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Talks at GoogleTalks at Google

How to American | Jimmy O. Yang | Talks at Google

Jimmy O. Yang, a Chinese-American actor, stand-up comedian, and writer discusses his new book, "How to American: An Immigrant's Guide to Disappointing Your Parents".

Gretchen HowardhostJimmy O. Yangguest
May 22, 20181h 2mWatch on YouTube

Summaries, chapters, transcripts, and FAQs on this page are made by uListen, not YouTube.

CHAPTERS

Chapter summaries

  1. Welcome, book setup, and the “dog open door policy”

    Gretchen Howard introduces Jimmy O. Yang and frames the session around his book “How to American.” Jimmy jokes with the audience, mentions he’ll sign books and take photos afterward, and they set expectations for a short conversation followed by audience Q&A.

    • •Gretchen introduces herself (CapitalG) and welcomes Jimmy to Google
    • •The discussion is centered on Jimmy’s book “How to American”
    • •Audience Q&A is planned, with books prioritized for people who ask questions
    • •Jimmy says he’ll sign books and take pictures afterward
    • •A quick aside about a dog being present at Google
  2. Hong Kong childhood, language confusion, and early lessons in assimilation

    Jimmy describes being born in Hong Kong and growing up with multiple Chinese languages around him, plus English that didn’t match real-life American slang. He explains that he already felt like an outsider in Hong Kong due to internal dynamics among Chinese communities, which foreshadowed his later immigrant experience.

    • •Jimmy says he was born in Hong Kong and moved to LA at 13
    • •His parents are originally from Shanghai; he grew up around Shanghainese, Cantonese, and Mandarin media
    • •He explains he learned English in Hong Kong like kids in the US learn Spanish
    • •He didn’t understand American slang at first (like “what’s up”)
    • •He describes being labeled the “Shanghai boy” in Hong Kong and connects it to learning assimilation early
  3. First day in LA: culture shock, Pizza Hut disappointment, and El Pollo Loco “freedom”

    Jimmy recounts arriving in Los Angeles and being stunned by the city’s layout and emptiness compared with Hong Kong. He tells a long comedic story about walking to El Pollo Loco with his grandpa and discovering “American freedom” through menu choices, soda machines, and the salsa bar.

    • •He compares Hong Kong to Manhattan and describes LA as wide, spread out, and unfamiliar
    • •He and his grandpa pass a Pizza Hut and Jimmy is surprised the US version feels less “gourmet” than Hong Kong’s
    • •Grandpa takes him to El Pollo Loco, which Jimmy describes as amazing
    • •Jimmy jokes about ordering rules from his grandpa (dark vs. white meat; flour vs. corn tortilla)
    • •He describes the soda machine and salsa bar as his first taste of “freedom”
  4. Middle school adjustment: diversity, basketball shock, and learning cool through BET

    Jimmy talks about attending a diverse LAUSD middle school and meeting people of different backgrounds for the first time. He shares stories about being a small kid who thought he was good at basketball until he saw classmates dunking, and he explains how he learned language and culture—especially through watching BET.

    • •Jimmy says middle school was his first in-person exposure to a wide mix of ethnicities
    • •He recalls being physically small and surprised by the athleticism of American classmates
    • •He talks about struggling to fit in due to limited English
    • •He tells a story about being told to sag his pants and learning style norms
    • •He credits BET as a major influence in learning both English and culture
  5. Beverly Hills High School: fake address, “misfit” friends, and starting a rap group

    Jimmy explains how his dad used a fake address so he could attend Beverly Hills High School, and the conversation nods to the book’s theme of “disappointing your parents.” He describes finding a group of friends across different backgrounds and channeling his creative energy into music—forming a rap group and making beats.

    • •Jimmy says his dad used a fake address so he could attend Beverly Hills High School
    • •Jimmy describes trying (and failing) to find many Chinese peers, then bonding with a mixed group of friends
    • •He says they weren’t the cool kids but weren’t “super lame,” just didn’t fit any clique
    • •Jimmy starts a rap group and admits he was a bad rapper, so he focused on making beats
    • •He names the group “Yellow Panthers” and calls it embarrassing
  6. First show-business paycheck: beats, a questionable website, and early hustle

    Jimmy shares how he sold bootleg CDs at school and then recounts how his first show-business money came from licensing a beat online. He tells a detailed (and comedic) story about being contacted by someone in adult entertainment who wanted to use his beat for a trailer.

    • •He remembers burning CDs and selling them for a few bucks at school
    • •He says his beat-maker name was “Doc West,” which he now calls hacky
    • •He recounts being contacted about using one of his beats for an adult-entertainment trailer
    • •He describes that payment as his first paycheck in show business
    • •The conversation uses the story as a bridge into his later career path decisions
  7. UC San Diego years: changing majors, identity crisis, and rejecting finance

    Jimmy talks about attending UC San Diego, starting in mechanical engineering to satisfy parental expectations, then switching to economics. He describes taking five years to graduate, experimenting with weed as part of an identity shift, and realizing that a finance internship felt like a future he couldn’t accept.

    • •Jimmy says he attended UC San Diego and jokes about it being boring
    • •He describes starting in mechanical engineering, then switching to economics as the “approved” easier option
    • •He says it took five years to graduate and mentions smoking a lot of weed freshman year
    • •He describes wanting not to be “grouped in” and reframing himself as a “stoner kid”
    • •He recalls interning at Smith Barney and feeling panic about spending decades in that career
  8. Choosing comedy over the safe path: disappointing his dad and taking three jobs

    Jimmy explains the emotional difficulty of telling his dad he didn’t want the career path his family supported. He shares the reasoning that it’s better to disappoint parents temporarily than disappoint himself long-term, then recounts his early post-college hustle: used cars by day, comedy club work for stage time, and strip club DJ at night.

    • •He describes the guilt and difficulty of confronting parental expectations
    • •He explains his guiding idea: disappointing parents for a few years vs. disappointing himself for life
    • •He lists three early jobs in San Diego: used car sales, working the Comedy Palace door, and strip club DJ
    • •He describes the strip club environment as seedy and full of people who didn’t want to be there
    • •He frames stand-up initially as community and camaraderie more than a guaranteed career
  9. Mentorship and finding authentic material: Sean Kelly’s influence

    Jimmy describes meeting Sean Kelly, who ran the Comedy Palace, and how that mentorship changed his trajectory. He explains being pushed away from generic jokes and toward his immigration story as unique material that can’t be copied, and he says Sean urged him to move to LA before he hit a “point of no return.”

    • •Jimmy calls finding a mentor extremely important and says you shouldn’t be afraid to ask
    • •He explains Sean Kelly helped him strategically as both businessman and comedian
    • •Sean encouraged Jimmy to focus on his unique immigration story instead of hacky early material
    • •Jimmy describes how his comedy evolved: imitation to self-deprecation to vulnerability and personal storytelling
    • •He credits the shift with helping him build a distinctive voice and career direction
  10. Breaking into acting: bad auditions, small roles, and the Silicon Valley leap

    Jimmy tells the story of moving back to LA, living cheaply, chasing commercials, and encountering an “agency” that turned out to be an apartment rental office. He describes grinding through many auditions (including stereotypical parts), landing small TV roles, and finally booking “Silicon Valley,” which grew from a tiny role into a series-regular job.

    • •He describes living in someone’s living room found via Craigslist to avoid moving back home feeling like a failure
    • •He recalls a disastrous first meeting with a supposed commercial agent in an apartment rental office
    • •He talks about spending money on acting classes and slowly building credits (including small TV parts)
    • •He shares his audition log concept—many auditions before finally booking “Silicon Valley”
    • •He explains the role started small and expanded over time until he became a series regular
  11. Life changes after Silicon Valley: pay realities, Uber driving, and Mike Judge connection

    Jimmy explains that early Silicon Valley pay was modest and that he drove Uber between seasons, using his earnings to stabilize his life. He then talks about Mike Judge’s impact—first hearing him as UCSD’s commencement speaker, relating to Judge’s career pivots, and later telling Judge the story after being cast.

    • •Jimmy says he earned the SAG minimum early on and was still broke after season one appearances
    • •He describes driving Uber between season one and two and using earnings as a down payment on a Prius
    • •He explains the moment he learned he’d be a series regular was life-changing
    • •He recalls Mike Judge being his UCSD commencement speaker and that the speech resonated when he felt lost
    • •He describes telling Mike Judge at a table read that the commencement speech mattered to him
  12. Playing Jian-Yang and working without TJ Miller: character roots and on-set rhythm

    Jimmy explains how Jian-Yang draws from his own early immigrant experience, including misunderstandings and deadpan comebacks. He shares favorite improv moments with TJ Miller and discusses how the show adjusted after TJ left, including Jimmy’s new interactions and storylines.

    • •He says Jian-Yang is like a version of himself from 15 years earlier, including language gaps and being underestimated
    • •He shares a personal example of literal-minded comebacks from childhood that match the character’s tone
    • •He recalls favorite scenes with TJ Miller, including improv and rapid back-and-forth energy
    • •He describes being shocked and sad when TJ told him he wasn’t returning
    • •He says TJ’s departure forced creative shifts and gave him more opportunities to interact with other characters
  13. Crazy Rich Asians: full Asian cast, pressure relief, and feeling “not token”

    Jimmy discusses filming Crazy Rich Asians in Singapore and describes it as a meaningful shift for Asian representation on a studio film. He explains that being on a set full of Asian talent felt different from being the only Asian person, reducing the “token” pressure and letting him focus on his job.

    • •He describes Crazy Rich Asians as a satire about billionaires in Singapore and notes it became a studio film with a full Asian cast
    • •He contrasts being “the only Asian dude on set” with being part of an all-Asian ensemble
    • •He says the scrutiny to “represent” is heavier when you’re the token person in the room
    • •He describes the Singapore set as a place where the pressure felt off and everyone could just do their work
    • •He jokes that it was the first time in Hollywood he felt white—and that it felt great
  14. Audience Q&A: stereotypes, immigration identity, career risk, and creative control

    In the Q&A, Jimmy addresses concerns about stereotypes and accents, arguing for portraying immigrant characters with humor and humanity rather than avoiding them. He also answers questions about taking risks, reverse culture shock, preparing for Jian-Yang, handling rejection, building Asian-led projects, family expectations, and using storytelling to humanize immigration.

    • •He explains how he thinks about stereotypical moments vs. humanizing immigrant portrayal, and why he accepts accent roles
    • •He says one painful experience was feeling rejected by American-born Asians who didn’t want to be grouped with immigrants
    • •He answers a question about career risk by saying he’d rather try and fail than never try, and frames the downside as limited opportunity cost
    • •He describes reverse culture shock returning to Hong Kong/China and the peace of being “just another guy” there
    • •He explains his preparation for Jian-Yang: touring tech companies, listening to Chinese radio, and repeating a Mandarin mantra
    • •He discusses Hollywood rejection and says blaming racism doesn’t help him improve, even if bias might exist
    • •He says creating his own material is key to expanding roles for Asians and focuses on being the best actor in the room
    • •He talks about family communication challenges, therapy, and evolving relationships with his dad, including his dad acting in Patriots Day
    • •He answers questions about “Where are you from?”, staying grounded with old friends, and how storytelling can reduce polarization on immigration

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