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Joe Rogan Experience #1493 - Steve Schirripa & Michael Imperioli

Steve Schirripa & Michael Imperioli were co-stars on the HBO show The Sopranos, and are now together hosting a re-watch podcast called "Talking Sopranos" that is available now on Apple Podcasts.

Joe RoganhostSteve SchirripaguestMichael ImperioliguestGuestguest
Jun 17, 20202h 33mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:003:40

    Reconnecting at the new studio + Steve’s pasta sauce business realities

    1. JR

      ... one. Steve!

    2. SS

      Yes, sir.

    3. JR

      My man.

    4. SS

      Good to see you, buddy.

    5. JR

      Good to see you, brother. Michael here.

    6. SS

      Really good.

    7. JR

      Pleasure to meet you, man.

    8. MI

      Thanks for having us today.

    9. SS

      Uh, s- yeah, really, thanks. Uh, it's been a while. I saw you, uh-

    10. JR

      The last time I saw you was at the old studio.

    11. SS

      Three years ago.

    12. JR

      Yeah, we're-

    13. SS

      But it looks exact- it's eerie. This is exactly the same place.

    14. JR

      Yeah, I'm gonna re- I'm gonna do it again the next place I move. I'm gonna re- rebuild this whole thing again. That's my move, just make it s- look like this.

    15. SS

      Just make it, uh, comfortable, you know?

    16. JR

      Yeah.

    17. SS

      You like what you like.

    18. JR

      It looks like the same thing.

    19. SS

      Yeah, that way you don't get confused.

    20. JR

      Same desk, everything's pretty much the same.

    21. SS

      Yeah, this is great. Good to see you.

    22. JR

      Good to see you too, brother. I'm bummed out, though, about your sauce.

    23. SS

      Yeah, yeah, well, it was- we grew too fast.

    24. JR

      I was just bragging to somebody about it the other day.

    25. SS

      We grew too fast, but you have two of the last ones left.

    26. MI

      I know, what to do? Is it like wine?

    27. SS

      That are inexistent. (laughs)

    28. MI

      (laughs)

    29. JR

      Do I have to, like, like, let it sit on the shelf forever?

    30. SS

      No, no, no.

  2. 3:404:29

    Launching the Sopranos rewatch podcast during COVID

    1. JR

      (laughs) So you guys are doing a podcast now?

    2. SS

      We're doing a podcast, Rewatch.

    3. MI

      Yeah, heard.

    4. JR

      Yeah, Sussman clued me into it.

    5. SS

      Yeah, it's called-

    6. MI

      We got approached by a bunch of different producers towards the end of last year about doing... It wasn't our idea. And, uh, we thought about it. We had done a show, like, on stage in conversation, like inside the Actor's Studio, and we did all over the country, did Australia last year. And then a couple of producers said, you know, "Do you wanna do a podcast?" And, uh, we worked... Jeff was the best of the producers, so we, uh, figured out a way to do it. We were gonna do it in the studio live like this at the end of March in New York and...

    7. JR

      The COVID hit.

    8. MI

      Everything hit, so we weren't gonna do it at all. We were gonna put it off 'cause we were depressed and we were like, "Who needs a podcast in the midst of all this stuff?"

  3. 4:2910:35

    New York in 2020: empty streets, looting aftermath, policing and homelessness

    1. JR

      What is New York like right now?

    2. SS

      You know, uh, I've been there... I left... I've been here a month now, you know? I have a place down in Orange County. And, uh, New York was all fucked up and it's all boarded up and, uh-

    3. JR

      Yeah.

    4. SS

      My, my daughter's there. I live downtown, uh, way downtown, and, uh, I was going out, like, an hour a day, you know? That's it. I just went out an hour a day. I would g- take a walk and, uh, it was... The streets were empty.

    5. JR

      Yeah.

    6. SS

      The streets were empty at night. Now after the looting, they destroyed SoHo.

    7. JR

      Yeah.

    8. SS

      You know, it's just destroyed, you know? And the cops are very timid and, and it's all fucked up. I mean, it's all fucked up. I, I, I don't, I don't know what happens there. I mean, I don't know, you know, I-

    9. JR

      I don't know how it happened. Like-

    10. SS

      Yeah.

    11. JR

      ... s- seeing the cops just standing around while they were looting the art galleries in SoHo, while they were smashing Fifth Avenue, it was like-

    12. SS

      I, I don't know.

    13. JR

      ... "What the fuck is this?"

    14. SS

      I, I don't know. I mean-

    15. JR

      It's like the end of the world.

    16. MI

      Yeah, it was sorta scary and depressing.

    17. SS

      You know, uh, de Blasio's the worst fucking... I'm not a political guy at all, Joe, like not at all, but he's the worst fucking human that maybe walks the face of the Earth, I kid you not. And, you know, I owned an apartment in Manhattan for like nine years, and when he became the mayor, within a, a year, you saw... Even six months, right? You saw, like, these fucking changes. I'm going, "I'm out. I'm selling my fucking place," and I sold my place.

    18. JR

      What changes?

    19. SS

      ... uh, all kinds of shit. Uh, the cops, th- they basically have one hand tied behind their back. He changed all these laws, stop and frisk, da, da, da. Some needed to be changed, some not. Uh, just the homeless is everywhere all of a sudden.

    20. JR

      Yeah.

    21. SS

      The trains are impossible. There's all kinds of shit going on, you know, and I have to blame the mayor. I mean, there's, you know, uh, where I live downtown, there's, th- listen, I'm, I'm compassionate to the homeless. I don't know the answer, which is why I'm not the fucking mayor, but they're everywhere.

    22. JR

      Same thing here.

    23. SS

      You know?

    24. JR

      Yeah. Our, our governor was the mayor of San Francisco, which is the craziest fucking place you've ever seen in your life when it comes to homeless people. It's cr-

    25. MI

      A problem now.

    26. JR

      And now after COVID, it's like, ramped up 40%. Yeah.

    27. SS

      Yeah.

    28. JR

      The, the homeless situation there is... It doesn't even make sense. Like, you're seeing these beautiful homes and there's campsites in front of them. And these people have to come out of their houses and, you know, tiptoe around needles and broken bottles and, and people's shit.

    29. MI

      This might get worse though, right?

    30. JR

      It could get-

  4. 10:3515:22

    Why The Sopranos still dominates: antihero TV and cinematic storytelling

    1. MI

      Right, and it was kind of particularly good timing for us because the sh- Sopranos was being binge watched in-

    2. JR

      Mm.

    3. MI

      ... by people in quarantine, like, rediscovering it, young people who had never seen it. It was e- I think it was HBO's number two series.

    4. JR

      Wow.

    5. MI

      And that includes all their new stuff, like Game of Thrones and everything. And Sopranos. I think it was Westworld and the Sopranos were their biggest shows during quarantine. The show's been off the air for 13 years.

    6. JR

      Well, listen, it's one of the best fucking shows of all time. It really is.

    7. SS

      You know-

    8. JR

      I mean, you guys were on, without a doubt, when, when the history is written, it is one of the best shows ever.

    9. SS

      Yeah. No, no, and you know what's amazing? Neither one of us watched it in 20 years. I mean, I don't watch the show. I mean, I watched it one time-

    10. JR

      Right.

    11. SS

      ... when it came out years ago. And, uh, and we weren't even g- we, we were kind of depressed and, and we're going, "Who the fuck cares about a TV show now?" Because the world was coming to an end, especially at the beginning, you know?

    12. JR

      Right.

    13. SS

      Joe, I mean... And we had gotten offered shit and, and Jeff helped us. We were giving Jeff, like, contracts. Is this a good deal? Is this a good deal? Finally, he said, "Listen, I'll fucking help you with that." That's-

    14. JR

      We should tell everybody Jeff's my manager. Jeff Sussman-

    15. SS

      Yeah, Jeff Sussman. So he helped us and, uh, we started doing the re-watch, which is obviously bittersweet because of Jim. You know, you're watching Jim-

    16. JR

      Right.

    17. SS

      ... and he's young and, and, and I came on the second season, you know, the second episode. But the show holds up every fucking, uh-... like it was shot yesterday. Besides the phones and the computers, everything else is like it was done yesterday. It, it's not dated at all, the show.

    18. MI

      And we weren't gonna ... W- you know, we were gonna wait till things got back to normal so we could be in a studio like this and be face-to-face, but we got so much, uh, communication from fans, like on social media, saying, "Hey, we heard you're doing a podcast. Where is it? We're binge watching the show in quarantine." Like, tons of, you know, tons of that. So, we figured out a way to do it.

    19. SS

      So, you know, we, we watched the episode. We were up to episode, uh, 12 now. You know, it's on YouTube and wherever you get the podcasts. And then, uh, we run down the episode. H- he wrote five of them, so he knows every, every ... He knows a lot more than me. I watch it more like a regular viewer. We tell stories, behind the scenes shit, stuff that went on, stuff we remember. We've had guests. We've got Edie Falco next week. We've had the casting people. We've had, uh, the two kids-

    20. MI

      Director.

    21. SS

      Robert Iler, director.

    22. JR

      One of the directors.

    23. SS

      You know, whoever made the show a success, so.

    24. MI

      Costume designer, yeah.

    25. JR

      Well, it's a great thing to do, to go back and review it, just to kinda give the people that are fans, uh, this, this sense of, you know, what it was like for you guys and what it's like to see it again. And, and just to put it into context and history. When that's the show that started off these kind of shows. When you think about the shows that you have today, like the Ozarks and al- all these d- different, like, really kinda wild shows where you have to follow one episode to the next-

    26. SS

      Yeah.

    27. JR

      ... and y- you have to know what just happened to pay attention to the new episode.

    28. MI

      Mm-hmm.

    29. JR

      The Sopranos started that shit.

    30. MI

      Yeah.

  5. 15:2230:46

    Early careers and acting craft: read-throughs, auditions, and “line readings” fights

    1. SS

      He's amazing in it, you know. And I, I don't know if you remember this, but when I first got the job, uh, I had to go ... I, I got the job. I auditioned, I got the job, I had to go to a read-through. And I happened to see you. I think you were working in Vegas at the Riv. And I said, "Joe, what ..." I asked you and another comic, I think Bill Kurkenbauer. I said, "What, what, what goes on in a read-through?" 'Cause even though I had worked-

    2. JR

      (laughs)

    3. SS

      ... I didn't know.

    4. JR

      Right, right.

    5. SS

      And I said, "Do you do it, like, 100%?" And you told me, "You know, like, you know, 85, 90%. Like, don't go all in." You actually told me that. And-

    6. MI

      For an audition or a re- read-through?

    7. SS

      For the audition.

    8. MI

      Oh, okay.

    9. SS

      Uh, for the, for the read-through.

    10. MI

      Read-through. Oh, read-through. Yeah.

    11. SS

      I mean, do you fucking-

    12. JR

      When you got the part.

    13. SS

      You know, you're around the table. I didn't quite know if you go all, you know, fucking start acting, you know. (laughs)

    14. MI

      Oh, right.

    15. SS

      Or you just read the lines, which some people do just flat, which is terrible.

    16. MI

      Yeah.

    17. SS

      I mean, that's not the answer. There's people that actually get fired during the read-through.

    18. JR

      Right, right. Yeah.

    19. SS

      After a read-through.

    20. MI

      Yeah.

    21. SS

      There's actually ... You know that, right? (laughs)

    22. MI

      'Cause they're so flat.

    23. SS

      I didn't know. I didn't ... I honestly ... If I would've known that-

    24. MI

      Well, they shouldn't really be there then. They should've known that already. On an audition.

    25. SS

      Yeah, but if I would've known that you could get fired after the read-through, I would've been shitting my pants. I was so naive-

    26. JR

      (laughs)

    27. SS

      ... that I didn't even realize that.

    28. JR

      Well, that's the interesting thing. When I tell people that I knew you from the Riv, um, they go, "What did he do there?" I go, "He was the talent coordinator." They go, "Shut the fuck up." I go, "Yeah, I worked for him. I got booked by Steve Schirripa at the Riviera."

    29. SS

      Yeah.

    30. JR

      It was one of the first times I ever worked in Vegas.

  6. 30:4633:39

    Sopranos production stories: recasts, dubs, rewrites, and surprise changes

    1. SS

      You know what I mean? There's a guy hemming and whoring, you know, it's like what the fuck? But talking about line reading, there was a, an actor, a Broadway guy, that did the Sopranos. A small role. Uh, and I was, it was a scene with me and, and Uncle Junior, and, uh, and this guy. And they were actually giving him line readings. He was a Broadway actor, and he wasn't getting it. And they wind up dubbing his voice.

    2. JR

      Ugh.

    3. SS

      They dubbed his voice.

    4. MI

      Did they really?

    5. JR

      Yeah.

    6. SS

      Yes. I forget the guy's name. When we get to the episode, I'll tell you. But-

    7. JR

      That's insane.

    8. SS

      Yeah. But you know what else happened on the show numerous times? Like I did, uh, I did a scene with the rapper Fabolous, and he was great. It was a scene where I shot the guy in the ass. I don't know if you remember that.

    9. JR

      Oh, I remember that. (laughs)

    10. SS

      Yeah. All right, uh, I'm supposed to shoot him in the thigh 'cause I'm a marksman and I get money from him, and I shoot him in the ass by mistake. But I shot it with Fabolous, and then a few weeks later they said, "Listen, you gotta re-shoot that scene." So right away I go, "What? What, I fucked up?" No. They changed Fabolous to Treach. Treach?

    11. JR

      Mm-hmm.

    12. SS

      Naughty by Nature.

    13. JR

      Yeah.

    14. SS

      Good guy. They, they said he looked too young. They just replaced him.

    15. MI

      Hmm.

    16. SS

      They just, they had the, the budget and the time, and they just got, brought in another actor. And they would rewrite scenes. If they didn't like the scene after they saw it, they would rewrite it, and, and, uh, numerous times they brought in other actors. There's two different FBI agents. Uh, Fairuza Balk, you know that actress?

    17. JR

      Mm-hmm, yeah.

    18. MI

      Oh, yeah.

    19. SS

      She was at the end of episode ... Season three or something. She never came back. Not only did they... They took her off the DVD. So unless you taped it, you know, like if you taped it back then-

    20. MI

      What, they re-shot her scenes or what?

    21. SS

      They re-shot her scenes even for the DVD.

    22. JR

      Wow.

    23. SS

      So she, unless she has a VHS (laughs) of it somewhere-

    24. JR

      (laughs)

    25. SS

      ... she's non-existent.

    26. JR

      That's crazy 'cause she's a really good actress too.

    27. SS

      No, it wasn't, it probably wasn't anything to do with that. It was they didn't make a deal with her. Maybe she was busy making a movie. I'm not saying it was like-

    28. JR

      She's got a huge mouth.

    29. SS

      Yeah. She was- (laughs)

    30. JR

      Like when she smiles, she has this huge, huge teeth.

  7. 33:391:02:08

    Stand-up comedy deep dive: Pryor, Lenny Bruce, hecklers, and prop comedy

    1. MI

      Who was the comics that w- that inspired you to be a comedian?

    2. JR

      (inhales deeply) Uh, Prior first.

    3. MI

      Or it was?

    4. JR

      Uh, my parents took me to see Live in the Sunset Strip in the movie theater when I was like 15.

    5. MI

      He was brilliant.

    6. JR

      Oh.

    7. MI

      Yeah.

    8. JR

      Beyond.

    9. SS

      You never met him?

    10. JR

      Yeah, I did. I worked with him. I worked with him five weeks in a row actually.

    11. MI

      Wow.

    12. JR

      Towards the end of his life. It was, uh, it was very odd for me because that was the r- that was what really got me interested in standup. 'Cause in that movie theater thinking I'd never really seen standup before, I don't think. You know, maybe I'd seen it on t- The Tonight Show or something like that, but I'd never really seen that. And in this movie theater, here I am crying laughing at this guy that was just talking. And I was like, "I can't believe that he's just talking." Because every mo- you know, if, if I had seen a, a funny movie, it was funny, but it was never that funny. I remember you said something about Something About Mary. We, uh, you had just seen Something About Mary, and we were talking, and you go, "It's like a comic killing." I'll never forget you said that. You're like, "It's so funny. It was like a comic killing."

    13. MI

      Yeah. Yeah, yeah, yeah, yeah, yeah.

    14. JR

      That, that was the feeling that I got watching Prior. I was like, "I can't believe how funny this guy is just talking." Like I'd never ... I didn't know you could do that. I mean-

    15. SS

      And you worked with him at the Comedy Store?

    16. JR

      I worked with him at the Comedy Store towards the end of his life where he was really sick. And they used to have to crank the volume up on the microphone going (imitates mic feedback) like really loud. And he would get on stage, and he was on all kinds of medication 'cause, you know, he was sick. And, uh, he had to sit down 'cause he couldn't, literally couldn't stand up. They used to carry him to the stage.

    17. SS

      Oh.

    18. JR

      So they'd introduce him, and they'd walk him through the crowd. And I'd, I worked with him for five weeks. I, I was on after him every night.

    19. SS

      Wow.

    20. JR

      Like every night, it was Prior, then me. 'Cause, uh, Mitzi Shore who, uh, owned the Comedy Store, when she had a young comic that she liked, she would shove you after anybody who was any good. So if Martin Lawrence was on, I was on after him. If Richard Prior was on, I was on after him. Everybody who was any-

    21. SS

      So you auditioned. Did you audition for the Improv and, and Comedy Store or just the Improv?

    22. JR

      No, I didn't have to, didn't have to audition for the Improv. The auditi- the Improv, you know, you just, if you had TV credits and stuff like that, they'd give you spots.

    23. SS

      But that was later on.

    24. JR

      Y- though th- when I got out here-

    25. SS

      But at the beginning when you first got to LA.

    26. JR

      No, when I first got out here, I had a TV show. I was on, I was on a show called Hardball in '94.

    27. SS

      Oh, that's right. That's right. With Mike Starr. Mike Starr.

    28. JR

      Exactly, Mike Starr.

    29. SS

      (laughs)

    30. JR

      Shout out to Mike. And that got canceled, and then I got on News Radio right afterwards. So the whole time that I was out here-

  8. 1:02:081:07:57

    Vegas, clubs, and the post-COVID fight-sport era: UFC without crowds

    1. JR

      I was just dr... I was just there in Vegas for the UFC, uh, two weeks ago and, uh, you know, they're doing UFC without a crowd. It's very strange. You know? We were at the APEX Center, which is a... It's, it's an arena that the UFC built. It's like-

    2. SS

      Where is that?

    3. JR

      It's, uh, next to the UFC Performance Institute. It's off the strip and, uh, they just... They built this very small arena. So they, they do a s- a series of other shows besides just the big UFC pay-per-views. They do this thing called the Dana White Tuesday Night Contender Series where they have like up-and-coming comics, or fighters rather, up-and-coming fighters compete. And then they do it in this small place with a very small crowd and, uh, you know, like 1,000, 1,200 people. But now there's no one, no crowd, because it's the only way you can do the thing. So as I'm driving to the, the APEX Center, I'm passing the Tropicana and they've got Dice up on the billboard for February. So it's like long past shows, March, shit like that. They don't even take it down. They haven't even... Because everything's been shut down. Shut down. All the casinos have been shut down.

    4. SS

      Well, now they're, now they're opening and-

    5. JR

      Yeah.

    6. SS

      ... so did you have a hotel to stay in?

    7. JR

      No, I didn't even. I, I flew in the day of the fights, I flew out that night. Yesterday I watched a soccer game. A Ger- the German league and they had no s- fans, but they had a recording of the fans. Oh, that's so weird.

    8. SS

      Which is... And you know they sing, the fans in Europe sing chants with the, the theme. They had that going on but there's nobody in the audience.

    9. JR

      That's so-

    10. SS

      Are they gonna do that for UFC?

    11. JR

      ... strange. No, no, it's just silent.

    12. SS

      No fa- no recording of cheers-

    13. JR

      Yeah, the, the-

    14. SS

      ... and all that shit.

    15. JR

      ... brilliant part about it being silent is that you can hear the people breathing. You can hear them talking shit to each other. Like, "Hey, pussy. Hey, pussy. How you feeling?" Like they, they talk shit to each other-

    16. SS

      Oh, sure.

    17. JR

      ... when they're beating- Right. ... each other up.

    18. SS

      Yeah.

    19. JR

      You can hear the body blows, you can hear the wheezing-

    20. SS

      Jesus Christ.

    21. JR

      ... when they're getting hurt. You can hear them heavy breathing when they're tired.

    22. SS

      Yeah.

    23. JR

      Like, uh, the, there's so much more depth to it when you don't have an audience. There's, there's undeniable that the audience plays a big factor in the energy, but there's something to just being there. Like I was there for, uh, Tony Ferguson and Justin Gaethje in Florida. We did that in Jacksonville and it was the same thing. No audience. But that was even weirder because it was a 15,000 seat arena-

    24. SS

      Wow.

    25. JR

      ... but there was no crowd. It was just these guys duking it out in this cavernous arena and the octagon set up in the center of the arena. And all you hear is the corner men giving advice and then you, you hear them beating the shit out of each other.

    26. SS

      And do you have to adjust anything? You do different or you just stay to your thing?

    27. JR

      I didn't f... No. No, I didn't adjust. You know? The only difference is the one in Vegas, they wouldn't let me interview the fighters in the ring after the fight. So I couldn't go into the octagon after the fight. I had to do it remotely. So I had a headset on and I'm looking at them through a screen. It was real weird.

    28. SS

      Yeah.

    29. JR

      That was weird.

    30. SS

      And do you think the UFC, (clears throat) that's why boxing's not popular anymore?

Episode duration: 2:33:09

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