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What Now? With Trevor NoahWhat Now? With Trevor Noah

Meet Derek Fordjour – One of My Favorite People | What Now? with Trevor Noah Podcast

Interdisciplinary artist Derek Fordjour is one of my Favorite People. In the episode we discuss creating art, African diaspora, and assigning value within society. Above all else, we agree humans need storytelling.

Trevor NoahhostDerek Fordjourguest
May 8, 20251h 46mWatch on YouTube

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Transcript

  1. 0:00 – 0:55

    Intro

    1. TN

      How do you know when something's finished?

    2. DF

      [music] I think there's a creeping feeling that you get where you're like, "Ah, I'm not making this better." You know? It's kind of like when you're in a barber's chair, like, the longer you're there-

    3. TN

      [laughs]

    4. DF

      ... this guy can only remove hair.

    5. TN

      [laughs]

    6. DF

      [laughs] Do you know what I'm saying?

    7. TN

      Yeah, I know exactly what you're saying.

    8. DF

      You shouldn't be there too long. There's, like, a moment that-

    9. TN

      Yeah, yeah yeah

    10. DF

      ... if you're like, "It's, it's been a while," y- you wanna look for a mirror.

    11. TN

      So it's diminishing returns, in a way.

    12. DF

      Yeah.

    13. TN

      Like-

    14. DF

      Like, there's a point where you're like, "If I stay in this-

    15. TN

      Uh-huh

    16. DF

      ... it's not gonna get better." I'm sure you, like, write a joke and you're like, "That's too many words. I did too much to get there. You know? It's enough. Leave it." There's, like, a instinct, right?

    17. TN

      Yeah. Mine, I think, is more, "Do I still feel this way?"

    18. DF

      Yeah, that's the same thing.

    19. TN

      Yeah. That's, that's more mine. [upbeat music] My guest

  2. 0:55 – 3:00

    Introduction to Derek Fordjour as a contemporary artist

    1. TN

      on today's podcast is someone I'm lucky enough to call a friend, and a human being who has achieved one of the hardest things in the world, which is becoming extremely successful and genre-defying in many ways as an artist. I always think about how crazy it must have been back in the days to be friends with someone like Picasso or Michelangelo or any of those people. And I, I'm not comparing artists, but for me, Derek Fordjour is the modern equivalent. He's an artist. He's a painter, a sculptor, one of my favorite people who's able to bring history, identity, and joy to life in a way that stops you in your tracks. We've known each other for a while now, and I've always been inspired by how deeply he sees the world and how beautifully he translates that onto the canvas. And so in this conversation, we get into how art messes with value in the best way, why all work is kind of a scam, and what it means to create beauty even when no one's buying it yet. I think you're really gonna walk away from this conversation with your mind spinning and hopefully your heart full, just like I always do. This is What Now? With Trevor Noah. [upbeat music] Rolling? All right. Derek Fordjour, what's going on, man?

    2. DF

      Hello, Trevor.

    3. TN

      How are you gonna go and get a blocked nose when we're doing a podcast?

    4. DF

      Bro, you both, you blow me up immediately about the nose.

    5. TN

      No, because you know why.

    6. DF

      I'm self-conscious about it.

    7. TN

      No, but okay, let me explain. First of all, I apologize. I didn't know you were self-conscious about it. The, the reason I have to call it out is because some people will be hearing your voice for the first time.

    8. DF

      That's true.

    9. TN

      Some people.

    10. DF

      That's true, hopefully.

    11. TN

      And then they'll think that that's how you speak.

    12. DF

      Yeah, I have a very different voice than what I have today.

    13. TN

      Yeah, yeah.

    14. DF

      Right?

    15. TN

      So it's similar, but it's, I know you're

  3. 3:00 – 14:00

    Exploring African identity and immigrant experiences

    1. TN

      nasally today.

    2. DF

      You can tell, yeah.

    3. TN

      But you say you're not sick.

    4. DF

      Well, I can't be sick. I can't. I'm an American.

    5. TN

      Let me tell you, I, I, I worked at The Daily Show, I was in the office for eight years, I hosted for seven years.

    6. DF

      Yeah.

    7. TN

      No one ever admitted being sick.

    8. DF

      The, the entire time.

    9. TN

      No one.

    10. DF

      But wouldn't you say that's also, like, entertainment culture? Like, nobody wants to, like ... Like, uh, you, first of all, you're the boss. To each other-

    11. TN

      Yeah

    12. DF

      ... do they admit it?

    13. TN

      Oh, that's a good question, actually. I never con-

    14. DF

      I'm just saying

    15. TN

      ... I never considered my position of power.

    16. DF

      No, you don't, because you're such a man of the people.

    17. TN

      [laughs]

    18. DF

      You just don't.

    19. TN

      I actually really never considered that.

    20. DF

      Yeah, you don't think about that.

    21. TN

      No, you know what it also is? In So- it's because in South Africa, we don't really have that.

    22. DF

      What, like ... Oh, the culture of-

    23. TN

      So ... Yeah, like in a, I think in a, in America more than most places, maybe in Europe actually, uh, to a certain extent, the hierarchy in an office place is respected in a different way.

    24. DF

      Oh, it's true.

    25. TN

      So-

    26. DF

      It's true

    27. TN

      ... managers don't realize that rooms move differently when they step into them.

    28. DF

      Not at all.

    29. TN

      Yeah.

    30. DF

      Yeah.

  4. 14:00 – 30:00

    Navigating professional spaces as a Black artist

    1. TN

      never done well.

    2. DF

      Let me watch you deal with it.

    3. TN

      That's a-

    4. DF

      Let me watch you deal with that

    5. TN

      I don't feel like there's ever been a time in history when that sentence has ended well.

    6. DF

      But you have to experience the slave ca-

    7. TN

      Why?

    8. DF

      Because first of all, I, I didn't know that you hadn't done this, so I'm even more convicted about it.

    9. TN

      I've been to slave castles, but I need to know why this one in particular.

    10. DF

      Okay. Well, I think there's a moment, well, at least for me, where you go to the door of no return.

    11. TN

      Yeah.

    12. DF

      And it's in all the castles.

    13. TN

      Oftentimes it'll be, like, the port, near the port-

    14. DF

      That's right

    15. TN

      ... somewhere there.

    16. DF

      That's right.

    17. TN

      They bring them in, and there's a little area where they're gonna get loaded onto a boat.

    18. DF

      That's right.

    19. TN

      And that's the, the area of no return.

    20. DF

      That's right.

    21. TN

      Yeah.

    22. DF

      So you got it.

    23. TN

      It's similar in, the one I went to was in Zanzibar.

    24. DF

      Yes. Yes.

    25. TN

      Very similar.

    26. DF

      So first of all, I mean, the East African slave trade was different. Um, just as brutal, but, um, I think the dynamics are different east/west.

    27. TN

      Mm-hmm.

    28. DF

      But there's always that moment in the castle where you stand between where you were and where you're going. And for me, when I stand there, I get it. I get the whole diaspora.

    29. TN

      Hm.

    30. DF

      Like, I understand my experiences in Brazil, in Canada, you know, parts of Europe where there are Africans. Like, I get it. Like, we all came through that door.

  5. 30:00 – 48:00

    The evolution of Black representation in the art world

    1. DF

      Kinte- It was in the lexicon and the whole thing. And then years later, we found out that some of the details in that story were fabricated, that Alex Haley wrote.

    2. TN

      Mm-hmm.

    3. DF

      Um, and so it wasn't all true. When it came out, it was like, "This is all true."

    4. TN

      Yeah, this is factual.

    5. DF

      "This is factual, and I've ... " You know, and that was part of the strength of it. And then years later, we found out that some of it wasn't true, and it didn't matter because people needed a story.

    6. TN

      I think it also doesn't matter because all stories aren't true.

    7. DF

      Exactly. History is itself a fabrication. I love your bit about, about nations and, um, anthems and-

    8. TN

      Yeah, yeah, yeah, yeah

    9. DF

      ... you know, it's like it's all ... And so, I mean, I love both sides of that, that I knew it when it was factual-

    10. TN

      Mm-hmm

    11. DF

      ... and it was ... And then when it was something that was falsified, and it didn't matter. The power did not, the power of the story didn't change. The-

    12. TN

      How do you, how do you think that informs your art?

    13. DF

      Well-

    14. TN

      'Cause I, 'cause I ... When I, when I think of your art, I, I think of you as a storyteller.

    15. DF

      Yeah.

    16. TN

      And not in, like, a highfalutin way, by the way.

    17. DF

      Mm-hmm.

    18. TN

      Like, let's, let's preface all of it by saying this. Yes, Derek Fordjour is easily considered by many, e- especially who, like, know what they're talking about, you're considered l- a luminary of the art world.

    19. DF

      Oh, wow.

    20. TN

      No, you, you really are, and, and it's, it's not easy to get to the place that you've gotten to-

    21. DF

      Well, thank you

    22. TN

      ... like, in, in the art world. It's also, let's be honest, five times harder to get there as a Black man, like randomly, like a Black person-

    23. DF

      Like as everything

    24. TN

      Yeah, but-

    25. DF

      As everything. Yeah

    26. TN

      ... yeah, but I think less so in the NBA. Let's put it that way.

    27. DF

      Oh, Trevor, you say some of the wildest things.

    28. TN

      What are you talking about?

    29. DF

      And it's totally appropriate.

    30. TN

      I'm saying there are some areas that are still way harder to get into-

  6. 48:00 – 1:03:00

    The role of art as a "passive buff" to society

    1. TN

      I'm like, "Yo, what is happening right now? What is happening right now?"

    2. SP

      It's like-

    3. TN

      "Just enjoy it."

    4. SP

      It's being British. It's like the national pastime is to speak about the weather, so you're either complaining about it or you're happy about it. Those are the two states of emotion when it comes to the weather. So if you're-

    5. TN

      Yeah, but I find it, I find it's more, I find it's more the Brits are complaining about it, or they're complaining about how it normally is but it's not now. So you'll go, "This is nice." They're like, "Yeah, but it's not normally like this."

    6. SP

      Yeah. Oh, a nation of complainers.

    7. TN

      I don't know. I think it's lovely, and I'm enjoying myself. Well, that was today's We're in the World brought to you by Uber. Whether it's your best friend's wedding or your niece's first ballet recital, Uber is on their way, so you can show up for what matters most. Uber, on our way. [upbeat music] I'll often say to people, um, a- and I think I have this because comedy has been my profession.

    8. DF

      Yeah.

    9. TN

      I often will say to people, all work is a scam.

    10. DF

      I love this.

    11. TN

      Right? I'm not saying things that people do are scams, but I'm saying work.

    12. DF

      Yeah.

    13. TN

      The word work.

    14. DF

      Yes.

    15. TN

      All work is a scam.

    16. DF

      Yeah, yeah.

    17. TN

      Because the value of that work is merely assigned by those who have the resources.

    18. DF

      It's arbitrary. That's right.

    19. TN

      It's all arbitrary.

    20. DF

      Yes.

    21. TN

      You know? So that's why I was smiling at the snowball thing.

    22. DF

      Yes.

    23. TN

      That's why I had that fit 'cause I'm like, "Oh, man, yeah, that..." A- and I try and explain this to people, and they go like, "No, no, no, but, but what about..." And I'm like, "Listen, I'm not trying to offend anybody."

    24. DF

      Right.

    25. TN

      But almost all our jobs-

    26. DF

      Yes

    27. TN

      ... are fake.

    28. DF

      Yes, they are.

    29. TN

      Okay?

    30. DF

      Absolutely.

  7. 1:03:00 – 1:11:00

    Art's fundamental role in human society

    1. TN

      in with a little.

    2. DF

      Right.

    3. TN

      And then we're making the show.

    4. DF

      Yes.

    5. TN

      Right?

    6. DF

      Yes.

    7. TN

      But I have a million ones-

    8. DF

      Yes

    9. TN

      ... and that's the relationship I have.

    10. DF

      Yes.

    11. TN

      But you have one relationship with a, w- with a million.

    12. DF

      Very true.

    13. TN

      Do you, do you get what I'm saying?

    14. DF

      I 100% agree. The art world, in many ways, is not democratic.

    15. TN

      Uh-

    16. DF

      'Cause what you, what you're explaining-

    17. TN

      Yes

    18. DF

      ... is democratic.

    19. TN

      Yes, it is.

    20. DF

      That's one-

    21. TN

      Yes

    22. DF

      ... one, one woman, one-

    23. TN

      Yeah

    24. DF

      ... one dollar.

    25. TN

      One vote.

    26. DF

      Yeah, one vote.

    27. TN

      Yeah, that's exactly what it is.

    28. DF

      One, that-

    29. TN

      One, one ticket, one vote.

    30. DF

      Yeah.

  8. 1:11:00 – 1:23:00

    Personal journey as a black artist

    1. TN

      a bus stop, you stand anywhere, any liminal space-

    2. DF

      It's there

    3. TN

      ... that has no art.

    4. DF

      Okay.

    5. TN

      Watch how much you don't feel.

    6. DF

      Right.

    7. TN

      And it's a difficult thing to notice, because noticing absence, as you were saying earlier-

    8. DF

      Yeah

    9. TN

      ... is, is extremely difficult.

    10. DF

      It is hard.

    11. TN

      You know, it's very difficult to go-

    12. DF

      To appreciate

    13. TN

      ... I'm noticing nothing, that nothing is here.

    14. DF

      That, that's true. Yes, yes.

    15. TN

      Sometimes it's even difficult to notice what is there. But when you look at art, when art is, when you're not even, like, looking at it, right?

    16. DF

      Yeah.

    17. TN

      It's doing things to you.

    18. DF

      Oh, it is.

    19. TN

      So it's impossible to walk through the Sistine Chapel and not-

    20. DF

      And be unaffected

    21. TN

      ... yeah, and not have, like, wonder.

    22. DF

      It's not possible.

    23. TN

      You know, there's, the, the-

    24. DF

      Yes

    25. TN

      ... like, it doesn't matter what the painting is.

    26. DF

      Yes. No, it doesn't matter. It doesn't m- but it doesn't matter whether you know anything about it.

    27. TN

      You know, you, I, I, like, I don't even, I don't know anything-

    28. DF

      Yes

    29. TN

      ... about art.

    30. DF

      Yes.

  9. 1:23:00 – 1:38:00

    Connection between art and comedy as forms of expression

    1. TN

      Right.

    2. DF

      For sure.

    3. TN

      But they're laughing. Humans find something funny everywhere in the world.

    4. DF

      Yeah.

    5. TN

      What I love is trying to figure out where their funny is and how my funny can intertwine with it. So I used to, and I still do in some ways, I used to envy American comedians-

    6. DF

      Yeah

    7. TN

      ... because American comedians could go anywhere in the world-

    8. DF

      Right

    9. TN

      ... and tell a joke the way they told it in America.

    10. DF

      Because people know American culture.

    11. TN

      Because we, the world knows America.

    12. DF

      Right.

    13. TN

      So they would go like, "Hey, man, so, ha, man, so I, uh, I voted for George Bush and, uh-"

    14. DF

      Right

    15. TN

      ... "well, let me tell you something. Let me..." And the audience isn't like, "George Bush? Who?"

    16. DF

      They're like, "Who? Who?" Right. Right.

    17. TN

      "Who is this George Bush?"

    18. DF

      That's right. That's right. That's right.

    19. TN

      "What on earth are you talking about?"

    20. DF

      That's right.

    21. TN

      "Who's George?"

    22. DF

      That's right.

    23. TN

      No. Audience are like, "Keep going. Tell the joke."

    24. DF

      Right.

    25. TN

      You know?

    26. DF

      Yeah.

    27. TN

      But if, as a South African comedian, I would travel somewhere else in the world-

    28. DF

      Yeah

    29. TN

      ... and then I would be like, "Oh, man. Oh, let me tell you, Julius Malema." Half the people are like, "What did you just say?"

    30. DF

      Yeah. We don't know.

  10. 1:38:00 – 1:42:00

    The impact of art on cultural narratives

    1. TN

      But beauty is layered.

    2. DF

      Whereas you could be beautiful inside and out.

    3. TN

      Well, I think a lot of your paintings are beautiful on the outside-

    4. DF

      [laughs]

    5. TN

      ... if people don't know what's on the inside.

    6. DF

      [laughs]

    7. TN

      That's what I'm saying.

    8. DF

      I'll take that.

    9. TN

      I'm s- no, but I'm serious, man.

    10. DF

      I'll, I'll take that.

    11. TN

      And, like, for real, I, I think...

    12. DF

      [laughs]

    13. TN

      Yeah, man, I, what I've always loved about your work is I cannot separate your work from you.

    14. DF

      Yeah.

    15. TN

      Which in my world is a compliment.

    16. DF

      Yes, that's, now that's a high compliment.

    17. TN

      Um-

    18. DF

      I love that. I worked hard to get there.

    19. TN

      Yeah, man.

    20. DF

      So thank you.

    21. TN

      Because, because I, I, I don't just enjoy the stories you tell. I enjoy them immensely, but I, I enjoy how you tell you in the art.

    22. DF

      Yes.

    23. TN

      Do you know what I mean?

    24. DF

      Yes.

    25. TN

      I, I, I love that people get to know a little bit of you, people, and you get to tell people a little bit of us.

    26. DF

      Yes.

    27. TN

      You know? I, I, I love that, like, Africans have stories in your art.

    28. DF

      Of course.

    29. TN

      I love that Black people have stories in your art.

    30. DF

      Yes, yes.

  11. 1:42:00 – 1:46:46

    Discussion of art market origins and influence

    1. TN

      that while it is seen as the military powerhouse of the world, it is not considered the cultural powerhouse of the world.

    2. DF

      This is true.

    3. TN

      Right?

    4. DF

      Yes, yes.

    5. TN

      So America starts going, "Okay, we gotta get culture out there. We gotta..."

    6. DF

      Mm-hmm.

    7. TN

      And it's doing it in multiple ways.

    8. DF

      Mm-hmm.

    9. TN

      Music and, you know, film is burgeoning-

    10. DF

      Uh-huh, uh-huh, uh-huh

    11. TN

      ... at that time, and it's growing. But the, the upper-minded echelons say, "Yes, but America will never have art."

    12. DF

      Right.

    13. TN

      Right? Art is of Europe-

    14. DF

      Yes, it is

    15. TN

      ... of the sophisticated.

    16. DF

      All the art in America, for good, was-

    17. TN

      And America is a young baby.

    18. DF

      Yes, yes, yes.

    19. TN

      And the story goes that the CIA is then tasked with creating-

    20. DF

      Yes

    21. TN

      ... an art market, and so they, like, start telling people, "Just make shit, and we'll buy it."

    22. DF

      Mm-hmm.

    23. TN

      And they go in, they buy it, they inflate the price.

    24. DF

      Mm-hmm.

    25. TN

      They get galleries buying it. They get a market going.

    26. DF

      Mm-hmm.

    27. TN

      It becomes this whole big thing. The story becomes the art. The art's blowing. It's burgeoning as well. And then the, the thing is created. Have you heard anything about this?

    28. DF

      I tell you why I think that's complete BS, because it's great, it's great fun-

    29. TN

      It's a fantastic story

    30. DF

      ... chat. I like it. I mean, for a dinner party, it's wonderful. I'd stand around and listen to it. Um, remember what we said before about the belief that human beings are encoded to create.

Episode duration: 1:46:46

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