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The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #2561 - LL Cool J

LL Cool J is a Grammy Award-winning rapper, actor, and philanthropist. Look for him on "NCIS: New York," premiering October 6 on CBS and streaming the next day on Paramount+. https://www.paramountplus.com/shows/ncis-new-york/ https://www.youtube.com/c/LLCoolJ https://www.wearefamilyfoundation.org https://www.llcoolj.com Perplexity: Download the app or ask Perplexity anything at https://pplx.ai/rogan. Don’t miss out on all the action this week at DraftKings! Download the DraftKings app today! Sign-up using https://dkng.co/rogan or through my promo code ROGAN. Switch today at https://www.Visible.com for just 25/mo. Or Save $10 on your first month of Visible+ Pro with code ROGAN.

Joe RoganhostLL Cool Jguest
Oct 6, 20262h 32mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:00 – 0:02

    Intro

    1. JR

      [upbeat music]

  2. 0:02 – 2:05

    Sneaker talk, comfort hacks, and reconnecting after a 1990s NBC upfront

    1. JR

      Joe Rogan Podcast, check it out.

    2. SP

      The Joe Rogan Experience.

    3. JR

      Train by day, Joe Rogan Podcast by night. All day. [upbeat music]

    4. LJ

      Man, those shorts are unbelievably comfortable, man.

    5. JR

      [laughs]

    6. LJ

      I promise you.

    7. JR

      I believe you.

    8. LJ

      Yeah.

    9. JR

      We're up. I got sneaker recommendations from LL Cool J.

    10. LJ

      [laughs]

    11. JR

      I'll, I'll, I'll rec- I'll take that. I was wearing these Pumas, I'm gonna throw them... You said I'm gonna incinerate them?

    12. LJ

      You, you'll throw them in the incinerator.

    13. JR

      Okay. I don't, I don't know if that's true, but I, I like these.

    14. LJ

      I, yeah, I... You have no reason to believe me yet. I c- I'll give you that.

    15. JR

      Okay.

    16. LJ

      You have no reason to believe me. But when you, when you try them, you're gonna say, "Yo, your man was telling the truth." You're gonna [laughs]

    17. JR

      Okay.

    18. LJ

      You'll see. You're gonna come back on and say that.

    19. JR

      All right.

    20. LJ

      I promise you.

    21. JR

      I believe you. I'll, I'll give it a shot.

    22. LJ

      [laughs] All right.

    23. JR

      I'll give it a shot.

    24. LJ

      All right.

    25. JR

      Um, well anyway, very nice to meet you.

    26. LJ

      Nice to meet you too, man.

    27. JR

      I, I met you a long fucking time ago.

    28. LJ

      Dude-

    29. JR

      Very briefly. Yeah. We were at this stupid NBC thing. It was very funny because you were making fun of it. It was some sick... You know, they d- they do those things where they have all the new shows and everybody-

    30. LJ

      Oh, yeah, Upfront

  3. 2:05 – 3:21

    Getting signed at 16: Def Jam’s origins and being the first act

    1. JR

      Dude, you've had a fucking insane career, man.

    2. LJ

      Yeah.

    3. JR

      I mean, when did you get signed? Weren't you, like, 17 or some shit?

    4. LJ

      So-

    5. JR

      Like, how old were you when you first got your first contract?

    6. LJ

      So, um, 16.

    7. JR

      16.

    8. LJ

      16. We started Def Jam.

    9. JR

      Wow.

    10. LJ

      Rick Rubin and Russell Simmons start-

    11. JR

      Wow

    12. LJ

      ... well, Rick started Def Jam, right, as a production company. Rick and Russell together formed Def Jam the label, and I was the first act. The first song on Def Jam Productions was It's Yours by T La Rock, and then from there the label was formed, 'cause that was Streetwise/Party Time. And then from there, the label was formed and, um, you know, the rest is history.

    13. JR

      That's incredible.

    14. LJ

      LL Cool J. Ad Rock from the Beastie Boys actually programmed the beat. Rick Rubin produced it, and, uh, I did the mic, and here we are.

    15. JR

      Most people who get that successful at 16 have a very difficult time keeping their shit together.

    16. LJ

      Yeah. Yeah.

    17. JR

      But you just managed to keep smiling and floating through this thing.

    18. LJ

      Yeah, you know what? You know what?

    19. JR

      [laughs]

    20. LJ

      You know, yo. Yo, man, you get a, you get-

    21. JR

      Look at that

    22. LJ

      ... enough bites at the apple... Yep. [laughs] You know what I mean?

    23. JR

      16.

    24. LJ

      Yeah, yeah, that was probably about 17, 18 right there.

    25. JR

      Wow.

    26. LJ

      Yeah. I always could tell by my jewelry.

    27. JR

      [laughs]

    28. LJ

      [laughs] You know what I'm saying? You know?

    29. JR

      Wow.

    30. LJ

      Yeah.

  4. 3:21 – 5:54

    Boom boxes, public music, and hearing hip-hop’s earliest tapes in New York

    1. JR

      That's back in the boom box days.

    2. LJ

      Yeah, it was the boom box, man. That was everything. That meant everything to me.

    3. JR

      Oh, everybody had those back then.

    4. LJ

      Absolutely.

    5. JR

      People would carry them around, walking down the street with their own music.

    6. LJ

      Absolutely.

    7. JR

      We're in a different world now. People don't understand what it was like back then.

    8. LJ

      Yeah, because actually, uh, in a weird way, even though the world is more public, music has become more private.

    9. JR

      Right.

    10. LJ

      Right?

    11. JR

      Right, right, right.

    12. LJ

      And the world was private, but music was public back then, right?

    13. JR

      Right, right, right. Yeah.

    14. LJ

      It's like, it- it's like it in- it inverted, you know what I mean?

    15. JR

      Yeah. Well, you... I mean, it's no exaggeration to say you're a pioneer, because hip hop was so new back then.

    16. LJ

      Yeah, yeah.

    17. JR

      It was so new. You had, like, Sugarhill, which was in, like, pfft-

    18. LJ

      Sugarhill, Rapper's Delight was '79.

    19. JR

      Yes.

    20. LJ

      But I got into hip hop before that because I was listening to, like, Grandmaster Flash and the Furious Four before they were the Five, and the Treacherous Three, and Moe, and the Cold Crush, and-

    21. JR

      What year was that?

    22. LJ

      That's the s- '75, '76, '77.

    23. JR

      Wow.

    24. LJ

      You know, around that time, you know what I mean? And I was hearing the tapes, 'cause they were circulating, 'cause I was in Queens, you know what I mean? So the tapes were coming out of the Bronx. And when I was in Long Island... See, I was raised... I was born in Long Island and I was raised in Queens, but I also lived in North Babylon. And, um, when I was in North Babylon, next door, um, there was a lot of foster kids who were from uptown, who were from the Bronx and from, from Brooklyn. Well, Bronx, and, and Harlem, and Brooklyn. So I would hear all the tapes when hip hop was emerging. So I was like, you know, eight years old, and I was getting exposed to, like, all of the, you know, the newest of the new at a really young age. So I got, like, indoctrinated and dipped in the, baptized in the fire of hip hop early, you know what I mean?

    25. JR

      What a fortuitous time to be-

    26. LJ

      Yeah

    27. JR

      ... a kid, too. Like, it's the perfect time, 'cause it's all emerging around you.

    28. LJ

      Yeah, it's like, it's like when Gladwell talks about, you know, um, you know, that moment, the tipping point, where people being born in certain places.

    29. JR

      Mm-hmm.

    30. LJ

      You know, when he talks about, you know, being in Seattle when computers were-

  5. 5:54 – 11:29

    Jiu-jitsu as a celebrity reset: humility, skill truth, and beginner mindset

    1. LJ

      I do, I do. I've been, um... You know, I've recently, uh, started, uh, doing jujitsu, which has been a lot of fun.

    2. JR

      Really?

    3. LJ

      Yeah, yeah, it's a lot of fun.

    4. JR

      Where are you training?

    5. LJ

      Uh, Brian Glick.

    6. JR

      Where's he at?

    7. LJ

      He's in Brooklyn.

    8. JR

      Oh, okay

    9. LJ

      He's in Brooklyn. And, um, he trained under Danaher.

    10. JR

      Oh, great.

    11. LJ

      And, um-

    12. JR

      Oh, phenomenal

    13. LJ

      ... yeah. And, uh, so I've been-

    14. JR

      That's a great lineage.

    15. LJ

      Yeah. He's a-

    16. JR

      Renzo Gracie, Danaher. Yeah.

    17. LJ

      Yeah. Yeah, so he's, uh, he's a lot of fun. He... Actually, my man Scott, Scott Conk, you know, put me on to him.

    18. JR

      Oh, okay.

    19. LJ

      And we've been, yeah, we've been working.

    20. JR

      Yeah.

    21. LJ

      So it's, uh, it's very humbling, you know? You, you, you think you're-

    22. JR

      Yeah.

    23. LJ

      Yeah, yeah. Exactly. Exactly. That's Glick. That's Glick. That's my teacher. And, uh-

    24. JR

      Nice

    25. LJ

      ... and so that's a lot of fun. That's, uh-

    26. JR

      How long you been doing that now?

    27. LJ

      Not long at all. And you find out that, uh, you think you're a tough guy, but you're really a little old lady.

    28. JR

      [laughs]

    29. LJ

      You find out really quickly. [laughs]

    30. JR

      It's so humbling.

  6. 11:29 – 21:03

    Reading to navigate life: Clausewitz, curiosity, and discipline over ego

    1. LJ

      Yeah, it's, um, you know. Man, I like that and I like reading, you know. Love the books, man.

    2. JR

      What kind of shit you read?

    3. LJ

      I read everything.

    4. JR

      Yeah?

    5. LJ

      Yeah. I read everything from Carl von Clausewitz to-

    6. JR

      Who's that?

    7. LJ

      He's a Austrian, uh, general. Prussian general, actually. Prussian. Prussian general who, um, you know, talked about this concept called friction. And, uh, the, he has this, uh, Clausewitzian triangle where he talks about, like, you know, you have these three, these three areas that the pendulum swings over. Like, uh, probability and chance, logic and reason, and, uh, luck. You know, it, no, probability and chance, logic and reason, and passion and enmity, hatred. So you can look at society right now, and you can take a Clausewitzian trinity and put it over society, and you'd know that we're operating in a place of emotions and passions.

    8. JR

      Yeah.

    9. LJ

      So logic and reasons wouldn't even make any-

    10. JR

      Hmm

    11. LJ

      ... you know, wouldn't even mean anything. So it's the trinity, you know? So it, it really helps you think about life, you know.

    12. JR

      Interesting.

    13. LJ

      Yeah.

    14. JR

      So the grand strategy is the, at the center of it all.

    15. LJ

      Yeah.

    16. JR

      Government, politics, reason, intelligence.

    17. LJ

      Yeah.

    18. JR

      The armed forces.

    19. LJ

      Yeah.

    20. JR

      Calculation, chance.

    21. LJ

      Yeah.

    22. JR

      Game of chance.

    23. LJ

      Yeah.

    24. JR

      Odds, values.

    25. LJ

      Yeah.

    26. JR

      Fascinating.

    27. LJ

      Yeah. Yeah, it's cool.

    28. JR

      Well, how did you get into this guy?

    29. LJ

      I just read all kinds of stuff. I love literature, love history, love reading things that, um, make me better. You know what I'm saying? And what you find out is the more you read, the less you know... The more you know, the more you find out, the more you realize you don't know shit.

    30. JR

      Right.

  7. 21:03 – 26:25

    Bruce Lee, mixed martial arts, and why pioneers get misunderstood

    1. LJ

      Bruce is who I got into acting.

    2. JR

      Really?

    3. LJ

      Absolutely.

    4. JR

      How'd that happen?

    5. LJ

      Because, I mean, he was the only dude with a tan that was, like, doing some cool shit on TV.

    6. JR

      [laughs]

    7. LJ

      Or on the, in the movies. Y- you know? He was a little brown and, you know?

    8. JR

      Oh, bro, all my Asian friends were so happy.

    9. LJ

      I love Bruce Lee.

    10. JR

      All my Asian friends were like, "Finally, we have a fucking superhero."

    11. LJ

      Yo, Bruce was the man.

    12. JR

      He was the man, dude.

    13. LJ

      He was the man.

    14. JR

      He was the man.

    15. LJ

      Come on.

    16. JR

      He changed martial arts for the world.

    17. LJ

      He used to be on Jamaica Avenue with the yellow and black Game of Death suit, baby-

    18. JR

      Did you ever notice? [laughs]

    19. LJ

      ... with the Chinese slippers. Absolutely. Absolutely. Absolutely walking down the ave with that shit. Proud.

    20. JR

      Bro, that Game of Death suit was the shit.

    21. LJ

      Right?

    22. JR

      Yeah.

    23. LJ

      That yellow with the, yo-

    24. JR

      Yeah

    25. LJ

      ... with the black stripes with the joint.

    26. JR

      Yeah.

    27. LJ

      That yellow Game of Death suit.

    28. JR

      I don't think people understand how revolutionary he was. All martial arts were all, they were all siloed.

    29. LJ

      Yes.

    30. JR

      Like, if you did kung fu and your instructor caught you doing Shotokan somewhere-

  8. 26:25 – 42:12

    Hip-hop’s early meaning: invisibility, empowerment, and aspirational bravado

    1. JR

      Because hip-hop as an art form before the 1980s was nonexistent in pop culture, and then all of a sudden, it was the dominant force-

    2. LJ

      Yeah

    3. JR

      ... five or six years later.

    4. LJ

      That's right.

    5. JR

      Like, people have to understand what it was like. Like, when I was a kid, and I was... When I was coming up, the first time I heard Sugarhill Gang was, I was in a lunch room. I was in Jamaica Plain, Massachusetts.

    6. LJ

      Mm-hmm. Mm-hmm.

    7. JR

      And at that time, it was a bad neighborhood. Now it's been kind of gentrified and... At the time, it was, uh... Like, there was kids that were 17 years old, and they were still in the eighth grade. It was crazy.

    8. LJ

      That's, yeah.

    9. JR

      Yeah.

    10. LJ

      Yeah. Oh, yeah. [laughs] Yeah, there's that.

    11. JR

      Or not, not that-

    12. LJ

      17 years old in the eighth grade-

    13. JR

      Yeah

    14. LJ

      ... is some nasty work, B.

    15. JR

      Yeah, it was like that.

    16. LJ

      Yeah.

    17. JR

      Like, no bullshit.

    18. LJ

      Yeah.

    19. JR

      There was kids that should've been graduating from high school, and they hadn't even gotten out of middle school yet.

    20. LJ

      It's day care center.

    21. JR

      It was just a lot of, like-

    22. LJ

      Yeah

    23. JR

      ... ne'er-do-wells and people that just came from bad homes and bad neighborhoods. But it was the first time I had ever heard that, and I remember thinking, "This is, like, a different kind of music. Like, this is-"

    24. LJ

      Yeah, because, because you know, you live in a neighborhood, and you feel invisible.

    25. JR

      Yes.

    26. LJ

      You know? And, and I think a lot of people can relate to that now. You live in a neighborhood, you feel invisible. Your friends get killed, nobody cares. The news doesn't talk about... You know, they may talk about some major thing, but when your friend down the block gets killed, nobody cares.

    27. JR

      Right.

    28. LJ

      You walk down, you got this ditty-bop that you're walking with like this, and people think you're walking to be cool, but you're really walking 'cause you like... It's like being in the jungle.

    29. JR

      Yeah.

    30. LJ

      And you're like a lion, and you're, like, walking around trying to stay low, and you're watching your environment and your back, right?

  9. 42:12 – 44:37

    Global spread: touring young, early overseas hip-hop scenes, and culture respect

    1. JR

      Wow. So d- d- was hip hop taking off over there as well with, like, artists?

    2. LJ

      Yes.

    3. JR

      Were new artists emerging in England?

    4. LJ

      Yes.

    5. JR

      Yeah?

    6. LJ

      Yes, yes. It was, uh... Well, at that time there wasn't as many, but they got into hip-hop very early. The whole world, like-

    7. JR

      Yeah

    8. LJ

      ... there's a whole lineage of artists that are pioneers around the world that contributed to hip-hop in their own countries. I can't name them all, but like in France you had MC Solaar, but there was people before him. Like, you know, there's different... My man Spatz in Germany, there was people before him obviously. Uh, I always get the name wrong, but it starts with an N and a number. I just c- can't remember. Um, but yeah, I mean hip-hop, like I would go to Japan, you know, and they'd be singing the words to the song verbatim and they can't speak English. But they rap-

    9. JR

      Wow

    10. LJ

      ... the song.

    11. JR

      [laughs]

    12. LJ

      Hey, yeah. It's crazy.

    13. JR

      [sighs]

    14. LJ

      It's amazing.

    15. JR

      That's wild.

    16. LJ

      But it, it made me respect cultures all over the world, though. It made me, it gave me a different kind of mindset for people around the world. You know what I'm saying? How I view things. 'Cause you can be real myopic. I mean, if... When I first started going out of the land, I'd be like, "Yo, take me to the Black neighborhood. Let me just see what it looks like." They'd be like, "What do you mean? We're in Japan."

    17. JR

      [laughs]

    18. LJ

      [laughs] You know what I'm saying? Like, [laughs] you know, it's like-

    19. JR

      [laughs]

    20. LJ

      ... "So just t- take me where it's hip-hop-ish." And then you start getting exposed, and you see kids that love graffiti, and they love the arts, and they love hip-hop.

    21. JR

      Yeah.

    22. LJ

      And you come to find a, a newfound respect. Like, I did a, a, a record in Germany with my man, and he, and S- Spatz. I think I'm saying his name right. I mean, he's rapping in German, I'm rapping in English. People in America don't know about the song, but it was, like, a thing I did over there. And you know-

    23. JR

      Wow

    24. LJ

      ... you just get into a whole world. You know what I'm saying?

    25. JR

      Yeah. Well, I love, uh, Brazilian hip-hop, 'cause I can't speak Portuguese.

    26. LJ

      [laughs] Yeah.

    27. JR

      I just like listening to the sounds. You know?

    28. LJ

      You know what's funny? I, I think the be... To me, the language that sounds, like, most impressive to me, I mean, outside of English, I would say is French.

    29. JR

      French, yeah.

    30. LJ

      French sounds incredible.

  10. 44:37 – 48:03

    Athletic bases for fighting: France’s MMA surge, basketball footwork, and ring IQ

    1. JR

      France is fascinating to me.

    2. LJ

      Yeah.

    3. JR

      You know, you know it's a, a hyper point of mixed martial arts now.

    4. LJ

      Yeah.

    5. JR

      A lot of elite fighters are coming-

    6. LJ

      Yeah

    7. JR

      ... out of France, including the heavyweight champion of the world, Ciryl Gane. He's from France.

    8. LJ

      Yeah, Ciryl. Yeah, Ciryl is-

    9. JR

      Yeah, Cédric Doumbè-

    10. LJ

      Yeah

    11. JR

      ... is this dude who fights in the PFL, who's, like, one of the best kickboxers alive.

    12. LJ

      Yeah.

    13. JR

      He's fucking people up in MMA now. Yeah.

    14. LJ

      I know Ciryl was-

    15. JR

      Ciryl was-

    16. LJ

      I mean, he's a monster

    17. JR

      ... he's a freak. He, uh, he has changed my thoughts on bases, like, for sports to entry.

    18. LJ

      What is his base? Yeah.

    19. JR

      Well, he's a Muay Thai fighter, but here's the point. He played basketball.

    20. LJ

      That's interesting.

    21. JR

      This is why. I think basketball is a huge factor for big athletes in particular-

    22. LJ

      To get movement

    23. JR

      ... if you can play good at basketball. The thing about being good at basketball is you have to be able to change direction constantly.

    24. LJ

      Tennis.

    25. JR

      You have to be able... Yes, your... Tennis would be a good one, but it's not constant. It's ba-bump, ba-bump, ba-bump, ba-bump.

    26. LJ

      Basketball-

    27. JR

      Basketball-

    28. LJ

      Yeah

    29. JR

      ... you're constantly engaging. There's a ball-

    30. LJ

      Yeah

  11. 48:03 – 1:05:36

    Boxing history rabbit hole: elusive legends, family lineage, and soul tests

    1. LJ

      ... and getting out of there. He was, he was incredible with that. There's also this Italian... There's this Italian boxer. You gotta look it up. He's like a, um... I, I think he's like Floyd before Floyd. Even before Floyd's pops. Look for the E- E- E- E- Enio... Look for, um, like, I... No, no, actually, he's Argent- he's Italian, but he was in Argentina, but he's Italian. And he's, uh, um, he's one of the most incredible elusive fighters I've ever seen in my life.

    2. JR

      What year was this?

    3. LJ

      This is, I wanna... '40s, '50s, '60s. Like, look Italian...

    4. SP

      I got him.

    5. LJ

      Yeah, you got him? Watch. L- watch this.

    6. JR

      What's his name?

    7. LJ

      Um- Nicol- Nicolino, yeah

    8. JR

      Nicolino Locche

    9. LJ

      Watch, watch Nicolino. Watch, watch Nicolino. Watch, watch. N- no, this ain't him. That's, that's not him I think they're comparing him to other people Yeah. No, you gotta ... But fi- yeah, here he is. Yeah, now watch, watch him, watch him, watch him, watch him. Watch. Oh, they're, they're comparing him. [slapping sound] Like, get him. Find him. Look at it, look at it, look at this, look at this. Look at this. Look at this

    10. JR

      Oh, I have seen this guy before

    11. LJ

      Look at this. Look at this. Look at this. Look at this. Look at this. Look at this. Th- look at this shit. This is, this is, this, this is cra- you know, you can't ... Like, y- like I mean, he's unbelievable, and this is, like, a bad fight, 'cause I'm looking at his eye, and it look like he didn't ... You know. But I mean, when you really watch him, unbelievable. When you get him on the ropes, you find him on the ropes, I mean, this guy is just unbelievable. Nicolino Locche. What's his last name? Yeah. Loche? Loche. Lo- Lo- Loche. I'm not sure

    12. JR

      Loche?

    13. LJ

      Loche. Yo, he is just ... I mean, his ... Like, when you get him, like you can't hit him. Like, that's all Floyd. You see it?

    14. JR

      Mm-hmm

    15. LJ

      You see it, right?

    16. JR

      And this is early

    17. LJ

      Yo, this is crazy. Look at this

    18. JR

      There wasn't a lot of guys like this back then

    19. LJ

      Look at this. Look at it. Look, watch this. Look at this. Come on, baby

    20. JR

      Have you ever seen Willie Pep?

    21. LJ

      Absolutely

    22. JR

      He's another one. Yeah

    23. LJ

      Absolutely

    24. JR

      Willie Pep's another one. He won an en- an entire round without throwing a punch

    25. LJ

      Getting ... Yeah, he was unbelievable

    26. JR

      Yeah

    27. LJ

      Willie Pep. Come on. You know, my, my, um, my uncle was John, um, John Henry Lewis. He was a light heavyweight champion

    28. JR

      Really?

    29. LJ

      Yeah, yeah. John Henry Lewis

    30. JR

      That was your uncle?

  12. 1:05:36 – 1:10:27

    Rick Rubin and the Def Jam breakthrough: rejection letters, mom’s tax return, relentless calling

    1. JR

      How did you get to know him?

    2. LJ

      So, so it's so funny. He made a record, he produced a record called It's Yours by T La Rock, and it was on the Streetwise/Party Time label, but it was Def Jam Productions. T La Rock, It's Yours. I bought that record, loved the record, had his number. I still remember his number, 212-420-0666. [laughs]

    3. JR

      [laughs] Someone's gonna get the phone call.

    4. LJ

      [laughs] My bad.

    5. JR

      [laughs]

    6. LJ

      No disrespect. [laughs]

    7. JR

      [laughs]

    8. LJ

      No disrespect. And then, so, so I did that and, um, I called him every day. I sent a tape in. Me and my man, my mother... To, to... Let me backtrack a little. So I had sent demo tapes to a lot of labels, um, at that time that I thought might be handling rap, one of them being Sugar Hill, some others, and they all kinda gave me these standard notes. "We can't, we, we can't use your material at this time," blah, blah, blah, blah, blah. You know, the standard rejection letter. So my mother found one crumbled up on a shelf. I'm dejected. Now I've been trying for two years. 'Cause I started, became a fan at 8, started writing at 11 or 12. At 14 I started working on demos and a- now here I am s- 16, f- late 15, early 16 working on this demo. I get this rejection. She gets her tax return, you know, you know, um- Shout out to the people who actually get tax returns. Like, that's pretty, you know, you know, that's a whole nother conversation [laughs] I don't want to digress, but anyway, my mother got a tax return, you know, and that tells you everything. She was happy. So that tells you where we were at, right? She... I tell her... She sees the letter. She's like, "Todd, what's wrong?" I'm in there in my room, I'm dejected, I'm depressed. I'm like, "Oh, you know, I'ma quit. I'm not gonna do it no more. I'ma quit. I'ma give up." She said, "No, Todd, you sound as good as, as some of the guys on, those guys on the radio, the people I hear on your tapes. You sound as good as them. You should keep going." I said, "Well, I don't have any equipment, I don't have stuff. I, I can't make a demo. They don't like what I'm doing." She took her tax return and bought me a Korg drum machine. She bought me that Korg drum machine, and me and my man, Frankie, shout out to my man Spin Master Finesse, Frankie. We went, Frankie Forbes, we went out, we went to his house. We were so excited, we didn't even... I couldn't even wait to learn how to program it reading the instructions. We did a pause tape. I'm played, I played the beat, he did the scratching. I played the beat, he did the scratching. I did that, I rapped over it afterwards. Sent that to Rick Rubin at his dorm. He w- he had a dorm, 5 University Place. He was in the dorms at NYU.

    9. JR

      Wow.

    10. LJ

      Ad Rock from the Beastie Boys, Adam Horovitz from the Beastie Boys, heard my demo. He played it for Rick. I was calling Rick every day after I sent it. Like, a day or two later, I'm like, "You get the tape yet?" "Nope." "Yo, Rick, you get the tape yet?" "Nope." I would call him, I would call there, like, two, three, four times every day. Finally, Ad Rock heard it, played it for Rick, Rick called me up. Re- well, he called my house. My grandmother picked up, screwed his n- fucked his name up crazy, you know? Ah, duh, duh, duh, Slick Dick Rubin, Dick Doobin.

    11. JR

      [laughs]

    12. LJ

      You know, my grandma. I'm like, oh, my God, Rick Rubin? She's like, "Uh," you know. So I get... I call him. He's like, "Yeah, come down to the stu- we're gonna go in. Come, come down tomorrow." I go down, I get on the subway, I'm doing handstands on the subway, I'm so damn happy. You know what I'm saying? I'm, like, on the subway platform doing handstands in New York, you know what I mean? Like, literally, like, so happy, I'm, like, turning myself upside down with my-

    13. JR

      [laughs]

    14. LJ

      ... legs against the beams, like, about to tear this world up.

    15. JR

      [laughs]

    16. LJ

      I get on the, um, train, go down to 5 University. Rick comes down. I said... He said, "Hey, what's up, man?" I said, "You're Rick?" He said, "Yeah." I said, "I thought you was Black." [laughs]

    17. JR

      [laughs]

    18. LJ

      Look at him right there.

    19. JR

      Oh.

    20. LJ

      And that guy, he looks at me, he goes, "Cool." [laughs]

    21. JR

      [laughs]

    22. LJ

      And then we go upstairs, we go upstairs, and I'm looking at him with this same attitude. Yo, he's so crazy. We go upstairs. We made a demo called Catch This Break. We made that demo, we went across town right after we made it, and saw Russell Simmons. Played it for Russell. Russell's like, "Eh, same old thing. Sounds like this one to that one and that one." I was like, "Okay." Me and Rick go back in the studio. Ad Rock programs a beat for Rick, Rick produces everything. He gets Jazzy Jay to do scratching. We do, we do this thing, I Need a Beat. Russell, they like us so good, they're gonna start their own label called Def Jam. They're gonna start their own label, not just a production company, but a actual label, and they put that song out, and we ended up going ind- it was independent. We did two singles, that's me and Ad Rock, and then we ended up, you know, it, Def Jam became the thing that people know today.

    23. JR

      Wow.

    24. LJ

      Yeah, but it all started back then. Yeah.

  13. 1:10:27 – 1:36:11

    Hit-making philosophy: taste, reduction, simplicity, and making people feel something

    1. JR

      Well, how did Rubin get involved? Like, it's such a fascinating character.

    2. LJ

      So-

    3. JR

      He's such a, like, a, he sees things.

    4. LJ

      Well, he's a... See, the key, the thing is having a POV and being a fan.

    5. JR

      Yeah.

    6. LJ

      You don't have to be classically trained in something to have a POV and to be a fan and to have taste. 'Cause ultimately, whether it's us being here, whether it's us picking a T-shirt, a book, a bike, a workout mat, it's about taste. Taste is something that you can't... That's the great delineating factor between a lot of things, is taste. He has great taste.

    7. JR

      Yeah.

    8. LJ

      Rick can say, "That's cool," and it will be. At least to us, right? We can't... I can't say that everything we ever did is cool to everybody, but to us, it was cool.

    9. JR

      Right.

    10. LJ

      You know what I mean?

    11. JR

      Yeah.

    12. LJ

      So when we do Rock the Bells, it's like, it's cool.

    13. JR

      Right.

    14. LJ

      You know? It's like, when we do these songs, I Can't Live Without My Radio, Rock the Bells, all this stuff, it's, it, it just felt cool. Jack the Ripper, it just felt cool, you know what I'm saying? To us. And that's how it is, and that's, for h- to me, that's the thing that makes Rick so fun to work with, is because he wasn't afraid to tell you, "Eh, I'm not sure that's it."

    15. JR

      Right.

    16. LJ

      Like, me and you can't-

    17. JR

      Right, right, right

    18. LJ

      ... me and you can't have a real rapport if you can't tell me, "Yo, Todd, your T-shirts, I don't know. Whatever," you know?

    19. JR

      Yeah.

    20. LJ

      We can't... But he would tell you.

    21. JR

      Yeah.

    22. LJ

      You know? Like, my name, like, you know, like, I had a friend, Playboy Mikey D, I had a fr- a lot of dudes with, like, romantic inclined names that had them kind of names on it. So I was Ladies Love Cool James. He's like, "Yo, that's long for the record, man. You know, for the label, that's a lot to... LL."

    23. JR

      Yeah.

    24. LJ

      Cool. Let's do it. You know what I mean?

    25. JR

      Yeah. Yeah.

    26. LJ

      Like, it's, it's all those little things, you know, and that's the thing about Rick, you know what I'm saying? Taste is a big deal, you know what I mean? Yeah. Well, he, yeah.

    27. JR

      And the fact that you respect his taste.

    28. LJ

      Oh, 100.

    29. JR

      Like, he's, he's intelligent enough where you'll, like, take it into consideration, 'cause there's a lot of people that have opinions.

    30. LJ

      So, you know, it's so funny. You're right about that. You know, people always tell you, like, you hear somebody say, "You gotta surround yourself with great people." How do you know they're great people?

  14. 1:36:11 – 1:53:31

    Mastery and motivation: books as black belts, fear as fuel, and staying in the arena

    1. LJ

      Absolutely. And you know what else is dope? I'll tell you something, a dope technique that I think is cool, and you may do this. I, I'll read one book for three, four years.

    2. JR

      Really?

    3. LJ

      Yeah.

    4. JR

      Just go back and read it again?

    5. LJ

      Yeah. Like, my thing is this. If you read a book, y- you became a black belt because you know all the moves, and then you get the degrees because you... I, I mean, it's an endless ocean of information. We know that. But you get it because you... So why not become a black belt in the book?

    6. JR

      Hmm.

    7. LJ

      How you g- you gonna-

    8. JR

      I see what you're saying, yeah

    9. LJ

      ... take one lesson and now you know jujitsu, or you're gonna take one... You know shotokan because you, you know, you went for-

    10. JR

      Yeah

    11. LJ

      ... you know, three lessons? And, or you learned a kata. I mean, let, let's say you, you memorized three katas. Now you're, you're done?

    12. JR

      Yeah.

    13. LJ

      Like, no. You have to... So to read a book for three or four years, like, you prob- What's your favorite book?

    14. JR

      [sighs] Boy, I don't know if I have a favorite book. One of the most impactful books for me was a book that I read when I was very young called The Book of Five Rings.

    15. LJ

      Oh, yeah, Miyamoto Musashi.

    16. JR

      Yeah.

    17. LJ

      So, so let's say, let's say, let's say you read Miyamoto Musashi. You, you read that a lot of times, right?

    18. JR

      Oh, yeah, yeah.

    19. LJ

      But-

    20. JR

      I've read that I don't even know how many times.

    21. LJ

      But see, but, but-

    22. JR

      I read it a lot when I was young, though, yeah

    23. LJ

      ... but see, but see what you just said?

    24. JR

      Mm-hmm.

    25. LJ

      Now imagine consciously doing that. You did it-

    26. JR

      Yeah

    27. LJ

      'Cause Musashi, yo, Book of Five Rings is a really interesting book

    28. JR

      Well, I've read a lot of stuff like that, but the, that was the first one that I read from a guy who killed people with swords

    29. LJ

      Yeah, he was unbelievable

    30. JR

      Yeah, there was a lot of people that had really good books on philosophy-

  15. 1:53:31 – 2:30:36

    Lost civilizations to AI futures: Antarctica pyramids, ancient tech, dimensions, and time travel

    1. LJ

      You know what? On a, on a more positive note, I wanna shout it out to my man Eddie, my man Eddie at, um, Competitive Edge Athletics. He loves you, loves the show.

    2. JR

      Shout out to Eddie.

    3. LJ

      Yeah, my man Eddie O'Boyle. He was like, "Yo, you gotta, yo, you gotta do it, man. You got ... Yo, I want you to go on Joe Rogan, man. Come on."

    4. JR

      [laughs]

    5. LJ

      "Come on, Todd." I'm like, "Yo, I love Joe. I watch the show."

    6. JR

      Uh-huh.

    7. LJ

      I love it when we talk about the pyramids and we talk about-

    8. JR

      [laughs]

    9. LJ

      You know what I mean? Like, lost civilizations and-

    10. JR

      Oh, you get into that shit?

    11. LJ

      I l- yeah.

    12. JR

      Yeah.

    13. LJ

      I'm into all the, the, the real shit, like all the lost civilizations, pyramids.

    14. JR

      The lost civilization shit's the most fascinating thing on earth to me.

    15. LJ

      Yo. Atlantis. They keep finding stuff under the w-

    16. JR

      Mm-hmm.

    17. LJ

      You know it's all there. First of all, you know what, you know what? I'ma tell you where everything is at. The permafrost.

    18. JR

      Really?

    19. LJ

      If we could ... Come on. Joe, if we could melt down-

    20. JR

      [laughs]

    21. LJ

      ... that goddamn per- yo, they f- yo, the permafrost, like you go in Russia and you find that, you know, those permafrost down in there.

    22. JR

      Mm-hmm.

    23. LJ

      Under there, it's a lot of action. Anywhere that's frozen. Antarctica, Arct- like, anywhere frozen, underneath that, that's everything. It's all there.

    24. JR

      What do you think's there?

    25. LJ

      I think it's civilizations there.

    26. JR

      You think there's ancient civilizations there?

    27. LJ

      100%.

    28. JR

      Have you ever seen those things that look like pyramids in Antarctica?

    29. LJ

      Yes.

    30. JR

      Very weird.

Episode duration: 2:32:18

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