. If... Some new thing, you know, have to fi- figure, "Where am I gonna incorporate this?" You're not gonna put it first.

    21. JR

      Right.

    22. DG

      You're not gonna close with it.

    23. JR

      Right.

    24. DG

      You gotta weave it in somehow into-

    25. JR

      Sometimes I'll open with a thing.

    26. DG

      Really?

    27. JR

      Yeah. You never know.

    28. DG

      That's kinda ballsy.

    29. JR

      'Cause I wanna dig a hole. I wanna see.

    30. DG

      D- Really?

  15. 54:021:06:07

    Tech reluctance, social media catch-up, and the ‘godfather’ debate

    1. DG

      But you have to... That means you have to carry a phone with you, which-

    2. JR

      Yes.

    3. DG

      ... which I don't.

    4. JR

      You don't carry a phone?

    5. DG

      I'm an idiot, again, I told you.

    6. JR

      You don't carry a phone at all?

    7. DG

      I do now, but now that I'm trying to, uh, be aware of what's, what's going on.

    8. JR

      (laughs)

    9. DG

      But, uh... I mean, up until like two years ago, I had a real deluxe f-... Flip phone, you know?

    10. JR

      There's something to be said for those too, though.

    11. DG

      Yeah, yeah.

    12. JR

      The flip phones are nice.

    13. DG

      Yeah. Th-... You can certainly avoid people-

    14. JR

      Yes.

    15. DG

      ... with the max one, you know?

    16. JR

      Yeah, and avoid text mess-... Ari, Ari Shaffir, he has a flip phone. He, he doesn't f-... Well, actually, he doesn't now. He, he actually went back to an iPhone, but he put a timer on it so he can only use his phone for an hour.

    17. DG

      Well.

    18. JR

      Yeah. Because otherwise, he starts playing with his phone and going on the internet and-

    19. DG

      Yeah, yeah, yeah.

    20. JR

      ... going on social media apps. You don't have any social media, do you?

    21. DG

      Uh, we will soon.

    22. JR

      Oh.

    23. DG

      We're in the process now. That's it, that's the deal, so...

    24. JR

      2020.

    25. DG

      Yeah, yeah, I just-

    26. JR

      Making moves.

    27. DG

      I just, uh... I'm kind of a slow mover. That's it.

    28. JR

      (laughs)

    29. DG

      Like a turtle, s-... Races by me.

    30. JR

      Are you gonna do it all yourself? Are you gonna post tweets and all that shit yourself?

Episode duration: 1:14:21

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