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Joe Rogan Experience #1967 - Mike Vecchione

Mike Vecchione is a stand-up comic and actor. Check out his new special, “The Attractives”, on Youtube.  https://mikevecchione.com/

Joe RoganhostMike Vecchioneguest
Jun 27, 20242h 41mWatch on YouTube ↗

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  1. 0:001:11

    Meeting Mike Vecchione: 23 years in comedy and leaving teaching behind

    1. NA

      (drumbeats) Joe Rogan podcast, check it out. The Joe Rogan Experience. (drumbeats) Train by day, Joe Rogan podcast by night, all day. (rock music plays)

    2. JR

      We're up. What's up?

    3. MV

      All right.

    4. JR

      How are you, man? Pleasure to meet you.

    5. MV

      Thanks for having me on, Joe. It's a pleasure to be here.

    6. JR

      Hey, my pleasure. You're a funny motherfucker, man.

    7. MV

      Thank you, man.

    8. JR

      I enjoy your shit.

    9. MV

      Thank you, man.

    10. JR

      How long have you been doing it?

    11. MV

      23.

    12. JR

      Nice.

    13. MV

      Started in October of 2000. Did about three and a half years in Philly with, um, um, De Rosa, Big J, those guys, and then moved h- to New York at the end of, uh, 2003.

    14. JR

      Nice.

    15. MV

      Yeah. I was a teacher. I got a master's in special education. I was working with, uh, kids who had behavioral problems for about eight years.

    16. JR

      You seem like a guy who would work with kids with behavioral problems.

    17. MV

      Yeah.

    18. JR

      You're very calm.

    19. MV

      (laughs) Yeah. Very calming.

    20. JR

      (laughs)

    21. MV

      Very calming. But, uh, th- it was very, very challenging. Very challenging.

    22. JR

      I can imagine that.

    23. MV

      'Cause kids would, uh, flip, you know, a lot. Every day at work was something different, you know?

    24. JR

      Oh, man.

    25. MV

      I worked in a behavioral school for a while, and then, uh, and then went back at night and got my master's 'cause I figured if I'm gonna do this, I might as well teach, and then, uh, taught in a classroom in, in three different public school systems. So, uh-

  2. 1:112:08

    Open mics, bombing, and the heartbreak catalyst that pushed him to grind

    1. JR

      When did you decide to leave to go comedy full time?

    2. MV

      Um, I did about th- I started going to open mics. I was in a relationship and, uh, I thought we were gonna get married, and it broke up. I think a lot of comics have this story, you know, where it's a, it's like a heartbreak situation, and then I was just on my own, kinda out there, finishing up my master's. So I started just going to open mics at the Laff House, which is not there anymore. It's a, um, comedy club on South Street, and I just started going every Wednesday, and then I started going on Thursdays and a little bit more, and then I wasn't funny at first. You know, I'd bomb, I would do okay, bomb, do okay, bomb, but I was like, you know, "I'm probably not gonna be able to do this, but it's gonna help me public speaking-wise."

    3. JR

      Mm.

    4. MV

      "It's gonna help me somewhere down the line, you know? I got a good vibe for it." So I was like, "Let me just keep doing it." And at that point, you know, I was, uh, you know, alone and I was going through a tough time, so I was like, "I kinda don't care if I fail. I kinda just don't care. I'm gonna just fail-

    5. JR

      Wow.

  3. 2:084:14

    New York in the early 2000s: club-hopping, face-time, and the Cellar table culture

    1. MV

      ... and just figure it out, and just keep coming at it." And, uh, because I'm a sensitive guy, so it's like, oh, you know, failure is, had been tough to take. So, uh, I just, just kept doing it. I just kinda, it kinda dropped off because I was going through a tough time. I didn't care about failure, so I just kept doing it and doing it and doing it. And then at the end of 2003, I was working a job I didn't, didn't wanna do anymore, and I just decided to move to New York, and that's when it really... Like, I'm a really... I don't know how much time you spent in New York. I know you're a Boston guy, but, um, I'm a product of the New York City comedy clubs, really, is what I like to say.

    2. JR

      Just hopping, going from club to club?

    3. MV

      Just hopping. I mean, it's not so much like that anymore, but it used to be. Uh, I don't know how much time you spent there, but it was like you would just run from club to club to club to club to make money.

    4. JR

      Mm-hmm. Yeah.

    5. MV

      And that's how I would do it, you know? And, uh, the big club was the Comedy Cellar. Still is.

    6. JR

      Sure.

    7. MV

      But it's like, uh, the Boston Comedy Club-

    8. JR

      Mm-hmm.

    9. MV

      ... I wa- I, I started in New York the last days of the Boston Comedy Club.

    10. JR

      Oh, okay.

    11. MV

      With Nate and Dustin Shaef and a lot of these guys. So I, uh, I started there, and then what we do is you, I'd go to an open mic first to ch- to make sure you got stage time, and then I would go to The Boston, and The Boston, different comics would run the weeknights, so you would go and hang out and see if you could get on. So I, and then I would do that, and then at the end of the night, you would go to The Cellar and just hang out and just... Hanging out was a big thing back then because you should get your face around, get people to know who you are, and every club had their different, every, uh, city has their different scene, and in New York, we'd end up at The Cellar with, um, Patrice, Keith Robinson, Jim Norton, those guys.

    12. JR

      Yeah.

    13. MV

      And you'd hang out and, uh, they would just break balls at the table, different time, you know?

    14. JR

      Yeah.

    15. MV

      Everybody would break balls, and then people would get to know you slowly.

    16. JR

      Isn't it crazy to say 2003 is a different time?

    17. MV

      Different time.

    18. JR

      You talk like you're talking about the '20s. (laughs)

    19. MV

      Yeah. (laughs) It, but it was a very different, it was a very different landscape back then.

    20. JR

      Yeah.

    21. MV

      And that's what you had to do. You had to hang and get your face around so people went, "Oh, you know, maybe Mike would be good to open," or "Maybe so-and-so would be good to open for you on the road." You know?

    22. JR

      Yeah.

    23. MV

      And that's how you would get work.

  4. 4:145:29

    Road gigs vs club life: developing material in tough rooms

    1. JR

      Yeah, I moved to New York in '91, I think, '91 or '92, somewhere around there.

    2. MV

      Wow.

    3. JR

      And, um, I did the clubs. I did Boston, but mostly I did the road because, like, I lived in New Rochelle. I couldn't afford to live in Manhattan-

    4. MV

      Right.

    5. JR

      ... 'cause I couldn't afford a parking spot, and I did road gigs so much and y- I had a car, and, uh, my thought was like, "I could do these little clubs, but I don't make any money."

    6. MV

      Right.

    7. JR

      "Or I could do, like, Long Island and Connecticut and Jersey."

    8. MV

      Yeah.

    9. JR

      "And I could make, you know, 150 bucks, 200 bucks for a show."

    10. MV

      Right.

    11. JR

      "And I'd have money."

    12. MV

      Right.

    13. JR

      "And, and I'd be able to do long sets." And I was always a big fan of Hicks, and I knew that Hicks, he did mostly the road.

    14. MV

      Right.

    15. JR

      And he did, like, these real shitholes.

    16. MV

      Yeah.

    17. JR

      As good as he was-

    18. MV

      Yeah.

    19. JR

      ... I was like, I always thought that, like, shitholes made shitty comics.

    20. MV

      Right.

    21. JR

      But Hicks kinda changed my mind about that, like, you could do great comedy in front of shitty rooms.

    22. MV

      Right.

    23. JR

      And just sort it out, yeah.

    24. MV

      And win them over. Yeah, that's really something. That's really what it is 'cause if you let the room change you, you can become a shitty comic that way.

    25. JR

      You can.

    26. MV

      But if you go, "No, I'm gonna flip them, but on my terms."

    27. JR

      Yeah.

    28. MV

      That's a lost art also because if you're big, you know, you have your own fans and stuff, that doesn't come into play, but if you're good and you're on the road, you don't have your own fans, it's like you have to, like, keep just working them-

    29. JR

      Yeah.

  5. 5:297:52

    Handling hecklers without losing the crowd: ‘neutralizing’ the disruption

    1. MV

      ... working them, working them. I was at the Atlanta Punchline and this happened where it was, uh, the crowd, you know, they didn't know me, and there was a drunk woman, "It's my birthday! It's my birthday!" Like, making it about her, and, like, younger in comedy, I would've just bailed and just tried to score off of her and win and just, you know, do a penalty kill. You know?

    2. JR

      Yeah.

    3. MV

      Just, just play the set out that way and walk away with the victory. But I decided, you know, "You know what? Let me neutralize her. I don't wanna make it about her. She's being selfish," you know? Stay in the pocket 'cause, and, and I hadn't won the other people over yet. They were still on the fence about, "Who's this guy?"

    4. JR

      Yeah.

    5. MV

      So it's like just keep-... just keep coming, just keep coming. And then working them and bringing them to you, and bringing them to you. And neutralize her, 'cause she's a distraction, and just keeping bringing them, bringing them, bringing them. And at the end, like, I, I, it was good. It was a good set. But I got off stage, I was like, "Oh my God, that was so much work."

    6. JR

      (laughs)

    7. MV

      And nobody's gonna know about it. No one's gonna know-

    8. JR

      Right.

    9. MV

      ... what happened here. And I walked to the bar and there's a couple of comics at the bar, and one guy looks at me and goes, "I saw what happened."

    10. JR

      (laughs)

    11. MV

      He goes, (laughs) "I saw what you did. That was great. That was masterful." I go, "Thank..." At least one witness.

    12. JR

      (laughs)

    13. MV

      I got one witness who saw what it was.

    14. JR

      Oh, and a comic who knows, like, what it is-

    15. MV

      Yeah, yeah.

    16. JR

      ... and how hard it is to do.

    17. MV

      It's my birthday.

    18. JR

      Oh God, there's so many of them out there.

    19. MV

      It's really something. You just go to a, just go to karaoke.

    20. JR

      (sighs) Oh man.

    21. MV

      What are you doing? Just go to karaoke.

    22. JR

      Some lady was fucking up Ron White's set the other night, in, in our club. She yelled out, "Can I get a picture with you?"

    23. MV

      (laughs)

    24. JR

      She kept saying that in the middle of his fucking bits. Like, he'd be in the middle of the setup, you hear, "Can I get a picture with you?" Oh, it's the worst. And it's f-

    25. MV

      It's, it's really something 'cause if the crowd's not on your side-

    26. JR

      Right.

    27. MV

      ... and you come too hard at her, you know what I mean? Then they're gonna be like, "Whoa, what is this guy?"

    28. JR

      Right. Right.

    29. MV

      "This guy's angry now?" It's like they kinda don't get the dynamic of what's happening.

    30. JR

      Right.

  6. 7:5212:39

    What if life went differently? Incremental success and comedy as a lifelong build

    1. JR

      Do you ever stop and think, like, what if you didn't break up with that girl? Like, what if you were still in that relationship-

    2. MV

      Yeah.

    3. JR

      ... and you never pursued comedy?

    4. MV

      Yeah. All the time.

    5. JR

      Fuck.

    6. MV

      All the time. (laughs)

    7. JR

      Oh my God.

    8. MV

      And I just... But you know what? I could've, I would've been married. I would've had kids, you know, whatever, and I, I just would've lived that life.

    9. JR

      Yeah.

    10. MV

      There was a fork in the road. You know what I mean? It was really sad, 'cause I was teaching at the time, working at a behavioral school, and I was with her. And I was like, "Oh, this is probably how this is gonna play out."

    11. JR

      Yeah.

    12. MV

      I don't, I don't have that in, the, the thing in me to go out and get spots. 'Cause going out and get spot, getting spots is like, you have to go out and you have to hustle.

    13. JR

      Yeah.

    14. MV

      And I didn't, I was already working hard in, in my job and, you know, trying to get my master's. I was on a different path. So I didn't have that extra in me to go and try to get, you know, spots at clubs and stuff.

    15. JR

      So when you say that, like, you, wh- when, when, in, at that moment, did, you kind of were, you weren't in a good place, right? So-

    16. MV

      She broke up with me and I was really, really, uh, we were, we had dated in college and then we, uh, she's from Philadelphia so I hadn't any, n- no ties to Philadelphia. So I move to Philadelphia to try to find a job to be with her. She was in law school. And, um, so yeah, that's, that's what it was.

    17. JR

      I hope she watches you-

    18. MV

      Yeah.

    19. JR

      ... on YouTube now.

    20. MV

      (laughs)

    21. JR

      (laughs)

    22. MV

      I mean, I think she's got a good life. She had a good, she was a good person. She had a, her head on her shoulders and she was-

    23. JR

      She wasn't into you. It's okay, right?

    24. MV

      Yeah, yeah, yeah, yeah.

    25. JR

      Yeah, yeah.

    26. MV

      It hurt though, man. It hurt.

    27. JR

      I'm sure.

    28. MV

      And it's heartbreak like that that causes you to go, "Oh yeah, I gotta..." Uh, it, it, it makes you raw. You know?

    29. JR

      Mm-hmm.

    30. MV

      It makes you raw and it makes you go, like, "I'm gonna go out and take some chances and-"

  7. 12:3916:39

    Competition mindset, wrestling lessons, and pre-show mental preparation

    1. MV

      I learned that from wrestling too, like wrestling, like, I was good for my area, like, I learned to wrestle in Flo- in, uh, Ohio and then... Which is a great state and we had a great program, and then I moved to Florida and I finished high school in, uh, Florida, so I wrestled down there. And it's like, I was so focused. I don't know how you were as a competitor, but I was so focused on the win. I wa- I, I wanted to get the win, I wanted to get... It's like, yeah, yeah, yeah.

    2. JR

      Yeah.

    3. MV

      It's not... And I would psych myself out before matches a lot of times by overthinking it.

    4. JR

      Mm.

    5. MV

      You know? And it's like, "No, no, no, no, it's about the process."

    6. JR

      Yeah.

    7. MV

      It's about the process. Train hard, and then... But when it's time to compete then, I wish would've had this back then, it's like, you have to just get yourself up and go out there and just do the things that you train to do.

    8. JR

      Yeah.

    9. MV

      And I was too focused on the, "Oh, I wanna win, I wanna feel the, I wanna feel the victory." It's like-

    10. JR

      Mm-hmm.

    11. MV

      ... "I wanna win." It's like, "No, no, no, it's the process. Stick to the process." Uh, but I wish would've had that before I went out and competed, like, go out there and just cut through this guy. I didn't have that attitude. I was tired from cutting weight, and, you know, when you go to these tournaments when you wrestle, you, you weigh in. You weigh in and then you would go have breakfast, and then there's a time where you just digest and lay around on the mat a little bit.

    12. JR

      Mm-hmm.

    13. MV

      And then start slowly drilling and getting ready for the match. And during that time is when you should be getting your mind right to go out there and, like, take it to them.

    14. JR

      Yeah.

    15. MV

      And the guys who were successful did that.

    16. JR

      Yeah.

    17. MV

      And I couldn't see it back then, but looking back and having perspective on it, it's like, "I wish I was that." So now I keep that in mind in standup, you know? 'Cause a lot of, a lot of standup is that, you know, being mentally prepared to go up.

    18. JR

      Yes.

    19. MV

      You know?

    20. JR

      Yeah. I always tell comics, like, "Don't go up, ju- don't just go cold."

    21. MV

      Right.

    22. JR

      Like, warm your mind up.

    23. MV

      Right.

    24. JR

      I, I pace around.

    25. MV

      Right.

    26. JR

      I breathe deep, I stretch out, I go over my notes. Like, get... You know, maybe you don't need to do that, but you should. It's just, like, good for the head. Just get your, get your mind right.

    27. MV

      What do you think about before you go up? I mean, you're, you're working these arenas now.

    28. JR

      Yeah.

    29. MV

      These gigantic venues. So what do you think about before you go up?

    30. JR

      Well, arenas, uh, one of the things that I do is I have index cards. So I write out befo- I'll get there early and I'll write out, like, um, just bullet points of all the sets or all the bits, and I'll put them on cards.

  8. 16:3921:43

    Performing with joy and empathy: loosening grip on jokes and loving the crowd

    1. MV

      That's really something. That's really something. I know when I go, I was very, uh, connected to my jokes. I'm like, "This is all about these jokes. It's all about these jokes." I'd, I'd fine-tune them and everything. But then I started to realize it's, it is, the preparation is about your jokes, but it's also about two things. One, going up and having a good time.

    2. JR

      Yeah.

    3. MV

      You know what I mean? Like, have fun with it. You did all the preparation, now go up and be playful with them. Go up and be playful and be loose. I have to tell myself that, 'cause I'm connected to that. Like, I'm just like, "Let's go-

    4. JR

      Yeah.

    5. MV

      ... to the jokes." And the other thing I started doing before I would go up is, uh, what you said. Love the crowd. Love them. Like, love them. Because they have hard lives. They're going through divorce, bankruptcy, all kinds of, like, problems and they, they came out to get a break from that. And, uh, like, in my joke-writing I would forget that. I was like, "This is about the jo- it's about m-" It's like, no, no, no, no. Connect with them, 'cause they maybe need a break-

    6. JR

      Yeah.

    7. MV

      ... in their life, you know? And be playful and, you know, love them before you go up. That always helps.

    8. JR

      Yeah.

    9. MV

      Even if the set goes bad and you have that mindset going up, it's much easier, it's much easier to deal with.

    10. JR

      Isn't it interesting that standup is such a big thing in terms of, like, how many people go to see it, and how many people love it, and, you know, how many, uh, shows there are on the country at any given time? It's a huge art form in terms of, like, how many people pay for it. But...... very few people share how they do it, and no one teaches it.

    11. MV

      Right.

    12. JR

      It's like, no one can teach you how to do your way-

    13. MV

      Right.

    14. JR

      ... because your way is different than Nate's way.

    15. MV

      Right.

    16. JR

      And Nate's way is different than Ari Shaffir's way.

    17. MV

      Yeah.

    18. JR

      Like, everybody's got their own style-

    19. MV

      Yeah.

    20. JR

      ... and their own thing.

    21. MV

      Right.

    22. JR

      And you kinda gotta teach yourself. And all these things you're saying-

    23. MV

      Yeah.

    24. JR

      ... like knowing how to just go out and love those people, have a good time, be playful. Like, you gotta learn that-

    25. MV

      Yeah.

    26. JR

      ... on your own.

    27. MV

      But that's my thing, 'cause I'm t- I'm connected to the jokes.

    28. JR

      Mm-hmm.

    29. MV

      Like, if you're a guy with a ton of charisma and no act, like, you have a different, you have a different set of struggles.

    30. JR

      Mm-hmm.

  9. 21:4325:29

    Wrestling as MMA’s foundation and the weight-cutting problem

    1. JR

      And d- wrestling's the most important discipline for MMA, I think.

    2. MV

      Do you think?

    3. JR

      Yeah, I think it's the foundation, because the wrestler can dictate where the fight takes place, you know?

    4. MV

      Yeah.

    5. JR

      If the wrestler chooses to stand, he can stand. If the wrestler wants to get back up, he can get back up.

    6. MV

      Right.

    7. JR

      And if- and the wrestler knows how to take the guy down, whereas, like, even though every fight starts standing up, and it's a big advantage for the striker while they're standing up-

    8. MV

      Right.

    9. JR

      ... but the wrestler, if the wrestler knows how to strike, the striker has to think about two different things simultaneously.

    10. MV

      Yeah.

    11. JR

      Has to think, "Maybe this guy's gonna shoot, and what if this guy punches me?"

    12. MV

      Right.

    13. JR

      "What if this guy kicks me?"

    14. MV

      Right.

    15. JR

      So there's, like, so many more options that the wrestler has, and there's that threat of the take down-

    16. MV

      Yeah.

    17. JR

      ... that looms large-

    18. MV

      Right.

    19. JR

      ... that, like, paralyzes guys with anticipation. It's the most important foundation. It's, it's everything in, in MMA. If you can't wrestle, good luck-

    20. MV

      (laughs)

    21. JR

      ... 'cause you, unless you can land a wild shot-

    22. MV

      Right.

    23. JR

      ... like, you know, uh, Jorge Masvidal and Ben Askren-

    24. MV

      Yeah.

    25. JR

      ... and unless you get that wild shot off-

    26. MV

      Yeah.

    27. JR

      ... right away and knock the guy out, it's a long night against the best, one of the best wrestlers.

    28. MV

      Right. And that wild shot, are you gonna be able to do that every time?

    29. JR

      Hmm, most likely no.

    30. MV

      Yeah.

  10. 25:2934:21

    Boxing deep dive: Loma, Tank, Fury, Wilder, and why the sport struggles to make fights

    1. MV

      That's... It's in boxing too. I'm a huge boxing fan.

    2. JR

      Me too.

    3. MV

      And, um, I go see... I live by the Garden. I go see Lomachenko-

    4. JR

      Mm-hmm.

    5. MV

      ... anytime he's at the Garden.

    6. JR

      Oh, yeah.

    7. MV

      Like I'll go see him fight. He's unreal. But it's like, he's gonna fight Devin Haney, you know.

    8. JR

      Mm-hmm. That's a great fight.

    9. MV

      So, but he's like... It's a great fight.

    10. JR

      I'm so excited.

    11. MV

      I'm so happy it's happening-

    12. JR

      Yeah, I'm so excited about that.

    13. MV

      ... at 135. But Haney, I think cuts down from fif- 150, 156-

    14. JR

      Mm-hmm.

    15. MV

      Something like that, he's walking around. And, uh, but that's just the-

    16. JR

      Loma's tiny.

    17. MV

      Loma's the smaller guy.

    18. JR

      For that guy. Yeah, he's much smaller than those guys.

    19. MV

      Yeah.

    20. JR

      And that, you saw that in the Teofimo Lopez fight.

    21. MV

      Yeah.

    22. JR

      Like, Lopez is big.

    23. MV

      He is.

    24. JR

      He's scary.

    25. MV

      Yeah.

    26. JR

      You know, it's just that power is just such a big advantage-

    27. MV

      Yeah.

    28. JR

      ... and for a big guy who cuts a lot of weight to get to 135.

    29. MV

      Right, right.

    30. JR

      Yeah.

  11. 34:211:02:22

    Stalling, stand-ups, and ‘purity of the sport’: Joe’s strong take on MMA refereeing

    1. MV

      But is there a thing in MMA where it's like a... Are they calling stalemates faster?

    2. JR

      You mean, getting people back up? They-

    3. MV

      Yeah, like if the t- if the guy's on top-

    4. JR

      Mm-hmm.

    5. MV

      ... and he's not making progress or the guy on bottom isn't getting a wrist or working towards, um, you know, a submission, will they stop them and stand them up faster? I think that's better for the sport. In, in wrestling, they'll hit 'em wi- they'll hit guys with stalling quick.

    6. JR

      Mm-hmm.

    7. MV

      To keep the action moving. I know that's not a thing in MMA, but you, you know, it does help the-

    8. JR

      It used to be-

    9. MV

      ... optics of it.

    10. JR

      It used to be in, in Pride they would give them a yellow card and it would take 10% of your purse.

    11. MV

      Oh, wow.

    12. JR

      So if you got a yellow card in Pride, that meant you weren't trying to win or you were stalling.

    13. MV

      Right.

    14. JR

      And if the, the referee pulled that yellow card out, people were fucking freaking out. Like, you know, if you're getting paid a million dollars, $100,000 is now gone-

    15. MV

      Yeah.

    16. JR

      ... for that yellow card. You're like, "Fuck."

    17. MV

      Right.

    18. JR

      And that's a big deal. But-

    19. MV

      Yeah, is it a warning first? They give a warning before they put the yellow card?

    20. JR

      I think it was up to the referee's discretion in Pride. I don't remember exactly how they did it, but when they did it, it was a big fucking deal and the crowd would cheer and, you know, and then the guy would a- adjust accordingly. 'Cause if you got two yellow cards, you're fucked.

    21. MV

      Yeah.

    22. JR

      I mean, I don't even know if they gave two yellow cards. I reme- I don't remember that ever happening. I'm sure it did, but I don't remember it ever happening in a fight. But in MMA, the, the controversy is about whether or not you should stand someone up, because you have five minutes. And if someone takes someone down and they're on top of them, it's up to the person who's on the bottom to get back up.

    23. MV

      Yeah.

    24. JR

      Like, that, that's your job.

    25. MV

      Right.

    26. JR

      And the guy on top, it's up to him to hold you down. I don't believe in standups. It might be more entertaining for the audience-

    27. MV

      Right, right.

    28. JR

      ... but I'm a purist in terms of, like, I think you should control your own destiny in there. And if a guy can hold you down and just punch you in the face while you're on the b- even if it's boring-

    29. MV

      Right.

    30. JR

      ... he's doing what he wants to do.

  12. 1:02:221:15:28

    Mental toughness culture: David Goggins, cold plunges, and the discipline to beat ‘the inner voice’

    1. MV

      And that's what, uh ... Goggins, Goggins is my favorite. He's my favorite guy, man.

    2. JR

      No, he's amazing.

    3. MV

      I watch all this stuff. I, I put on ... There's this thing on, uh, YouTube called Goggins Motivation.

    4. JR

      (laughs)

    5. MV

      So I'll be stretching, and it's just him talking.

    6. JR

      Yeah.

    7. MV

      It's just, he's unreal, man.

    8. JR

      No, he's unreal. And that's-

    9. MV

      Yeah.

    10. JR

      That guy. You wanna talk about mental toughness, that guy has destroyed knees.

    11. MV

      Yeah.

    12. JR

      And he-

    13. MV

      Yeah.

    14. JR

      ... he runs thousands of miles, and it's just like every day he's running 15, 20 miles.

    15. MV

      Right.

    16. JR

      Every day.

    17. MV

      Right.

    18. JR

      With destroyed knees.

    19. MV

      But he, he's taken his life where he came from, which is a terrible, terrible situation, and transformed himself.

    20. JR

      Mm-hmm.

    21. MV

      That's what I love about him.

    22. JR

      Yeah.

    23. MV

      The fact ... And he, and he's able to articulate it.

    24. JR

      Yeah.

    25. MV

      You know? And he does it very well. And he also talks about mental toughness in a way that I've never heard anybody talk about mental toughness. You know, when I was growing up, maybe it's the same for you, it's like, "You gotta be mentally tough. You gotta be mentally tough. You gotta suck it up. Suck it up."

    26. JR

      Mm-hmm.

    27. MV

      And it's like, you're processing that, but he breaks down, "What does that actually mean? In the suck." Which is what he called ... You know what I mean?

    28. JR

      Yeah.

    29. MV

      Like, it's that conversation that you're having with yourself-

    30. JR

      Yeah.

Episode duration: 2:41:14

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