Skip to content
The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #2176 - Chad Daniels

Chad Daniels is a stand-up comic and a host of the "Middle of Somewhere" and "Pretend Problems" podcasts. Watch his new special, "Empty Nester," on Netflix. www.chaddaniels.com

Joe RoganhostChad Danielsguest
Jul 17, 20242h 43mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:001:48

    Phone eavesdropping & luxury “exclusivity” marketing (the purse incident)

    1. NA

      (drumming music) Joe Rogan podcast, check it out.

    2. NA

      The Joe Rogan Experience.

    3. JR

      Train by day, Joe Rogan podcast by night, all day. (rock music) Hello, Chad.

    4. CD

      Hi.

    5. JR

      What's happening, man?

    6. CD

      Nothing much.

    7. JR

      Nice to meet you in person.

    8. CD

      Yeah, likewise.

    9. JR

      Um, we were already chatting about how Google, uh, is totally listening to me.

    10. CD

      Right.

    11. JR

      Confirmed 100%. 'Cause your Google News feed is always, like, stuff that you're interested in-

    12. CD

      Mm-hmm, yep.

    13. JR

      ... pretty much. But I was having a conversation with my wife about purses, and she was explaining to me that certain purses, like, you can't just buy the purse. You have to develop a relationship with a store owner. I'm like, "What?"

    14. CD

      I don't get that.

    15. JR

      That's, uh-

    16. CD

      You'd think if you're trying to sell stuff, you would wanna sell it right when they came in.

    17. JR

      Exactly. I don't get it. But, like, there's a thing that certain, like, posh people really love, and it's exclusivity.

    18. CD

      Sure.

    19. JR

      They love it. "I'm the only one that can get this watch."

    20. CD

      Mm-hmm.

    21. JR

      "I'm the only one that can get this fucking purse or whatever it is." So anyway, all of a sudden, Google starts showing me purse things.

    22. CD

      (laughs)

    23. JR

      They start showing me all this stuff about purses. I didn't, I didn't look anything up about purses.

    24. CD

      Yeah.

    25. JR

      I just had a conversation with the phone sitting at the dinner table. That's crazy.

    26. CD

      Yeah, happens all the time. I mean-

    27. JR

      It's weird, li-

    28. CD

      ... it ends up in your feed, you're like, "Oh, my forearms are too small."

    29. JR

      Ha.

    30. CD

      Next thing you know, you got these flexi deals-

  2. 1:483:37

    Terms of service, ad tracking, and subscription “leakage”

    1. JR

      Is that legal? How's that work? Do you have to sign off on that, on the app? Like, if you're using the Google News app, are you signing off on that?

    2. NA

      There are multiple ways that you may have opted into something that's allowing that to happen, yeah.

    3. JR

      Jesus.

    4. CD

      I haven't read any of those things.

    5. JR

      Nobody reads those things.

    6. CD

      Right. I scroll to the bottom, hit the thing.

    7. JR

      If you read them, you're a psycho. If you're sitting there reading those things-

    8. CD

      How long would it take you?

    9. JR

      Forever.

    10. CD

      Yeah.

    11. JR

      Like, how big is the Apple one?

    12. CD

      It's c- three-

    13. JR

      How big is that one?

    14. CD

      F- three full scrolls.

    15. JR

      Yeah. Apple's pretty good about stuff. (smacks lips) I think they're probably the best about that, because they're the first company that actually stepped in and said, "We're gonna stop com- companies from being able to share your information." They're the, the first that did... What was, what exactly did they do, Jamie? They made some sort of a, a big deal. It was an advertising move, and a lot of people got pissed off at them for it.

    16. NA

      I- it might have been the, the ability to opt out. I think they might have given you the option to opt out on the settings of the iOS for the first time. I'll check, but I think it's something like that.

    17. JR

      Mm, something like that. I think you're right. It's something like that, but a pu- bunch of people are like, "This is gonna affect our advertising." But yeah, y- you guys are stealing money. Stop doing that.

    18. CD

      I spend my mornings going through my emails unsubscribing-

    19. JR

      Oh, yeah.

    20. CD

      ... to stuff.

    21. JR

      Yeah.

    22. CD

      It's just too much.

    23. JR

      It's, there's companies, like there's... One of our ads is, uh... What, what, which one is that? That they'll go out and find the subscriptions? Which one is that? Jamie'll find it.

    24. CD

      Oh, like they go, they go find it-

    25. JR

      They'll do it for you.

    26. CD

      ... and let you know what you're subscribed to?

    27. JR

      Yeah, and you're like, "Oh, National Geographic still?" You know, whatever it is.

    28. CD

      Oh.

    29. JR

      Whatever.

    30. CD

      Oh, God. I am leaking money.

  3. 3:375:25

    Columbia Record Club nostalgia & how artists get squeezed

    1. JR

      Yeah. Well, that was how they used to get... Do you... How old are you?

    2. CD

      49.

    3. JR

      Okay, you might be old enough to remem- I'm 56. Do you remember those, uh, Columbia Record House deals?

    4. CD

      Oh, hell yeah.

    5. JR

      (laughs) Nobody paid for that. How did they make any money?

    6. CD

      I, I still have collection coming in.

    7. JR

      Everybody does. I feel like that was a way that they made artists seem more popular than they were. I think that was part of their deals. They could say they sold, uh, you know, millions and millions-

    8. CD

      Sure.

    9. JR

      ... of records. I also think it was probably a way that they could rip artists off, 'cause they could say, "We lost all this money on Columbia." Like, they could, like, factor it in.

    10. CD

      Mm-hmm.

    11. JR

      You know, and say, "I know it seems like you sold a million copies, but actually 400,000 of them are Columbia."

    12. CD

      Yeah.

    13. JR

      And nobody's paid for them.

    14. CD

      The MC Hammer clause.

    15. JR

      Ri-... Is that what it was?

    16. CD

      I don't know, but he's-

    17. JR

      Oh.

    18. CD

      ... that guy.

    19. JR

      Did he, did that happen to him?

    20. CD

      I, I know that his record deal screwed him over, had to file for bankruptcy, all that stuff.

    21. JR

      Oh, yeah, that's right. He went full MC Hammer too. He went crazy. Like, he, he was, like, getting some house built. I remember it was, like, the most extravagant house.

    22. CD

      (laughs)

    23. JR

      He had, like, this super expensive marble that was being brought in and, you know, and then they just... I guess they pulled the rug out from under him.

    24. CD

      Yeah, that's wild.

    25. JR

      Those dirty bastards. I don't know this, the whole story behind the M- MC Hammer thing, but they, they for sure don't wanna pay you all that money. (laughs)

    26. CD

      Oh, no way. If you look at, if you look at royalties for comics, it's .00, like 15 zeros and then one cent.

    27. JR

      Oh yeah, you get nothing. For audio, for comedy audio-

    28. CD

      Mm-hmm.

    29. JR

      ... you get nothing.

    30. CD

      Yeah.

  4. 5:257:12

    Comedy royalties lawsuit confusion & the economics of stand-up audio

    1. CD

      I mean, I, I don't know, but it's like... Plus the lawsuit. You know about the lawsuit?

    2. JR

      Which one?

    3. CD

      Where they, they had to take a bunch of people off of Pandora and Spotify and everything because of the, the lawsuit that they went... They were trying to get writer and performance credits.

    4. JR

      Who was trying to get it?

    5. CD

      Uh, just a, a company. It was, uh... I can't remember what it's called.

    6. JR

      Jamie can find it.

    7. CD

      Okay.

    8. JR

      So, well, what else were you finding? (laughs)

    9. NA

      Experian was the company that does the subscriptions.

    10. JR

      Okay, Experian.

    11. NA

      Very good.

    12. CD

      That's a good company.

    13. JR

      Yeah, so they'll find your subscriptions, and they'll yank them. So, what is the company that's doing this?

    14. CD

      So, so you had all these royalties coming in, and then all of a sudden...... this, this comp- there was, like, uh, a bunch of estates, like the Robin Williams estate, I think maybe George Carlin, where they were like, "Hey, we, we should be getting more, more money for this." Because it's 50/50 split, but songwriters are getting a writer credit and a performance credit.

    15. JR

      Right.

    16. CD

      And so they wanted comics to do that, but that doesn't really make sense because comedians are, like, "I'm not using your bits, like-

    17. JR

      Right.

    18. CD

      ... and so you wouldn't get a writing credit for my performance."

    19. JR

      Right.

    20. CD

      So, it was strange. And so then Pandora was like, "Fuck this, we're pulling everything down," and pulled a bunch of guys off, including, including myself, but...

    21. JR

      I still don't totally understand. So, who wanted the credit? Like, when they say writer and then performer credit, was that to the comics so the comics would get paid twice?

    22. CD

      Yeah.

    23. JR

      Okay. So instead of, like, an artist that didn't write their song, the comics were like, "No, we deserve to get paid twice 'cause we created the entire content."

    24. CD

      Exactly. But-

    25. JR

      And Pandora was like, "No, we can't do that?"

    26. CD

      Right. Because the writers, I mean, like, when you're singing a song and someone else wrote it-

    27. JR

      Right.

    28. CD

      ... that makes sense.

    29. JR

      Right, right, right.

    30. CD

      But no one's doing anybody's bits.

  5. 7:129:16

    Buying jokes, early-career ‘toolbox’ anxiety, and how bits evolve

    1. JR

      I bought a, uh, a heckle line once from a buddy of mine (laughs) back in Boston. It's such a dumb line. Uh, Brian Fraser, the comedian. Uh, the joke was, it's a, this is, like, to someone in the audience that's heckling you, like, "This is my impression of God when he made you. 'Okay, just a dash of cunt. Oh, no, the cap fell off."

    2. CD

      (laughs)

    3. JR

      "'Too much cunt.'" (laughs)

    4. CD

      How much did you pay for it?

    5. JR

      I don't remember. I think it was $500.

    6. CD

      (laughs)

    7. JR

      I don't remember.

    8. CD

      So it was in-

    9. JR

      But it was such a great line.

    10. CD

      So he can't use it.

    11. JR

      I was like, "Dude, that's a hilarious line." He's like, "I'll never use it." I go, "Sell it to me, I'll fucking use it."

    12. CD

      Oh, yeah.

    13. JR

      But, uh, you know, that was like a year into comedy. I was like f- you know, when you're a year into comedy, a-anything that works, it's like you have tools. You have just, like, a toolbox.

    14. CD

      Oh, yeah.

    15. JR

      And anything that works. They're so precious.

    16. CD

      Mm-hmm.

    17. JR

      And you're so scared to write new ones.

    18. CD

      Mm-hmm.

    19. JR

      Ah! (laughs)

    20. CD

      (laughs) Yeah. You're like, start to freak out and then you're like, "Oh, this come and go gas stiti- station bit always works."

    21. JR

      Right.

    22. CD

      You know? So you fall back on that.

    23. JR

      Right. And i- even that sucks. You know, it's kinda like, the problem is like when you're starting out, you say things in a very specific way, and that might not be the best way to say that bit. But that's the way you're kinda stuck saying it.

    24. CD

      Yeah.

    25. JR

      That is a problem with bits. Like sometimes when you cre- even today, like I'll create a n- I'm working on a new one, and I'm like, "I don't know about this." I feel like there's another way to say this, and I'm just banking on the way that I've been saying it over and over-

    26. CD

      Mm-hmm.

    27. JR

      ... and over again, and maybe I should just abandon it and let it sit there for m- a bit and come back to it.

    28. CD

      Someti- I, so I didn't work summers for a long time. I have two kids, and when I was, you know, when they were in high school, I'd always be home during the summer. And I found that in September I would always be able to fix bits a little bit better-

    29. JR

      Mm.

    30. CD

      ... because I'd let them sit. I f- almost forgot about them. You know how it starts?

  6. 9:1611:52

    Where ideas come from: flow state, sleep, riffing, and ‘the muse’

    1. JR

      F- yeah, for sure. That, I mean, that's what they say sleeping on it is all about. (clears throat) Like-

    2. CD

      Yeah, like if you're, the piano piece, if you can't figure it out, you play it-

    3. JR

      Mm-hmm.

    4. CD

      ... before you go to bed a bunch of times, and then all of a sudden the next morning you wake up and you're like, "Fiddly dee."

    5. JR

      There's been a few times where I woke up in the middle of the night to pee and I realize how to fix a joke.

    6. CD

      (laughs)

    7. JR

      Yeah. Just, like, all of a sudden you're like, "Oh, that's it! That's it." It just needed one more little ingredient.

    8. CD

      It is a fun eureka moment when you fix a bit.

    9. JR

      (laughs) Dude, what is it? What, where's it coming from?

    10. CD

      Like, where's it co- where's the joy coming from?

    11. JR

      What, no, where's the, where's the ideas coming from? Where the fuck are they coming from?

    12. CD

      I think they do sit. I think there's a part back there that's just constantly going and we don't hear about it, and then when it's done they're like, "Get it to the fucking front."

    13. JR

      Yeah. But, uh, it, but the e- even the creation of an idea is so mysterious. I mean, that's why people invoke the concept of the muse. You know, that's the, Steven Pressfield, he, like, swears by it. The, The War of Art books are all about the muse, about summoning the muse when you write. There's someth- there's something weird going on, I'll tell you that, because it seems like they just, like, enter into your head like a photon, like some shit from space-

    14. CD

      Yeah.

    15. JR

      ... just doot, all the sudden it's in there and like, "Oh, that was an idea." And even though you, it's your idea, like I, I take credit for writing, like I'll take credit for fixing jokes.

    16. CD

      Mm-hmm.

    17. JR

      I'll take credit for, like, going up, but I always feel like I can't really take credit for the original idea. The original idea is almost like this little gift.

    18. CD

      Absolutely.

    19. JR

      You know?

    20. CD

      Like you see something-

    21. JR

      Mm-hmm.

    22. CD

      ... or somebody's doing something and you go, "Oh, shit," and that sparks something and you just go-

    23. JR

      Yeah.

    24. CD

      ... "All right, I gotta write this down."

    25. JR

      Sometimes you just say it outta nowhere. You just say it. Like, you don't even know why you're saying it, you're just saying it.

    26. CD

      Yep.

    27. JR

      It, and it's like you didn't even think that much, it just came out.

    28. CD

      Yeah, there's times where y- on stage where you're just all the sudden riffing a bit and you hit them with something and they start clapping и you're like, "Oh, goddamn, thank God I'm recording this."

    29. JR

      Oh yeah, sometimes. Sometimes that's the best part of the bit and you're like, "What the fuck is going on?" Like, "How is that the best part of the bit?"

    30. CD

      It feels, it's almost like you're playing chess in your head-

  7. 11:5216:56

    Audition misery vs stand-up autonomy (Rogan’s sitcom luck)

    1. CD

      No, 'cause you feel like you're, you're good at playing the guitar, you have a great voice, you're good at making someone else's work. Like I used to audition for stuff. I am fucking toilet at auditioning.

    2. JR

      (laughs)

    3. CD

      It's the truth. I go in there and it's somebody else's words and I'm just every, you can hear the people in front of you, they're getting huge laughs. I go in there, nothing.

    4. JR

      Yeah.

    5. CD

      I don't, I don't know. I, I don't think I'd be a good singer of someone else's song. I think I'd have to write it.

    6. JR

      I, um, never wanted to be an actor. I had zero acting...... w- no wishes, no dreams, no aspirations, zero. Uh, just wanted to be a comic. And then I got a development deal from doing MTV.

    7. CD

      Okay.

    8. JR

      And then, uh, because of this development deal, I wound up being on a sitcom. So I went... And my point is, I did two auditions ever.

    9. CD

      (laughs)

    10. JR

      One was for a show called Hardball. I got that show, and that show got canceled. And then another one was for a show called News Radio, and I got that show.

    11. CD

      Mm-hmm, yeah.

    12. JR

      And those were the only two that I had ever done.

    13. CD

      Ah, good for you.

    14. JR

      It was the nuttiest thing of all time. People would get so mad at me. I'm like, "Look, I just stepped in shit. I got super lucky."

    15. CD

      Yeah.

    16. JR

      Like, they were looking for a cocky baseball player for this show on Fox. And I went in, and they met me, and they're like, "Oh, this is the guy."

    17. CD

      That's great.

    18. JR

      And, and then I did this show where I played a, uh, uh, mentally-challenged conspiracy theorist-

    19. CD

      (laughs)

    20. JR

      ... (laughs) maintenance guy at a radio station. That was perfect too.

    21. CD

      (laughs) Yeah, I was like, "I got these." They always sent me in for these auditions where it was like, I'd, I was 30-something years old, and it would be "22 good-looking."

    22. JR

      (laughs)

    23. CD

      And you're like, "What the fuck am I doing here?" I went in one time, and it was like, a Abercrombie & Fitch shoot.

    24. JR

      Oh, God.

    25. CD

      And so I go in, and I'm looking around. Everyone's a foot taller than me, chiseled jawline. I'm like, "This..."

    26. JR

      That's just agents will throw anything at the wall.

    27. CD

      Yeah.

    28. JR

      I went in, and b- I l- I definitely did a bunch of auditions after those shows that I didn't wind up getting, like, for movies and stuff like that.

    29. CD

      Mm-hmm.

    30. JR

      They're all so weird. You're in a room with someone, and then, you know, you have to improvise sometimes. They ask you to improvise. Like, look, this is ne-... One time, I, I went in for the reading, and the, the PA was this kid. It's not the kid's fault, you know, he's... But he's reading the script. He's terrible. And you're supposed to be reacting.

  8. 16:5619:51

    Boston/Minnesota toughness: weather, driving hazards, and resilience

    1. JR

      Yeah. The best place to do standup, because to develop there, like, you're, you are... that treadmill is going. You gotta hop on.

    2. CD

      Yeah.

    3. JR

      You gotta move, get moving. Everybody's moving. Nobody in the audience has any attention span. They don't wanna hear you dilly-dally-

    4. CD

      Yeah.

    5. JR

      ... and pontificate up there. They want fucking jokes.

    6. CD

      (laughs) Yeah, "Hammer me. I gotta go to work tomorrow."

    7. JR

      Yeah, they're all tired.

    8. CD

      Oh, I love doing comedy in Boston.

    9. JR

      Yeah. Blue collar, it's a great-

    10. CD

      Yeah.

    11. JR

      It's a great... It's not even bl- necessarily blue collar, because there's a lot of, like, white-collar people that come to the shows too. It's just, like, work ethic. There's a... When you have to shovel your car outta snow every fucking year-

    12. CD

      (laughs)

    13. JR

      ... you have work ethic.

    14. CD

      Yeah. (laughs)

    15. JR

      You can't get up at 8:00 to be at work at 9:00.

    16. CD

      Uh-huh?

    17. JR

      No, you have to get up at 7:00, 'cause you got an hour of shoveling to do.

    18. CD

      Yeah, defrost the windshield.

    19. JR

      Yeah, you gotta do all that shit. You gotta start the car up, let it run, heat the inside to defrost the windshield, get the fucking scraper. "Ah, ah, ah."

    20. CD

      Yes.

    21. JR

      And then you're out there on a fucking skating rink. Your street's a skating rink.

    22. CD

      Yeah.

    23. JR

      So you have to drive five miles an hour-

    24. CD

      (laughs)

    25. JR

      ... and you have to make sure that you hit the brakes before, way before the car in front of you, or you're gonna cause a pileup.

    26. CD

      Ah.

    27. JR

      I saw so many pileups, man.

    28. CD

      Yeah?

    29. JR

      Whew, Goddamn.

    30. CD

      I grew up in Minnesota. I lived in Minnesota my whole life.

  9. 19:5133:17

    Death rituals, funerals as an industry, and confronting mortality

    1. JR

      Oh. Have you ever seen a Tibetan sky funeral?

    2. CD

      Uh-uh.

    3. JR

      Bro. In Tibet, I don't know which religion, I don't know what, what they're practicing, but, um, they have this ritual called the Tibetan sky funeral. And instead of burying people, what they do is they chop them up and they feed them to vultures.

    4. CD

      What the fuck?

    5. JR

      Yeah, and there's graphic video of this online, 'cause it's, like, this big ritual. So, there's graphic video of these dudes with these, like, giant cutting boards and fucking cleavers hacking up people. And there's a swarm of vultures all around them.

    6. CD

      Oh, god.

    7. JR

      So, they're hacking up body parts. And then these vultures are just devouring these human beings. And we think it's gross, right? But isn't it grosser that you waste the body?

    8. CD

      Dump it? Yeah.

    9. JR

      What is this, Jamie?

    10. NA

      A video of ...

    11. JR

      Oh, it's a video of it. That guy looked a little too cute to be there. I was like, "What are you doing there, fella?" I thought it was a movie.

    12. CD

      (laughs) No.

    13. JR

      So, look at these. Look at all these vultures.

    14. CD

      Jesus. This is like when pelicans follow a fishing boat.

    15. JR

      Oh, they 100% know what's going on, 'cause they've been doing it all the time.

    16. NA

      This is a tourist attraction in some part of China.

    17. JR

      Jesus Christ. Ugh.

    18. CD

      I'm not doing this.

    19. JR

      Tourist attraction.

    20. CD

      Oh, there they go.

    21. JR

      Oh, so then they're gonna show you hacking the guy up.

    22. CD

      Forget it.

    23. JR

      But there's, uh, there's plenty of other videos that are more documentary style, that show, like, very graphic images of this, uh, this person just hacking apart this body.

    24. CD

      How big? How big do they cut the pieces?

    25. JR

      Just, like, chunks.

    26. CD

      Okay.

    27. JR

      And the vultures, they're all, you saw how they are. They're like piranha.

    28. CD

      Yeah.

    29. JR

      They're all just on it.

    30. CD

      Yeah.

  10. 33:1742:22

    Robin Williams, Richard Jeni, and comedy’s dark underside

    1. JR

      Well, like you, imagine Robin Williams. Imagine watching Robin Williams on any-

    2. CD

      Right.

    3. JR

      Did you ever see that commercial where he's doing a commercial and he won't stop fucking around?

    4. CD

      I don't think so.

    5. JR

      And the, the director's trying to get him to stop fucking around-

    6. CD

      (laughs)

    7. JR

      ... and he's like, "Will not stop fucking around."

    8. CD

      I love that man.

    9. JR

      (laughs) He's doing the different characters and shit. It's like, and he's like, "Okay, Robin, can we focus now?" And Robin's just fucking going off. (laughs)

    10. CD

      Yeah. But-

    11. JR

      That guy you would never imagine could ever be sad, you know.

    12. CD

      I was an extra in a movie with him, Billy Crystal, and Julie's, Louise Dreyfus. And I, and he, every, some, two people were sick. They went back to their trailers and I was interviewing him and he did it as Mrs. Doubtfire.

    13. JR

      (laughs)

    14. CD

      And it was fucking awesome, man. Everybody was losing it.

    15. JR

      Play it, Jamie. Let me see it.

    16. NA

      I said to him, I said, "Forget it." (laughs)

    17. NA

      Now now Howard, would you mind-

    18. NA

      Pardon me, I, I-

    19. NA

      ... looking straight into the camera?

    20. CD

      It's already great, look his back is to the camera.

    21. NA

      You know what I don't know? Robin, just do the line so we, and we, and we can get out.

    22. NA

      I can't. Alors, everything, for me, this place is fabulous.

    23. CD

      (laughs)

    24. NA

      I want to do the line for you.

    25. NA

      Robin, the line, the introduction. Just the one line that you've gotta do.

    26. NA

      Sure Howard.

    27. NA

      Okay, please?

    28. NA

      I will. Yes, sir.

    29. NA

      Okay.

    30. NA

      Foul ball, a male hygiene spray. You know, sometimes below the waterline you could reek. That's why I need new Foul Ball. Something with the part-bearer thing had it upside down.

  11. 42:2250:18

    Greatness windows: Mike Tyson’s prime, discipline, and hypnosis

    1. CD

      Oh, my. Yeah. (laughs) I've, I've been late for a show twice in my life, and both times, it was from watching Mike Tyson's Greatest Hits.

    2. JR

      Oh, wow. They will, they will drive you crazy. There was, there was a time, like, in, like, 1986 to, like, whatever it was when he lost to Buster Douglas, when, there's never been a heavyweight like him.I think he was the greatest of all time. I think he was the greatest of all time for a short period of time. But I think if y- you have to look at a fighter in particular, th- they can't keep it up forever. It's too crazy.

    3. CD

      Mm-hmm.

    4. JR

      They only have a few years in this, like, high revolution, high rev, red line prime. And that's what I try to judge them on. There's ways... People judge fighters on longevity when you look at, like, Sugar Ray Robinson or... The best example of all time is Bernard Hopkins. Bernard Hopkins was, um, a world champion when he was 49 years old. Crazy, crazy.

    5. CD

      That's my age. (laughs)

    6. JR

      Crazy, crazy. And fucking up guys that were 20 years younger than him with ease, you know?

    7. CD

      That's wild.

    8. JR

      I mean, he was a, a master. Just a masterful boxer who had incredible discipline and never lost focus, and never got out of shape, and never ate bad food. He never ate processed anything.

    9. CD

      Wow.

    10. JR

      He always ate, like, clean, organic food, drank water, no booze, fuck you. You know, up in the morning, always running, always calisthenics, always was shredded, never gained weight-

    11. CD

      Yeah.

    12. JR

      ... in between fights. Even today, I had him on the podcast toda- um, like, a couple of months ago. How many months ago? Six months ago? Maybe a little longer.

    13. NA

      It sounds right.

    14. JR

      Something like that. Even now, guy's like in his 50s, he's fucking shredded.

    15. CD

      I don't have that anymore.

    16. JR

      Ready to go. (laughs) You don't have to.

    17. CD

      Yeah. (laughs)

    18. JR

      You're a comedian.

    19. CD

      I'm just like, I- I need the processed food sometimes.

    20. JR

      Sometimes you need a little comfort, you know?

    21. CD

      What do you think it was about Tyson? Do you think it was his... I always equated it to his, uh, his legs and his coil.

    22. JR

      There was a lot of factors, a lot of factors. Um, first of all, there was his upbringing, right? So, he had a horrible, horrible upbringing.

    23. CD

      Okay.

    24. JR

      Just crime and violence in the worst neighborhood in Brooklyn. He lived in Bed-Stuy, right? So, Brownsville, I think originally, and Bed-Stuy. Terrible neighborhoods, real bad. You know, a lot of- a lot of crime, a lot of violence. And then at 13 years of age, he gets adopted by this guy, Cus D'Amato, who's one of the greatest boxing minds of all time, and he's also a hypnotist. So from age 13-

    25. CD

      Oh.

    26. JR

      ... on, he's hypnotizing Mike and telling Mike he's the greatest of all time. He's the greatest of all time. He's gonna be the greatest heavyweight the world has ever seen. And then on top of it, you have crazy genetics. Mike... I had Terry-

    27. CD

      Yeah.

    28. JR

      ... Teddy Atlasan. He told me that Mi- when Mike was 13, he was knocking out grown men. And they wouldn't believe he was 13. He'd bring him to boxing tournaments. They were like, "How old's that kid?" He goes, "13." He goes, (smacks lips) "He's fucking 16." He goes, "Okay, he's 16." He- he put him in with the 16-year-olds, he'd knock-

    29. CD

      (laughs)

    30. JR

      ... the 16-year-olds out. Yeah, he was a freak. So you have that sometimes, you know, you have kids that just have extraordinary genes. And then you have this perfect storm of a very intelligent person who was deeply neglected as a child and then adopted by a genius. Not just a boxing genius, but a genius in terms of psychology and life and philosophy, and he understood war. And, like, he- he was a war historian-

  12. 50:181:03:15

    MMA strategy, injury horror, and the psychology of performance

    1. JR

      I mean, some t- some fighters ... There's a thing that happens with some fighters in the midst of a chaotic fight, they will forget about the game plan and they will just go on instinct and start throwing down, and they wind up getting knocked out, or something goes bad. They, they, they panic. Like, n- I don't wanna say panic, but they don't think straight. That's the best way to say it, 'cause th- they're, they're still fighting, you know, it's chaos. But you're letting that lizard brain take over.

    2. CD

      Mm-hmm.

    3. JR

      And you're not sticking to the game plan. Like, the really good fighters know how, even in these, like, chaotic scrambles, to keep things tactical. Don't do anything that's gonna get you caught. Like, there's very s- It looks nutty when you're watching it on television, but if you're watching a tactician like a Max Holloway or, you know, San Hagen or, you know, Sean O'Malley, like, these, these fighters are very tactical. Everything they're doing is to elicit a reaction from you, and then they have counters based on how you do things, and then they start downloading how you're moving and reacting to things, and then they'll start plotting and moving. Anderson Silva was the very best at that.

    4. CD

      Jeez.

    5. JR

      He would take the first round and he would just be kinda, like, moving with you and moving with you, and then towards the end of the round he'd start fucking you up.

    6. CD

      (laughs)

    7. JR

      But for the f- (laughs) he was just downloading-

    8. CD

      (laughs)

    9. JR

      Anderson in his prime, you know, I had never seen anything like him.

    10. CD

      Do you think-

    11. JR

      He was at his prime, he was just downloading people's movements.

    12. CD

      And do you think those other fighters could see it in his eyes and they were like, "Ah, fuck."

    13. JR

      Yeah.

    14. CD

      "Now he knows."

    15. JR

      Yeah, when he was at the top, for sure. Everyone was terrified of him.

    16. CD

      Oh, my God.

    17. JR

      The one thing that they didn't find out, though, he had a flaw. And the flaw was, if you didn't attack him, he didn't attack you. Like, he wasn't willing to take stupid chances, especially with, like, big punchers.

    18. CD

      Sure.

    19. JR

      Like, there was this guy Patrick Cote, and Patrick Cote was a big puncher. Like, one-punch KO guy. And they had the worst fight. It was a boring-ass fight. And then Patrick, unfortunately, threw a kick and blew out his knee. It was, like, the worst ending of a fight ever. Just, his knee exploded.

    20. CD

      Just not getting hit? Just kind of twisted a bit?

    21. JR

      Yeah, not getting hit at all. He just went to throw a kick and his knee was in a weird position, and it just blew apart.

    22. CD

      Oh, God.

    23. JR

      And he's like, "God!" Falls down. That's happened before. It happened to Tom Aspinall recently. Threw a kick, knee fell apart. Didn't even happ- Like, it wasn't happening, like, where someone did something to him. He just threw a kick and his knee fell apart.

    24. CD

      I'd rather watch a guy get knocked unconscious than have that huge response-

    25. JR

      Hmm.

    26. CD

      ... to a part of their body blowing up.

    27. JR

      The b- the knee's a bad one, but the worst is a shin break. That's the very, very worst. Or an arm break.

    28. CD

      (sighs)

    29. JR

      A forearm break or a shin break. Those are very hard to watch. Those are the hardest I've ever w- I've, I've seen four leg breaks in person, and they're-

    30. CD

      Oh.

  13. 1:03:151:11:44

    Pool, snooker, and why mastery requires obsessive reps

    1. CD

      Yeah. Do you ever play snooker?

    2. JR

      I... No, I have not played. I've seen people play it. I've fucked around on a snooker table. I've never played a game of snooker, but it's very difficult.

    3. CD

      Yeah.

    4. JR

      It's hard. A lot of snooker players are super successful in pool. No pool players. I mean, maybe Alex Pagulayan, who's... He can play everything. He's like a world champion in, like, every discipline. He's a world champion in eight-ball, nine-ball, ten-ball, bank-

    5. CD

      Wow.

    6. JR

      He's like one of the greats of all times. One of the Filipinos, too, which for whatever reason, Filipinos are the best pool players on earth. Like, there's more, there's guys driving taxi cabs in Filipino, in, in the Philippines rather, that can win pool tournaments in, in America.

    7. CD

      (laughs)

    8. JR

      They come over here, like, every... You, you can't even... You... Everywhere you go is pool tables. Like, it's like one of the most popular games-

    9. CD

      Hmm.

    10. JR

      ... in the entire co- in the whole island chain. It's huge over there. But, um, that guy's a wor- He's like an elite professional snooker player as well as an elite professional pool player, but he's super rare.

    11. CD

      Yeah.

    12. JR

      There's like John Moore. There's a couple other guys that can play, like, really good snooker.

    13. CD

      We came up playing snooker at, like, northern Minnesota.

    14. JR

      That's a tough game, man.

    15. CD

      Yeah, you'd go in and these guys are just like... They take it so fucking seriously. If you lose them a dollar... I mean, these were old, old men. And if you lose them a dollar, forget it, you're out.

    16. JR

      (laughs)

    17. CD

      I remember, one of the... They always used to say, uh, when he'd m- So a two ball was worth money. So you'd have to make a cherry, it's called, a red ball first.

    18. JR

      Mm-hmm.

    19. CD

      And then you had to make a number ball. And then he would always go, if he'd miss the two ball, he'd go, "They never do." Or he'd go, "Yeah, you bet," if he'd made it. And so we went to this guy's funeral and we had a buddy with me and he had a flask with him. And they were talking and he ra- stands up and raises the flask and he goes, "They never do." And then all his old buddies had flasks with them and they raise and they go, "Yeah, you bet."

    20. JR

      Oh.

    21. CD

      It was the fucking greatest funeral I've ever been to.

    22. JR

      That's awesome. Well, I bet snooker pool, snooker halls... What would he call them? What are they called, snooker halls?

    23. CD

      I-

    24. JR

      When people play snooker.

    25. CD

      We just played at The Spot. I don't know. It was like, it was like a little restaurant that had tables in the back.

    26. JR

      Oh, okay. And they were all snooker tables?

    27. CD

      We had two pool tables and then two snooker tables.

    28. JR

      Oh, okay.

    29. CD

      Yeah.

    30. JR

      'Cause at, like, places where they just play snooker, do they call them a snooker hall?

Episode duration: 2:43:53

Install uListen for AI-powered chat & search across the full episode — Get Full Transcript

Transcript of episode UbsUw05I5_Y

Get more out of YouTube videos.

High quality summaries for YouTube videos. Accurate transcripts to search & find moments. Powered by ChatGPT & Claude AI.