Skip to content
The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #1874 - Dave Attell

Dave Attell is a stand-up comic, actor, and writer. He can currently be seen in the series "Life & Beth" on Hulu, "Bumping Mics with Jeff Ross & Dave Attell" on Netflix, and "Crashing" on HBO. When not on the road, Attell makes regular appearances at the Comedy Cellar in New York City. www.daveattell.com

Dave AttellguestJoe RoganhostGuest 2 (unidentified friend/producer)guest
Jun 27, 20242h 36mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:002:02

    Back in Texas: Cap City’s comeback and legendary road clubs

    1. DA

      (drumming music) Joe Rogan podcast, check it out. The Joe Rogan Experience.

    2. JR

      Train by day, Joe Rogan podcast by night, all day. (rock music) Ladies and gentlemen, David Attell.

    3. DA

      Hey, Joe. Thanks for having me on the show.

    4. JR

      Good to see you, my brother.

    5. DA

      I was telling your guys before you showed up, I was like, "Uh, I'm hoping there's other guests besides me 'cause I don't really think I'm interesting enough to hold the whole show."

    6. JR

      We can do it.

    7. DA

      You think so?

    8. JR

      Yes. All right, I believe in you.

    9. DA

      I have, I have zero worries.

    10. JR

      (laughs)

    11. DA

      I'm glad you brought your straw.

    12. JR

      Thank you.

    13. DA

      And I'm also- (laughs)

    14. JR

      (laughs) I'm also glad you brought your hobo sack. (laughs)

    15. DA

      I'll show everybody.

    16. JR

      He's a comedy nomad.

    17. DA

      That's how you travel, people. (laughs)

    18. JR

      That's all he brings, fresh underwear and socks. That's it. Let's go.

    19. DA

      Good to be back in Texas.

    20. JR

      Good to see you. How was the Cap City? Did you enjoy it?

    21. DA

      It was awesome. I mean, you and I back in the day played the old Cap City.

    22. JR

      Yeah.

    23. DA

      And, uh, that was definitely an iconic club. And this is the, uh, I guess you can say the, um, the reimagining of it.

    24. JR

      This is, uh, the, the helium folks who do an amazing job.

    25. DA

      Exactly.

    26. JR

      Helium folks are great. They-

    27. DA

      They really are.

    28. JR

      That fucking place in Philly is the shit. The one in Portland is the shit. The other clubs are fucking locked down. They're all solid as a rock.

    29. DA

      I totally agree with you. And they put a lot of work into it.

    30. JR

      Mm-hmm.

  2. 2:023:39

    The Laugh Stop mythology and what makes a club ‘magic’

    1. DA

      Do you remember, uh, c- um, the com-, uh, what was it called? Uh, in Houston, uh-

    2. JR

      Laugh Stop.

    3. DA

      The Laugh Stop. That's-

    4. JR

      That was the best.

    5. DA

      That's where I learned to be a headliner. That's what I always think.

    6. JR

      Yes.

    7. DA

      That was the club where I really got it together and I was like, "I can hold an hour," you know, right here.

    8. JR

      Yes.

    9. DA

      You know?

    10. JR

      I did my first CD there.

    11. DA

      Oh, you did?

    12. JR

      Yes.

    13. DA

      Well, there you go, man.

    14. JR

      Yeah, that place is magic. That place was magic. I, I heard that, that, that spot is still there, which I was like, "Jesus Christ." If that's the case, once we open up in Austin, I would love to open up a mothership in, in Houston.

    15. DA

      Oh, absolutely, man.

    16. JR

      If that place is still there, holy shit, that place is amazing.

    17. DA

      Yeah, it's always been like, uh, you know, what... Uh, I remember it was like me, Hedberg, and, uh, Patrice. Like-

    18. JR

      Mm-hmm.

    19. DA

      ... we would all, like, rotate through there.

    20. JR

      Yeah.

    21. DA

      And it was always like, if you ran into him, like, "Oh man, I was just, uh-"

    22. JR

      Yep.

    23. DA

      "... at the stop." It was like, "Oh, it must have been awesome." And you know, you'd be jealous, you know.

    24. JR

      Crazy ass Mark Babit ran a hell of a club.

    25. DA

      He really did.

    26. JR

      He really did.

    27. DA

      Visionary.

    28. JR

      Oh my God, he loved comedy. That's all it takes. Takes a crazy person that loves comedy who's willing to, like, go all out.

    29. DA

      When the, uh, owner of the club, you know, or the manager gets it, you know?

    30. JR

      Yes.

  3. 3:395:32

    Building a new comedy hub in Austin: community, locals, and open mics

    1. DA

      For sure. That's why your club... And you're real close now.

    2. JR

      Real close, yeah.

    3. DA

      Like, that's gonna... Honestly, that's a game changer, especially for this town and for, uh, you know, for all of us road people. You know, I'm a club guy. That's what I do.

    4. JR

      Yeah.

    5. DA

      I do clubs. So I can't wait to see it. I can't wait to get on that stage, if I may.

    6. JR

      You 100% will be one of the first people on that stage.

    7. DA

      (laughs)

    8. JR

      I'm gonna put up the bat signal.

    9. DA

      Oh, that would be awesome.

    10. JR

      I'll send you in. Uh, I, it's, uh, it's exciting to be able to do. It's exciting to be able to do it with no stress too, to be able to do it the right way.

    11. DA

      Right.

    12. JR

      And just have an, an amazing club set up for comics in the audience. And just make it, make it so that, like, we do our best at, in every corner.

    13. DA

      Uh-huh.

    14. JR

      Not fuck with people, appreciate 'em, treat 'em with respect... Uh-oh, the mic's falling apart.

    15. DA

      I'm good.

    16. JR

      Appreciate 'em, treat 'em with respect. Like, encourage people to, to work and give open mic nights and have-

    17. DA

      Yes.

    18. JR

      Yeah. Have things like that where you have plenty of, plenty of time, and Kill Tony and that kind of shit. You know, where you really encourage the community.

    19. DA

      Definitely. You gotta, um... You know, when the club also supports the locals, it's not just, like, for the headliners.

    20. JR

      Yeah.

    21. DA

      That's when you know it's like a real deal situation because, uh, you know, these local scenes... Like, I was just in Nashville. That, that scene is popping. Here, of course, it's outta control. And, uh, you know, it's getting the locals, you know, on stage in front of a big crowd, you know?

    22. JR

      Yeah.

    23. DA

      That's important.

    24. JR

      Getting them on stage in front of... Giving them those spots, like the Kill Tony spots. And I've had a few of those guys, like Hans Kim and William Montgomery and David Lucas who, you know, started in LA but he's out here now too-

    25. DA

      Right.

    26. JR

      ... doing those shows with, with us there too. They're, they're exploding.

    27. DA

      Well-

    28. JR

      And there's also a lot of room for other clubs too. There's a lot of room. There's so many comics here, man. Everybody who goes to these open mics out here, these guys who come, they go, "Dude, these kids are good." They're good in their writing and they're energized. It's like, it's an exciting time. And people are, like, really fired up about... And you see, like, a real clear path to being a professional, which was always weird for us.

    29. DA

      Right.

  4. 5:3210:09

    Starting out in the ‘no map’ era: bombing, day jobs, and old New York rooms

    1. JR

      Like, you remember the early days of open mic? There was no help.

    2. DA

      None.

    3. JR

      It was-

    4. DA

      I mean-

    5. JR

      ... strange.

    6. DA

      I don't know about you, like, your, your, uh, you know, I guess origin story. But like, I had a job for like the first five or six years of comedy and, like, I was such a bad comic that, like, I would sometimes go like, "Oh God, I can't wait to get back to my day job." (laughs)

    7. JR

      (laughs)

    8. DA

      "Oh man, I can't wait to eat a muffin at my desk." You know, it was like that kind of a thing.

    9. JR

      Ah (laughs) .

    10. DA

      So yeah, I know what these, these people go through and even though there's, like, all these platforming and all that stuff, it'll always be the same, like, you know, basically, uh, you know, whatever. I guess you could say the journey, the, uh, the...... has many roads, many twists and turns, so, you know.

    11. JR

      The journey does, but at least, uh, uh, this way, I think, there's a map of the landscape now.

    12. DA

      For sure.

    13. JR

      Whereas when we started, it was just you, you were hoping that someone would take you on the road, or you were hoping that you'd get a road gig. You didn't know, like, how to... And you're doing, like, five, 10-minute spots in the beginning.

    14. DA

      Mm-hmm.

    15. JR

      If you're lucky, you get 10 minutes, right?

    16. DA

      Yeah.

    17. JR

      So then someone says, "Can you do 20?" And you're like, "Yes." But you really can't, you know?

    18. DA

      Right, of course.

    19. JR

      It's like... (laughs)

    20. DA

      Yeah. (laughs)

    21. JR

      So it's like you're opening in a bar with, you know, at least 10 bullshit minutes.

    22. DA

      And when you're in a town like I, you know, started in New York, Long Island and all that stuff, there was, there was a lot of open mics.

    23. JR

      Yes.

    24. DA

      So I was lucky where you can go to one place, you know, like, bomb, and then skid mark your way over to the next one-

    25. JR

      Yeah.

    26. DA

      ... and, you know, like, suffer there, and then the next one. So you got, like, a whole, like, night of sadness, whereas some kids, it's like, you know, especially, uh, West Coast, l- it's like, "Oh, I got a spot, you know, one a week," and then they gotta live with that, that kind of, like, trauma for a whole week.

    27. JR

      It's better there now. It's better there now-

    28. DA

      Oh, it is?

    29. JR

      ... for the LA guys. The... You can actually develop in LA now. Um, but i- in the early 2000s and the '90s, it was real hard.

    30. DA

      For sure.

  5. 10:0913:28

    Writing, late-night work habits, and the fear of getting “used to not going out”

    1. DA

      Do you, uh, like, you know, you got a family and everything, do you still like having the time to go out every night and, like, you know, work on, work on an act? Like-

    2. JR

      Well, my kids are young, so they go to bed right around-

    3. DA

      Uh-huh.

    4. JR

      ... the time I'm leaving.

    5. DA

      Yeah.

    6. JR

      Which is nice. So, uh, I'll, like, I'm leaving, like, an hour before they go to bed.

    7. DA

      Okay.

    8. JR

      So it's... There's a benefit in that, and that was a st- at the Store, it was even better 'cause at the Store, most of my spots were after 10:00, so I was leaving, like, they were well asleep-

    9. DA

      Yeah.

    10. JR

      ... by I'm leaving the house. And it's, it's like I could come home too and write when no one's awake, which-

    11. DA

      Oh, that's good.

    12. JR

      ... for me is come home, spark up a little-

    13. DA

      Mm-hmm.

    14. JR

      ... sit in front of the computer, and just sit there, and just think when-

    15. DA

      Wow.

    16. JR

      ... everyone's asleep and the world's quiet. Like, that's my favorite time to write.

    17. DA

      You know, during the, uh, you know, when everything was shut down, you know?

    18. JR

      Yeah.

    19. DA

      Like, the scariest thing was, like, I miss being on the road, you know?

    20. JR

      Mm-hmm.

    21. DA

      I miss being out there, like, you know, headlining and all that stuff too, but what I really miss was, like, going to the Comedy Cellar in New York and going on and doing a spot, and whatever version of comedy they had, the outside, the behind the plexiglass, of course I did it. But then there were times when everything was shut, and I was like, "Uh-oh-"

    22. JR

      Yeah.

    23. DA

      "... I'm starting to get used to not going out," and I got really scared. It was like one of those, like-

    24. JR

      Yeah.

    25. DA

      ... where you're like, you know, "Maybe I don't need to go out anymore." You know?

    26. JR

      I was gonna do that-

    27. DA

      "I've been doing this a long time, I'm an old guy," you know?

    28. JR

      Ron White went through that.

    29. DA

      Did he?

    30. JR

      Yeah.

  6. 13:2816:06

    Crowds, ‘no sides,’ and navigating modern sensitivity in comedy

    1. DA

      I don't know if you've seen me lately.

    2. JR

      (laughs)

    3. DA

      I, uh, that's very kind of you. Yeah, no, I would say that I'm in that moment now where it's like my crowd is so good, like, uh, the people who have been, like, coming to see me for years now, like, they are so good all the different ways you want them. Like, they love jokes. There's no line for them, you know?

    4. JR

      Right.

    5. DA

      They don't want it, they don't want it dumbed down, they don't want it ne- They know I don't pick sides. And they know that it's, it's about the joke, and that I'm trying to bring them new material every time. And they drink and they tip hard and they're good to the staff, so what more can I ask for, you know?

    6. JR

      That's the best.

    7. DA

      I'm a lucky guy. I'm very lucky.

    8. JR

      The best.

    9. DA

      And anybody who works with me, they always say the same thing, they go, "Dave, your crowd is awesome." So ...

    10. JR

      That's beautiful.

    11. DA

      You know, it's a great compliment.

    12. JR

      Well, it's because you're doing all the right things. You're doing comedy just for comedy, you know? You're just having fun. And some of us d- that fell apart-

    13. DA

      Yeah.

    14. JR

      Some of us fell apart in this wonderful world of, like, what's okay to talk about, what's not okay to talk about, what's a joke and what's not acceptable. It's like, come on.

    15. DA

      It- it seems like you and I have both done the West, you know, West, East Coast kind of like, uh-

    16. JR

      Yeah.

    17. DA

      You, you do your r- your show on the road, and you're like, "There is no wrong." And then you hit, like, a, a showcase show, like New York or whatever. And I'm, I'm old. I mean, I'm 57 years old.

    18. JR

      Yeah.

    19. DA

      And I am so- I never try and be relevant, but irrelevant is the word. Like, they kind of go up there and it looks like I'm about to lead, like, a, a, a ghost hunting tour, you know?

    20. JR

      (laughs)

    21. DA

      They're like terrified. But like, the moans and the groans and all that kinda stuff, I'm kinda getting used to it, you know, the choppy sea as I call it, you know?

    22. JR

      Yeah.

    23. DA

      The, the little like whimpers and like, you know, cries of foul play. I mean, it's like, okay, that's, that's how you guys react? I gotta just deal with that. But it's nothing like them back in the day when you knew immediately when you were, uh ... (laughs) I mean, there's no, there's not a plate of chicken wings coming at you, you know?

    24. JR

      Right.

    25. DA

      It's like, I mean, you know, like let's take it for what it is.

    26. JR

      For us-

    27. DA

      Yeah.

    28. JR

      ... for r- d- people who have done, uh, those prom shows at Dangerfield's.

    29. DA

      Yeah. Well, that's the thing. It's like, you know, the, the reaction, the reaction is, is different, you know? But I would say the, and this probably scares you too, is the cold silence of a young crowd. (laughs) You know?

    30. JR

      Yeah.

  7. 16:0619:16

    Checking jokes, accidental premise overlap, and the new ‘superfan’ archive

    1. DA

      I, I, I know what you're talking about. And like I, I'm always like, you know, it's the joke. And like I really, you know, put a lot of time into material, so like, uh, anybody who knows me is like, I check a joke. I wanna make sure that like, um, I'm doing it, you know, it's my joke.

    2. JR

      You've called me several times.

    3. DA

      Yeah, I have, right.

    4. JR

      Several times saying-

    5. DA

      That's a weird call, isn't it?

    6. JR

      No, it's a good call. It's a good call because it's a call from an artist, you know? You're like, "Hey, this seemed like it came to me too easy. Have you heard this?"

    7. DA

      But uh, but that, but my friends, uh, you know, I include you in this group, always go like, you know, your calls are almost cryptic. Like ...

    8. JR

      (laughs)

    9. DA

      Do you say-

    10. JR

      I take those calls.

    11. DA

      (laughs) Do you say antelope in a, in a joke?

    12. JR

      (laughs)

    13. DA

      Do you have a joke that ends with Froot Loops? I'm like, uh, you know, what- who is this? You know, that kind of thing.

    14. JR

      It's so funny because Santino called me up the other day in a frenzy. He's like, "I- do you have a joke on this? I feel like you have a joke on this. I had a nightmare that you had a joke on this in one of your old specials." I go, "Nope, definitely don't."

    15. DA

      Right.

    16. JR

      I definitely don't. If I do, I forgot it, so ... (laughs)

    17. DA

      And then, and it-

    18. JR

      It's fair play.

    19. DA

      Luckily there's all these super fans now where like-

    20. JR

      Yeah.

    21. DA

      They start quoting-

    22. JR

      They'll find you.

    23. DA

      ... your old material after.

    24. JR

      Yeah.

    25. DA

      I'm like, "Who is that guy? Oh, that's me."

    26. JR

      Yeah.

    27. DA

      Oh, I forgot. (laughs)

    28. JR

      I know what someone will bring up a joke and I don't even know how it goes.

    29. DA

      Mm-hmm.

    30. JR

      'Cause I, I have to abandon them. We all have to aba- do you smoke cigars?

  8. 19:1624:48

    Gilbert Gottfried memories and the strange economics of Cameo

    1. DA

      You gotta give a lot of yourself for that. I'm not really like a, um, a, you know, like... I, I have trouble talking about myself. And I like talking about comedy, and like, uh, you know, we were talking about this outside in the hall about, like, uh, there's a lot of dead, uh, friends of ours, you know, out there and stuff like that. And, you know, if I could bring one up, would be cool. Uh, Gilbert, you know?

    2. JR

      Yeah.

    3. DA

      Who I was there when he went down, you know. Uh, Jeff Ross and I were both really close friends with the family and Gilbert, and, uh, we had both been there, like, day of. And, uh, I was there in the morning when he went down, and I was thinking, like, you know, here's a guy who generationally, like, for, since the '80s, you know?

    4. JR

      Yeah.

    5. DA

      Has been famous, infamous, famous, all that kinda stuff. And we all knew him in the comedy world, like what he was about, or at least I did.

    6. JR

      Yeah.

    7. DA

      You know, I was always a huge fan of his. He always made me laugh, always made me laugh. And it's great when you get a guy that you know and he makes you laugh. And, uh, I was like, you know... Social media for him was easy. Like, he loved it. He loved Cameo.

    8. JR

      Yeah. (laughs)

    9. DA

      He was, like, the biggest Cameo guy in the world. Like, he's-

    10. JR

      Yeah. Happy birthday.

    11. DA

      Yeah.

    12. JR

      (laughs)

    13. DA

      You cocksucker. I hope your anniversary... You know, like-

    14. JR

      Yeah.

    15. DA

      ... just these, these, like a, like a troll-

    16. JR

      Yeah, yeah.

    17. DA

      ... sending out, you know, like, riddles.

    18. JR

      Yeah.

    19. DA

      But, but like, he loved it, he loved it. And it's like, it's amazing how, like, you know, here's a guy, he's older than me, but he somehow took to it, and it worked for him, you know?

    20. JR

      It just naturally fit his personality.

    21. DA

      For sure.

    22. JR

      He was a funny fucking dude, man.

    23. DA

      He-

    24. JR

      I was so happy to get him in here and get a chance to talk to him, and, you know. 'Cause I never really had that much time talking to him. It was just like saying hi at a club here or there. But to sit down... That's the thing about, like, a podcast that's different than any other kinda conversation, you get to really know someone over hours and hours of time just shooting the shit about stuff.

    25. DA

      True.

    26. JR

      It's like, how often do we get a chance to do... Like, some of the best conversations I've ever had with my friends have been public.

    27. DA

      Everything has... Ev- we're all different places, different times.

    28. JR

      Yeah.

    29. DA

      All that kinda stuff. But with Gilbert, I was gonna say that, you know, here's a guy who, like, when I would go, "Hey, you're in town. Come down to the Comedy Cellar and do a set, or I'll bring you on stage and we'll, like, do, like, a little something." You know?

    30. JR

      Yeah.

  9. 24:4833:50

    Nature is a horror movie: crocs with bodies, rats with plague, and urban wildlife

    1. JR

      Jamie, did I show you the video of the crocodile that's swimming with a body in its mouth, a human body in its mouth? Did I send that to you? This one's rough. Um, I, someone sent, sent this to me on Instagram. Um, it's a, uh, crocodile, and it's swimming up to this boat, and it sounds like they're from Australia or South Africa. It's hard to tell, but, uh, they're, 'cause I don't, I'm not good at accents.

    2. DA

      (laughs)

    3. JR

      But they're, um, they're trying to, uh, figure out what it is, and then they realize it's a human.

    4. DA

      Oh, no.

    5. JR

      Oh, dude, it's rough. It's rough. I'm gonna try to find that.

    6. DA

      Okay, this is the kinda stuff...

    7. GF

      You think this is it?

    8. JR

      Uh, it-

    9. GF

      I'm waiting for the video to load, but-

    10. JR

      Could be it.

    11. GF

      ... it's not.

    12. JR

      Could be it.

    13. DA

      Yeah, that's a crocodile, right?

    14. GF

      Oh, there it is, down there. No, that's not it.

    15. JR

      No, that's not it.

    16. DA

      That looks-

    17. GF

      Yeah, I think, I think they're just showing croc videos.

    18. JR

      They're not gonna show the video?

    19. GF

      I don't think so. Let's see. Maybe.

    20. DA

      This guy's fighting him off with his-

    21. GF

      This guy just took a video-

    22. JR

      I have-

    23. GF

      ... and posted on Twitter. You want it?

    24. JR

      I guarantee you I have it in here. If you just-

    25. GF

      Wow.

    26. JR

      ... give me one second, I'll find it.

    27. GF

      Extremely graphic footage. Here, this?

    28. JR

      Is this it? No, that's another one.

    29. GF

      Oh, no.

    30. JR

      That's another one with a body on-

  10. 33:5045:49

    Dog stories and the detour into the ‘Russian werewolf dog’ (Caucasian Shepherd)

    1. DA

      I loved when I went to your old house out in, uh, in LA, right? The dogs you had, those big, big dogs.

    2. JR

      Which ones, the pit bulls?

    3. DA

      The ones that were outside-

    4. JR

      Was it the pit bulls or the, um, or was it the, um, the mastiff that I had?

    5. DA

      The, the mastiff, yeah.

    6. JR

      Yeah, the mastiff was a sweetie.

    7. DA

      Yeah.

    8. JR

      He was the best. That was Johnny Cash.

    9. DA

      Man.

    10. JR

      He was so sweet.

    11. DA

      I love that dog.

    12. JR

      He was so sweet. Those dogs, man. The big dogs, when they get older, it's rough on them, man.

    13. DA

      Yeah.

    14. JR

      It's, I used to have to carry him to take him to the bathroom. Like he would, he couldn't walk anymore.

    15. DA

      How, how, how long did he, uh-

    16. JR

      He lived to be 13, which is old-

    17. DA

      That's, that's amazing, yeah.

    18. JR

      ... for a really big dog.

    19. DA

      That's amazing.

    20. JR

      But it's so sad, man.

    21. DA

      Yeah.

    22. JR

      You have them from the time they're a puppy-

    23. DA

      Mm-hmm.

    24. JR

      ... and then all of a sudden they're 13 and they can't walk. And like, "You're just a little boy." Like, "You're, you're my little buddy and you're 13." So I used to... He was like 140 pounds. I used to have to carry him outside.

    25. DA

      Wow.

    26. JR

      I used to have to pick him up, take him outside to go to the bathroom.

    27. DA

      Yeah. But you gave him a great life though. I mean, what an awesome setup you had for him.

    28. JR

      Well, it was a good yard.

    29. DA

      Yeah.

    30. JR

      He was, he was a smart dog too. He was the one that... But he got honey potted into killing the chickens-

  11. 45:4950:18

    Road life, late sets at the Cellar, and learning from killers like Richard Jeni

    1. DA

      Well, you know, being on the road, I can't have a dog, so I have to kinda live-

    2. JR

      Yeah.

    3. DA

      ... vicariously through you guys with your dogs.

    4. JR

      How often are you on the road? How many, uh, days a week?

    5. DA

      I'd say, ugh, I kinda stepped it up. You know, I got a lot of bills, so I've been stepping it up by trying to do like at least two to three week- weeks on the road, like of, you know, full til four to fi- four days, you know? And, uh-

    6. JR

      Every month?

    7. DA

      Yeah.

    8. JR

      Wow.

    9. DA

      And, uh, you know, like we were talking earlier, like the comedy boom is there. There's definitely like, like, uh, Cap City added a show, late show on a Sunday. Who would do that?

    10. JR

      Oh, that's amazing.

    11. DA

      Why not, you know?

    12. JR

      Why not? Fuck yeah.

    13. DA

      And, uh, everywhere I go, like, you know, it's like, "Oh, c- cool. We're close to Seoul. Let's add a show." You know, I'm like-

    14. JR

      Beautiful.

    15. DA

      ... "I'm up for it. I'm already there, you know. Why not?" What else am I gonna do?

    16. JR

      Boy, your machine gets greased when you're doing that many shows too?

    17. DA

      Yeah. But towards the end of the week, it does become this whole like-

    18. JR

      (laughs)

    19. DA

      ... 'cause I know people are coming to see multiple shows. So I'm always trying to mix it up for them.

    20. JR

      Right, right.

    21. DA

      And sometimes that falls apart on me. It's like a fucking ǀɹr, you know?

    22. JR

      Yeah, but people that are coming to see multiple shows appreciate that too, that you're out there-

    23. DA

      I guess so.

    24. JR

      ... fucking around. And-

    25. DA

      Yeah.

    26. JR

      ... you know? I mean, that's half the fun for, for real comedy nerds, is to watch a guy like start a bit, and (laughs) then you see where-

    27. DA

      It crash?

    28. JR

      ... that bit becomes in six months.

    29. DA

      (laughs) Oh, that's true.

    30. JR

      I mean, how many, how many bits did you start out with a, in the first couple times you did 'em, they were like, you know, like, "Ugh. Might have to abandon this one"?

  12. 50:181:14:13

    Comedy artifacts: albums, vinyl, bootlegs, merch kings, and pandemic-era innovation

    1. DA

      Uh, the whole idea of the album now is so different than it was back in the day of like, you know, this is my album-

    2. JR

      Yeah.

    3. DA

      ... because it's all at the show and all that kinda stuff, so yeah. I think-

    4. JR

      Physical copies of things.

    5. DA

      I still feel like that's the best way, even though like, that's what I grew up on, like, listening to Carlin, you know, and all that.

    6. JR

      Well, Skanks For The Memories was a masterpiece.

    7. DA

      I don't... I-

    8. JR

      Skanks For The Memories is a a all-time classic comedy album. I know you fucking hate compliments. (laughs)

    9. DA

      No, but I, I, I really don't... wouldn't even put it in like-

    10. JR

      It's very funny.

    11. DA

      A lot of people come up to me and they ask me about it and all that kinda stuff, but I, I, I do know that like... I haven't put out a lot of stuff, but that was one of the things that definitely did click with the comedy audience and-

    12. JR

      It was fun.

    13. DA

      You guys have always been pretty cool with me about that too, but do you feel like, um, vinyl is like the future or the past or... 'cause there's a lot of vinyl talk out there.

    14. JR

      Well, the vinyl talk is fun 'cause it's like someone who's an actual enthusiast, who wants to sit down with a physical copy of something.

    15. DA

      Mm-hmm.

    16. JR

      And it's so much better than owning a CD, right? 'Cause if they're both obsolete, which they kinda are-

    17. DA

      Yeah.

    18. JR

      The thing about vinyl over a CD is you get a dope cover.

    19. DA

      Yeah.

    20. JR

      That was always the thing, like Kiss-

    21. DA

      Yeah.

    22. JR

      ... Alive 2, you know-

    23. DA

      (laughs)

    24. JR

      ... where they're on the cover like, "Fucking yeah." You remember that? Double platinum was all silver. This is wild. Pictures inside. You would roll joints using the album. That's how people would roll joints.

    25. DA

      When I would go to Tower Records, you know, and like, uh... they would have like the comedy section, it was always like the Steve Martin-

    26. JR

      Yes.

    27. DA

      And, uh, you know, Richard Pryor, of course.

    28. JR

      Yes.

    29. DA

      But then there was like all the weird stuff, Dr. Demento and all this like-

    30. JR

      Yes.

Episode duration: 2:36:44

Install uListen for AI-powered chat & search across the full episode — Get Full Transcript

Transcript of episode 9RMe7IFjNEk

Get more out of YouTube videos.

High quality summaries for YouTube videos. Accurate transcripts to search & find moments. Powered by ChatGPT & Claude AI.