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Joe Rogan Experience #2282 - Bill Murray

Bill Murray is an actor and comedian. He is currently starring in "Riff Raff." Look for him in "The Friend" in theaters on April 4. https://www.riffraffthemovie.com https://bleeckerstreetmedia.com/the-friend Save $20 on your first subscription of AG1 at drinkag1.com/joerogan

Joe RoganhostBill Murrayguest
Mar 1, 20252h 20mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:001:36

    Rogan meets Murray: nerves, first impressions, and the studio’s weird artifacts

    1. NA

      (drumming) Joe Rogan podcast, check it out. The Joe Rogan Experience.

    2. JR

      Train by day, Joe Rogan podcast by night, all day. (rock music) Yeah.

    3. BM

      Yeah.

    4. JR

      Thank you for doing this. (clears throat) This is a huge honor for me. I'm a giant fan, forever. Like, since I was a kid. So-

    5. BM

      Well, are we going? Are we starting?

    6. JR

      Yeah, we're- we're live.

    7. BM

      Okay, good.

    8. JR

      So for me, me ... There's certain people I meet where it's like, "Whoa, okay." And you're those. You're one of those.

    9. BM

      Well, I have a very different experience. I only know about you what I've heard. I've never, uh, heard your show. I had to ask you, are you Joe? 'Cause-

    10. JR

      (laughs) Oh, perfect.

    11. BM

      ... I- I- somehow I knew you were, like, into fitness and everyone out there seems to be a weightlifter, in your-

    12. JR

      Yeah.

    13. BM

      ... in your outer r- Even Danielle seems like she's, she did lower body today.

    14. JR

      (laughs)

    15. BM

      But, uh, it's, uh, so it's- it's- it's nice to meet you and people are- are alter- uh, are, you know, they're ... Some people are very, very excited that I've got- gotten- come down here to- to be on your show, so ...

    16. JR

      Well, you're an interesting guy.

    17. BM

      Other people are concerned for me, so ...

    18. JR

      Oh, really?

    19. BM

      Yeah. (laughs)

    20. JR

      Are they? Legitimately?

    21. BM

      I don't know. I don't if it's the w- I don't know why it's the weightlifter thing, 'cause I have no-

    22. JR

      (laughs)

    23. BM

      ... I have no predisposed ... I have no pre- premonitions about it. But when I walk in here and I see, um ... I gotta look at that. What is that green neon?

    24. JR

      Oh, that's, uh, the local racetrack. That's the Circuit of the Americas-

    25. BM

      Okay.

    26. JR

      ... where Formula 1 races.

    27. BM

      Okay.

    28. JR

      Uh, that's my friend's place, so he gave me that.

    29. BM

      Okay. Um, yeah, I walked in and I saw all these Hunter Thompson things. I felt automatically, like, "Okay. Well, this guy can't be a complete disaster."

    30. JR

      (laughs)

  2. 1:368:42

    The dog-hair hat and the day Hunter S. Thompson nearly drowned Bill Murray

    1. BM

      And then I walked down the hall and there's Hunter wearing a hat that I gave him.

    2. JR

      Oh, that hat with- with the gun?

    3. BM

      Yeah. The one where he's-

    4. JR

      Wow.

    5. BM

      ... in a cockpit, it looks like.

    6. JR

      Yeah. You gave him that?

    7. BM

      That's a dog hair hat.

    8. JR

      Oh, wow.

    9. BM

      That's dog hair.

    10. JR

      It's made out of dog hair?

    11. BM

      Yeah.

    12. JR

      Whoa.

    13. BM

      And he got such a kick out of it, because when it rains on you or snows on you, like it would in- in Woody Creek, you come in the house and you smell like a wet dog.

    14. JR

      (laughs)

    15. BM

      And he loved, like, doing that to people. And people would be like, "What in the hell?"

    16. JR

      (laughs)

    17. BM

      He'd be like, "Oh, my- my dog." You know? That's the dog right there.

    18. JR

      Yeah.

    19. BM

      Oh, so this is ... Are you filming this too? This is for-

    20. JR

      Yeah.

    21. BM

      ... whatever you do?

    22. JR

      Yeah.

    23. BM

      Yeah, so. Uh, yeah, there he is. There's that dog ha- It's got a head like big, like, tie things. You can tie it under your chin if it

    24. NA

      What year was this?

    25. BM

      exactly ) This is, um, I would ... Oh, wow, look at that one. Oof.

    26. JR

      Lawyers, guns, and money?

    27. BM

      Jesus. (laughs)

    28. JR

      (laughs)

    29. BM

      Those are la- Those are later ones. Yeah.

    30. JR

      Yeah.

  3. 8:429:31

    Fame avoidance, tech minimalism, and Murray’s AOL email

    1. JR

      rogan. That's drinkag1.com/jrogen. Check it out. Well, that must be fun for you though. Like, it's, I enjoy when people don't know who I am. Like, it's very rare for you.

    2. BM

      Yeah, it's, it's preferable. Yeah.

    3. JR

      Yeah.

    4. BM

      It's not... But you, you have figured out this way of navigating life where, like, you're not a cellphone guy. You probably don't even have email, do you? No, I have them... I have these things now, but, uh, if you have children, you have to have, uh, you have to get a cellphone.

    5. JR

      Right.

    6. BM

      'Cause they will not answer a telephone, but they will answer a text. So that's-

    7. JR

      Right.

    8. BM

      ... I had to break down.

    9. JR

      Yeah. But you've managed to stay blissfully detached in some sort of way.

    10. BM

      Yeah, my email is-

    11. JR

      Very nice.

    12. BM

      ... aol.com.

    13. JR

      Is it really? (laughs)

    14. BM

      Yeah. So (laughs) that's, uh, that's, that was my, uh, concession to it, but...

  4. 9:3111:42

    Comedy with Hunter: ‘Nixon’s back’ and the origin of ‘tanned, rested, and ready’

    1. JR

      One of my favorite things you did with Hunter was when, um, it was a feeling of some sort of a documentary or something, or is in a documentary, the footage is. And you're going around trying to convince people that Nixon got a bad rep.

    2. BM

      Yeah, yeah. That was good.

    3. JR

      (laughs)

    4. BM

      We were trying to wr- we were trying to write something funny. I was with my friend, Dick Blasucci, on that one. And I can't remember. There were, like, two or three of us that were trying to write this thing. And we rented a, like, a klieg light, uh, you know, like a big Hollywood premiere kind of one of those giant lights that they flash up in the sky. You know, you don't even see them very much anymore, but... And we were just outside the Chateau Marmont where Hunter had a room at that moment and, and we were doing, um, we were excited 'cause Nixon's back, you know? And we were interviewing alleged people on the street, men on the street, saying, "What do you, what do you think about this?" 'Cause it was after Watergate and, and Nixon had basically burrowed down and, and, uh, Hunter had a, like, a powerful hatred of, of Nixon, really didn't like Nixon, of course, but I just remember Dick Blasucci saying, uh, "Well, I'm excited. Uh, he's tanned, he's rested, and he's ready."

    5. JR

      (laughs)

    6. BM

      I still, I still say it all the time. I just, I say it about myself all the time-

    7. JR

      (laughs)

    8. BM

      ... 'cause I think it's funny. "How are you, Bill?" "I'm tanned, I'm rested, and I'm ready." But saying it about Richard Nixon I thought was a really brilliant thing to say.

    9. JR

      Well, actually-

    10. BM

      Anyway-

    11. JR

      ... it became a common phrase.

    12. BM

      (clears throat) Yeah.

    13. JR

      Like, people use it all the time to this day probably not even knowing the origin.

    14. BM

      That's right.

    15. JR

      Yeah.

    16. BM

      And it's Dick Blasucci who did it. And, uh, and we, we, we weren't there for, like, 45 minutes before, like, "I work in the industry and I know you have to have a permit to have that light on." I mean, there were people, they came at us. We were, we were a growing concern for about one hour tops.

    17. JR

      (laughs)

    18. BM

      And that was with, like, professional, argumentative people, like Hunter, myself, going, "That is a fabulous, uh, watch you're wearing. Where'd you get that?" You know-

    19. JR

      (laughs)

    20. BM

      ... just, just anything to keep this thing going and to keep their, the cameras rolling on our super stuff. But, and demands, but, uh, yeah, that's, that was one of the things. I had a lot of fun with the guy. Really, he, he really was a lot of fun. He really could make a lot of fun.

  5. 11:4216:48

    Hunter’s political writing and the ‘high-water mark’ passage (with audio excerpt)

    1. JR

      I really wish I met him. He's one of those people that, gah, just really wish I met him.

    2. BM

      Well, you can still read it, you know?

    3. JR

      Oh, yeah.

    4. BM

      There's still so much more stuff that I didn't, hadn't even read then. It just keeps appearing. There are things that are-

    5. JR

      Yeah.

    6. BM

      ... so beautiful that he wrote that, that are good and, uh, you know, people text me things and say, you know, about what, what's going on, how sort of pressured he was about things lo- a long time ago.

    7. JR

      Yeah, dead on about so many things. I mean, you could take a lot of his commentary on politics from 1976 and apply it easily to today.You know, Fear and Loathing on the Campaign Trail is one of the best books ever on the American political system, just like what it's like when people-

    8. BM

      I agree.

    9. JR

      ... run for office.

    10. BM

      Yeah. It's a... To me, it's a better book than Fear and Loathing in Las Vegas, which is, is really fun, but-

    11. JR

      Yeah.

    12. BM

      ... the Campaign Trail book is so insightful about America and, and about Americans, you know.

    13. JR

      Yeah.

    14. BM

      It's great reading.

    15. JR

      No, the movie was fun. Fear and Loathing was fun. It was just a... It was a great introduction to a lot of people, maybe, that weren't aware of Hunter. Like, maybe then you'll start reading his, his stuff. But it's... It wasn't all, you know, chaos and acid and seeing lizard people in the, in the bar. It was... There, there was... Like, even... There's moments in Fear and Loathing, the movie, where, you know, he... There's this one thing where Johnny Depp is, uh, at the typewriter. Or is that in the movie or is that in, um, the documentary?

    16. NA

      I don't know exactly.

    17. JR

      Where he's at the typewriter, he's talking about how the 1960s, there was this great wave of change and then-

    18. BM

      Yeah. Yeah, the high-water mark-

    19. JR

      Yeah.

    20. BM

      ... you can see it on the mountains.

    21. JR

      Yeah. So he was there when the water broke.

    22. BM

      It's a beautiful, beautiful piece of writing.

    23. JR

      Oh, my God.

    24. BM

      Yeah.

    25. JR

      It's amazing.

    26. BM

      Yeah.

    27. JR

      It's... And when Johnny Depp is saying... The way he's saying it-

    28. BM

      Yeah.

    29. JR

      ... it's like, it's so beautiful and melodic.

    30. BM

      Yeah. Why, why don't you... Jimmy, why don't see if you can find it?

  6. 16:4823:29

    Playing Hunter on screen: responsibility, immersion, and writing scenes together

    1. JR

      You played him.

    2. BM

      I did play him. Yeah.

    3. JR

      Yeah. I do-... We were talking about it before. I loved it.

    4. BM

      Right.

    5. JR

      Were you at the Buffalo Room?

    6. BM

      Yeah. We were at Buffalo Room.

    7. JR

      Was that weird to play your friend?

    8. BM

      It was a lot of responsibility.

    9. JR

      Yeah.

    10. BM

      I mean, it was, um... A- any actor that has to play either a living person, especially a living person, or a, a, a famous person has a real responsibility to, to that person. You know, you can't just be that person for 90 minutes. You have to realize that person was that person for 60-some-odd years or 70 or however many years the person was. You've got to try to get all that into your hour and a half or two hours. You've got to try to take in as much as you can so you're not lying, you know? You're at le- at least you're giving the best you can to say, "This is who I think he was. This is who I think that person was, she was, he was."

    11. JR

      D- did you run any of it by him? Did you try (clears throat) to talk to him as him?

    12. BM

      Well, he was living in the guest house.

    13. JR

      So you were around him all the time?

    14. BM

      Yeah. So I would go to work, and, um, I would come home, and then we would stay up. And, uh, sort of just an hour or so before, maybe an hour and a half before, two hours before dawn, he'd have a, uh, a NyQuil and Scotch.... (laughs) in the- in the hot tub and then go to sleep. And then I had to get about 90 minutes, and then (knocking) the teamster was knocking on the window, saying, "Bill." (knocking) "Billy." You know, then I'd have to go to work. So that's what it was like while we- we were shooting the movie.

    15. JR

      Wow.

    16. BM

      Yeah. And he appears in the movie briefly. He appears in the movie briefly. (clears throat) I can't remember all of it, but he appears in the movie briefly. And we did... together we wrote a scene where I was always constantly changing. Uh, John, John Kay wrote the script, but I was always playing with it and i- 'cause I was always being informed more, you know. And I... that's what I did anyway, I just pretty much, you know... I felt the freedom to change anything. But we did write a scene, Hunter and I wrote a scene late... that was late in the movie. (clears throat) Pardon me. They gave me these beautiful massive, um, things.

    17. JR

      Cough drops?

    18. BM

      Here. You want one?

    19. JR

      No, thank you.

    20. BM

      Um, yeah, so he was in on a lot of it and- and the- and the- and- and the editing of it, you know, we- we can secretly say that too. And- and the- and the, um... you know, it was a lot of, um... there was a lot... he was really involved.

    21. JR

      Very nice.

    22. BM

      So...

    23. JR

      Good shot.

    24. BM

      Um...

    25. JR

      So you're saying he wrote a scene, you guys wrote a scene together?

    26. BM

      Yeah, we wrote a scene together, yeah. Which was, um, encountering Nixon in a- in a urinal. 'Cause he did have a moment with Nixon where-

    27. JR

      Yes.

    28. BM

      ... he probably won't remember that.

    29. JR

      In the limo.

    30. BM

      Remember. Yeah.

  7. 23:2931:43

    Politics fatigue, tribalism, and why culture (music) once unified people

    1. BM

      Well, it's very much like, this is happening... this has been happening in- in my life anyway, and- and- and I'm sure it's happening in everyone's life th- for the last, gotta be 10 years, where you meet people, we have something in common, we've got to... uh, we've got to... something we gotta get done, you know. But if we talk politics, we're leaving the rails, you know.

    2. JR

      Right.

    3. BM

      All hell's gonna, you know... we're- we're not gonna get along... we're not gonna get anything done, we're never gonna be friends, and- and, you know, it could get... be worse than that. We could be... we could, you know, be adversaries or even enemies or...

    4. JR

      Right.

    5. BM

      You know? So that... I mean, it's... you- you mentioned it, it's like I go places where, and y- I'm sure you do too, where you just can't talk... you just don't wanna talk politics with people, 'cause there are people that are... you know, whose politics can be the exact opposite of yours, completely s- n- t- 12 to 6, and yet they're people that have lived lives...... that are so extraordinary and so enormous in terms of what they give to the world and the planet. And you think, "Well, how..." (laughs) You know, "Why would I, like, ever wanna get..." How do- it's- it's a mystery, you know? It's kind of a mystery. But it's- if you don't, like, k- k- value that first instead of your kinda political-

    6. JR

      Right.

    7. BM

      ... you know, handkerchief, you know, you're- you're making a m- more of a mess, you know? And that's kinda what's... (sighs) You know, that's f- uh, that's how I feel a lot about what's going on in anywhere.

    8. JR

      Yeah.

    9. BM

      Everywhere, you know? That people are leading with their- their handkerchief and not their- not with their, uh, whole self, you know, what they understand about what living is.

    10. JR

      I agree 100%. I think that we're just too tribally divided, and people look at it, like, it's us versus them. They en- enjoy the comfort of being a part of a tribe. They lock onto whatever ideologies the tribe support, and then anybody who opposes that is somehow now the enemy.

    11. BM

      (clears throat)

    12. JR

      And it's just a- it's a division tactic that's been used by th- the people that actually run the government, the actual world itself. The real people of this world, especially the people of this country, have- mostly share the same common core needs. You wanna be healthy, you wanna have a good family-

    13. BM

      Yeah.

    14. JR

      ... you wanna be able to make a living, you wanna live in a safe place, you want your kids to be able to go to a good school. You want everybody to prosper and have a good time.

    15. BM

      Right.

    16. JR

      That's most of what life is. All this other shit that people get so goddamn caught up in, most of it has very little to do with you, and you get locked into it like it's 100% of your identity, and the next thing you know, anybody who opposes you is Hitler. And it- it just gets... It-

    17. BM

      That's true.

    18. JR

      It gets so toxic.

    19. BM

      His name gets bandied about (laughs) a lot lately, doesn't it?

    20. JR

      Yeah, it's a good one.

    21. BM

      You know what? But you sort of started it be- by saying- by bringing up that quotation of Hunters, which is so ... And- and I think about that all the time. I- I- I- I can not a- but I think about it regularly, like, "What was that, that force, that that movement had?"

    22. JR

      Yeah.

    23. BM

      That antiwar movement, whatever that was. You know, it wasn't perfect, you know? It wasn't perfect. I think the thing that ... If- if- if I had to regret anything or anyone regrets anything about it, was the sort of hostility that was shown towards the actual servicemen.

    24. JR

      Right.

    25. BM

      Most of whom were drafted-

    26. JR

      Right.

    27. BM

      ... you know?

    28. JR

      Right.

    29. BM

      To fight, you know? So the- those service people had an experience that I will never have. I was in a military movie. That's as good as it ever got for me. But there's- the thing about being in war together with people is everybody hates war. S- h- and who could hate it more than someone that was there?

    30. JR

      Right.

  8. 31:4338:49

    Car design rant: from ’60s muscle cars to modern sameness (and the Taurus story)

    1. BM

      It's like when... I, I never tied it all to the, the, the, that sweeping thing, but, but w- when you revisit that, you realize how much, uh, h- harm that did, that, that kind of, um, lawmaking. But let's all agree that the cars don't look as good as they used to.

    2. JR

      They look like dog shit.

    3. BM

      Okay, let's, let's, who, who's the, who are those people that say that they're really good problem solvers, I see them every once in a while, and they go like, "How does he do it?" I say, "Well, first I say, what can we agree on?" Okay, so we can agree that cars don't look so good no more, you know? That-

    4. JR

      Well, they look good now.

    5. BM

      It used to be that every single year, every single car looked different-

    6. JR

      Yes.

    7. BM

      ... than it looked the year before.

    8. JR

      Yes.

    9. BM

      And that's mind boggling nowadays to think about that. And even now with the... Cars are made of, I don't know, plastic. What are they made of?

    10. JR

      Yeah, they're made of shit.

    11. BM

      They're made of nothing. They're not made of steel. They did it with steel back then.

    12. JR

      Right.

    13. BM

      And now they're made with, I don't know, some sort of carbon something or other. And y- you would think they would be able to, like... I don't know what a 3D printer is, I have to confess.

    14. JR

      (laughs)

    15. BM

      (laughs) I have no idea what a-

    16. JR

      We actually talked about it yesterday.

    17. BM

      I have no idea what a 3D-

    18. JR

      The biggest one's four feet long.

    19. BM

      Uh, the biggest one is four feet long?

    20. JR

      Yeah, that's what Elon was saying. They're not that big.

    21. BM

      So can you make-

    22. JR

      You can't make giant things.

    23. BM

      ... can you make a table out of this? You can't make anything bigger than four feet?

    24. JR

      Not really. I don't think so.

    25. BM

      But I mean-

    26. JR

      I mean, maybe there's some, like, sup-

    27. BM

      ... car parts now are... I mean, if you have a car-

    28. JR

      Yeah.

    29. BM

      If you have a fender bender, there's like seven parts that you have to replace now.

    30. JR

      Mm-hmm. Yeah.

  9. 38:4948:01

    Steve McQueen admiration and the lost art of quiet filmmaking

    1. BM

      I was watching it the o- you know, did you, they found the original Bullet car, did you know that?

    2. JR

      Yes. Yeah, it sold for like three million bucks.

    3. BM

      I was reading about that this week, 'cause I saw it was on TV last week.

    4. JR

      Yeah.

    5. BM

      And I've watched it a lot of times, that movie, 'cause, and you know, I think Steve McQueen's pretty, pretty damn good. But y- when you watch the movie, it's, it's obviously the roaring through San Francisco and all that sort of stuff s- it's famous for. And then there's the ending where there's... (clears throat) The start of the story ends with kind of a flaming crash, you know?

    6. JR

      Mm-hmm.

    7. BM

      It's kinda not really kind of an ending, in a way. But, but watching it this particular time, it was all the moments in between all that that really make the movie.

    8. JR

      (clicks tongue) Yes.

    9. BM

      All the quiet in between where he's in the grocery store.

    10. JR

      Yes.

    11. BM

      He's with the girl, he's at the mailbox.

    12. JR

      Yeah.

    13. BM

      He's seeing these people and these people. And he has this very quiet inner self that's dealing with people very respectfully. And it, and his, his, his blood pressure only moves, th- the needle only starts to move when he gets with the bad guy, Chalmers, who's obviously a, you know, a fraud of some sort. And he's got him like, you see him like, not just as a- an actor keeping his cool, but as like a cop keeping his cool with like a, a person he knows is trying to use him. And that, those, those, just watching that part of the performance and that part of the story was much more interesting. The first time is I saw all that as its own weave through it, you know?

    14. JR

      Yes.

    15. BM

      That the, the car stuff had very little to do with what I was getting from-

    16. JR

      Yes.

    17. BM

      ... from the, from the people. The car stuff was nothing. And his boss was a great actor. Simon Oakland, I think is his name is. He was great as his boss who said, "Eh, I'm gonna hold this till Monday morning." You know, that kind of guy.

    18. JR

      (laughs)

    19. BM

      And, um, (clears throat) there were some great acting in that. It's a really beautiful American movie like that.

    20. JR

      I'm so glad you brought that up because it- it's- it's one of the things that I love about that movie and Le Mans, uh, another great Steve McQueen movie, is that he had these m- moments. And you could do that in a movie back then, where no one was talking for minutes and minutes at a time.

    21. BM

      There's a lot of quiet in Bullet.

    22. JR

      There's no music.

    23. BM

      A lot of quiet.

    24. JR

      Yes.

    25. BM

      Amazing, yeah. True.

    26. JR

      It's just you're taking in this story, but it's very compelling. And sometimes there's not even any music, right? Like in Le Mans.

    27. BM

      Yeah.

    28. JR

      The whole f- first part of it, there's no talking at all for quite a while. It's just like you're getting the sounds and the feeling of being this race car driver, and he's driving his 911 down this country road.

    29. BM

      Vroom.

    30. JR

      Yeah.

  10. 48:0157:47

    Murray’s current projects: Wes Anderson, ‘The Friend,’ and ‘Riff Raff’ trailer moment

    1. BM

      But we... I should talk about movies-

    2. NA

      Yeah.

    3. BM

      ... because I'm supposed to be talking about movies-

    4. NA

      Yes.

    5. BM

      ... since we, we started talking about movies. Um...

    6. NA

      Tell me about your movie.

    7. BM

      My, um... I mov-... I got two movies. I have three movies. I'll work backwards from the one which is least... which is farthest away. I did one with Wes Anderson called The Phoenician something. That's the title. It's-

    8. NA

      (laughs)

    9. BM

      ... you know, I'm sorry Wes.

    10. NA

      (laughs)

    11. BM

      Uh, The Phoeni-... you know what it is?

    12. NA

      The Phoenician Scheme.

    13. BM

      The Phoenician Scheme. And, um, I'm a... I have a lot of tr- trouble with names nowadays. But the guy who did the set design, can you figure that out? This guy is the most famous. He's the best there is now. These are the most beautiful sets I've ever seen in any movie. Um, come on, it's coming.

    14. NA

      (laughs)

    15. BM

      I'm sorry everybody, but I just haven't been getting enough sleep.

    16. NA

      No worries.

    17. BM

      Anyway-

    18. NA

      The power is in the hand. (laughs)

    19. BM

      ... that's a great movie, that, we shot that in Berlin and there's great people in it. It's got, uh, uh, I wanna say Toshiro Mifune, but it's not. It's the guy who played Che. Come on. (laughs)

    20. NA

      Don't-

    21. BM

      Come on, help me out here.

    22. NA

      ... try to get me. (laughs)

    23. BM

      All right. You f- you look it up, Jim. You get back to us with this just... Anyway, that movie's coming in a bit.

    24. NA

      Benicio del Toro is in that.

    25. BM

      Who? Benito?

    26. NA

      Yeah. Yeah.

    27. BM

      Yeah. Benito's really good. He's really good and he's really cool. And Michael Cera, right? Is he the third?

    28. NA

      Did you say Benicio?

    29. NA

      Yeah.

    30. NA

      Benicio del, del Toro.

  11. 57:471:00:27

    How Bill Murray chooses roles: trusted auteurs, script instinct, and the ‘dorm’ model of filming

    1. NA

      How do you decide, uh, what projects to pick?

    2. BM

      It's really just what, uh... Well, there are certain people, like, um, like with people that I've worked with before, mm, there's some, like, uh, Wes Anderson is one and Jim Jarmusch and Sofia Coppola are others, and those three people call and say, "I got something." I say, I just say, "Okay, when?" You know. That's... 'Cause I know, I t- I know that they're... I know they know-

    3. NA

      Right.

    4. BM

      ... what I can do and they know they, they look out for me and they treat people well and I love them as people and I love them as artists, so-

    5. NA

      Yeah.

    6. BM

      ... that's just a thing. But the other ones are more like, um, or like, uh, uh... You have to read the script, 'cause people, you know, the script is pretty much... If the script's not there, I mean, uh, you know, I can always help improve a script, but if the basic thing isn't there, it's like... I don't know. I was scratching at one the other day and I'm writing and I'm going, "What the hell am I doing this for? This is just terrible." Every (laughs) every-

    7. NA

      Mm-hmm.

    8. BM

      ... page is like... So, but, if it's not good, and usually, um, you know, you know in, like, five pages, you know, whether or not to re- even f- continue reading the script at all. You know?

    9. NA

      Yeah.

    10. BM

      You know? So-

    11. NA

      So a lot of it's based on relationships and people you trust and know.

    12. BM

      Only w- those are very few. There's only very few people that I have those kinds of relationships with, and I've done, like, multiple j- jobs with them and they kill every time. They're good. They're really good. So when they call, it's like, I don't... You don't have to waste my time telling me the story. Just send me the thing, you know?

    13. NA

      Right.

    14. BM

      You don't have to waste any time. I'm in. You can count on me. You know?

    15. NA

      That's awesome.

    16. BM

      So, that's it.

    17. NA

      I love that.

    18. BM

      Yeah. Yeah, I do too. It's, it's-

    19. NA

      God, that's such a great feeling when you trust someone that much and you're so enthusiastic about working with them, that like, "Let's go."

    20. BM

      Yeah, it means, like, great. And, you know, like, people make the living, the making of a movie part of their living, you know. Like, Wes is probably the, the most extreme example in that, like, we all live in s- a quasi dormitory. You know, we take over a small hotel in some small... in some city, and all the actors and, like, the key crew live in the hotel. And you come down for breakfast in the morning and people pad down in their slippers and their jammies and they have coffee and stuff and they look at the newspaper and say, "What are we doing today?" And then they, like, pad back up the stairs and get on their clothes and they go to work. And it's cool. It's really nice. It really is like what you always thought it would be, like in the old days. Like, what if we all lived in a dorm and we were just being funny all day, you know?

    21. NA

      (laughs)

    22. BM

      Like, (laughs) like that.

  12. 1:00:271:11:42

    ‘Kingpin’ and comedy that would be impossible today + remembering Phil Hartman

    1. NA

      Yeah. What was it like working on Kingpin?

    2. BM

      Well, those guys, um, have more fun making movies than anyone. They really make it fun. Like, Ping- I remember, like, in between shots on Kingpin, we'd be on the side of a road somewhere and it would be like, everybody's gotta pick up a rock and we gotta throw it at that telephone pole, you know. Who's gonna hit the telephone pole with a rock? So we would sit there and, like, I don't know, a dollar, $10, $100, whatever it was, we're throwing and somebody's gotta hit the rock.... you know, and then people like that pull out cash and pay-

    3. JR

      (laughs)

    4. BM

      ... 'cause it's just like, we just gotta keep this thing going, you know? We're not gonna let the energy of this thing drop.

    5. JR

      Just fun.

    6. BM

      Just-

    7. JR

      Keep the fun rolling.

    8. BM

      ... fun, yeah. And just creativity and always being loose, and always being physical. Always being, you know, a c- connected, attached, you know? Not just attached, but connected. And, and entertaining. Entertaining each other, you know? Really making this fun. Goddamn it, we are gonna have fun or else. You know, if you don't have fun making a comedy, you've just made a bad movie that's not funny.

    9. JR

      Yeah.

    10. BM

      You know?

    11. JR

      Well, it comes off in the film. The film is so fucking funny. It's-

    12. BM

      (laughs)

    13. JR

      ... so good, and it's one of those films-

    14. BM

      (clears throat)

    15. JR

      ... like, if you tried making that today, it would be a, an, (clears throat) an uphill trudge.

    16. BM

      (clears throat) Well, you know, and that's, like, one of those things, um ... They had a moment on Saturday Night Live, an In Memoriam thing. They said, "Oh, so and," I v-, I was there the week of the thing, and they said, "Yeah, so and so's working on the In Memoriam," and I'm thinking, "Well, who's gone?" Which, which reminds me. Um, who's gone, you know? And, uh, no, it's not, it's not who's passed away. It's what we can't do anymore to be funny, you know?

    17. JR

      Right.

    18. BM

      And so it was like, all these kinds of jokes. And so it was just a whole clip. I didn't even see it, but I just, I saw a little bit of it being assembled, but it could be 40 minutes long, you know?

    19. JR

      Right.

    20. BM

      Just all the sketches that you, people would, you would get, like, you know, internet, you know, responses. Like, "We're l- we're gonna burn down the city in New York," and-

    21. JR

      Well, it could be hours long today.

    22. BM

      Yeah.

    23. JR

      Hours long.

    24. BM

      Yeah, yeah. I, I'm sure it was 45, but it's ... But some of the funniest things ever done, you know?

    25. JR

      Yes.

    26. BM

      Like Head Wound Harry.

    27. JR

      Yeah. Yeah.

    28. BM

      You know? Which was one that, uh, not, not many people think about. But how, you know, like, somebody-

    29. JR

      Yeah.

    30. BM

      ... would object to a dog eating a brain wound? You know, like licking, like, the blood coming out of someone, a skeletal wound, you know? But someone told me on the way here, a friend of mine, a musician named Mike Zito, who, uh, who said he listens to your show. He said that you knew, um, Phil Hartman.

  13. 1:11:421:15:48

    Bathroom break and wall art tangent: Elvis, Nixon, and ‘Frost/Nixon’ appreciation

    1. BM

      Can I take a break for a second? I'm gonna take a leak.

    2. JR

      Yeah.

    3. BM

      I'll be right back.

    4. JR

      Yeah. Take a leak. Be right back.

    5. BM

      You're in charge.

    6. JR

      Okay.

    7. BM

      Set up this table.

    8. JR

      I'll do a little bit. See you in a bit.

    9. BM

      You have a very, you have so much cool stuff on the walls.

    10. JR

      Lot of art.

    11. BM

      Do you, uh, do shows where you walk around and show all this stuff?

    12. JR

      No, no.

    13. BM

      Wait, really?

    14. JR

      No, no, no, no, no. I just... It's personal.

    15. BM

      Okay.

    16. JR

      This is stuff for us-

    17. BM

      Well-

    18. JR

      ... for us and the guests.

    19. BM

      Well, there is a photograph in the, in the men's room. I didn't-

    20. JR

      Which one?

    21. BM

      ... check. Uh, it's Presley.

    22. JR

      Yeah.

    23. BM

      And it looks like it's a mugshot.

    24. JR

      It's a fake mugshot.

    25. BM

      It's a fake-

    26. JR

      So what it is, is-

    27. BM

      Yeah.

    28. JR

      ... he went to the White House and he met with Nixon.

    29. BM

      It's that... Oh, okay. The gun thing where he gives Nixon, he gives him a revolver.

Episode duration: 2:20:48

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