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The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #1859 - Louis CK & Joe List

Louis C.K. is a stand-up comedian, writer, actor, and filmmaker. His new film, starring comedian Joe List, "Fourth of July," is available now at www.louisck.com. Joe List is a standup comedian, co-host of the "Tuesdays with Stories" podcast with Mark Normand, and host of his podcast "Joe List's Mindful Metal Jacket".

Joe RoganhostLouis C.K.guestOJ SimpsonguestJuicy Jguest
Jun 27, 20243h 16mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:002:02

    Praise for ‘Fourth of July’ and Joe List’s acting debut

    1. JL

      (drumbeats) Joe Rogan podcast, check it out.

    2. NA

      The Joe Rogan Experience.

    3. JR

      Train by day, Joe Rogan podcast by night, all day. (instrumental music plays) Hey, fellas.

    4. NA

      (laughs)

    5. LC

      Hey.

    6. JR

      What's going on?

    7. JL

      Hey.

    8. JR

      So, let me first say, that fucking movie is great.

    9. JL

      Thank you.

    10. JR

      It's really good. I really enjoyed it. I fucking laughed hard-

    11. JL

      Thank you.

    12. JR

      ... when they, the family in Maine. Holy shit-

    13. JL

      Mm-hmm.

    14. JR

      ... was that great, with Nick Di Paolo-

    15. JL

      Nick Di Paolo.

    16. JR

      ... Tony V. Oh, my God, it's very funny.

    17. JL

      That makes me feel good. Thank you.

    18. LC

      Thank you.

    19. JR

      It's really good, it's really good, it's really good.

    20. JL

      Thank you.

    21. JR

      You're a good actor, Joe.

    22. JL

      Oh, well, thank you. I appreciate that.

    23. JR

      You're really good, man.

    24. JL

      I-

    25. JR

      You're really good.

    26. JL

      Thank you. I have very little training. But I was playing myself. We wrote it, so a lot of real emotions.

    27. LC

      It doesn't matter, though, if you play yourself, 'cause you have to play moments, you have to play feelings-

    28. JR

      Yeah.

    29. LC

      ... you have to listen. And I didn't know if he was gonna be any good. It had to be him, because it was his story. We wrote it together, I directed it, and, uh, but I didn't know if he would have the mechanics right. But he's very natural. I never had to talk to him once during the filming. It was just, you know-

    30. JL

      (laughs)

  2. 2:023:17

    Directing choices that visualize anxiety (lenses, camera movement, color)

    1. JR

      It's really good. I, I, I've, if I went to see that in the movies and I didn't know any of you, I'd really enjoy it. The, th- w- there's, and, and I had a question about filmmaking itself.

    2. LC

      Yeah.

    3. JR

      There's moments where, like, you the therapist are talking to him, where it's a head-on shot, but the camera's kinda, like, slightly moving a little-

    4. LC

      Mm-hmm.

    5. JL

      Mm-hmm.

    6. JR

      ... which I thought was very interesting.

    7. LC

      Mm-hmm.

    8. JR

      Like, do you, what is the reason to do... Is it to keep you occupied? Is it to create like a sense that you're actually there? Because when you're seeing a person-

    9. LC

      Mm-hmm.

    10. JR

      ... you're kinda moving and kinda static? Like...

    11. LC

      Well, it depends. Like, sometimes, well, we used in this movie, we used what are called anamorphic lenses, and they make more of a dollar bill shape than like a television. It's, like, wider. So, uh, w- the movie's about a guy who has severe anxiety, and so anxiety is about having too much peripheral sense, you know.

    12. JR

      Mm.

    13. LC

      And so sometimes we would rock the, the, the, the, the, the screen, the ma- camera just a little bit, just a tiny bit-

    14. JR

      Yeah.

    15. LC

      ... to feel as disbalanced, like if you're just sitting in a chair, you feel like you're gonna throw up a little bit.

    16. JR

      (laughs)

    17. LC

      There's, uh... And there's, we did other effects, like sometimes we made the, the light go green, which is kinda like a green nausea feeling. Nausea and anxiety are very connected.

    18. JR

      Mm.

    19. LC

      So we did that with him to make him look like he was as uncomfortable as h- as he really can be.

  3. 3:174:28

    Why Louis loves directing: tech obsession and constant problem-solving

    1. JR

      T- how much do you enjoy that process versus the process of creating standup?

    2. LC

      I love it so much.

    3. JR

      Yeah?

    4. LC

      I just love it so much. It drives me crazy how much I love it. I love film, I love lenses, I love photography. I love the, all the tech stuff. I love going, drilling way down with the DP about what's the equipment we're gonna use and why. Uh, I had a good DP on this one who didn't give a shit. He just, he was just like, "Yeah, you could, I guess. Who cares?" (laughs)

    5. JR

      (laughs)

    6. LC

      Like he was just a real... He came up as a, like, camera loader. He came up, he's not like a, you know, film school guy who wrote a thesis. He's a guy who worked in the camera department, and now he runs it, so. But I like it, I like it. And I like, um, equipment. I like, um, the process. You know? And the problem is, it's all day problem-solving.

    7. JR

      Yeah.

    8. LC

      It occupies your whole spirit when you're directing, 'cause you're like, "How are we gonna get this day done? They're kicking us out at 8:00. The light's going." Stuff like that. It's like being on a boat, you know.

    9. JR

      Yeah.

    10. LC

      'Cause nothing's in your control. You can just try to maneuver. You've got an actor who's just not doing it. You have an actor who didn't show up. There's all kinds of stuff that happens. And if you're clever and you stay s- on a swivel, you get through the day and you go, "Fuck, I can't believe we got all that." And there was good shit on film. That's...

  4. 4:286:36

    From first phone call to wrap: rapid writing, self-financing, pandemic momentum

    1. JR

      How much of a process is it? Like, how long is it from the time where you started writing this-

    2. LC

      Mm-hmm.

    3. JR

      ... till, like, pitch it, write it, and then get it done?

    4. JL

      I know the exact dates if you want them. (laughs)

    5. JR

      Yeah.

    6. LC

      Yeah, give, give it.

    7. JL

      First phone call was February 28th. I mean, this is, like, not normal. February 28th.

    8. LC

      Mm-hmm.

    9. JL

      We chatted on a Sunday for about three hours unexpectedly. And we wrapped, I believe, on September 9th, 8th.

    10. LC

      Yeah, it was very quick.

    11. JL

      That's from conception to we're wrapped-

    12. LC

      From ph-

    13. JL

      ... from the movie shot.

    14. LC

      ... from "Let's make a movie about something" in Fe- late February to out, ready at the end of September.

    15. JR

      Wow.

    16. JL

      It was crazy.

    17. LC

      Like, it was unheard of. We wrote it kinda qu- you know, the, first of all, the pandemic was sort of just starting to wane but it was still in effect. And, um, so there was a lot of, we were all so eager to do fucking something.

    18. JR

      Yeah.

    19. LC

      You know? And, uh, there, we were used to this empty space in time. So he came up to my place upstate couple of times. We just wrote on the blackboard. And also it depends on the movie. We, I knew what this movie should be from the very beginning. Like, we just felt what this movie was about, what the engines were that were gonna run. We knew Di Paolo was gonna play this guy, we knew Tony V was gonna play all these guys. So we, the voices were so clear, and, that it was an easy... We just, sometimes you, to feel like you're taking dictation when you write a movie. Like, it's just telling itself to you. So the writing was a lot quicker than usual. And because it's just me financing it, there was nobody to send the script to, wait for comments. We just-

    20. JR

      Mm.

    21. LC

      ... we just finished w- and we wrote, "That's it." And then we went back over it and reworked it a few times.... so we're not wasting any money when you shoot. Try to cut it down, 'cause you're probably gonna cut anyway. Uh, and then start hiring folks. Then it's just, just simple, you know. I gave it to my assistant, Lia, who's also my producer. She's the executive producer of the movie. She does everything for me. So she started getting into, you know, (clears throat) the heads of departments. We started hiring people, got a casting agent, she started casting. Just start working, working, working. Um, and then everything else get dic- gets dictated by, like, where (clears throat) , where are you shooting? Are you shooting in a house? When is it available? That house is available for these weeks, so that's our target, and try to get everything together by then. Yeah.

  5. 6:3610:09

    Casting Boston talent and building emotionally complex parents

    1. JR

      And the people that you got are fantastic too. Like, the, the woman who plays your mother is amazing.

    2. JL

      Yeah.

    3. LC

      Paula Plum. Paula Plum.

    4. JL

      (laughs)

    5. JR

      She's just-

    6. LC

      They're all Boston actors. Everybody in the movie is, like, local either comedians from Boston, or including me and Joe, or, uh, actors. She's a, like, a storied Boston actor. She's, like, in every great play that takes place in Boston.

    7. JL

      Oh.

    8. LC

      And sh- and actually her and the dad, Bob, uh, Walsh-

    9. JL

      Yeah.

    10. LC

      ... who played the dad, they have played man and wife in many plays, like in a major pla- not in Broadway, but in Boston, which, in Boston, that's big, you know. And that, and she was fucking great. That was the hardest thing. F- how are we gonna find this woman?

    11. JR

      She was so good.

    12. JL

      Yeah.

    13. JR

      Like, the, just the, even the way she hugs you, it's, like, exactly like that lady would hug you. (laughs)

    14. LC

      Yeah, who can't. She can't. She can't.

    15. JL

      (laughs)

    16. JR

      There was so many good lines in the movie too, like when talking about the ex-girlfriend. "Oh, the one with the mouth and the tits." (laughs)

    17. LC

      Yeah, the one with the mouth and the tits.

    18. JL

      That's a- that's a true story, by the way, that I tell.

    19. LC

      Yeah, yeah.

    20. JL

      I have a ex-girlfriend that when we first started dating, we'd been together for, like, a few weeks and it was, like, popping off. We love each other, oh my God. And she left her email open and I searched my name, thinking I would find all these great things she's saying about me behind my back.

    21. JR

      (laughs) So stupid.

    22. JL

      It was really bad. And there was, like, a chat, like a Gchat, Gmail chat, between her and her best friend, and she literally was like, "I just met this guy. I think I'm in love with him. He's the funniest guy I've ever met. I'm not attracted to him, but I'm gonna give it a shot." (laughs)

    23. JR

      Oh, that's hard.

    24. JL

      And I just read it, and then, like, you know, she comes home a few hours later (laughs) and is like, "Hey," and I'm like, "Hey."

    25. LC

      That's hard.

    26. JL

      And it's brutal. It still lingers, by the way.

    27. JR

      The pain from that?

    28. JL

      Was that the end of it?

    29. LC

      Becau- no, 'c-'cause I couldn't... First of all, I was, like, in love with her, and it wasn't a confidence boost. I was like, "I can't (laughs) go be single now knowing I'm ugly."

    30. JR

      (laughs)

  6. 10:0912:53

    Release strategy: theaters, then louisck.com—and what crowds revealed

    1. JR

      And so you're releasing it only on your website?

    2. LC

      Yeah.

    3. JR

      You're not gonna put it out anywhere else afterwards?

    4. LC

      I mean, we'll see, you know. But right now, the be- the best mouth to drink in the interest is the website.

    5. JR

      Yeah.

    6. LC

      It just goes right, comes right to us.

    7. JL

      We did a big theatrical run also though.

    8. JR

      Yeah.

    9. LC

      Yeah, it was in the theaters for-

    10. JL

      Did very well.

    11. LC

      ... yeah, for a month, and it was killing.

    12. JR

      Really?

    13. LC

      Yeah, it was, um, like AMC Theaters, and Regal, and a few theaters. What they do if they don't give you a full run, they just go, "You can have every city for one night."

    14. JR

      Mm.

    15. LC

      Like, at seven o'clock on a Wednesday, we were in 70 screens across the country.

    16. JR

      Wow.

    17. LC

      And they all sold out and doubled. We were-

    18. JR

      Wow.

    19. LC

      In, in a lot of cities, we were, like, in three theaters, like w- like, uh, like Thor or something.

    20. JR

      Holy shit.

    21. LC

      Yeah, and then at the Laemmle in LA get h- held over, like, three, four weeks I think.

    22. JL

      Yeah.

    23. LC

      It just kept getting held over.

    24. JR

      Wow.

    25. LC

      It was very... In New York, we had a premiere at the Beacon Theater, and we packed it, and everybody watched the movie in the Beacon Theater, and it was-

    26. JR

      That's fucking amazing.

    27. LC

      ... huge. It was fun.

    28. JL

      That's amazing. Yeah, it was huge laughs. I don't wanna derail the conversation. My ash just fell off on the rug and I feel terrible.

    29. LC

      Doesn't matter.

    30. JL

      Okay, great.

  7. 12:5323:02

    Independence vs. streaming platforms: algorithm pressure, notes, and owning your audience

    1. JL

      Mm.

    2. LC

      And so I, to me that's a successful movie, one that it gets completely different reactions from different people, but they all like it and they're, you know, they're all compelled.

    3. JR

      Is this the first time you've ever released something just directly? I know you did your animated show, you d- you released that directly on your website too, right?

    4. LC

      Animated- oh yeah, yeah, which one? Animated?

    5. JR

      Horace and Pete.

    6. LC

      Oh yeah, Horace and Pete, that was the, the, the stage show. Yeah, this is the first thing I've made that, besides standup specials, um, I have two new ones that just, that are, that are out now, but that's the first one that I, the very, yeah. It's the first movie I've ever put out on my site directly. Yeah.

    7. JR

      And you've just been doing mostly your standup specials that way, right?

    8. LC

      Standup specials. Also my series Louie on FX, that's on my website too exclusively. I got, I licensed it from FX and from Disney who actually owns it, and so you can buy it on my website. I had, I li- I got them to give it to me exclusive so I wouldn't have to compete with-

    9. JR

      Ah.

    10. LC

      So if, you can buy the whole series, all five seasons for five, for $30 for the whole five seasons.

    11. JR

      Do you think you'll ever get to a point where your website is like a subscription thing? Like a fucking Hulu type deal where you could just subscribe to your website and get all the things?

    12. LC

      I think that's tough because it's not that much content. I mean, I have, there's packages, like you can buy all my s- I have seven standup hour specials on there now, and you can buy them all for 25 bucks. So that unlocks all of them. You can stream them.

    13. JR

      Hmm.

    14. LC

      You can download them and own them and whatever. Uh, that's just the way it's always been between me and my fans on the website. Uh, I, I put, I put stuff out once in a while. It's at a price that's, that just get, just enough for me to get some profit, uh, and get the money back, you know. So it lets me operate independently and it's outside of the kind of algorithmic... It's not... The thing is that those platforms depend on algorithmic plug-in and it's a very different model.

    15. JR

      Yeah.

    16. LC

      They also have billions of dollars to create content and to lice- license content. Um, I don't know where it's going. I'm grow- it's starting to be a lot of m- a lot of stuff. There's a lot of stuff on the website.

    17. JR

      Yeah.

    18. LC

      Yeah.

    19. JR

      Yeah, that's what I'm getting to. It's like, uh, I've, I've thought about that too because a lot of people are starting to do that now. Like Schultz released his po- his, uh, new special completely on his website.

    20. LC

      Yeah.

    21. JR

      And, uh, a lot of people are doing those kind of things now because you, you do encounter these problems with streaming services and-

    22. LC

      Mm-hmm.

    23. JR

      ... censorship and just weird-

    24. LC

      Yeah.

    25. JR

      ... just having their input on content. It's not fun.

    26. LC

      No, of course not. And, uh, they have, 'cause when you're on a streaming service or on any platform, they have their own problems.

    27. JR

      Yeah.

    28. LC

      And because they're all owned by larger and larger corporations, um, they have to, they can't do anything that wiggles too much. So they have just too many concerns and that's the way I look at it. It's not like oppression. It's just like they're too, they're too-

    29. JR

      Yeah.

    30. LC

      ... mixed in with other shit to be my boss 'cause I wanna be able to fuck around and have fun.

  8. 23:0227:37

    Funding the movie, touring logistics, and the COVID scare (plus cigarettes)

    1. JR

      So, when you're doing something like this and you're also touring-

    2. LC

      Yeah.

    3. JR

      ... 'cause you're, you're still touring a lot-

    4. LC

      Yes.

    5. JR

      ... uh, how do you allocate the time? Do you just decide to take a couple of months off and not do any standup, or how do you, how do you handle that?

    6. LC

      Well, I've gotten kinda good at segmenting time, and you, when you're not thinking about something, you put it aside like it doesn't exist at all. So, with this thing, like, we wrote it.

    7. JR

      Mm-hmm.

    8. LC

      (clears throat) Then we were in pre-production. I think I toured during pre-production.

    9. JR

      I think you shot a special the night before we went into production-

    10. LC

      That's right. (laughs)

    11. JR

      ... which I argued against-

    12. LC

      (laughs)

    13. JR

      ... pretty hard. I was like, "I don't think that's a great idea."

    14. LC

      That's right.

    15. JR

      Why did you think it was a bad idea?

    16. LC

      It was the day before.

    17. JR

      I, well, I just was like, "Why don't we just focus on the movie?"

    18. LC

      Yeah.

    19. JR

      But we're different kinds of guys, obviously.

    20. LC

      Yes.

    21. JR

      And he's like, "I'm thinking about shooting a special?" Literally the night before we started shooting, or maybe there was one day.

    22. LC

      It was one day between, that's right.

    23. JR

      Yeah, and I was like-

    24. LC

      Ugh.

    25. JR

      ... "Ah, you can shoot it after. That's probably for the best."

    26. LC

      That's right.

    27. JR

      But, uh...

    28. LC

      That's right.

    29. JR

      I didn't, I lost that argument.

    30. LC

      Yeah.

  9. 27:3735:52

    Combat-sports tangent: KOs, memory gaps, and the ethics of brain damage

    1. JR

      Well, we have, uh, smelling salts, which is almost as good.

    2. JL

      Oh, those are fun.

    3. JR

      Have you ever smelled those?

    4. JL

      I have, yeah, in elementary sch- or not elementary school. I guess it was high school, in school, whatever school's called. I was like pretending to be sick to get out of class and then, uh, the teacher gave me smelling salts and it was quite a, quite a thrill.

    5. JR

      It's a jolt.

    6. JL

      Yeah, it was a jolt.

    7. LC

      It's to wake you up when you've passed out, right? Like it-

    8. JL

      Yeah, it's like after you got a big hit. And, well, in th- the old days in football they'd just give you smelling salts, but now they send you in the tent.

    9. LC

      Have you ever seen-

    10. JL

      But hockey players do it before a game.

    11. LC

      Have you ever seen videos of, it's, uh, like, a, a boxing match I saw in, in Africa somewhere and a guy was knocked out and his trainer goes over and reaches in his shorts and just starts jacking them off-

    12. JL

      (laughs)

    13. LC

      ... to wake him up. Have you ever seen that?

    14. JL

      Yes. I have seen that.

    15. JR

      Stop it.

    16. JL

      Yeah.

    17. LC

      I've seen this many places.

    18. JL

      I've seen that.

    19. LC

      It's just a normal-

    20. JL

      Yeah.

    21. LC

      ... a- heterosexual athletic idea.

    22. JL

      Come on.

    23. JR

      I don't understand why they do that. I think it might just be a perv who just says, "I know how to fix it."

    24. JL

      Can we pull this up, 'cause I'm not buying it.

    25. LC

      I think it, I think you guys are fucking with me.

    26. JL

      Yeah, yeah. Yeah, we'll find it, yeah.

    27. LC

      It's some old wives' tale, you know.

    28. JR

      There's quite a few of those.

    29. LC

      Yeah.

    30. JR

      Yeah.

  10. 35:5245:14

    OJ Simpson rabbit hole: Twitter videos, fandom, and ‘The Run of His Life’

    1. JR

      Do you think OJ really remembers what happened that night? I w- I w- would like to... I would wonder what his actual memory is like.

    2. LC

      Well, his book is-

    3. JR

      Yeah, I got that book.

    4. LC

      ... the memory book. And it's when he's... There's one point where he's in the car and there's a guy in the backseat. He had a character with him who was yelling at him, saying, "What are you doing, OJ? You can't, you can't do this," and he's telling him to shut up. This is what people do when they're in a... They split in two.

    5. JR

      Yeah. Yeah, yeah.

    6. LC

      So, so he... That is probably how he remembers it, you know?

    7. JR

      Right.

    8. LC

      I mean, I don't fucking know, but, you know.

    9. JR

      Yeah, I don't fucking know either, but i- it's... Watching that guy on Twitter is fucking fascinating.

    10. LC

      Mm-hmm.

    11. JR

      Have you ever watched his videos? Like, "Hello-"

    12. LC

      No.

    13. JR

      "... Twitter world. It's yours truly, OJ Simpson."

    14. LC

      (laughs)

    15. JR

      You need to see it. You haven't seen this? You need to see some of these. They're fucking incredible. And he's so oblivious that he'll comment on, like, murders.

    16. LC

      Mm-hmm.

    17. JR

      Like, "This is so senseless."

    18. LC

      Mm-hmm.

    19. JR

      And then the, the... Look in the comments, I, I don't know if he reads the comments or not, but it's all like, "Knives," and shit, like people post-

    20. LC

      (laughs)

    21. Jesus Christ. (laughs)

    22. JR

      (laughs) It's fucking crazy. And he's out there golfing.

    23. LC

      Wow.

    24. JR

      I mean-

    25. LC

      Wow.

    26. JR

      ... the guy allegedly killed two people-

    27. LC

      Yeah.

    28. JR

      ... with a fucking knife-

    29. LC

      Yeah.

    30. JR

      ... which is one of the most horrific ways to kill someone.

  11. 45:1454:54

    Porn, shame, and changing norms in film and culture

    1. LC

      Yes.

    2. JR

      It's just crazy. Like this is... Back in the day, we had to go to a DVD store and go through the embarrassing beads.

    3. LC

      Oh, God. Yes.

    4. JR

      (laughs)

    5. LC

      The beaded door to that room. And there's a guy at a section you wanna be at, but you don't wanna...

    6. JR

      You don't wanna go close to him. (laughs)

    7. LC

      You don't want to be shoulder to shoulder with him. Like, "I saw that one."

    8. JR

      Kids today will never understand.

    9. LC

      I'll never... I remember when there was VHS tapes and they had glitches in them and there would always be one point where there's a big, like, you know, it would get fuzzy on the screen, because that's where the last guy kept rewinding that mom- that was his cum moment.

    10. JR

      (laughs)

    11. LC

      So he kept going back and back. So that right at a very big cum shot, this is it.

    12. JR

      (Laughs) (screeching noise)

    13. LC

      Those were the days. We were all sharing porn then.

    14. JR

      Yeah, we all would make copies.

    15. LC

      Yeah.

    16. JR

      There was this pool hall that I used to go to. My friend Brian had two VCRs and he would always tell, "Oh, I got a good one, man. I gotta go." He was a hilarious dude. He's like, "I got a fucking good one, man. You gotta get this one." And he'd like hand out copies to everybody.

    17. LC

      Mm-hmm.

    18. JR

      He wanted everybody to be jerking off-

    19. LC

      He's a nice guy.

    20. JR

      ... to what he was jerking off too.

    21. LC

      (Laughs) Yeah. What a sweetheart.

    22. JR

      That's sweet. Yeah.

    23. LC

      He was shameless. He's, he's like-

    24. JL

      Yeah.

    25. LC

      Shameless people are fucking hilarious. It's the funny thing about porn is such a private shameful moment.

    26. JR

      Yeah.

    27. LC

      But you're sharing it with a lot of people.

    28. JR

      Yeah.

    29. LC

      Like if you go on like Pornhub or something and you're watching a video where you're like, "This is weird that I'm watching this. This one's weird. This makes me feel weird." And there's like 365 million views.

    30. JR

      (laughs) I know, right? But porn is the strangest thing because it's, it's so forbidden and taboo-

  12. 54:541:08:31

    Bobby Kelly, AA realism, and the craft of standup (writing, bombing, vulnerability)

    1. JL

      Isn't he amazing?

    2. LC

      Amazing.

    3. JL

      He's really good. He's so good.

    4. JR

      Really good, yeah.

    5. LC

      Bobby, I'll put him... I'll put him in anything. He's the best and he-

    6. JR

      I love Bobby.

    7. LC

      He just... He was one of those guys that didn't like, like picking up, uh, uh, Alex Rodriguez. Like, he can play third... I don't care where he plays, he's gotta be on the team. Like, it's just... We had to have Bobby in the movie, and he fit perfectly as his, as his, uh-

    8. JR

      Sponsor.

    9. LC

      ... sponsor. Sponsee.

    10. JL

      Sponsee.

    11. LC

      And it's a cool thing about the, the, the movie, uh, is that it's about AA on some level, but most AA movies have tropes. They have a AA meeting where everybody feels great, and then they... The guy in the movie who's alcoholic always has to relapse and then come... That's the only, it's the only storyline acceptable for alcoholics-

    12. JR

      Right.

    13. LC

      ... is he falls off the wagon and then comes back. This movie's not about that, but it's about the AA things that are a pain in the ass in AA, like, like having to have a... Sponsors are always very sage.... and sponsees are very innocent. But in this movie, we're shown when you first get your first sponsor, that you don't know, "What the fuck do I say to this guy?" And Bobby is like, plays a very throbbing with need, desperate alcoholic. And Joe, who's barely sober and barely, like, contained, is having to help this fucking guy who he doesn't really get to know or get along with that much.

    14. JR

      Right.

    15. LC

      So, it was fun to show that anyway.

    16. JR

      Yeah.

    17. LC

      You know? Bobby was great. I made a special for Bobby. We... Uh, a standup special in Florida.

    18. JR

      Oh, really?

    19. LC

      Yeah. We shot it a couple months ago, I guess, and-

    20. JR

      When does that come out?

    21. LC

      I'm gonna... It's gonna be on my website and I'm, I'm... I gotta edit it. It'll probably come in September.

    22. JR

      Oh, nice.

    23. LC

      Yeah.

    24. JR

      I'd love to have Bobby on too. I've never had him on.

    25. LC

      You should.

    26. JR

      I've known Bobby forever. I worked with him when we were both in our early, early 20s back when he was... He was living at a house for, um, mentally handicapped people.

    27. LC

      Yeah.

    28. JR

      He was, like, helping these people and we took these two girls back to his place to fool around.

    29. LC

      (laughs)

    30. JR

      So we went back to, uh, Bobby's room, me and Bobby and these two girls. And, like-

Episode duration: 3:16:19

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