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Arsenio Hall on Joe Rogan: Why no desk changed late-night TV

Hall credits Mitzi Shore and the Comedy Store for the core insight; phone bans and removing the desk both changed stand-up and late-night TV for good.

Joe Roganhost
Apr 8, 20262h 52mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:022:38

    Comedy club culture: Mitzi Shore’s influence and the “phone-in-bag” era

    1. SP

      Joe Rogan Podcast, check it out.

    2. SP

      The Joe Rogan Experience.

    3. SP

      Train by day, Joe Rogan Podcast by night. All day. [upbeat rock music]

    4. JR

      All right. Slap some headphones on. Let's rock and roll, sir.

    5. SP

      Hello. Yes. Our old friend would be so happy. And n- not just that picture, but so much that you've done. Do ... Like, do you believe that people who have gone on know what we're doing or see us?

    6. JR

      I don't know. Y- you'd like to think that it ... you're that important. [laughs]

    7. SP

      Oh, yeah. Yeah.

    8. JR

      I have a feeling they have more important stuff to do on the other side.

    9. SP

      Yeah, I guess if you're in heaven, you're not thinking about the mothership.

    10. JR

      Right.

    11. SP

      But, um-

    12. JR

      Well, the mothership definitely is from her.

    13. SP

      Yes, yes.

    14. JR

      Yeah.

    15. SP

      Well, I mean, that's an incredible tribute to her, um, that the-

    16. JR

      Well, the bar's named after her.

    17. SP

      Yeah. I, I've heard all the comics. I've heard Shane and Ian and all the guys talk about it after they came back. Um, and that's just an honor, man, that, that ... Plus, you know, I used to say to people, "If you haven't taken something from watching Richard Pryor, you're probably doing it wrong."

    18. JR

      Right.

    19. SP

      And Mitzi made the greatest comedy mecca ever, and you gotta copy what she did.

    20. JR

      100%, yeah.

    21. SP

      Yeah. Wow. And this is cool.

    22. JR

      Yeah. She taught me everything about how to run a club, how to do it right. Basically, kinda let the comedians run it. Let the inmates run the asylum.

    23. SP

      Yeah.

    24. JR

      You know?

    25. SP

      Yeah, we're, uh, perfect inmates for that.

    26. JR

      [laughs]

    27. SP

      And, and, and right now, the Comedy Store is greater than ever.

    28. JR

      That's awesome.

    29. SP

      Yeah, it's, it, it, it's wonderful there because, you know, I even got Jay Leno to come back, you know, 'cause he remembered the old days and hadn't gone back, and I'm like, "Dude, it's different. They, they pay you [laughs] for coming. They split the door in a different way now, and there are phones in bags." I had to explain that concept.

    30. JR

      Yeah. We had encouraged them to do all that.

  2. 2:386:02

    Creating onstage: improvisation, bombing, and the necessity of freedom

    1. JR

      Oh, 100%. It's also, you have to be free to fuck around and experiment, and if someone takes that fucking around and exper- ... And you don't know what's coming out of your mouth. Like right now, I don't know what's coming out of my mouth right before-

    2. SP

      [laughs]

    3. JR

      ... I say it, right?

    4. SP

      Yeah, right.

    5. JR

      And people have to understand that. This is not like ... When you're on stage and you're working out, like, a lot of it is free balling. You've got material that's, like, pre sort of established, and you, you're, you know, you've got the, the bones of it, but you're also fucking around in the moment, and sometimes you fuck around in the moment and it works, and sometimes you fuck around in the moment and it s- does nothing. It goes ... Or it's terrible. It, you said something awful, and you're like, "Whoops, sorry." [laughs]

    6. SP

      Yeah, we make mistakes.

    7. JR

      I'm just ... You're just fucking creating something, and then stand-up is the only art form that you have to kinda create in front of a crowd. You can't really ... You can get ideas and the concepts and the flesh of it alone, but you have ... It comes alive in front of the crowd.

    8. SP

      Yeah.

    9. JR

      You have to be able to fuck around.

    10. SP

      Yeah, I, um ... Me and Chappelle m- uh, and you've, you've done this kind of thing. Me and Chappelle met Chris Rock in Cleveland, 'cause Chappelle lives in Ohio, obviously. W- he's done something very similar to what you've done, but we'll get into that later.

    11. JR

      Yeah. Yeah.

    12. SP

      Yeah.

    13. JR

      He's done something really cool.

    14. SP

      Incredible.

    15. JR

      Basically took over a whole town. [laughs]

    16. SP

      Yeah, yeah. And-

    17. JR

      It's funny, and especially, he had a really funny joke about it, about how, uh, when white people move into a neighborhood, it's called gentrification, and he goes, "They don't have a word for I'm doing to ... [laughs] what, what I'm doing to these motherfuckers."

    18. SP

      Yeah. It's crazy to be Dave Chappelle, the most important man in town.

    19. JR

      Yeah.

    20. SP

      But, uh, Chris Rock was doing Cleveland, and, uh, we met him there, and that was the first time I saw the bags.

    21. JR

      Mm-hmm.

    22. SP

      People ... And, and I was apprehensive. Um, as a matter of fact, I saw a celebrity in LA who didn't wanna put his phone in a bag, and so they had that motherfucker stay outside. [laughs] You know?

    23. JR

      Yeah. There's too many snitches in this world. Too many people just wanna film everything for the 'Gram.

    24. SP

      Yeah.

    25. JR

      Like, stop.

    26. SP

      Yeah, sometimes-

    27. JR

      Stop

    28. SP

      ... we're saying the wrong thing. Sometimes we're drunk.

    29. JR

      Yeah.

    30. SP

      You know?

  3. 6:0210:22

    Sleep deprivation, memory slips, and Rogan’s public clarification

    1. JR

      Hey, speaking ... I gotta clear something up.

    2. SP

      Mm-hmm.

    3. JR

      Speaking of ... Uh, this has nothing to do with you, but-

    4. SP

      Mm-hmm

    5. JR

      ... I did a podcast last week with Theo Von, and, uh, in it-W- One, there's like a video on the internet that's accusing me of lying about something, and what I said was-

    6. SP

      Mm-hmm

    7. JR

      ... that I was in the mountains of Utah when the Charlie Kirk thing was going down. What had actually happened was I was here doing a podcast with Charlie Sheen when the Charlie Kirk thing went down, when he di- It, we, l- we'd stopped and take, took a piss break, right? And that's when we found out about it, right?

    8. SP

      Yeah.

    9. JR

      Um, and then when I was in the mountains of Utah, that's when the Jimmy Kimmel thing was happening, when Jimmy Kimmel was getting in trouble.

    10. SP

      Yeah.

    11. JR

      And I was getting all these messages, but I didn't have any service out there, so I had to hook up the Starlink in order to find out what was happening.

    12. SP

      Yeah.

    13. JR

      When I did the podcast the other day, it seemed like I was saying that I was in the mountains when Charlie Kirk got shot. I probably was saying that. I was exhausted when I did that show last week. I, so I did a show on Tuesday night at the club, and I have this thing that I do, unfortunately, where I come home, and it's the only time that I get alone time, is when everyone's asleep.

    14. SP

      Mm-hmm.

    15. JR

      And I stayed up way too late. I stayed up super late. Then I had to take my kid to school in the morning, and I was like, "I'll just power through." The problem when I do that, when I get no sleep, is my memory is dog shit.

    16. SP

      [chuckles]

    17. JR

      Like, I have a really good memory and a terrible memory. It's really good a lot of the times, and then sometimes, especially when I'm tired, it's fucking terrible. It's like I... From doing thousands of podcasts-

    18. SP

      Yeah

    19. JR

      ... my memory is like a room that's filled with boxes an- and files.

    20. SP

      Hmm.

    21. JR

      And I don't know where the fuck everything is.

    22. SP

      See, a- as you were talking, the first thing that ca- Everything goes to sports for me. Some of our greatest home run hitters, uh, they strike out a lot, because they're swinging all the motherfucking time-

    23. JR

      Right

    24. SP

      ... trying to get it to co- McCovey Cove or some place.

    25. JR

      Of course.

    26. SP

      And I think that's how we are... Well, not we. You especially right now. You're doing this constantly. You're talking to lots of people, saying lots of things, and every now and then, there's gonna be a swing and a miss. Let me explain that.

    27. JR

      Yeah, but the real problem was sleepy.

    28. SP

      Yeah.

    29. JR

      The real problem was not getting any sleep, and I'm not gonna do that anymore, 'cause I keep doing... The thing, I get home at 9:00-

    30. SP

      Have you had that problem before, like sleep deprivation-

  4. 10:2215:50

    Weed, performance, and mental health: benefits, risks, and comparisons to alcohol

    1. SP

      And, and the other thing that, that hit me is I was listening to you talk recently, and you talked about smoking herb and how it enhanced the weightlifting process you-

    2. JR

      Yeah.

    3. SP

      What, what's that about? How-

    4. JR

      You feel it in your tissues, man. It's like you feel... It's really good for coordination exercise. Like, there's a lot of jujitsu guys who smoke weed.

    5. SP

      Mm-hmm.

    6. JR

      They smoke weed right before class, like get ripped, and then, and go and train.

    7. SP

      So the Gracies were high when I first started seeing-

    8. JR

      Mm, not those guys.

    9. SP

      Okay.

    10. JR

      Those guys don't do it, but a lot of guys do.

    11. SP

      Okay.

    12. JR

      I think one of the, one of the, I don't wanna throw him under the bus-

    13. SP

      Mm-hmm

    14. JR

      ... but one of the brothers was really into smoking weed and doing jujitsu.

    15. SP

      Mm-hmm.

    16. JR

      And arguably the best one. Definitely the best one. But, um, a lot of jujitsu guys do it. And, uh, a lot of guys like to do it before kickboxing. It's a, you just feel your muscles more. You feel, like, your coordination more. You're more sensitive. It's weird. It's like instead of the, you being, like, abstract with your movements and, you know, just kinda, like, doing it, it's like you feel all the tissues, all the connection. When you lift weights, you're like, "Ugh."

    17. SP

      Yeah.

    18. JR

      Like you feel all the fibers of all your shit moving. It's like, it just makes you more sensitive. It's such an un- misunderstood substance. Not for everybody. I really believe some people should not get high. I think for some people it throws them off and sends them down a dark road, and it's just not, not for them.

    19. SP

      Causes them to procrastinate about their life and personal responsibilities.

    20. JR

      There's a lot of that. There's a lot of people that just wake and bake and just live in the cloud all day and never get anything, anything done.

    21. SP

      Mm-hmm.

    22. JR

      And then there's a lot of people that also get, like, super paranoid, and they get anxiety, and they freak out. And then there's people that, there's a lot of, uh, connections to marijuana and psychosis or, um, schizophrenic states that some p-

    23. SP

      Mm.

    24. JR

      But the problem with that isWere they already-

    25. SP

      Yeah

    26. JR

      ... like did they already have a propensity towards schizophrenia and marijuana pushed them over the edge? Were they gonna get it anyway? Like, it's hard to say.

    27. SP

      A lot of those guys on a diet Coke would have problems.

    28. JR

      Yeah, right. [laughs]

    29. SP

      Right.

    30. JR

      There's a lot of guys just fucking red lights freak 'em out. There's, there's people that just life is too hard for them, and they don't need something else that fucks with it. You know, if you already have mental health struggles, probably shouldn't do mushrooms, you know?

  5. 15:5024:35

    Stimulants and sleep meds: Adderall, Ambien, and the ‘no free lunch’ principle

    1. JR

      I do hear people say that about speed, which is weird. You hear people say that about amphetamines, like especially Adderall, like how like-

    2. SP

      Ooh

    3. JR

      ... "Oh my God, it makes me so productive. I get so much done." But it's generally, it's like journalists-

    4. SP

      Yeah

    5. JR

      ... and people that have to write a lot.

    6. SP

      Students. I, I'm-

    7. JR

      Yeah, students

    8. SP

      ... very curious about Adderall because I'm hearing so much, and I'm thinking, like when I was doing the book, right, I'm like, "Would Adderall be good to focus me, to do for me what it does for students that I hear talk about it?"

    9. JR

      Probably. Probably, but I don't-

    10. SP

      It's a pill, right?

    11. JR

      It scares me though, 'cause I know a lot of people with problems with it. It's, it's a, it's a real, it's a real catchy one. It gets you.

    12. SP

      Yeah.

    13. JR

      And then you start leaning on it.

    14. SP

      So that, that's one of the, one of the downs is it's extremely addicting.

    15. JR

      Very addictive, yeah.

    16. SP

      But what's the other downside? Any others?

    17. JR

      Well, I would imagine when you get off of it, you're exhausted 'cause I would imagine whenever there's... There's always some sort of a biological... You know, there's a, there's a... Whenever... There's no free lunch, right?

    18. SP

      Mm-hmm.

    19. JR

      Anything that speeds you up is gonna bring you down. Like, there's get... If you're ramping your body up where you're focusing for fucking 16 hours just sitting in front of the typewriter. [imitates typing]

    20. SP

      Yeah. [laughs]

    21. JR

      And that's what, like, why journalists like it.

    22. SP

      Yeah.

    23. JR

      I would imagine the, the back end of it... You've done it, Jamie.

    24. SP

      Yeah, twice.

    25. JR

      What's-

    26. SP

      Only twice, 'cause it kept me up for two days.

    27. JR

      Ooh.

    28. SP

      See, that's what I'm talking about.

    29. SP

      That's what I'm talking about. That's the main thing.

    30. JR

      Sounds like coke. That's it.

  6. 24:3530:24

    Acting and aging: why Rogan avoids sets, Arsenio at 70, and simplifying life

    1. SP

      Do you like to act?

    2. JR

      No.

    3. SP

      Okay.

    4. JR

      I don't hate it.

    5. SP

      Mm-hmm.

    6. JR

      I don't like the process. I don't like waiting around all day. I don't like being on set. I don't like dealing with... Some actors are great. Some actors are j- just like all kinds of people.

    7. SP

      Yeah.

    8. JR

      Cops. There's a lot of cops that are awesome.

    9. SP

      'Cause I know you were at a point in your life when you could probably do anything you want, and I never see you pursuing any acting roles, anything like this.

    10. JR

      No, I avoid them. Yeah, I've, I've o- been offered some fun stuff, and I was like, "Mm, I'm not going to p- Bulgaria for three months. Fuck that."

    11. SP

      Yeah.

    12. JR

      I'm just... I... It's not my thing. And if it was my thing, I would b- I'd be like, feel very fortunate, and I'd, I'd dive on it.

    13. SP

      Yeah.

    14. JR

      I'd be like, "Oh, my God, it's amazing."

    15. SP

      So when, when you look at something you've done and you're watching a role at, in dailies or, uh, at the premiere, you don't love what you see so much that you'd do more of it?

    16. JR

      It doesn't bother me.

    17. SP

      Yeah.

    18. JR

      It, but it's not, it's just not what I enjoy doing.

    19. SP

      Mm-hmm.

    20. JR

      And ag- again, it's the process that's the problem. It's the 16-hour days. It's like... And it's being around actors because you're around people that need to think and need to talk in a very specific way-

    21. SP

      Mm-hmm

    22. JR

      ... 'cause they're always worried they're gonna be cast out of the kingdom.

    23. SP

      Mm-hmm.

    24. JR

      You know what I mean?

    25. SP

      Mm-hmm.

    26. JR

      So it's like this very disingenuous way of communicating that a lot of actors have, and it's just-

    27. SP

      And you always feel when you do something that this person's gonna be your friend for life. "I, I'll see you next month."

    28. JR

      Right.

    29. SP

      And you never see that fucker ever again.

    30. JR

      [laughs]

  7. 30:2434:46

    Money, staff, and getting overcharged: the weird psychology of wealth

    1. JR

      That's better. Yeah. Th- there's a lot of people that just want a lot of people around them 'cause it makes them feel important. They have a big staff. They have a lot of people working for them, a lot of things going on, a lot of different projects.

    2. SP

      Mm-hmm.

    3. JR

      Keep moving, keep moving.

    4. SP

      Yeah.

    5. JR

      But no peace

    6. SP

      Yeah.

    7. JR

      Yeah. Not good. I always tell comedians, like, they're, they're like, "Oh, I gotta get an assistant." I go, "No you don't. Just do less shit. Don't get an assistant."

    8. SP

      Right.

    9. JR

      You get an assistant, that person's gonna wanna kill you.

    10. SP

      [laughs]

    11. JR

      That person's [laughs]

    12. SP

      Yeah.

    13. JR

      They're gonna feel entitled. You're making all this money, they're not. You're famous, they're not.

    14. SP

      Yeah.

    15. JR

      They, they see you for who you really are. They're follow- You know, and like, "He fucking regular guy. Why's he got all this?" Like, David Spade's assistant duct-taped him and tased him. Remember that?

    16. SP

      Yeah.

    17. JR

      Tried to kill him.

    18. SP

      That's, that's, that's heavy, man.

    19. JR

      [laughs]

    20. SP

      That's, I, and, and, and I've heard that the people who work for us always hate us. I've always avoided ... Somebody told me-

    21. JR

      It's not always the case

    22. SP

      ... they said, "You, you know your housekeeper hates you." And I'm like, "No, she's been with me 22 years." He's like, "That bitch hates you, man." [laughs]

    23. JR

      [laughs]

    24. SP

      And, and, and I don't wanna believe that.

    25. JR

      It's not always the case, but the, it is often the case that people that are around people that have so much, they feel like, "Why don't I have this?" Like, "I'm working for this person. What am I not doing ... But why am I not rich? This person could just make me rich." It's weird, you know what I mean?

    26. SP

      Yeah. Yeah.

    27. JR

      Like, that's not what the job is. The job is you're a gardener. Gardener doesn't make $5 million a year. Like, this is, you're kinda being crazy. And then you, you get people that take advantage of you, where you get a bill and you're like, "Why does it cost this much?" Like, this is ki- Like, I have a friend who's very wealthy, he's a businessman, and he goes over every fucking little thing that people charge him.

    28. SP

      Mm-hmm.

    29. JR

      And he's always looking for, "They're fucking trying to overcharge me." He gets-

    30. SP

      Signs his own checks.

  8. 34:4642:44

    How Arsenio rewired late night: no desk, cultural looseness, and political relevance

    1. JR

      Well, a lot of the young guys don't understand what you did because what your show was, like, back in, I guess ... When was it, when did it first come on the air? What year?

    2. SP

      Probably, uh, Coming to America was, like, '86, '87. I left New York and went and started this show, so '87, '88, sometime around in there. I'm bad with years.

    3. JR

      Yeah. During that time, and in the, the '90s, it changed the whole landscape of late night television. Like, completely changed it. Because late night television was stiff, you know? It was like, you have a, a fucking, the desk. The desk made no sense to me. Like-

    4. SP

      I talk, I talk about the desk and how I got rid of it. But, but-

    5. JR

      It made no sense.

    6. SP

      Yeah.

    7. JR

      But you ... What, I was like, "Oh, finally, he got rid of the desk."

    8. SP

      Yeah.

    9. JR

      The fucking de- Are, are, are we being lectured? Are you, am I in the-

    10. SP

      Yeah

    11. JR

      ... principal's office? Like, what is, what is the fucking desk for?

    12. SP

      Exactly.

    13. JR

      But when they first started doing that in the 1950s, if you went to work, you had a desk.

    14. SP

      Yeah.

    15. JR

      You had to wear a tie.

    16. SP

      Yeah.

    17. JR

      You had a desk, and they all smoked cigarettes while they were out on the job.

    18. SP

      Oh, yeah.

    19. JR

      You know, you watch, like, the Johnny Carson show.

    20. SP

      During commercials, Johnny would go under his desk-

    21. JR

      Mm-hmm

    22. SP

      ... get a cigarette.

    23. JR

      Yeah.

    24. SP

      He would-

    25. JR

      Well, they would often smoke on air. They would do it all the time back then.

    26. SP

      That's crazy.

    27. JR

      They all smoked cigarettes back then.

    28. SP

      How about planes? How about the fact that we could get on a plane to go to a gig, and there was a row behind us where smoking began.

    29. JR

      Right.

    30. SP

      And-

  9. 42:4448:48

    Everyone has a ‘show’ now: YouTube, short attention spans, and the end of shared TV moments

    1. SP

      You could poke the person. Uh, now we have a different era where everyone can do talk. I saw Mike Epps talking on his back from his bed the other day-

    2. JR

      [laughs]

    3. SP

      ... holding his phone above him.And that's when it hit me. It's like, now we have a hard time finding a guest that doesn't have a show.

    4. JR

      Right.

    5. SP

      We can-- Anyone can have a show now.

    6. JR

      Yeah. Yeah.

    7. SP

      And that's kinda cool.

    8. JR

      It is kinda cool. And it's just like sh- and you find your own... As long as you do it long enough and you put the right attention to it and do it honestly, you'll find your own lane.

    9. SP

      Mm-hmm.

    10. JR

      You find your own way of doing things.

    11. SP

      I have friends who have children who have shows.

    12. JR

      Mm.

    13. SP

      Makeup tutorials and-

    14. JR

      Right

    15. SP

      ... successful things going on in their bedroom.

    16. JR

      One of the biggest shows on YouTube for a long time was a kid that was, like, unboxing toys.

    17. SP

      Oh, that's cool.

    18. JR

      And it was... Sort of. But then-

    19. SP

      [laughs]

    20. JR

      ... they started monetizing it, and I think, you know, as soon as your parents start making all that money off of you opening toy boxes, shit gets weird. It's weird for kids to get famous, period. But, but it was just like no one had thought that out, like, that there would be a lot of people that were interested in you watching toys.

    21. SP

      Yeah. Yeah.

    22. JR

      Like, there's a lot of shows that I watch on YouTube that it's just people cooking.

    23. SP

      Oh, yeah.

    24. JR

      I just, I love watching people on YouTube.

    25. SP

      I watched a lady cook with big titties and-

    26. JR

      [laughs]

    27. SP

      ... and, uh, uh, just an apron, you know.

    28. JR

      [laughs]

    29. SP

      And, you know, side boobage be coming out.

    30. JR

      That's a, that's a trick. [laughs]

  10. 48:481:05:20

    Politics, polarization, and ‘misdirection’: money, Epstein, and the two-party trap

    1. JR

      So also Bill Clinton, I wish Bill Clinton didn't have so many problems 'cause I would like to talk to him. I would love to have to sit down with him on a podcast.

    2. SP

      Yeah.

    3. JR

      You know, the problem is, like, how do you sit down and not talk about all the chaos and all the nutty shit and the Epstein files and all the other shit. Like, you kinda almost have to talk about it.

    4. SP

      Yeah.

    5. JR

      So it's too bad.Because I think he's a fascinating person, and I think he's one of the greatest presidents of all time for sure. And if you go back and look at what he accomplished during his administration, they balanced the budget. That was, like, one of the first times in the history of this fucking country that we didn't have a gigantic debt. Now our debt's, like, 39 trillion.

    6. SP

      Mm.

    7. JR

      It's crazy.

    8. SP

      And, and-

    9. JR

      Like, everybody's so bad at balancing the budget, and you go back and listen to him talk when he was running for president, he's, like, super sensible. Like-

    10. SP

      Yeah

    11. JR

      ... everything he said made sense. The-

    12. SP

      And didn't he move a little to the right?

    13. JR

      Well, I mean, it wasn't to the right. It was just sensible. Like, what is to the right and what is to the left?

    14. SP

      Well, it's, it's-

    15. JR

      It doesn't mean anything anymore

    16. SP

      ... it's accepting that a lot of things are valuable that are not a part of your party's philosophy.

    17. JR

      Mm.

    18. SP

      I think we have to be willing to compromise and move a little bit. Uh, and, and that goes for all politicians. We have to be able to move a little bit-

    19. JR

      Yeah

    20. SP

      ... to be logical and serve all of America.

    21. JR

      For sure. But I think w- the problem is parties all have to agree, and they, then they form ideologies that you cannot stray from. So if you're one of those people that says, like, "Hey, maybe an open border's a bad idea because terrorists can come through." Like, "No, no, no, no, no, no, no, no, no. No, there's, no one's illegal on stolen land." You know, you get-

    22. SP

      Mm

    23. JR

      ... everybody gets crazy because there's a party line that you have to stick with. This is today. Today, things are incredibly polarizing. But if you go back and listen to some of the things that Clinton was saying when he was running for president and when he was president, boy, these are, like, almost right-wing talking points in a lot of way. But they're not-

    24. SP

      See?

    25. JR

      But it's not really-

    26. SP

      A, a little to the right

    27. JR

      ... but it's not really right wing. It's just sensible. Like, what is right and what is left? Left used to be, um, first of all, freedom of speech was, uh, of paramount importance. It u- used to be that they were very open-minded. It used to be, like, uh, the, that education was of crucial importance, and that discourse was crucially important, and that you have to look out for citizens in, in sense of, like, s- having social safety nets and having welfare programs and, and food stamps, and all those things are, which are really important for a society because not everybody is in the same position in life. And if we're a community of people, which is what a country's supposed to be, you're supposed to look out for everyone. You know? That, that's sensible.

    28. SP

      Yeah.

    29. JR

      That's what the left used to be, and then it became trans women are women, men can get pregnant. Like, oh, geez.

    30. SP

      And, and by the way, when you deal with left and right, you have to almost attach a year because we've seen parties change.

  11. 1:05:201:09:51

    Modern club life vs. TikTok dances: danger, violence, and the end of “going out”

    1. SP

      I was in a club as a young man on Sunset, left The Comedy Store, went down the street to a place called Carlos & Charlie's, and back then they had, uh, this garment called a tube top.

    2. JR

      Oh, yeah.

    3. SP

      It was just an elastic-

    4. JR

      Mm-hmm

    5. SP

      ... about, an elastic piece about eight inches d- or depending on your breasts. And, um, I watched a dude take his finger and just pull a girl's tube top down, titties fell out.

    6. JR

      [laughs]

    7. SP

      And I'm watching her man. He didn't know what to do, you know, because you don't wanna fight these guys.

    8. JR

      Right.

    9. SP

      You almost wanna s- just say, "Baby, just pull up your top and let's go home," you know? [laughs]

    10. JR

      Yeah.

    11. SP

      But he had to fight.

    12. JR

      Yeah.

    13. SP

      And, uh, in that situation, I, I think you have to fight.

    14. JR

      Yeah, but you just definitely shouldn't be there in the first place. That's the problem with going to clubs.

    15. SP

      You're at the wrong club.

    16. JR

      The, the running into the, the potential psychopath-

    17. SP

      Mm-hmm

    18. JR

      ... is just too... Like, that's where they go. Where people act like cunts, that's where they go.

    19. SP

      When is the last time you went to a club?

    20. JR

      Oh, I never go to clubs. Never.

    21. SP

      Yeah, it's been a long time for me. I mean, there is no club for 70-year-olds.

    22. JR

      No, no, no, no, no.

    23. SP

      You know, that's called AARP. [laughs]

    24. JR

      Well, if you do go, it's sad. If you're the-

    25. SP

      Yeah, you don't wanna be the oldest dude

    26. JR

      ... guy at the bar.

    27. SP

      Yeah. [laughs]

    28. JR

      "Hey, ladies."

    29. SP

      Yeah.

    30. JR

      "What is fucking grandpa doing here?"

  12. 1:09:511:19:17

    Behind the scenes of Arsenio’s show: music costs, reboot frustrations, and PR control

    1. SP

      Well, well that's the, that's that gap between me and you as talkers. Um, one of the problems I had, and I talk in the book about this, I love music, and I grew up wanting to do that show. So when they start telling me, "You know, you can get better numbers with Howie Mandel just talking than you can with this..." 'Cause I put Boyz II Men and The Temptations together once. I had to fly Boyz II Men from Philly. I had... You know, and, and they wanted it less Black, and now I got 14 brothers doing choreography [laughs]

    2. JR

      [laughs]

    3. SP

      You know, and it's like, "No, that's not what we need."

    4. JR

      They wanted it less Black?

    5. SP

      Well-

    6. JR

      Like, they would say shit like that to you?

    7. SP

      Oh, yeah. They, they, they wanted, um... This is the carrot. They said, "We know Johnny's gonna leave one day." You know, you always think it's gonna be two years.

    8. JR

      Oh.

    9. SP

      "So you can inherit his audience if you do the right show."

    10. JR

      Oh.

    11. SP

      But I, Joe-

    12. JR

      You're not crazy

    13. SP

      ... I, I, I used to do the talk show in my basement, man, and we'd put on a Temptations record, and my friend Junior would be my guest, and he would sing Get Ready. And on Soul Train, they lip sync. We knew the microphones wasn't plugged in.

    14. JR

      Right

    15. SP

      And so he would sing, and then I'd interview him. I wanted to do that show, but-

    16. JR

      You were doing that when you were young?

    17. SP

      Oh, yeah. Yeah

    18. JR

      When did you... How old were you when you were doing that?

    19. SP

      Uh, 11.

    20. JR

      Really?

    21. SP

      Yeah. My mother would have rent parties, and so she'd rent these card tables and chairs. And the people, like in LA, we call it town and country, right? The, you can rent stuff for your party. So the next day, they come and pick up the stuff in a truck. But before they'd pick it up, I would do a talk show with that stuff. And, um, I dreamed of everything that I did eventually in my life.

    22. JR

      Wow

    23. SP

      And it was, it was, um, the show I wanted to do. So at a certain point when they say, um, "Does Prince need a purple piano?" You know [laughs]

    24. JR

      [laughs]

    25. SP

      I said, "Yeah, he want a purple piano." And the show I was doing was just too expensive. And you and I talked once at the Ice House when I tried to do the Reboot show.

    26. JR

      Yeah

    27. SP

      And I was telling you how complicated it was. They wanted my Twitter site. They don't want to-

    28. JR

      They took your... I was telling people, they took over your fucking social media, and they wouldn't give it back.

    29. SP

      Yeah, it was hard to get back. It-

    30. JR

      That's crazy. I remember you telling me that. We were standing outside the outside area of the Ice House, and you were like, "I can't get my fucking social media back." I'm like, "That's crazy. They took your social media."

  13. 1:19:171:34:02

    Prince stories: genius, contracts, humor, and the cost of performance

    1. JR

      Yeah. No, Prince w- Prince was one of the most revolutionary artists ever, and people that don't know the early stuff, they don't know how crazy it was that this guy was... To have a song called "Head" [laughs] .

    2. SP

      Yeah, yeah.

    3. JR

      Just singing about getting head.

    4. SP

      First time I saw him, he was opening for The Rolling Stones.

    5. JR

      Wow.

    6. SP

      And the audience didn't dig him, because it was different back then, and he was singing soft and wet.

    7. JR

      Right.

    8. SP

      [laughs]

    9. JR

      Right. Well, Prince was just, he was so unique, man.

    10. SP

      And he predicted a lot of the things that we're dealing with now and going through. I remember the first time he talked about what became Napster, and he talked about, uh, um, owning your own property and what was gonna ha- and slave on his jaw, and we thought that was silly.

    11. JR

      Mm-hmm.

    12. SP

      But it meant something.

    13. JR

      Well, he was dealing with these crazy contracts where these record companies, these predatory record companies, would lock you into these contracts, and they fucking owned you. So his response to that was like, "Okay, I won't perform as Prince anymore. Now I'm fucking this shit."

    14. SP

      Yeah, yeah.

    15. JR

      "I'm this squiggly-

    16. SP

      I'm a symbol-

    17. JR

      I'm a symbol

    18. SP

      ... with a slave-

    19. JR

      Yeah

    20. SP

      ... uh, insignia on my jaw."

    21. JR

      What are you gonna do now? I'm a symbol. I'm not even selling myself as Prince.

    22. SP

      Yeah.

    23. JR

      And he would just... I mean, how revolutionary is that? This guy had said, "Okay, I know the workaround. I won't use my name anymore. I'll just be a symbol."

    24. SP

      He was a bad dude, man.

    25. JR

      And, but he was such a bad motherfucker that people are like, "I know who that is. I don't care what that fucking symbol is. That's Prince. Let him sing."

    26. SP

      Yeah.

    27. JR

      "Let him do things."

    28. SP

      Did you ever meet him?

    29. JR

      No, man.

    30. SP

      I, I, I-

  14. 1:34:021:55:12

    Comedy legends and the Store: Paul Mooney, Pryor, and learning in the back of the room

    1. SP

      Me, him, and Paulie. That's the one thing I loved about her. You know how we have nepo babies? She didn't have no nepo babies. She was like, "Paulie, you're not ready."

    2. JR

      Yeah. Oh, she would make it work.

    3. SP

      And sent his ass to Westwood.

    4. JR

      Oh, she made Paulie work, yeah. I mean, Paulie's a rare dude in that regard. Like, he became a really funny comedian while he was, you know, living with a woman who's the great... As, as... In terms of, like, people in comedy that are, like, the, some of the most critical, important people, she's the most important person in the history of comedy that's not a comic.

    5. SP

      Absolutely. There, there is no argument.

    6. JR

      No argument.

    7. SP

      Mm-mm.

    8. JR

      There's no one even close to her. And her son, you know, I mean, went on to have huge success in films-

    9. SP

      I took-

    10. JR

      ... and movies and-

    11. SP

      I took Mitzi... Remember when we had the Universal Amphitheatre?

    12. JR

      Mm-hmm.

    13. SP

      I got tickets and took Mitzi to see Paulie open for Sam Kinison.

    14. JR

      Wow.

    15. SP

      And, uh, it just blew her away, 'cause she had never seen him in that large environment, and it was really cool-

    16. JR

      That's awesome

    17. SP

      ... to watch her watch her son.

    18. JR

      Well, she let, she let him grow the right way, you know? She didn't, she didn't give him a silver spoon.

    19. SP

      By the way-

    20. JR

      She made him figure it out

    21. SP

      ... Mitzi Shore started the Comedy Store, and she's the mother of Paulie Shore. 'Cause I say Mitzi to you-

    22. JR

      Right

    23. SP

      ... like it's a cousin.

    24. JR

      Right. Well, we talk about her so much. I think a lot of people listening know. But she's the most important person in comedy that wasn't a comic, and more important than most comedians. Like, she would tell you how to do it right. And if she liked you, man, it was like-

    25. SP

      She'd tell you how to do it in her opinion.

    26. JR

      Yeah.

    27. SP

      I've seen her tell some people some crazy shit.

    28. JR

      Oh, yeah. She was not right-

    29. SP

      Yeah

    30. JR

      ... a lot of times.

  15. 1:55:122:20:26

    Phones, parenting, and resilience: latchkey kids vs. the tracked generation

    1. JR

      It's weird that y- it took l- l- it wasn't even 10 years, and then everybody just got accustomed to having a phone with them all the time. Like, there, there was ... Think about, like, the difference between, like, it was probably, like, what is it, like, '97, '98 when everybody r- had those Motorolas.

    2. SP

      Mm-hmm.

    3. JR

      Right? It was around then.

    4. SP

      Oh.

    5. JR

      Right?

    6. SP

      Yeah. Yeah.

    7. JR

      It was around then, like, '96, '97.

    8. SP

      My friends laughed at me. My first phone was in a Halliburton briefcase, and you opened the silver Halliburton briefcase, take the phone out, and the phone was maybe 10 inches, you know, with a-

    9. JR

      Mm-hmm

    10. SP

      ... w- and, and I had an antenna that screwed on the outside of the briefcase, 'cause you had this big possum tail-

    11. JR

      Yeah

    12. SP

      ... uh, antenna.

    13. JR

      I had one on the roof of my car-

    14. SP

      Oh, yeah

    15. JR

      ... in 1989.

    16. SP

      Yeah. You, you ... Wow. Ba- b- back then, I couldn't imagine that kids would be watching

    17. JR

      ... movies on the phone

    18. SP

      Right. Playing games, watching movies.

    19. JR

      Yeah.

    20. SP

      And that would be most of their social life was communicating through that thing.

    21. JR

      Yeah. Yeah, remember there was a time when dudes said to each other, "Yo, he got a strong rap, man. His pimp hand is crazy. He can get a bitch in a second," you know, and then bah, bah, bah, he's, he can talk. And now young men don't know what the fuck to say to a woman leaning against a wall at a club, you know, because-

    22. SP

      No, they have dating apps now.

    23. JR

      Yeah, swipe left.

    24. SP

      They're just swiping.

    25. JR

      Yeah.

    26. SP

      Crazy. But it... What I was gonna get at, like how quickly the culture changed from s- let's just say '98 when most, a lot of people had a phone, at least half the people had a phone on them. 2008, everybody had a phone.

    27. JR

      Mm-hmm.

    28. SP

      2018, you'd be crazy to not have a phone.

    29. JR

      Yeah.

    30. SP

      20 years, like that.

  16. 2:20:262:25:20

    Career paths and the craft: road work, opening for musicians, and the fear of live performance

    1. SP

      So you went from Boston to New York.

    2. JR

      Boston to New York.

    3. SP

      And Catch a Rising Star. Where'd you work out in New York in those days?

    4. JR

      Well, I did, uh, the Boston Comedy Club, the, you know, the little place-

    5. SP

      Mm-hmm

    6. JR

      ... that Barry Katz had.

    7. SP

      Mm-hmm.

    8. JR

      I did, uh, The Cellar.

    9. SP

      That's-

    10. JR

      I did-

    11. SP

      ... Jay Mohr's manager, right?

    12. JR

      Yes.

    13. SP

      Barry Katz.

    14. JR

      I did, um, Catch a Rising Star back when that was there. I did, um, oh-Was there a few other-

    15. SP

      Comic strip?

    16. JR

      Yeah, I did the strip. Yeah. I did the clubs in town. I did Dangerfield's a lot.

    17. SP

      Mm.

    18. JR

      But honestly, when I lived in New York, I really liked doing the road more because when I did the road, I could make money. So like I came up in Boston, and in Boston, you made a lot of your money not in the clubs in town, but you made a lot of your money in like the bar shows, you know, outside of town in the suburbs.

    19. SP

      Mm-hmm.

    20. JR

      And the thing about that is like you could headline, and so you could do 45 minutes-

    21. SP

      Mm

    22. JR

      ... or an hour, and that, that allowed me to grow and like to really-

    23. SP

      Stretch out

    24. JR

      ... become a headliner.

    25. SP

      Mm-hmm.

    26. JR

      Whereas like I found like a lot of the New York comics that I would go on the road with, when I would work with them, even when I was a middle act and they were a headliner, they had like these 10 and 15 minute sets that they'd stitch together to put, to make an hour. Whereas the guys that I worked with in Boston, like the big headliners in Boston, they had a real hour. Like that fucking, that was an hour of thunder. You know?

    27. SP

      Mm-hmm.

    28. JR

      They had a beginning, a middle, and an end, and it was like tight. It was tight.

    29. SP

      Mm-hmm.

    30. JR

      And I felt like I could do sets in New York, but I don't think it's really helping my career, right? There's no one there to see me. I r- I felt like I'm gonna make money. Like, I could do a set in New York and I make 25 bucks.

Episode duration: 2:52:41

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