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The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #1929 - Louis CK

Louis C.K. is a stand-up comedian, writer, actor, and filmmaker. Catch "Louis C.K.: Back to the Garden," an exclusive livestream event, on January 28 at www.louisck.com. www.louisck.com

Louis C.K.guestJoe Roganhost
Jun 27, 20242h 56mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:001:53

    Studio warm-up: Beeple art, aging eyes, and UFC eye injuries

    1. NA

      (drumbeats) Joe Rogan podcast, check it out. The Joe Rogan Experience.

    2. LC

      Train by day, Joe Rogan podcast by night, all day. (instrumental music plays) Wow, it's a fucking machine.

    3. JR

      I never thought about sh- ... Yeah, there's a lot of shit going on over there.

    4. LC

      That thing in the fr- is weird.

    5. JR

      (laughs) What, this thing right here?

    6. LC

      What is that?

    7. JR

      Oh, that's a piece of art. That's, um, uh, th- that comes from, um-

    8. LC

      Beeple.

    9. JR

      Beeple. Bee- B- beeplecrap on, uh, Instagram. Beeple is a, a digital artist.

    10. LC

      Uh-huh.

    11. JR

      He puts up a new piece of digital art every day.

    12. LC

      Oh, cool.

    13. JR

      And he came in to do the podcast and he gave us this thing. That's, that's, uh, Elon Musk-

    14. LC

      (laughs)

    15. JR

      ... if he was jacked, like once genetic engineering comes along.

    16. LC

      I'm just gonna grab a paper towel for when I take my glasses-

    17. JR

      Oh, okay.

    18. LC

      ... because they're stupid. Oh, you know what, this is better. Okay, so oh, I didn't... Oh, sorry about that.

    19. JR

      Glasses are brutal.

    20. LC

      Yeah, it's a big pain in the ass. Yeah.

    21. JR

      I wear reading glasses when I try to, like, look at my phone in the morning and I'm like, "Jesus fucking Christ." Every day, I'm going a little blinder.

    22. LC

      Yes, you are.

    23. JR

      Every day, just like ...

    24. LC

      That's just the way it goes.

    25. JR

      Yeah.

    26. LC

      I mean, they're just such intricate little machines and they're organic, so they just start to soften on you, you know? Just the way it goes.

    27. JR

      I had a guy in the other day, Belal Muhammad, he's a UFC fighter who's had a, a detached retina and a detached, uh, lens on his other eye.

    28. LC

      Oh, no.

    29. JR

      On both eyes. It's like, you're talking to people like that and the game they're playing is, you know, you're punching-

    30. LC

      Mm-hmm.

  2. 1:534:18

    Fighters vs. comedians: nerves before the bell (or the spotlight)

    1. LC

      Yeah, it must be those guys retire so young-

    2. JR

      Yeah.

    3. LC

      ... and then what's left are huge expanse of life ahead of you.

    4. JR

      Not just that. It's like the things that you've looked forward to are these enormous events-

    5. LC

      Yeah.

    6. JR

      ... where you're in your underwear and you're walking out in front of this gigantic group of people that's there to watch-

    7. LC

      Yeah.

    8. JR

      ... you slam your fists into someone's face.

    9. LC

      Well, and you've worked up to it, too.

    10. JR

      Yeah.

    11. LC

      All of the training and the getting ready, the challenging someone-

    12. JR

      Yeah.

    13. LC

      ... the setting the fight and the where it is in your career and who, you know, are you ch-

    14. JR

      Yeah.

    15. LC

      Are you challenging? Are you, are you defending? And th- so it's like a year, right? A fight's like a year of your life.

    16. JR

      Yep.

    17. LC

      I mean, in boxing. UFC, they fight more often, right, I guess? I don't know.

    18. JR

      Depends. Depends on the fighter, depends on-

    19. LC

      Yeah.

    20. JR

      ... you know, what stage they are in their career.

    21. LC

      Yeah.

    22. JR

      Yeah, but the guys like to fight more often just to stay comfortable.

    23. LC

      Right.

    24. JR

      Because otherwise, the, the moment's so big-

    25. LC

      Yes.

    26. JR

      ... like when you have more fights, like, you can relax and you just can kinda-

    27. LC

      Yeah, it's more ... No, I remember Ali describing ... Somebody asked him, does he get nervous? He's a g- he was a great guy because he wasn't a bullshitter. Like he bullshitted-

    28. JR

      Right.

    29. LC

      ... when it was time to sell the fight. But whenever e- anybody asked him things like that, he was honest and-

    30. JR

      Yeah.

  3. 4:185:25

    Perspective and burnout: taking time off to live a fuller life

    1. LC

      Yes. That's what I've tried to do in the last few years and, um, this, I'm at about the end of this tour and then I'm, I'm gonna take a year off, I think. 'Cause-

    2. JR

      100% off?

    3. LC

      Yeah, no, no stage anywhere.

    4. JR

      Really? That's great.

    5. LC

      That's the plan, yeah.

    6. JR

      I think that there's a, like I said, there's a balance between performing a lot and perspective.

    7. LC

      Mm-hmm.

    8. JR

      Like and one of the things that happens to guys when they perform too much-

    9. LC

      Mm-hmm.

    10. JR

      ... is that they talk about things that are related to their life as a traveling comedian.

    11. LC

      Mm-hmm.

    12. JR

      It's all tr- air travel and flights and hotels and restaurants and, and so much of their material revolves around this very narrow window of existence.

    13. LC

      Yes, that's true, and, but also, you put all this pressure on performance, uh, that it's gotta fix all your life.

    14. JR

      Hmm.

    15. LC

      And it's not going to.

    16. JR

      Right.

    17. LC

      But if you live a fuller life, then, then comedy has the place it should, which is like, it's a weird thing to do. It should-

    18. JR

      Yeah.

    19. LC

      ... always be weird and it should always be like, "Man, I can't believe I'm doing this."

    20. JR

      Yeah.

    21. LC

      And if your life is normal, then comedy's a gas, it's a, it's a jolt. And inside of it, you d- you know, for me, you do wor- you're working in there and there's routine and there's, you know?

    22. JR

      Yeah.

    23. LC

      Uh, but it should stay special, you know? So ...

  4. 5:257:54

    Madison Square Garden return: in-the-round costs and livestream strategy

    1. JR

      Well, you're at, you're at a point right now, like you're ready to do this special, which is, uh, the, this thing that you're gonna f- livestream-

    2. LC

      Yeah.

    3. JR

      ... in Madison Square Garden-

    4. LC

      Yes.

    5. JR

      ... which is fucking super exciting. I love it.

    6. LC

      That's s- Yeah, thanks. January 28th, it's my ... And I'm going back to the Garden. I used to play there all the time, haven't played there in a number of years and I didn't know they ever had a comeback.

    7. JR

      Look at that.

    8. LC

      There it is, yeah.

    9. JR

      Whoo.

    10. LC

      And so we put the sale, Joe on Sale. I remember I g- I wrote to you because I d- I wanted to do it in the round.

    11. JR

      Yeah.

    12. LC

      I never did it that way. And, uh, so I asked you if it was good. You said it was really fun that way.

    13. JR

      It's so fun.

    14. LC

      Uh, and then I found out that it costs twice as much because you got to light from two sides.

    15. JR

      Yeah.

    16. LC

      And also you need four ... You need to be able to see the guy from four angles.... so you need more cameras.

    17. JR

      Right.

    18. LC

      And then we sold the thing out, like we sold 10,000 tickets on the first day. It's n- it's sold out now, it's 18,000 seats. It's the most people I've e- I'll ever have... Well, I mean, I'm doing this 38 years, that'll be the biggest audience I ever played for. And so, it cost so much money though to put the cameras in there-

    19. JR

      Yeah.

    20. LC

      ... for the jumbotron, and then I thought just fl- let's livestream it 'cause it, it's actually only costing a little bit m- you know, there's not that much more because we already have all the shit in there.

    21. JR

      Right, right.

    22. LC

      So, yeah, so we're gonna livestream it, yeah, and on my website. You just go and you p- it's like 25 bucks and-

    23. JR

      That's awesome.

    24. LC

      ... we'll keep it up there. It's a live event. It's not a special so much, it's a live event. So, it's all new material since my last special and it'll be, um, up 'til the 17th, I think, of February, then we take it down and then it'll go away. And then in April, I'll put out a special of the same material that I already shot-

    25. JR

      Oh.

    26. LC

      ... at the, at the Dolby Theater in LA, I shot a special there.

    27. JR

      Oh, really?

    28. LC

      Yeah.

    29. JR

      When'd you shoot that?

    30. LC

      Uh, earlier this month.

  5. 7:549:11

    Comedy’s moment: pushback against “woke” constraints and why crowds crave it

    1. JR

      I'm excited for comedy right now.

    2. LC

      Yeah, comedy is getting-

    3. JR

      It's amazing.

    4. LC

      ... picking up steam again, yeah.

    5. JR

      Well, it's also, it's like people are really longing for it because there's so much political correct-

    6. LC

      Yeah.

    7. JR

      ... bullshit, this woke bullshit-

    8. LC

      Mm-hmm.

    9. JR

      ... what you can and can't say in so many people-

    10. LC

      Mm-hmm.

    11. JR

      ... feel upset about it and that, like, they don't know what to say 'cause they can't talk at work or they get fired.

    12. LC

      Mm-hmm.

    13. JR

      They can't talk amongst their community or they get shamed.

    14. LC

      Mm-hmm.

    15. JR

      And they don't... They like, "Ugh."

    16. LC

      Yeah.

    17. JR

      And then you go see someone talk on stage, you're like, "Yeah!"

    18. LC

      Yes.

    19. JR

      "Fuck yeah."

    20. LC

      And that's what comedy always was.

    21. JR

      Yeah.

    22. LC

      It's always been that.

    23. JR

      Yeah.

    24. LC

      And it's, to me, everything that's happened has been natural. It's like normal that comedy has to d- be defended every few years.

    25. JR

      Yeah.

    26. LC

      Like when th- when everybody's being cool, like when the world is kinda cool like it was up 'til maybe 2015 or so, like it's just kinda cool, comedy is cool and every, you know. But then when things get shitty in, in terms of this sort of thing, people being more divided and unable to uh, um, express themselves, comedy gets more important but also starts getting attacked.

    27. JR

      Mm-hmm.

    28. LC

      And we have to defend it, that's all.

    29. JR

      Yeah.

    30. LC

      I mean, by just doing it, that's all. I don't, I don't get into defending it by saying, "Fuck these people." It just means you have to keep doing it at the same discipline.

  6. 9:1113:35

    Offense as craft: testing edgy bits and learning what audiences actually resist

    1. JR

      Well, that's one of the things I really loved about your last special. It was like 100% a Louis C.K. special. There wasn't... You didn't back off of anything.

    2. LC

      No.

    3. JR

      Like that whole thing that you d- you did, uh, uh, at the end, the, the, the faggot thing was-

    4. LC

      Yeah.

    5. JR

      ... so funny, man.

    6. LC

      Yeah, yeah, yeah.

    7. JR

      It's so funny. It's such a good bit.

    8. LC

      Yeah. That's-

    9. JR

      It's-

    10. LC

      ... s- new... Today's straight men are fagots, yeah.

    11. JR

      Yes, it's so funny. It's so good-

    12. LC

      Oh, thanks, man.

    13. JR

      ... 'cause it's so like, "Ah!"

    14. LC

      Yeah.

    15. JR

      "He's going there." You know? But it was-

    16. LC

      Well, I saw-

    17. JR

      ... really well thought out.

    18. LC

      My audiences are really diverse. I, I mean, in terms of like, I get young people and some kind of like progressive-looking people. I get men and women and in all races. Mostly white, but you know, some cities I get more. But, uh, but I tested it in front of so many people, that bit.

    19. JR

      Yeah.

    20. LC

      And they... Every kinda person laughed at it. Every... The only people that got offended by it were people like in the South or more kind of like red state people, because when I said, "Straight men are faggots-"

    21. JR

      (laughs)

    22. LC

      ... I'm talking about, you know, Brooklyn twinks and whatever.

    23. JR

      Right, right, right. They don't know those people.

    24. LC

      But they, but they think I'm talking about them. "Hey, man."

    25. JR

      "Hey, man."

    26. LC

      "What are you callin' me..." You know.

    27. JR

      (laughs)

    28. LC

      So they didn't, they missed it. I thought I would be offending progressive young kids, but they're, they... For them it was a relief because it's th- about them-

    29. JR

      Right.

    30. LC

      ... and they feel that way. In real life people like being laughed at. They like their community to... Like when you do good jokes about Black people, not like white perspective about being alienated from them, but if you do a good joke about Black culture or Chinese culture or Jewish culture, the people in those groups laugh 'cause they're in the show and they-

  7. 13:3518:56

    The audience as instrument: Patrice’s rule and Louis’s Houston Improv story

    1. LC

      ... I like, I like... The other thing is that this time was good for comedy, the time of people getting their assholes a little tighter. Because, like, I was listening to Patrice last night with my opener, a- um, Ariel, I just, three names for some reason, fucking Ariel Isaac Norman. She was, w- we-

    2. JR

      Yeah.

    3. LC

      ... worked together in New Orleans. We, we did a show in Mobile and we drove through New Orleans. And I was playing for her, Patrice's album, Mr. P. And, uh... Patrice O'Neal. And he does a couple bits and he says to the crowd, "You guys are laughing, that's good. But you're not all laughing, and that's good. I don't want you all to laugh."

    4. JR

      (laughs)

    5. LC

      If everybody's laughing, it's not funny. You need somebody in here going like, "That's not..."

    6. JR

      (laughs)

    7. LC

      "That's not okay." And I believe that, like that's, it-

    8. JR

      Yeah.

    9. LC

      ... it actually makes comedy better if it has an adverse... If you have pushback. Because... A- a- and the thing, the problem that c- some comedians have is they get hurt, they get their feelings hurt. If someone doesn't like the joke, they feel that it's, "Oh, you don't like me?" And then they back away from anything that makes them feel like that.

    10. JR

      Yeah.

    11. LC

      But if you can be like, "Here's a terrible thing."

    12. JR

      (laughs)

    13. LC

      And then, and the audience goes like, "Ugh." And you just hear, you don't get emotionally involved.

    14. JR

      Yeah.

    15. LC

      You hear the ugh and you go, "Okay, I can either go around it or I can go into it. We can go further into this." There's some, there's potential in that horrible feeling for another laugh past it that they've, they've never experienced.

    16. JR

      Right.

    17. LC

      'Cause usually when an audience shows, "I don't wanna hear that," people back away. But if you stay with it, they go, "I'm still talking about it."

    18. JR

      (laughs)

    19. LC

      "I'm still talking. I'm still your friend." It's like, I'm not going, "Fuck you, people."

    20. JR

      Right.

    21. LC

      You know, that thing? That's another cop-out.

    22. JR

      Right.

    23. LC

      "Fuck you, you pussies." You just go, "Okay, you didn't like it? Well, here's a little more about it." And they're just sitting there...

    24. JR

      Yeah. (laughs)

    25. LC

      And if you get them like that and then you can... I remember once I was in Houston and there was, uh, uh, the Houston Improv. And there's, it's pretty much a Black club. Like, it's mostly Black comedians go there. And the clientele for the Houston Improv is mostly Black people, Texas Black people. And so I went and did a weekend there. And it was a lot of my fans, but it was a lot of folks that just come to the Improv. So they, I could see in their faces that they don't know me. And there was this one table of people, they were dressed like it's Easter. Like, beautiful clothes, you know? And this woman, in like a, like a robin's egg dress and just beautiful makeup, this Black woman. I was doing this bit about pedophiles, one of the-

    26. JR

      Mm-hmm.

    27. LC

      ... many pedophile bits.

    28. JR

      (laughs)

    29. LC

      I don't remember which one. It was the thing about that they should make doll, very realistic dolls of children for, for pedophiles to fuck.

    30. JR

      (laughs)

  8. 18:5625:05

    Drop-ins and culture shock: Australia, Perth’s mining world, and cities changing fast

    1. LC

      Yeah.

    2. JR

      ... that's, that's fine too. I mean, there's a great audience for that too. The, uh, I think one of the unique things that y- you've always liked to do is you like to go to clubs unannounced, so they don't know you're going to be there, they're not your fans necessarily-

    3. LC

      Right.

    4. JR

      ... they're just people, and then you, you just drop in and try stuff out.

    5. LC

      Yeah, that's the most honest thing, you know? I mean, there is the, uh, it's a, uh, thinking of some analogy where if you turn up all the dials, it all becomes zero again.

    6. JR

      Mm-hmm.

    7. LC

      So if you're doing your audience, there's also a huge amount of pressure. They're paying more money-

    8. JR

      Mm-hmm.

    9. LC

      ... and they've been waiting, so-

    10. JR

      Yeah.

    11. LC

      ... they're, you feel this thing of like, "This has gotta be good." The pressure's really high for those shows. There's support, but those are your customers.

    12. JR

      Yes.

    13. LC

      So they're just like, "Let's go."

    14. JR

      Yeah.

    15. LC

      But when you just walk in, I mean, a lot of times if I walk in a place, they know who I am, but there's enough in the audience, they didn't come to see me, and there's enough in the audience that's just, I can get a honest sense of how this material works. Um, there's some place in Australia, there's a club in Melbourne, and I've done it twice, 20 years apart. And both times, nobody had any idea who I was. Like, the, uh, the emcee did, he's a comic, so he was like, he said a lot of really nice things, and he said, "This guy, what a, what a treat."

    16. JR

      (laughs)

    17. LC

      And he brings me on and the crowd's like... And they're just, and I could see them going like this to each other.

    18. JR

      (laughs)

    19. LC

      And I'm doing material that has been killing in large concert venues, and they just don't give a fuck. Like then y- then I found out what's actually, you know, means something to anybody.

    20. JR

      Mm.

    21. LC

      Um, so it's-

    22. JR

      Well, it's different culturally too, like they, they'll laugh at things over there that we don't laugh at.

    23. LC

      Australia, do you find that?

    24. JR

      Yeah, yeah.

    25. LC

      Yeah? I didn't notice that much.

    26. JR

      Yeah, Au- Australia's a fascinating place. They're-

    27. LC

      It is.

    28. JR

      ... they're wild people. They're like, uh, they're very similar to Americans, but not-

    29. LC

      But, but not at all.

    30. JR

      ... cool. (laughs)

  9. 25:0529:06

    9/11 from nearby: Louis’s personal timeline and the post-attack travel atmosphere

    1. JR

      Were you living in-

    2. LC

      Just killed.

    3. JR

      ... New York City when that happened?

    4. LC

      Yeah, I was. I was i- not in the city. The day before, on the 10th, I flew to LA to pitch a sh- fucking TV show.

    5. JR

      Wow.

    6. LC

      And my wife was pregnant, and we were living in Greenpoint, Brooklyn, which was right... I mean, that... You come out of our house, the towers were our view right out the door.

    7. JR

      Mm.

    8. LC

      And so she was there six months pregnant and whamo. And, uh, she called me. It was like 9:00 in the morning in LA, at- at- at- or, or earlier. I guess it was like 6:00. And she called me, and she was just bawling. And I was like, "What's wrong?" And she couldn't say anything. And I was like, "What the fuck is going on?" Partly I'm like, "Am I in trouble?" Like... (laughs)

    9. JR

      (laughs)

    10. LC

      And then she says, "Turn on the TV," and I saw these, the towers on fire. And I was like, "Oh, okay." (laughs)

    11. JR

      (laughs)

    12. LC

      It's not... It's nothing to do with-

    13. JR

      (laughs)

    14. LC

      ... with home. This is a big... It's a world-

    15. JR

      (laughs) .

    16. LC

      World problem, not a me problem.

    17. JR

      Woo.

    18. LC

      I'm pretty sure that's not my fault.

    19. JR

      No.

    20. LC

      No. Anyway, she was, uh... She handled... Actually, she handled it really well. Uh, Todd Barry, uh, you know who Todd is, right?

    21. JR

      Yeah.

    22. LC

      He, uh, uh, called her... She's the one who told him, like, what had hap-... He c- woke up not understanding what was happening, and he was really scared and called my ex-wife, and she calmed him, calmed him down. She's a good, she's a good person. Um, but anyway, yes, and then w-... And I was like, "Get out of this." I just panicked cu- living in Manhattan, I... 'Cause I grew up with movies like, uh, Warriors-

    23. JR

      Mm.

    24. LC

      ... and with memories like the blackouts, and I wasn't even there for the blackouts, but there was all these blackouts where pe- everybody got killed. And there was a lot of movies about, like, New York City is shut down, and everybody... And, you know, the wolves come out.

    25. JR

      Yeah.

    26. LC

      So I thought... As soon as it happened, I told her, "Get out of Manhattan." There's just gonna be people throwing TV sets through windows in, like, five minutes. I just believed it.

    27. JR

      I Am Legend.

    28. LC

      Yes.

    29. JR

      Yeah.

    30. LC

      That kind of thing.

  10. 29:0633:23

    Everyday aggression: plane conflicts, entitlement, and public-space cruelty

    1. JR

      Yeah, I got asked once by a lady. These two guys were fighting, and they were thinking about removing the guys from the plane 'cause one guy had put his bag above this other guy's seat.

    2. LC

      Uh-huh.

    3. JR

      And the other guy goes, "Hey, man, that's for my seat." And he's like, "No, it's first come, first serve."

    4. LC

      Yeah.

    5. JR

      He's like, "No, fuck you."

    6. LC

      Mm-hmm.

    7. JR

      And then they were like, "Fuck you." "No, fuck you." And then-

    8. LC

      Mm-hmm.

    9. JR

      ... the lady ca-... Had to come in and go, "Hey, hey," like, "I will fucking kick both of you guys off the plane."

    10. LC

      Yeah. This is before you took off?

    11. JR

      (clears throat) Before we took off. She goes, "Do we have an understanding?" And they go, "Yeah." And then she comes to me and she goes, "Hey, if anything goes down, you're gonna help, right?"

    12. LC

      (laughs) She deputized you?

    13. JR

      Yeah, she deputized me.

    14. LC

      (laughs)

    15. JR

      I'm like, "Okay."

    16. LC

      I mean-

    17. JR

      "What do you want me to do?" (laughs)

    18. LC

      Yeah. Yeah, like, "What am I allowed to do?"

    19. JR

      What are the official-

    20. LC

      But yeah.

    21. JR

      Yeah.

    22. LC

      What are my... What are... What's my directive?

    23. JR

      Yeah.

    24. LC

      What are my... What are my orders?

    25. JR

      If I go back there and smash some guy, am I in trouble?

    26. LC

      (laughs)

    27. JR

      Like, what, what happens?

    28. LC

      Yeah.

    29. JR

      What am I allowed to do?

    30. LC

      Yes. You were directed by a company employee, and she has, like, federal power.

  11. 33:2348:00

    Newton, MA adolescence: fights, intimidation games, and latchkey childhoods

    1. LC

      I remember the first conversation we had, um, I guess I was like 20 and you were-

    2. JR

      Ever?

    3. LC

      Yeah.

    4. JR

      Really?

    5. LC

      Yeah.

    6. JR

      How old were you?

    7. LC

      Well, because this reminds me of it-

    8. JR

      How old were you then?

    9. LC

      ... because it was about Newton South.

    10. JR

      Oh, okay.

    11. LC

      Cafeteria. I'm 55.

    12. JR

      55 too. I'm 55 as well.

    13. LC

      Okay, so we must have both been around 20. You, when you started comedy-

    14. JR

      21.

    15. LC

      ... you were 21?

    16. JR

      Yeah.

    17. LC

      All right, so I must have been the same age. But, uh, we talked about fight- 'cause I found out you were a Taekwondo guy or something. Is that what you'd fought?

    18. JR

      Yeah.

    19. LC

      And I asked you about fights. Like, I said, "Do you have skills for fighting in real life?" And you said, "Well, it's just some things you know that are put, you know, that put you way at advantage with people that aren't fighters. Like you don't wait for the fight to start," you told me. Like you told me you were in a cafeteria once in South and some, some kid came up and... You know, people think they're gonna get to do a preamble. They think that there's gonna be a whole, "Hey, fuck you, and now we're g-" They think there's going to be like...

    20. JR

      Yeah.

    21. LC

      And as soon as you knew he was there to, uh, threaten you, you just punched him in the sternum and he just went down. (laughs)

    22. JR

      (laughs)

    23. LC

      He's like, "Hey, man, you..." (gasps) And then he just... Anyways, so that was the first time you explained that to me.

    24. JR

      Yeah, that could've been avoided. I thought about that one for a lot afterwards.

    25. LC

      Yeah?

    26. JR

      Yeah. Yeah.

    27. LC

      You think you'd jump the gun?

    28. JR

      Sometimes you jump the gun. Because like there, with great power comes great responsibility.

    29. LC

      Sure.

    30. JR

      You know, the guy-

  12. 48:0058:29

    Bullying, trauma, and integration: what damage leaves behind

    1. JR

      Well, it just... Those... Uh, I mean, the getting through that though is, like, a very unusual education-

    2. LC

      Mm-hmm.

    3. JR

      ... in, in human beings and, and development and, like, why people do the things they do and why they say the things they do and why they're trying out different kinds of behaviors-

    4. LC

      Yeah.

    5. JR

      ... and, you know, and, and bullies and people who are pacifists and people-

    6. LC

      Yep.

    7. JR

      ... who get bullied and you see it ruin their lives-

    8. LC

      Mm-hmm.

    9. JR

      ... you know, it can ruin your fucking life, man. I've, I've, I really feel for people who get bullied. 'Cause if you get bullied in high school, and you just decide, "That's who I am. I'm just this fucking loser, I'm just gonna hide."

    10. LC

      Mm-hmm.

    11. JR

      And then you hide in your apartment, and you hide in your house, and you hide at your job. And then, like, your life is hiding now because somebody fucked with you. And somebody-

    12. LC

      Well, also, you were very badly hurt when you were-

    13. JR

      Yeah.

    14. LC

      ... extremely vulnerable.

    15. JR

      Exactly.

    16. LC

      And you're probably hurt 'cause you already were vulnerable. You are r- already were-

    17. JR

      Right.

    18. LC

      ... uh, unsure of yourself for-

    19. JR

      So it's ultra-devastating.

    20. LC

      ... a million different reasons.

    21. JR

      Yeah.

    22. LC

      And so, you never really recover from that, I don't think. It's, it's-

    23. JR

      You can.

    24. LC

      ... some, it's part ... I mean, it, it doesn't mean it destroys your life, but it's in your life.

    25. JR

      Yeah.

    26. LC

      All the things it s- ... All the things that happen to you that are horrible, like, unbelievable, (laughs) they just stay with you. They just become part of you. You don't-

    27. JR

      Yeah.

    28. LC

      ... swap it out. You don't, you don't clean it out. It doesn't go away.

    29. JR

      You don't clean it out-

    30. LC

      It just stays in you.

  13. 58:291:02:11

    Loving difficult people: ‘strays,’ friendships, and the Alex Jones discussion

    1. LC

      But, uh, anyway, just, uh, to say that, yeah, the, the, the point of it is, I tried to stay friends with that kid. When there is a kid who's really fucked up and has a wire loose, someone's gotta be their friend.

    2. JR

      Yeah.

    3. LC

      I don't think... You know, it's like I've had girlfriends that are like really cuckoo, and my friends have been like, "She's bad news. She's crazy." I'm like, "Well, somebody has to love her. I mean, I'm not-" (laughs)

    4. JR

      (laughs)

    5. LC

      If everybody walks away from her 'cause she's nuts, she's gonna be alone.

    6. JR

      Oh, that was always the case with Brian Callan. With Brian Callan-

    7. LC

      Mm-hmm.

    8. JR

      Me and Brian Callan, like, Brian Callan was always like the guy who took in all the strays.

    9. LC

      Yeah.

    10. JR

      He's like, "Everything's gonna be fine. She's fine, she's fine. We're fine."

    11. LC

      (laughs)

    12. JR

      And I was always, you know, his friend going, "Hey man, you gotta fucking get outta this."

    13. LC

      Right.

    14. JR

      Like, "You gotta get out of this now. This is a, this is a, a dark road you're going down."

    15. LC

      Sure.

    16. JR

      "And this is only gonna lead to doom."

    17. LC

      Yeah.

    18. JR

      And he was always like, "Eh, you know, someone's gotta be her girlfriend." (laughs)

    19. LC

      (laughs) Yeah, yeah, yeah. I've had a few friendships and relationships like that-

    20. JR

      Yes.

    21. LC

      ... where I'm like, "This person's tough." Like, comedian-

    22. JR

      Uh-

    23. LC

      ... friends that I've had that everybody else-

    24. JR

      Yeah.

    25. LC

      ... is like, "I hate that guy." I'm like, "I get it."

    26. JR

      Yeah.

    27. LC

      "I'm staying friends with them. I get it. I'm not gonna defend them all over the place, but-"

    28. JR

      Oh, you're talking to me.

    29. LC

      "... he's gonna stay my friend."

    30. JR

      I'm friends with Alex Jones. (laughs)

  14. 1:02:111:06:08

    Media as exploitation and entertainment: Sandy Hook coverage and cable-news incentives

    1. LC

      Well, you know, pretending that i- he wasn't the way to start this (laughs) conversation, I remember when that happened, uh, Sandy Hook?

    2. JR

      Mm-hmm.

    3. LC

      That was Sandy Hook, right?

    4. JR

      Yeah.

    5. LC

      And, and, uh, I remember that the media went up there right away.

    6. JR

      Yeah.

    7. LC

      I remember it made me really sick, 'cause it was such a horrible thing that happened.

    8. JR

      Yeah.

    9. LC

      And what everybody should've done is just let the chief of police talk to you and let him say, "We don't know any of these things yet. Just wait, just wait for information to come out of this very painful place." But the media flew in.

    10. JR

      Of course.

    11. LC

      And they're on the fucking grounds of the school, and Anderson Cooper is talking to fucking-

    12. JR

      Yeah.

    13. LC

      ... kids who were there, and their parents have their hands on the kids' shoulders, and you can see in both the kid's face and the parent's face that they're not sure they should be doing this. They don't know.

    14. JR

      Right.

    15. LC

      They don't... We take for granted this thing of being exposed to the, uh, media and being talking on cameras.

    16. JR

      Right.

    17. LC

      And there's been things, of course, in your life and my life where you say something or have an experience and then afterwards you go, "Fuck, that was... I wish I hadn't said that."

    18. JR

      Right.

    19. LC

      Or, "Uh, I didn't know how this would feel," is the thing, right? So somebody who's not even in public life and who just suffered a un- off the charts trauma, and Anderson Cooper and their, and his producers going, "No, you should talk," uh, talking them into it, saying, "You should talk to the world right now. You should be on the news talking about it now. We don't wanna wait till later. We don't wanna do an expose 10 years later, what was it like-"

    20. JR

      Hm.

    21. LC

      "... or even a year. We wanna know right now."

    22. JR

      So exploitative.

    23. LC

      Why does it have to be now? Why can't you just talk to the, to the stoic chief of police-

    24. JR

      Yeah.

    25. LC

      ... who says, "Here's wha-..." Why? 'Cause you're fu-... 'cause it's just dirty greed. It's just dirty-

    26. JR

      Mm-hmm.

    27. LC

      ... "I want it. It'll be great on camera."

    28. JR

      Yep.

    29. LC

      "I don't give a fuck what happens to this person when I leave Sandy Hook today. I don't give a shit. I'll be back in my CNN studios. I'm picking him 'cause that's the face I remember."

    30. JR

      Yeah.

Episode duration: 2:56:14

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