
Joe Rogan Experience #2320 - Tom Segura
Narrator, Tom Segura (guest), Joe Rogan (host), Narrator, Narrator, Narrator, Narrator
In this episode of The Joe Rogan Experience, featuring Narrator and Tom Segura, Joe Rogan Experience #2320 - Tom Segura explores tom Segura on filthy new Netflix series, comedy, risk, and reality Joe Rogan and Tom Segura dive into Tom’s new Netflix sketch-anthology series “Bad Thoughts,” how he backdoored it into existence with self‑funded short films, and why it feels like finally realizing his original dream of making comedy movies. They expand into a broader critique of modern comedy and studio risk‑aversion, the economics of making truly funny R‑rated films, and Tom’s upcoming summer comedy movie project. The conversation then sprawls through standup craft, hypnosis‑like crowd control, killing material, and the pressures of touring, before veering into health, addiction, fitness, food, AI, gambling, combat sports, and even simulation theory. Throughout, it’s a long, loose hang between two veteran comics reflecting on careers, risk‑taking, and the strange incentives shaping entertainment and society.
Tom Segura on filthy new Netflix series, comedy, risk, and reality
Joe Rogan and Tom Segura dive into Tom’s new Netflix sketch-anthology series “Bad Thoughts,” how he backdoored it into existence with self‑funded short films, and why it feels like finally realizing his original dream of making comedy movies. They expand into a broader critique of modern comedy and studio risk‑aversion, the economics of making truly funny R‑rated films, and Tom’s upcoming summer comedy movie project. The conversation then sprawls through standup craft, hypnosis‑like crowd control, killing material, and the pressures of touring, before veering into health, addiction, fitness, food, AI, gambling, combat sports, and even simulation theory. Throughout, it’s a long, loose hang between two veteran comics reflecting on careers, risk‑taking, and the strange incentives shaping entertainment and society.
Key Takeaways
If you can’t get a green light, build proof of concept yourself.
Segura knew Netflix would never buy his show from a script, so he self‑funded several short films, showed them finished episodes, and only then did they agree to a six‑episode order. ...
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Remember your original dream and realign your career accordingly.
Tom’s initial dream was movies, not standup; touring success accidentally pulled him away from that. ...
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Great comedy requires risk, low budgets, and backing the funniest material—not committees.
They argue studio comedies faltered because budgets ballooned and executives became too risk‑averse and tone‑policing. ...
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Standup is partly ‘hypnosis’: audience feels when you’re genuinely invested.
Rogan and Segura describe comedy as a trance created by confidence, rhythm, and authentic enthusiasm for the subject. ...
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Strategic breaks from touring strengthen both material and mental health.
They both note that nonstop touring leads to scrambling for material and performing sets you’re not emotionally invested in. ...
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Environment and food systems matter as much as personal discipline.
Comparing Japan/Italy to the US, they blame America’s metabolic health crisis on ultra‑processed food, glyphosate, and corporate incentives to keep people fat and addicted. ...
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AI will radically change film, acting, and authenticity—soon.
They review early examples of AI‑generated actors and full scenes, predicting studio‑quality movies for under $500K and uncontrolled foreign markets using star likenesses. ...
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Notable Quotes
“Sometimes you have to remind yourself of what your original dream was.”
— Tom Segura
“They sent me to film school and said, ‘Make your fucked up movies.’”
— Tom Segura
“So many studio comedies fail because they’re not actually funny. It’s not a funny comedy.”
— Tom Segura
“A lot of standup is kind of unspoken. I think a lot of it is hypnosis.”
— Joe Rogan
“Our society is infested with bitches, like an apartment filled with roaches.”
— Joe Rogan
Questions Answered in This Episode
How does “Bad Thoughts” differ creatively from Tom Segura’s standup, and what risks did he take on screen that he wouldn’t attempt onstage?
Joe Rogan and Tom Segura dive into Tom’s new Netflix sketch-anthology series “Bad Thoughts,” how he backdoored it into existence with self‑funded short films, and why it feels like finally realizing his original dream of making comedy movies. ...
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If low‑budget, high‑risk comedies are such an opportunity, what’s actually stopping more comics from independently making them the way Tom did?
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Where’s the line between being hypnotically confident onstage and becoming formulaic or manipulative with an audience?
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Given the corruption and subjectivity in combat sports judging they discussed, how could scoring systems be redesigned to protect fighters’ careers and earnings?
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As AI makes fully synthetic performances and deepfakes trivial, how should audiences—and laws—adapt to preserve artistic value and consent in entertainment?
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Transcript Preview
(drum roll) Joe Rogan podcast, check it out.
The Joe Rogan Experience. Train by day, Joe Rogan podcast by night, all day. (instrumental music plays)
(laughs) What's wrong with you?
(laughs)
How? First of all, how did Netflix let you make this show?
Well, they wouldn't have-
(laughs)
... let me make it if I just pitched it to them. (laughs)
(laughs) What did you do?
I made a few- (laughs)
(laughs)
I made a few and showed it to them.
Oh my God.
'Cause I, I knew. I knew that I, like-
Dude.
... that if, like-
You can't give anybody, like, the script.
No.
No.
The script won't work. The script won't work.
(sighs)
I mean, that's just-
(laughs)
(laughs) That's the thing is, like-
That's very funny. Very funny.
Thanks, man. It's, um-
So ridiculous.
It's pretty ridiculous. You know, it was a few years ago that I made the, like, the initial one. It was, um, I was on that crazy tour, that real crazy tour-
Mm-hmm.
... where it was, like, you know, fucking 10 shows a week, and I had a break coming up. And so, I've always liked movies, like, features, right? But it's, it's a lot, it's a huge undertaking to get a feature made, but I liked short films 'cause it feels like you're making a movie, you know, like, a mini-movie, right?
Right.
And it feels much more accessible to do. So, I had written all these, like, short stories, short films, and I called my friend Rami Hashash, and I was like, "Hey, I have a break coming up on tour. Let's shoot a short film." 'Cause we'd done other things before. And when I sent him, I sent him, like, 10 different scripts. He was like, "What if we did three of these?" I was like, "How can we do three of them?" He's like, "We'll shoot, like, 11 days in a row, and we can do three of these stories." And even then, I wasn't thinking of, like, having a television series. I was just like, oh, it'll be fun to make these, these stories, you know? And so, after we shot those three, it was clear that we had, like, like, the, you know, the bones of a show. Like, what if we, what if we did a, a show that was based on short stories, you know? Like, short films, basically. And I don't know, I, I... there's, there was another, there's another few that were in the original, and when I sent them in to Netflix, they were like, "This is fucking insane, but, like, we'll make six episodes of this." (laughs)
(laughs)
And (laughs) yeah, they were just like, "This is crazy." But it's been, it's been the most fun I've ever had, dude.
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