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The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #2359 - Mike Maxwell

Mike Maxwell is an artist whose work explores many themes, including humanity, consciousness, and the unknown. https://www.mikemaxwellart.com

Joe RoganhostMike MaxwellguestGuestguest
Aug 1, 20252h 30mWatch on YouTube ↗

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  1. 0:001:11

    Mike Maxwell’s art origin story: the JRE logo and being “discovered”

    1. NA

      (drumming music) Joe Rogan podcast. Check it out. The Joe Rogan Experience.

    2. JR

      Train by day, Joe Rogan podcast by night, all day. (rock music) Hey, Mike Maxwell.

    3. MM

      What's happening, Joe Rogan?

    4. JR

      My man, good to see you. Um-

    5. MM

      It's good to be here.

    6. JR

      For anybody who doesn't know, Mike Maxwell is an amazing artist, and did not just that painting with Quentin Tarantino in front of it, which is pretty fucking cool, but also the JRE logo.

    7. MM

      Yeah. A minute ago.

    8. JR

      The infamous logo. (laughs) Geez.

    9. MM

      Yeah. So funny.

    10. JR

      That was like how many years ago was that? Like 15 fucking years ago?

    11. MM

      Yeah. It has to be. I think you were, like, on episode 10 maybe.

    12. JR

      Wow.

    13. MM

      Yeah.

    14. JR

      That's crazy.

    15. MM

      Yeah, and super fucking random too. Like, I get the question all the time, like, "How the fuck did you do that?" You know.

    16. JR

      (laughs)

    17. MM

      And for me, like, my whole, like, art experience has just been, like, make the work, and whatever the fuck happens afterwards is just all bonus, you know.

    18. JR

      Well, if the work is great, that works, you know. It's like-

    19. MM

      Yeah, yeah, yeah.

    20. JR

      ... you kind of have to be discovered. Someone has to find you. But yet, ultimately, it's about talent.

    21. MM

      Yeah. And, and, you know, hard work too.

    22. JR

      Yes.

    23. MM

      Yeah.

    24. JR

      Yes, yeah, yeah, yeah.

  2. 1:113:59

    How great art gets made: craft, repetition, and the work ‘painting itself’

    1. MM

      I mean, 'cause that talent really doesn't co-... Like, artists so often are like, people are like, "Oh, I, like, I wish I could draw. Like, you're so lucky, like, God-given talent." I'm like, "Bitch, I had to fucking... I work every day, and have been grinding at this for 25, 26 years."

    2. JR

      There's, there's no God-given talent with art. There's some people have an openness or maybe an ability to see things differently than others, but when it comes to the actual technique-

    3. MM

      Yeah.

    4. JR

      ... and developing that fine hand-eye coordination-

    5. MM

      Yeah.

    6. JR

      ... and the, the ability to draw exact, or paint exactly what you're looking for-

    7. MM

      Yeah.

    8. JR

      ... God, that's work. That's work, man.

    9. MM

      Yeah. And it, it... Nothing came easy. Like-

    10. JR

      No.

    11. MM

      ... I feel like there's some artists and, like, some creative people who, they have some, like, uh, inert talent that's in there somewhere, or it's like we have the right brain chemistry to, like, get started. But, like, I'm still improving. 20, 25, 26 years in, I'm still recognizing improvements.

    12. JR

      Yeah, I thought that, that particular one that we just posted a picture of, that was, like, one of your best ones.

    13. MM

      Yeah.

    14. JR

      That w- That is-

    15. MM

      Yeah.

    16. JR

      ... fucking amazing.

    17. MM

      Well, I told you, like, I probably put more time and effort into that piece than anything I'd made previously.

    18. JR

      Look at that thing. I mean, that is so sick. That is so sick. And it's like, that is this show. (laughs)

    19. MM

      Yeah, right? And what's funny, like, that piece was really, like, all the components were just separate drawings that I had been, like, compiling.

    20. JR

      Oh, wow.

    21. MM

      And then it, like, eventually just kind of formed itself. Like, sometimes I just let the work do, do what it needs to do. Sometimes it's almost like I feel disconnected from it.

    22. JR

      Yeah.

    23. MM

      And I ha- Like, there gets to a point after, like, all the, like, prep work where it's like the painting starts to paint itself.

    24. JR

      Right.

    25. MM

      Like, it tells me what it wants.

    26. JR

      Yeah.

    27. MM

      It's very strange. Like, there'll be a moment where it's like I could feel something's not right, and then, like, I can't consciously think of, "Okay, well, I need to do A, B, and C." But it's kind of like I sit and wait, and something tells me, right?

    28. JR

      It's so crazy that you say it that way, because so many people, including authors in particular, they, they talk about the exact same kind of process. It's like something just comes to you.

    29. MM

      Yeah. And that's... I've, I've done a little bit of writing, and I've, I've recognized that in writing too, where, like, I'm telling a story, and then all of a sudden it's like the characters come to life.

    30. JR

      Yeah.

  3. 3:598:10

    Drugs and creativity: Stephen King, Hunter S. Thompson, and the cost of frying your brain

    1. JR

      I always wondered why that's, maybe that's why Stephen King wrote his best work when he was coked up and drunk, 'cause he was out of his head.

    2. MM

      Yeah. I think-

    3. JR

      Like, he, he, he could get away from his own head.

    4. MM

      Yeah.

    5. JR

      I know that sounds ridiculous, especially to sober people-

    6. MM

      Yeah. (laughs)

    7. JR

      ... that don't... You know what I mean?

    8. MM

      Yeah.

    9. JR

      Like, they don't want to admit that there's, there's, that's, there's a, a, a net positive effect of some people with drugs and writing. Hunter S. Thompson is a giant example.

    10. MM

      Yeah.

    11. JR

      He's one of my favorite authors, and it's a giant example. The guy was an inveterate drug user.

    12. MM

      Yeah.

    13. JR

      He was a fucking complete maniac. He was always drunk. And he wrote some shit that just, to this day, cuts to the core of our society.

    14. MM

      Yeah.

    15. JR

      Like, he was brilliant.

    16. MM

      He's one of my all-time heroes. Like, I started reading him when I was in high school, and I've read al- almost everything, I think. Um, I even liked the Hey Rube stuff.

    17. JR

      Yeah.

    18. MM

      Like, a lot of people are like, "Oh, like, he was in his decline." But I remember when that was coming out, like, pretty early internet, right?

    19. JR

      Mm-hmm.

    20. MM

      Like, no social media, but those little articles would pop up. And I, I still enjoy it. Like, I, I love everything that, that he made.

    21. JR

      Well, he, at the end, was gone. He was really gone. And McCumber... Uh, so David McCumber, who was his editor, who also co-wrote a book with my friend Tony Anigoni, that's one of the great pool books. It's called Playing Off the Rail. It's a really... And for anybody who's a, a fan of pool, the game, it's an amazing book about a guy whose name's Tony Anigoni, who was a world-class player, who went on the road with a journalist and just gambled across the country.

    22. MM

      Yeah, yeah.

    23. JR

      And did it, did it like a real pool hustler would in the, the most dangerous, dingiest places-

    24. MM

      Yeah, I love that shit.

    25. JR

      ... playing against high-level guys for-

    26. MM

      Yeah.

    27. JR

      ... you know, $10,000 sets in 24-hour joints in New York City. It's an amazing book. Well, McCumber was Hunter's editor too-

    28. MM

      Oh, okay.

    29. JR

      ... at one point in time. And McCumber got him towards the end, t- Like, there's video of... See if you can find video of Hunter Thompson-... and David McCumber having a conversation. (laughs) 'Cause Hunter was just-

    30. MM

      It must have been a fucking nightmare.

  4. 8:1012:24

    Teen LSD, altered perception, and the early-internet time capsule (Hunter doc + first computers)

    1. MM

      Like right around normal. And I, I sometimes wonder, like I used to do a lot of LSD when I was-

    2. JR

      (laughs)

    3. MM

      ... a teenager. And I w- I wondered like-

    4. JR

      Define, define a lot.

    5. MM

      I mean, we had, we had one summer that me and my boys just, it was like every two days.

    6. JR

      Geez.

    7. MM

      Like, you know, twice a week.

    8. JR

      How old were you?

    9. MM

      16.

    10. JR

      Boy.

    11. MM

      Yeah. But also at the-

    12. JR

      (laughs)

    13. MM

      ... you know, at the same time, maybe that has had some power in the sort of creative aspect too.

    14. JR

      Right.

    15. MM

      Right? Even, even if it's just like looking at the world differently, which is just so common with psychedelics.

    16. JR

      Right.

    17. MM

      Right? Just kind of gives you some perspective that's so far removed from our normal day-to-day reality.

    18. JR

      Right.

    19. MM

      Right? So it's like you, I, I think for me, it's like what more am I not seeing? You know? Like-

    20. JR

      Mm-hmm.

    21. MM

      Like what am I, what am I missing in my normal reality that maybe exists? But I, it could be total bullshit. Like I don't know, it might not have had, done anything for my creativity, but...

    22. JR

      (laughs)

    23. MM

      You know? I...

    24. JR

      It seems to have a profound effect on a lot of people that have experiences and just they'll talk about, like this one, like didn't Steve Jobs talk about it? One Ls- LSD experience and just kind of shifted the way he thought about things? Oh, here it is. (laughs)

    25. MM

      With those tiny shorts on? It's fucking great.

    26. JR

      So, this is, this is the documen-

    27. GU

      I decided I was going to fire it. There were several-

    28. MM

      Walking around with a gun.

    29. GU

      ... in the way of my...

    30. JR

      (laughs)

  5. 12:2414:11

    Memes before memes: Dawkins, the dancing baby, and the birth of internet comedy

    1. JR

      Well, it kind of shows you that there's a lot of, like, untapped comedic talent in the tech industry because memes were one of the first forms-

    2. MM

      Mm-hmm.

    3. JR

      ... of new comedy-

    4. MM

      Yeah.

    5. JR

      ... that hit the internet, and it had to be by someone who knew how to work the old school Photoshops.

    6. MM

      Yeah.

    7. JR

      So you had to have some technical understanding of the programs. You had to have-

    8. MM

      Yeah.

    9. JR

      ... use... Probably people that were using them already. You know, there were graphic artists, and they were like, "Fuck this guy. Let's make a funny meme." (laughs)

    10. MM

      Yeah, 'cause, I mean, before, before that, you had to do everything by hand.

    11. JR

      Yeah.

    12. MM

      It was a lot of, like, cut and paste, and, like-

    13. JR

      Yeah.

    14. MM

      ... and, like, different techniques. It was... Everything was by hand.

    15. JR

      When did memes, like really funny memes first start appearing?

    16. MM

      I had to f-... I feel like it has to be, like, 2000, '99, 2000.

    17. GU

      I was just looking at this.

    18. JR

      The internet meme. Oh, here we go.

    19. GU

      Richard Dawkins, Concept, 1972.

    20. JR

      Right.

    21. GU

      About internet, and I-

    22. JR

      That was that book that he had, right? The Selfish M- Gene.

    23. GU

      It's... What was coming up was that-

    24. JR

      Wasn't it in that?

    25. GU

      That dancing baby was coming up.

    26. MM

      Yeah, that's, that... I feel like that's the earliest.

    27. JR

      The dancing baby was the first?

    28. GU

      Yeah, the, uh, from, like, a TV show.

    29. MM

      (laughs)

    30. JR

      Oh, yeah. A terrible animated dancing baby. What year was that?

  6. 14:1116:47

    Persistence hunting and human weirdness: why we can run animals to exhaustion

    1. JR

      No, no, no. It stays just far enough from you that you think you have to run. If it's really joini- trying to scare you, it doesn't want to jump on you, and once it gets really close for a long time-

    2. MM

      Yeah.

    3. JR

      ... for a long time, so it wears everything out.

    4. MM

      Yeah, it gets to fucking hang you. (laughs)

    5. JR

      You wanna wear it out. Like, that's how you do it if you're chasing a person. You don't just run up on 'em. That just spoils all the fun.

    6. MM

      Right? Isn't that like the old school hunters too? Just, like, chasing a pack of deer for-

    7. JR

      Oh, yeah. That's why human beings-

    8. MM

      ... fucking hours.

    9. JR

      ... can run so long. But that's a different thing. They're overheating 'em. It's, that's called s-... Uh, it's called persistence hunting.

    10. MM

      Yeah.

    11. JR

      That's why there's so many amazing marathon runners come from that part of the world. 'Cause, like, these guys have a history of literally running animals to their death.

    12. MM

      Right. Watch out for ... Fucking-

    13. JR

      Freeze.

    14. MM

      Who had to figure that out too?

    15. JR

      Bro. Bro.

    16. MM

      Who's like, "Well, I got five miles in me."

    17. JR

      Yeah, "Let me just keep-"

    18. MM

      "Shit, I need 10."

    19. JR

      ... "Let me just keep running until this deer stops running." Like, how would you ever think that y-... A deer, you would eventually catch it, right?

    20. MM

      Yeah, especially if they're so fucking fast.

    21. JR

      They're so fucking fast. Like, how would you think that one day that antelope is gonna get tired? Like, how would you even have that in your head?

    22. MM

      Yeah.

    23. JR

      That it couldn't just take a break? It's gonna be 300 yards ahead of you like that.

    24. MM

      I love those thoughts.

    25. JR

      Just take a break, catch its breath. They didn't even know that... It's... The issue is the animals don't have sweat glands, so they overheat.

    26. MM

      Shit.

    27. JR

      Yeah. So, we have sweat glands.

    28. MM

      And, of course, they weren't biologists, so they also-

    29. JR

      Exactly.

    30. MM

      ... didn't know that either.

  7. 16:4728:59

    Jiu-jitsu as a life practice: boredom, character, and getting hooked by a single throw

    1. MM

      It, it is... It, it really is interesting 'cause, like, that's... Before I started doing jujitsu, like, that was what I was doing. I was running.

    2. JR

      Oh.

    3. MM

      Like, and... But it just got fucking boring.

    4. JR

      Yeah.

    5. MM

      It got boring. And th- that's when I was like, "Okay, I gotta find something else 'cause-"

    6. JR

      Yeah, that's what most people, the problem they have with the gym. And jujitsu is the opposite of boring. Jujitsu is... It's one of the most rewarding things in life because it's super hard to do. It's really good for your head. Like, jujitsu people in general, like, you get dickheads in all walks of life.

    7. MM

      Sure.

    8. JR

      And female dickheads too. Um, but... For lack of a better word.

    9. MM

      (laughs)

    10. JR

      But you, you get the nicest people. Like, for the most part. You get people of character.

    11. MM

      Yeah.

    12. JR

      Because you have to have character to stick it out.

    13. MM

      Yeah.

    14. JR

      To be doing jujit-... If you're, if you've been doing jujitsu eight years, I can... 99% sure I can hang out with you.

    15. MM

      Yeah, exactly.

    16. JR

      Like, you're a dude who's got his shit together.

    17. MM

      It's almost like we're, we're like distant family members or something.

    18. JR

      100%.

    19. MM

      Yeah.

    20. JR

      100%. It's like you recognize, you've been through this thing.

    21. MM

      Yeah.

    22. JR

      You know, I started doing jujitsu in '96. So, '96, I was at Carlson Gracie's place.

    23. MM

      How old were you?

    24. JR

      I was ... 29? 29? Yeah.

    25. MM

      Yeah. See, I started, I started at 30.

    26. JR

      Yeah.

    27. MM

      So, like, around the same time.

    28. JR

      Yeah, around the same time. And, and I started right after... It was kind of, like, a year or two after I first saw the UFC.... you know, it was right around that time.

    29. MM

      Yeah.

    30. JR

      And so I started at Carlson Gracie's place, in, um, in LA. That was right down the street from The Comedy Store. It was real close to The Comedy Store. And, um, that was when Vitor Belfort was ... He had just fought Jon Hess in Hawaii.

  8. 28:5938:27

    Street fights vs trained calm, plus the UFC Apex: the visceral reality of violence

    1. JR

      You know, one thing I do find that's really disconcerting? When fights break out, I don't get nervous.

    2. MM

      That's... How beautiful is that? I've, I've had that ex- 'Cause I remember when fights would break out, your an- your anxiety shoots up, your heart rate.

    3. JR

      I get weird if like, someone close to me is with me, and I'm worried about their danger.

    4. MM

      Yeah. Yeah, yeah, yeah.

    5. JR

      But, but the fact that two people are fighting, I'm so used to it.

    6. MM

      Yeah.

    7. JR

      It's weird.

    8. MM

      I stopped a bar fight a couple years ago where a group of guys attacked this dude. One of them got ahold of him and he, he sunk in a guillotine. The, the guy got taken down, right away.

    9. JR

      Oh, no.

    10. MM

      A deep guillotine. Like, all the way up over the shoulder, you know, like-

    11. JR

      And was not letting him tap?

    12. MM

      ... I was-

    13. JR

      Not letting him out?

    14. MM

      No, no, no, no. And I, I saw it all s- sort of k- kind of unfolding, and I ran up there, and I just whispered in his ear, "If you do jujitsu, you should probably let go right now." That calm. He like, looked at me, let go. Dude was out cold. I actually grabbed the, the guy who was out cold and picked his feet up. (laughs)

    15. JR

      That's a great way to handle it, the way you talked to him.

    16. MM

      Yeah, and he, uh, immediately looked at me like, "Okay, yeah, I hear what you're saying and I'm gonna let go."

    17. JR

      But also, like, this could be the difference between nothing happens to you, you're just defending yourself-

    18. MM

      Yeah.

    19. JR

      ... and you're going to jail-

    20. MM

      Yeah.

    21. JR

      ... for a long time-

    22. MM

      Yeah.

    23. JR

      ... 'cause this guy's dead.

    24. MM

      Yeah.

    25. JR

      Yeah. Especially if the guy's out, you're still holding onto it.

    26. MM

      Yeah.

    27. JR

      Ooh.

    28. MM

      Yeah. And it was quick. It was tight. He- he might not have known he was out, but I mean-

    29. JR

      But I'm s- He was probably so jumped up with adrenaline and chaos.

    30. MM

      Yeah. He like, had his girlfriend with him and...

  9. 38:2753:14

    Aging, injuries, and performance hacks: TRT, knee stability, sugar, fasting, and diet philosophy

    1. MM

      Right? Like, especially if your knees are fucked. I'm, I'm kind of... I'm 16 years in now, and I'm like, I'm avoiding the, the heavyweight rolls.

    2. JR

      Right.

    3. MM

      Like, the super tough... Like, I just have to, like-

    4. JR

      Protect yourself.

    5. MM

      ... protect myself. And still, like, I never want to stop either, so like, I want to be able to get in there and, and fuck around as much as possible, but...

    6. JR

      Yeah, you gotta pick who you roll with for sure.

    7. MM

      Yeah.

    8. JR

      That's important, especially as you get older. Are you doing TRT or anything like that?

    9. MM

      No, I wish.

    10. JR

      Why don't you do it?

    11. MM

      I...

    12. JR

      Oh, you son of a bitch. (laughs)

    13. MM

      What does that mean? (laughs)

    14. JR

      (laughs) What does that mean? What does that mean, Mike Maxwell?

    15. MM

      What does that mean? I, I, I just haven't had a chance, I suppose. I mean-

    16. JR

      Oh, while you, while you're in town, I'm gonna hook you up with Wei Cewel.

    17. MM

      Okay.

    18. JR

      How many more days are you here?

    19. MM

      I leave tonight.

    20. JR

      Oh, shit.

    21. MM

      Yeah.

    22. JR

      What time tonight?

    23. MM

      Nine.

    24. JR

      Oh, yeah, we could do that. We can make it happen.

    25. MM

      Okay.

    26. JR

      We'll make it happen. I'll make him a call as soon as we get outta here and I'll have you go over there, uh, right, right before you take off.

    27. MM

      Yeah, 'cause shit has gone, gone pretty south with the body.

    28. JR

      You should get blood. At the very least, if you don't do anything, you should get blood work.

    29. MM

      Yeah.

    30. JR

      Get blood work, find out where your hormone levels are at.

  10. 53:1458:04

    ADHD, boredom, and pharma incentives: when ‘focus problems’ are really misfit environments

    1. JR

      Wow. You see, that's why I have a problem when people use that term ADHD, 'cause I think about myself as a boy and I'm like, "I know they would have fucking diagnosed me." If I had the wrong parents-

    2. MM

      Yeah.

    3. JR

      ... I know they would have diagnosed me and they would have brought me to a doctor who would have put me on some fucking medication-

    4. MM

      Yeah.

    5. JR

      ... and it would have ruined whatever weird quality that I have that lets me focus on things intensely.

    6. MM

      Yeah.

    7. JR

      You know, they wanna pretend that everybody has to be the same thing. Like, everybody can't be the same thing. We, we're all wired different.

    8. MM

      Yeah.

    9. JR

      I'm not wired normal.

    10. MM

      Yeah.

    11. JR

      I'm wired, like, if you... what you're saying is boring, I'm like, "Oh, God."

    12. MM

      (laughs) Yeah, how the fuck do I get out of here now?

    13. JR

      Like, I can't take this. I, I know some people that are gonna, "Well, so what are you gonna do about that, Fred?" They can have the boringest fucking conversations all day.

    14. MM

      Hmm.

    15. JR

      I literally feel physical pain-

    16. MM

      Yeah.

    17. JR

      ... when I'm being bored.

    18. MM

      (laughs) Yeah.

    19. JR

      But if I find something that's really interesting, like really interesting, I can lock on.

    20. MM

      Yeah.

    21. JR

      And when I lock onto that, I have no problem paying attention.

    22. MM

      And that's a fucking superpower.

    23. JR

      I think so, and I think they're fucking kids up, man. And I think they're, there's a lot of lazy parents that don't want to deal with this extraordinary child that has this weird thing that you haven't harnessed.

    24. MM

      Yeah.

    25. JR

      And you're t- putting that kid on fucking speed. They're putting them on Ritalin and shit.

    26. MM

      Yep. That's... They were gonna try to give me Ritalin when I was a kid. You know, I wasn't a spazzy kid. I wasn't... It just, I was bored as fuck by what-... like, whatever they were trying to do in school.

    27. JR

      Of course, you're an artist.

    28. MM

      Yeah.

    29. JR

      But no one can recognize that. It's w- it's almost like they want to pretend that that is not a real option for a human. But why are there so many artists?

    30. MM

      No, I know, it-

  11. 58:041:20:49

    Austin as a creative hub: comedy community-building, phones in bags, and escaping LA fame culture

    1. MM

      Have you seen how the comedy scene has kinda started to flourish here? And kinda, like, build it, like, that little 6th Street, uh, uh, way there is pretty wild.

    2. JR

      Oh, dude, there's five full-time comedy clubs.

    3. MM

      Yeah.

    4. JR

      Right there.

    5. MM

      I th- I, I hung out with my buddy Roy, um, yesterday, and I, I feel like I met, like, four or five comics just, like, standing around figuring out what we were gonna do.

    6. JR

      Y- It's the hub and it's also, this is the most important thing, it's the hub for development of young people. It gives young people a real pathway.

    7. MM

      Yeah.

    8. JR

      A real possibility. And we set it up that way on purpose, like, this is the idea. It's, like, you cannot have a sustainable comedy community without new members.

    9. MM

      Yeah. Yeah. I, I, I find a little envy, uh, in that, like, wh- it, that's a little tougher in the, like, visual arts world, is because we're so fucking isolated.

    10. JR

      Mm.

    11. MM

      We're not, like, hanging out at the same spots all the time. And it's, like, that's how things used to be, like, back in the day, like, the artists would all go to the same bar after they were done working for the day, and there was a-

    12. JR

      (coughs) Right, like, have an artist neighborhood-

    13. MM

      Yeah. And, and now it's-

    14. JR

      ... and, like, LA had a bunch of neighborhoods where a lot of artists lived together.

    15. MM

      Yeah, I mean, LA is a little bit different from, besides New York, than the rest of the, the, the art world. It's, like, if you're not in one of those two or three hubs, like, you're, you're kinda isolated.

    16. JR

      Mm-hmm.

    17. MM

      You're, like, outside of that realm, and, and we don't have that opportunity. I, I, I really, like, enjoy that aspect of the comedy community, towards, like, you see everybody meeting up, like, they see each other every day, they hug-

    18. JR

      Yes.

    19. MM

      ... they talk over shit, they can, like-

    20. JR

      Yeah.

    21. MM

      ... kinda workshop stuff with each other.

    22. JR

      Yeah.

    23. MM

      Like, having that ability is, is, or, like, that community and that aspect is so powerful.

    24. JR

      Oh, it's so nice. It's so nice. And so when you were there, it's, like, perfect setup. Like, Shane Gillis was there-

    25. MM

      Yeah.

    26. JR

      ... Ron White was there, Brian Simpson-

    27. MM

      I got to talk with Ron for a while.

    28. JR

      He's the best.

    29. MM

      Yeah.

    30. JR

      He's the best. He's f- such a fucking character.

Episode duration: 2:30:48

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