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Joe Rogan Experience #2536 - Eric Goode & Jeremy McBride

Eric Goode and Jeremy McBride are filmmakers whose work includes "Tiger King," "Chimp Crazy," and "Monsters of God," now available on HBO and HBO Max. https://www.hbomax.com/shows/monsters-of-god/d779bf7e-5bfb-47d9-be21-9795ef6d19ce Perplexity: Download the app or ask Perplexity anything at https://pplx.ai/rogan. onX Offroad: Try onX Offroad for 50% off- go to https://onXmaps.com/joerogan Switch today at https://www.Visible.com for just 25/mo. Or Save $10 on your first month of Visible+ Pro with code ROGAN.

Jeremy McBrideguestJoe RoganhostEric Goodeguest
Aug 6, 20262h 15mWatch on YouTube ↗

At a glance

WHAT IT’S REALLY ABOUT

Reptile trade exposes crime, obsession, and unintended conservation consequences worldwide

  1. Goode and McBride introduce HBO’s Monsters of God as an industry-spanning look at the reptile trade—from hobbyists and zoos to smugglers and law enforcement—built on scarcity, status, and obsession.
  2. They describe wildlife trafficking as a massive global economy that often overlaps with drugs and weapons, enabled by portability of reptiles, limited inspection resources, and historically lax airport security.
  3. The conversation links the exotic pet boom to pop culture (e.g., Jurassic Park, Harry Potter, Finding Nemo), arguing that media-driven demand produces downstream harms like invasive species and high animal mortality.
  4. They highlight contradictions in regulation and enforcement—broad bans that ignore species differences, low sentencing for wildlife crime, and “gray” behavior across collectors, smugglers, and even institutions benefiting from confiscations.
  5. Goode frames a central conservation paradox via plowshare tortoises: protecting ultra-valuable species may require captive breeding and possibly controlled availability to reduce poaching pressure, despite ethical and practical risks.

IDEAS WORTH REMEMBERING

5 ideas

Reptile trafficking thrives because reptiles are easy to conceal and transport.

They emphasize reptiles can survive long periods without food/water and can be packed in luggage (even wrapped in socks), making them ideal for smuggling compared with many mammals.

Scarcity is the engine of the reptile trade—financially and psychologically.

Collectors pursue “the unattainable” like rare iguanas and turtles as status objects or “living art,” which increases incentives for poaching and black-market pricing.

Enforcement and regulation often create ripple effects rather than clean solutions.

The series (and conversation) stresses “unintended consequences,” where crackdowns shift routes/targets, and broad laws (e.g., blanket python-skin bans) can be misaligned with conservation realities.

Pop culture can abruptly create pet booms with long-term ecological costs.

They cite Jurassic Park driving iguana demand and Harry Potter increasing owl trade; these surges can lead to neglect, high mortality, and releases that seed invasive populations.

Wildlife crime frequently intersects with drug trafficking because the same tactics work.

They describe methods like layering contraband under legal wildlife shipments and using dangerous species in crates (e.g., venomous snakes) to deter inspection, mirroring broader smuggling playbooks.

WORDS WORTH SAVING

5 quotes

The only time I was ever shot at in my life was in fucking Miami.

Eric Goode

The only difference between the prisoner and the guard are the bars.

Jeremy McBride

Why is our show called Monsters of God? We're the monsters, not the reptiles.

Eric Goode

Illegal wildlife trafficking represents about a $20 billion a year industry. It's kind of underreported, actually. Uh, only after guns, drugs, and human trafficking.

Jeremy McBride

Cost effective is a crazy thing to say when it comes to fucking keeping people alive.

Joe Rogan

Monsters of God premise and scopeIllegal wildlife trafficking economics and logisticsReptiles as portable contraband (“nature with handles”)Florida invasives (pythons, iguanas, tegus, Nile crocs)Scarcity/collector psychology and “living art”Zoo collection origins and confiscation pipelinesConservation dilemmas: captive breeding vs. legalization/availability

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