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The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #1680 - Jakob Dylan

Singer-songwriter Jakob Dylan is the frontman of The Wallflowers. Their new album, "Exit Wounds," is set for release on July 9.

Jakob DylanguestJoe Roganhost
Jun 27, 20242h 26mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:001:39

    Fear Factor memories, grimy downtown shoots, and LA’s visible homelessness

    1. JD

      (drum roll) Joe Rogan podcast, check it out.

    2. NA

      The Joe Rogan Experience.

    3. JR

      Train by day, Joe Rogan podcast by night. All day. (rock music plays) Hello, Jacob.

    4. JD

      How you doing?

    5. JR

      Good to see you again, man.

    6. JD

      Good to see you.

    7. JR

      First time we met, we were talking about it earlier, uh, you took your kids to Fear Factor where it was a gross day, right?

    8. JD

      Uh, d- weren't they all, I suppose?

    9. JR

      No, the, the second day is always the gross day.

    10. JD

      Oh, I didn't know that.

    11. JR

      Yeah, it was the first day is a big stunt.

    12. JD

      Oh, today ... The first day is the sports day more.

    13. JR

      Yeah, and then the second day-

    14. JD

      Oh. (laughs)

    15. JR

      ... it's disgusting and then the third day it's usually something epic.

    16. JD

      Well, had I had a choice, we would've picked the disgusting day anyway.

    17. JR

      (laughs)

    18. JD

      That was pretty wild.

    19. JR

      I don't remember what it was. Do you?

    20. JD

      No, you know, it was downtown. It was in an abandoned building, like a-

    21. JR

      Yeah.

    22. JD

      ... warehouse style and it was disgusting before you guys even started.

    23. JR

      It was.

    24. JD

      I do remember the, what looked like an exploded melted cat on a chair.

    25. JR

      Oh.

    26. JD

      There was fur, there was a face and it had been, like, for many ... I don't know how, how long it had been there, but-

    27. JR

      That might be just a part of the landscape.

    28. JD

      I'm just saying that had nothing-

    29. JR

      Yeah.

    30. JD

      That wasn't you guys.

  2. 1:394:29

    Staying in LA vs leaving: traffic, commuting, and the LAX “loop” problem

    1. JR

      You live in there?

    2. JD

      I do, just ma- mainly 'cause I've always been there.

    3. JR

      Yeah.

    4. JD

      And my, I, I think often about going somewhere else. You just transplanted here.

    5. JR

      Yeah, that was, uh, my concern too is that I, I, I've been there for so long that I was just gonna stay there and-

    6. JD

      Where were you out there?

    7. JR

      I was in Calabasas.

    8. JD

      Okay.

    9. JR

      I was out, like, in the, the suburban area.

    10. JD

      Yeah.

    11. JR

      Which is nice. It's quieter and it's, but it's not quiet enough. When I moved, I moved there in '96.

    12. JD

      Oh.

    13. JR

      So ... Or '97? Something like that. But it was, uh, when I moved there it was, you know, no one was out there. It's like coyotes and-

    14. JD

      (laughs) Yeah.

    15. JR

      ... owls and shit.

    16. JD

      Yeah.

    17. JR

      And it was just ... That's what I like. I like quiet, you know? Just peace.

    18. JD

      Did you have to commute every day for, for any of this?

    19. JR

      Yeah, but-

    20. JD

      It was-

    21. JR

      You know, you just-

    22. JD

      Yeah.

    23. JR

      ... leave on time and, you know. I w- like, for f- when I was doing news radio, the TV shows when I first moved out there and we didn't really start until 10:00 AM at the earliest, so, you, you know, by that time traffic had started to die down, it's not that big a deal.

    24. JD

      Yeah. Well it's back. Traffic is back.

    25. JR

      Yeah.

    26. JD

      Yeah.

    27. JR

      It's back.

    28. JD

      Yeah. We got, uh, see, we were just talking earlier that, that we thought there was an exodus of people leaving these major cities, but I don't, haven't noticed that. It seems like more people than ever out there.

    29. JR

      Well, there's so many people even if you lose a million people or two million people or three million people, you still have 25 million people jammed into an area where when I moved to LA in '94, I guess, it was probably, I mean, I gotta think the population was like a third of that.

    30. JD

      Oh, yeah. Well for sure-

  3. 4:296:23

    LA institutions and comedy crossovers: Troubadour worries, Nate ’n Al’s rescue, and Dean Delray’s late pivot

    1. JR

      Is the Troubadour still happening?

    2. JD

      Yeah.

    3. JR

      I, I heard that the Troubadour was about to go under, then somebody rescued it.

    4. JD

      Oh, I don't know if you mean like right now because if-

    5. JR

      Yeah.

    6. JD

      I don't know if, I, I don't know if they're, what they're gonna do.

    7. JR

      Yeah, 'cause I know Bill Burr was real worried about that. He loves that place 'cause he was trying-

    8. JD

      Well then he should go in and buy it.

    9. JR

      Maybe he will. He might.

    10. JD

      Somebody bought Nate 'n Al's. You know Nate 'n Al's?

    11. JR

      Yeah, they did?

    12. JD

      They closed that down. They shut that down and somebody rescued that.

    13. JR

      Oh. Well, that's good.

    14. JD

      So Bill needs to go rescue the Troubadour.

    15. JR

      He may.

    16. JD

      Yeah.

    17. JR

      I don't know. He's a cautious fellow-

    18. JD

      Yeah.

    19. JR

      ... when it comes to, like, investments and stuff, like he's a wealthy guy that pretends he's not. (laughs)

    20. JD

      That's smart.

    21. JR

      Yeah, it is smart. He's, he is smart. And we were talking about how, uh, Bill has your friend Dean Delray opening for him which is hilarious that you know Dean from the music days.

    22. JD

      Yeah, I've known Dean for, oh, more than 25 years or so.

    23. JR

      He's a good-

    24. JD

      He was, well, he was always a great entertainer and always a funny guy and he, I know you know him as well. I was not surprised that he decided to be a stand-up, but, um, I guess you made me aware that it's surprising to do that in your early 40s.

    25. JR

      It's real odd, yeah, for someone to take a chance like that and shift careers because, y- it's a risk. It's a giant risk.

    26. JD

      Why, how so?

    27. JR

      Well, y- you know, it might not work and-

    28. JD

      Right, you're saying if you try it in your 20s and it didn't work you got time to go do something else.

    29. JR

      Yeah, or you have time to make it happen, you know?

    30. JD

      Yeah.

  4. 6:237:47

    First Wallflowers album in years and why Jakob made a documentary instead

    1. JR

      Yeah. Um, this new album, when was the last time you guys had an album?

    2. JD

      2012.

    3. JR

      Wow.

    4. JD

      Yeah, but, you know, I, I did not anticipate... I didn't even... I mean, time flies.

    5. JR

      Yeah, it does.

    6. JD

      I didn't realize that. But I, you know, I, I tour every year, so I don't have, you know, far enough along where I, I don't need to worry so much about making records all the time if I'm not focused or have the ideas. So, y- y- if you're not paying attention, you just keep touring and touring and, you know. Uh, I did... And then I did, did a movie as well, a documentary, which had a soundtrack in between that, the Echo In The Canyon movie, which was, uh, an interview where we, we spoke to a lot of people who were around in the mid '60s, particularly '65 and '66, the bands who went to Laurel Canyon.

    7. JR

      Oh, wow.

    8. JD

      So that took a long time to do, and we interviewed people like Eric Clapton and, uh...

    9. JR

      And this was your project?

    10. JD

      Yeah.

    11. JR

      What- what made you... What was the motivation to do something like that?

    12. JD

      Uh, well, you just... If you don't take a minute, you'll just keep doing it. You gotta get off the treadmill at some point, you know. And I've been making... My first record was 1992.

    13. JR

      Wow.

    14. JD

      So, uh, you know, wanted to do something different. And I think it actually took too long to do something different, you know. But those take a long time. Documentaries don't really have scripts, you know, they just unravel. So you just have to keep going until... It, it changes, the story keeps changing as you go, and then you need to go out and talk to this person to fill in that blank, you know. You gotta keep doing that, and before you know it, it took three years.

  5. 7:4712:11

    Laurel Canyon in 1965: super-bands, fragile chemistry, and the ‘covert ops’ rabbit hole

    1. JR

      So, who was in the Laurel Canyon scene in, in the 1960s? Hendrix was there, right?

    2. JD

      He may have passed through. He's not a... No, he's not an L- an L- LA art- like, a Laurel Canyon artist.

    3. JR

      I thought he had a place in Laurel Canyon for a while.

    4. JD

      He may have. I mean, we really zeroed in on one year, like '65 with Buffalo Springfield and The Byrds.

    5. JR

      Wow.

    6. JD

      You know, these people getting together with so much talent in one group. When... That dream didn't last, I... None of those groups were able to stay together. But it's not about Laurel Canyon in its entirety. It's people working... They wondered where Joni Mitchell was or Frank Zappa, but that was a different experience. And, you know, Carole King, that's all down the line a little bit later. That's more of the singer-songwriter era. And someone can make that. I re- I recommend Ken Burns makes that documentary, because that's gonna be, like, a long one. And we didn't get into the- the- the- the, uh, the riots in the Sunset Strip and all that. It was really about one year specifically.

    7. JR

      Why, why that year?

    8. JD

      Just 'cause it was, like, when these bands, like, you know, you got Buffalo Springfield, you got Neil Young, you got Stephen Stills in the same group together, you know. Like, that wasn't gonna last-

    9. JR

      Right.

    10. JD

      ... just two giants in the same space. So, they were kind of figuring out what groups could do. I don't think anybody imagined having jobs very long. I don't think anybody was, you know, looking at each other's paychecks yet and noticing how these... the dream is not gonna probably stay together too long. Um, but that was... That's what we found to be interesting. Really, if you wanted a documentary about Laurel Canyon, it's... I'm not go- I wouldn't be capable of doing. It's too large.

    11. JR

      Mm-hmm.

    12. JD

      In, in its entirety, you know.

    13. JR

      It's probably something that you'd have to do for multiple shows, right? Like a Netflix-style series.

    14. JD

      Exactly.

    15. JR

      Yeah.

    16. JD

      You could, you could, you absolutely could. There's a lot of different eras up there.

    17. JR

      And-

    18. JD

      And there's also the CIA, there's all kinds of shit you can get into up there.

    19. JR

      Oh, yeah.

    20. JD

      I mean, it's not just the music.

    21. JR

      Have you read that book, Chaos? Uh, the Tom O'Neill book about the Manson Family?

    22. JD

      No.

    23. JR

      It's all about the CIA, and-

    24. JD

      Got it.

    25. JR

      ... about the CIA infiltrating the hippie culture-

    26. JD

      Oh, yeah.

    27. JR

      ... and literally supplying acid to the Manson Family.

    28. JD

      Yeah. Well, I know you like a good conspiracy.

    29. JR

      Oh, I love a good conspiracy.

    30. JD

      I mean, that's... You know, the hippie movement, you, you might say that was dumbing down America intentionally. I mean, there's, there's a lot of conspiracy in that.

  6. 12:1115:42

    How rock culture flipped: 1950s vs 1960s, ‘no bad influences yet,’ and early rockstar expectations

    1. JR

      Well, it's, uh, it was a strange time if you ch- connect, like, the '50s and then the '60s. The, the, the contrast of this, the style of the country, like just the culture, it was so radically different. And the music is the best representation of that. Music and films. Like, music of the '50s versus the music of the '60s is a giant monumental shift.

    2. JD

      Yeah. Well, of course, well, it was brand new.

    3. JR

      Yeah.

    4. JD

      That's why most of those bands were good. They weren't, they didn't have any bad influences yet.

    5. JR

      Oh.

    6. JD

      I mean, uh, not to name names. You get further down the line, I mean, y- you know, as much as you might love David Bowie, he also is responsible for, like, influencing a lot of stuff that you don't like. You know, because it becomes harder and harder to find your influences and you're, you're having to sift through the muck of not only just bad influences, but bad equipment, bad guitars, bad microphones. This all starts to change and it becomes instead of a, "I got four choices in front of me to listen to and they're all really good," to, "Now I got 20 choices," it gets, becomes more difficult to figure out which stuff is just clouding up your influences. But anybody around in the '50s, that's why you get those compilations. Why, why was everybody so good?

    7. JR

      Hm.

    8. JD

      Because they just didn't have any bad influences yet. They were all listening to the same stuff and it was all really good.

    9. JR

      That's an interesting perspective. So it was, like, fresh and it's almost like they didn't have a chance to fuck it up yet.

    10. JD

      Yeah. They didn't. I mean, it's kinda interesting if you think about it. I mean, even the most mildly talented person, if they were only listening to great stuff, they'd probably be pretty good just because their sources are so good. And they were so close to the source. I mean, rock and roll was so, in the '50s, it was brand new. By even the early '60s, uh, it still, like, you don't have... I mean, I've been making records for almost 30 years.

    11. JR

      Wow.

    12. JD

      If you're starting out in 1960, like, 30 years is from the '30s, like, there was nothing for them to be running around doing.

    13. JR

      That's a great point. I never thought of it that way. That is a great point. And then you also have to take into consideration that a, a genuine rockstar was a, literally a decade old.

    14. JD

      Yeah.

    15. JR

      There was no real rockstars. Well, you had, you had Buddy Holly, you had Elvis, you had a few, Chuck Berry-

    16. JD

      Mm-hmm.

    17. JR

      ... Little Richard. You had a few rockstars.

    18. JD

      Yeah.

    19. JR

      And then, uh, in the 1960s, that, that, that concept was little more than a decade old.

    20. JD

      Yeah, and it seemed like a good option at that point.

    21. JR

      Fuck yeah.

    22. JD

      What if you could be, minus the plane crash, what if you could be one of those guys, you know?

    23. JR

      Yeah.

    24. JD

      Yeah. But I think when they were s- I mean, how big of, how big could Buddy Holly's dreams have really been? I mean, no one had-

    25. JR

      Right.

    26. JD

      I mean, he w- was he 22? I mean, like, no one has-

    27. JR

      Right.

    28. JD

      No one knew h- uh, uh, the idea of having any job, I mean, I've had my job for 30 years. That's amazing for anybody to have any line of work for that long. So you go back to those guys starting, I can't imagine anybody wondered what kind of records we would make in the '60s and the '70s. I mean, I can't imagine any, any kind of foresight.

    29. JR

      Yeah, that's a really good point. It's, uh, imagine if that guy was still alive.

    30. JD

      You know, he wouldn't be as old as you think if he was still alive. That's-

  7. 15:4219:17

    Growing up as Bob Dylan’s son, LA in the ’80s, and the ‘pay-to-play’ club trap

    1. JR

      Yeah. It's, uh, it's, it's, it is really interesting the history of rockstars. Like, it had to be, it, it's gotta be a weird thing growing up being the son of literally one of the greatest musicians of all time. How, how weird is that?

    2. JD

      (laughs) You have to be maybe a little more specific. How weird?

    3. JR

      Your dad?

    4. JD

      Yeah.

    5. JR

      Yeah, how, what is it like?

    6. JD

      Yeah, no, no, I know, I know who he is. No, I know that.

    7. JR

      (laughs) But I mean, what is it like? I mean, it's gotta be fucking bizarre.

    8. JD

      Well, it's all you know. It's all you know.

    9. JR

      It's all you know, but in contrast to w- what other people know. It's, it's gotta be very strange.

    10. JD

      I don't think it's strange. I never thought it was. I mean, it's, I, I'm a- I was always aware it was different from the guy next to me.

    11. JR

      Right.

    12. JD

      But I thought his life was probably pretty weird too. I mean, somebody's dad being a, uh, an oral surgeon was strange to me.

    13. JR

      Right.

    14. JD

      You know? But I also grew up in the '80s. It was a little bit different then. And, you know, and kids didn't really care. My friends, uh, m- uh, the people I was growing up with didn't know or care about that stuff.

    15. JR

      That's interesting.

    16. JD

      That's not till later, really. You saw people's parents act weird around you.

    17. JR

      Oh, wow.

    18. JD

      But kids didn't care.

    19. JR

      No kid... That's strange. Wow.

    20. JD

      Well, I'm also talking about LA.

    21. JR

      Yeah.

    22. JD

      So...

    23. JR

      Well, LA in the '80s was such a, it was a Guns N' Roses fuck fest, right? It was just like crazy.

    24. JD

      That's late '80s. (laughs)

    25. JR

      (laughs) Well, I was, uh, yeah, I guess so, right? That was like '87, '88-

    26. JD

      Yeah.

    27. JR

      ... the Guns N' Roses era.

    28. JD

      Yeah. That's a, yeah, that's the little dip, that's, that was a quick, short era.

    29. JR

      Well, it was a weird era, right? All of a sudden everyone was wearing makeup and teasing their hair like a girl. It was like-

    30. JD

      You know, I honestly didn't see much of that. I, I only went to the Sunset Strip one time. I didn't grow up too far from there. Uh, and I still can't really dis- I mean, uh, if it was like that every night, like, Jesus, like, I, I never saw that. Uh, it wasn't the music I listened to or the f- none of the fashion. Any of that stuff appealed to me. But they took over that street, and it was literally like the, the, the street was just nothing but paper flyers and it was, uh, it was pretty something, pretty wild.

  8. 19:1724:11

    Scenes collide: glam metal saturation, New York’s punk alternative, and Nirvana’s culture-reset

    1. JR

      Yeah. Wow. Well, that time period was almost over-saturated, right?

    2. JD

      Uh, well, f- in LA?

    3. JR

      Yeah.

    4. JD

      Or just in general? Uh, well, certainly that scene was... I think that was, that was the Mecca. That's... People came from all across the country and they're, and they're...

    5. JR

      That was the dream. I mean, literally-

    6. JD

      That was the dream. You gotta go to LA.

    7. JR

      ... Welcome to the Jungle, the, the video, right?

    8. JD

      Yeah. Well, you had to have... Yeah, yeah, you had to have a scene. I mean, Guns N' Roses is really, that's a... That's the end of it, really. That's... Well, maybe it was still around, but I don't consider that group to be part of that. They were really a, a fantastic group. They still are, but that... The scene I'm talking about, and I think anybody who saw it would also agree, like, that's... They weren't really a part of that.

    9. JR

      Who was a part of that?

    10. JD

      A lot of bands with two X's in their names. A lot of, you know, a lot of-

    11. JR

      Two X's?

    12. JD

      Yeah, you know, mid... A lot of bands misspelled. I don't know. I mean, I kinda want... I mean, it was more on the model of groups like Poison, which I'm sure you're aware of.

    13. JR

      Oh, okay. Yeah, yeah, yeah.

    14. JD

      That was the look, that was the sound, you know?

    15. JR

      Yeah.

    16. JD

      And it, there's... There was good music for some people. I mean, some people still love those songs. I mean, that's not what I'm talking about. It was just the scene was pretty crazy.

    17. JR

      And that scene was... That was the dominant scene in Hollywood, right? It did, did it very much? Was there other styles of music that was coming out of that area?

    18. JD

      I think so. I think if you went east, you had, you had LA grou-... Well, I mean, LA's had great... I mean, when I was a kid out in LA, you had X and The Blasters. Y- you had exciting groups that I liked. And then I think there's also, there's Jane's Addiction later, there's other scenes out there. It wasn't just the Sunset Strip.

    19. JR

      It is always fascinating when one area becomes responsible for a giant chunk of the culture, when it comes to, like, music culture. Like, that was one area. So it's not even a big area. You know, you think about Sunset Strip, if you're from out of town, and then you go down there and you drive two miles and it's over. You're like, "Oh, that's it, huh?"

    20. JD

      Yeah, and it was just really that... And it's funny you mention that. I wonder if you went to New York in 1986, did they have... I never heard of it. Did they have a glam scene?

    21. JR

      I don't think they did.

    22. JD

      I mean, why... Only LA seemed to have that.

    23. JR

      Yeah.

    24. JD

      And everybody, everybody got in their trucks and drove out to LA to be a part of it.

    25. JR

      Well, L- New York was different, right? It was a lot more punk. It was CBGB, it was, you know, the Cro-Mags. It was, it was a different kind of scene in New York, right?

    26. JD

      For sure. Well, I guess so.

    27. JR

      It's a grittier place, I guess.

    28. JD

      Yeah, it's just funny. I don't know how they dodged that glam metal scene, but they, but they dodged it entirely it seems.

    29. JR

      They kind of did.

    30. JD

      I think that if you were into that, you had to go to LA, I suppose.

  9. 24:1131:20

    Nostalgia, ‘lifestyle music,’ and Joe & Jakob’s deep dive into KISS

    1. JD

      No intoxicant like nostalgia.

    2. JR

      Right. Yeah.

    3. JD

      I mean, it's the most powerful.

    4. JR

      Yeah.

    5. JD

      You're... Nobody's void of that. Do- doesn't matter.

    6. JR

      ... it's, uh, it's fun to- to have a band that you used to be embarrassed about that's not embarrassing anymore too. Like-

    7. JD

      I never had that problem, to be honest.

    8. JR

      No?

    9. JD

      That's l- that's lifestyle bands. That's the people who, you know, when you were growing up, they'd put... They would either wear a shirt or a sticker on their notebook that is really, they just wanna tell you what kinda guy or girl they are.

    10. JR

      Yes.

    11. JD

      It's not really about the band. It's, you know, it's, it's r- kind of synonymous with the shirt you ch- you know, the, the jeans you're wearing.

    12. JR

      Right.

    13. JD

      Lifestyle music.

    14. JR

      Yeah.

    15. JD

      And there were people when I grew up, I remember, you know, you couldn't like The Smiths if you also liked The Police. It's just like, you gotta pick a team. And that's just like so childish, and they, that's high school in general really.

    16. JR

      Yeah.

    17. JD

      But when you get older, I think you just, you realize, "Wait a second. You know what? I really did like Adam Ants, and I really did like, uh, I did like The Clash at the same time."

    18. JR

      Yeah.

    19. JD

      "But I didn't realize I was allowed to do that."

    20. JR

      Yeah, I loved Led Zeppelin, but I also loved KISS.

    21. JD

      Yeah.

    22. JR

      And KISS was the embarrassing one, and I had to hide it from people. (laughs)

    23. JD

      You know what, though? You're... I mean, I think we're pretty much the same age. That's the badge on everybody. I did not have a KISS phase. I mean, I've been around those, those people, and I, and I like them. And I, I see the merit in it, but I was not... That did not blow through my basement and, like, knock me out when I was a kid.

    24. JR

      When I was really young, um, my Uncle Vinnie worked for Howard Marks Advertising, and they were the ones who did the album covers-

    25. JD

      Yeah.

    26. JR

      ... for KISS. So I met Ace Frehley when I was like... (gasps) I don't remember how old I was. I was pretty young, younger than 10, I guess probably, and he had no makeup on. I met him when he had no makeup on. Like, he came into the office with no... And no one knew what he looked like. And I'm like, uh, like I knew a secret.

    27. JD

      Yeah.

    28. JR

      Like, as a 10-year-old, I knew some crazy secret. "I know what Ace Frehley looks like."

    29. JD

      Yeah.

    30. JR

      So because my uncle had introduced me to them at a young age, I was a fan, like, all through, like from 10 to all through-

  10. 31:2039:02

    Artists and social media: authenticity, pressure, and the attention-span arms race

    1. JR

      Now you, you're not... We were talking about this before the show, that you're not a social media person. You're, you're not interested in any of that stuff. But a lot of people use that as like, um, uh, to... As a thermometer to read the temperature of the audience to try to figure out what, what people like or what they don't like. That influence can either be beneficial, like you can learn something from your audience and get feedback and it can help you, or it can fuck you up. The way you developed without all that stuff, do you think that there is... Is it detrimental for artists to have that much interaction with, with people that are into them and to be doing like social media back and forth with fans?

    2. JD

      Uh, well, I would say first, if you enjoy doing it, you should do it. I don't... Like there's people not unlike myself who don't actually... They don't find the, the joy of it. And that's when I, I feel bad for people who engage in it who aren't genuinely just enjoying it because it is, it is something. And, uh, y- you know, for people like myself, if you just put up tour dates and record release stuff, like that's not interesting enough to people to really get that kind of traffic you're talking about. But is it detrimental? I don't know. I don't, I, I don't have a grip on it. I couldn't advise anybody. Again, if you like doing it, you should, but, you know, if you're not good at social media, uh, then maybe you won't get noticed. And I'll use, I'll use Prince again. What if Prince wasn't into it? You know, he was large enough that he'd probably get over anyhow, but he might stumble a while because people are expecting that format of the interaction, of closeness, of pretending to be friends, and maybe it wouldn't work for him.

    3. JR

      Is that expected of musicians today?

    4. JD

      Totally.

    5. JR

      Yeah. So is that like something that's written into with contracts? So they ask you to-

    6. JD

      No. Well, if you're young and you had a band that's really good, you know, don't... Before you send your demo tape to somebody or your link, you know, you got... They're gonna go to your Instagram and see how many followers you have.

    7. JR

      Really?

    8. JD

      Because that's... You're doing... They wanna know you're gonna do the work with them.

    9. JR

      Mm-hmm.

    10. JD

      And I get that.

    11. JR

      Mm-hmm.

    12. JD

      If you got 100,000 followers, that's... That looks really good to a label that wants to... Might want to work with you.

    13. JR

      That means-

    14. JD

      That's a starting. It means you know what you're doing-

    15. JR

      You're moving.

    16. JD

      ... and you're... You know how to use social media, and it's a big asset. If your tape is really good and you got great music in it, look, you don't even have Insta media or you don't even... You have, you know, 200 followers. Like that looks bad.

    17. JR

      Interesting.

    18. JD

      And that might, that might hinder your chances of working with people.

    19. JR

      Do you think that would fuck you guys up if you started today? Like you're-

    20. JD

      Uh...

    21. JR

      Would you think you would adapt-

    22. JD

      I won't-

    23. JR

      ... and just change your approach?

    24. JD

      Maybe if I was 21 again, I'd... Maybe I'd enjoy it.

    25. JR

      Mm-hmm.

    26. JD

      You know what I mean? I don't know.

    27. JR

      But you don't have... Do you have anything?

    28. JD

      I mean, I got stuff. What do you mean?

    29. JR

      Do you have Instagram?

    30. JD

      (laughs)

  11. 39:021:06:02

    Memoirs, Prince stories, and how comedians ‘drop in’ like musicians

    1. JD

      I do watch a lot of documentaries.

    2. JR

      Okay.

    3. JD

      I read a lot of, uh, uh, memoirs.

    4. JR

      Really?

    5. JD

      I like those. Yeah, I love music memoirs. I read most books, uh... I'm gonna give a shout-out right now. I don't know him. Richard Marx has a great new book I just picked up.

    6. JR

      Really?

    7. JD

      Yeah, reading it on the airplane yesterday.

    8. JR

      Oh.

    9. JD

      So he should know. He's a social media guy.

    10. JR

      Is he?

    11. JD

      Yeah. And he should know it's working. Countering everything I just said about my own shit.

    12. JR

      (laughs)

    13. JD

      His is working 'cause I picked up his book and I think it's great. It's very entertaining.

    14. JR

      What's it called?

    15. JD

      Oh, w-... Here he goes. Laptop. Jamie, you got it? Uh... Let's see. We're gonna put it up on the big screen? Stories to Tell. Stories to Tell. That it? Yeah. Uh, tweet... Sorry, the tweet's in blue. Yeah. That's what it's called. Well, 'cause I think anybody who's in my shoes, in any similar capacity, there's... They got a, they got an interesting story.

    16. JR

      There he is. Look at that.

    17. JD

      Is that live? Hey, man.

    18. JR

      Still got the messed up hair on purpose.

    19. JD

      Um.

    20. JR

      (laughs)

    21. JD

      But, you know, e- everybody who's, you know, came to LA p-... You know, to, to make it, they're... I find their, their stories are interesting. Or New York, wherever they went. You know?

    22. JR

      Yeah. Do you contrast those to your own story and just so... Does it give you a feeling of, like, just understanding that everybody's weird little path to try to get to where they are is different and...

    23. JD

      Well, absolutely. Yeah. And there's, uh... Well, what do you mean, more specific?

    24. JR

      I mean just that your business... Like-

    25. JD

      Yeah.

    26. JR

      ... if you, if you're reading music memoirs, that is your business, and it's a strange business, right? And it's a business... It's very much like comedy in a way that, you know, you're off with your first footsteps and good luck. Who knows where this journey's gonna take you?

    27. JD

      Mm-hmm.

    28. JR

      And it's fascinating to me. I've read a, a bunch of comedians' memoirs or autobiographies or biographies on comics, and it's, uh, it's fascinating just because I can contrast those to my own life and just think about what... That this weird path that they went on. And I think of my own weird path and that it's, it's a wild world you're carving out when you're ch-

    29. JD

      Yeah.

    30. JR

      ... carving a career in music or in comedy. You know?

Episode duration: 2:26:57

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