Joe Rogan Experience #1353 - Rob Zombie

Joe Rogan Experience #1353 - Rob Zombie

The Joe Rogan ExperienceSep 17, 20192h 6m

Joe Rogan (host), Rob Zombie (guest), Narrator

Rob Zombie’s evolution from musician to filmmaker and early career breaksOutsider identity, bullying, and how they shape creativity and ambitionHorror cinema history, monster movies, and practical effects vs. CGIHollywood realities: development hell, studio meddling, and test screeningsViolence, censorship, and whether extreme movies “glorify” brutality1970s American culture: Evel Knievel, hockey’s Broad Street Bullies, and New York City grimeThe psychology of success, impostor syndrome, critics, and learning from failure

In this episode of The Joe Rogan Experience, featuring Joe Rogan and Rob Zombie, Joe Rogan Experience #1353 - Rob Zombie explores rob Zombie on Outsider Art, Horror Films, Bullying, and Persistence Rob Zombie joins Joe Rogan to trace his path from socially anxious New England kid and carnival worker to heavy metal frontman and cult‑horror filmmaker, emphasizing how much of his career came from obsession, improvisation, and sheer persistence rather than formal training.

Rob Zombie on Outsider Art, Horror Films, Bullying, and Persistence

Rob Zombie joins Joe Rogan to trace his path from socially anxious New England kid and carnival worker to heavy metal frontman and cult‑horror filmmaker, emphasizing how much of his career came from obsession, improvisation, and sheer persistence rather than formal training.

They dig into how bullying and outsider status shaped his love of monsters and violent antiheroes, and why that sensibility runs through his films like House of 1000 Corpses, The Devil’s Rejects, and 3 From Hell.

The conversation ranges widely across horror history, practical effects vs. CGI, 1970s pop culture, corrupt cops and violent New York, and the brutal realities of show business development hell.

Underlying it all is a recurring theme: embracing insecurity, ignoring critics, and stubbornly making the specific kind of art that you yourself would want to see.

Key Takeaways

Use your current opportunities as your ‘film school’ or training ground.

Zombie treated directing early White Zombie music videos as a no‑budget film school, using whatever work he had to practice the craft he really wanted rather than waiting for formal permission or education.

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Outsider status and bullying can be powerful long-term fuel.

He credits being bullied, ignored in high school, and feeling like a misfit with giving him a deep identification with monsters and antiheroes—and a sustained drive to prove people wrong.

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Protect your vision from ‘creative by committee,’ even if it costs you.

From turning down early record deals to resisting studio video directors and fighting Weinstein‑era Halloween notes, Zombie repeatedly chose control over scale, arguing that diluted ideas are worse than smaller, purer projects.

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Practical, in‑camera effects still resonate more deeply than pure CGI.

They argue that audiences subconsciously feel the difference when a creature or effect physically occupies space (Alien, American Werewolf in London, Jaws) versus an obviously digital construct, which often becomes visual noise.

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Critical opinions are subjective and often misaligned with lasting impact.

Zombie notes that his early albums and movies were savaged as “worst ever,” yet later revered by fans and even honored by the same outlets—proof that critical reception at release rarely predicts cultural longevity.

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Development hell can quietly consume years; know when to walk away.

He spent years trying to launch passion projects like a Philadelphia Flyers ‘Broad Street Bullies’ film and a late‑life Groucho Marx story, eventually abandoning them after endless rights issues, politics, and stalls.

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You can’t create for ‘the market’; you must create for your own taste.

Zombie repeatedly says he doesn’t understand mainstream hits he dislikes and instead builds movies and music he personally would want to see, trusting that a specific, authentic voice will attract its own audience.

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Notable Quotes

My whole life is like, ‘Ah, fooled ’em again.’

Rob Zombie

You can be an idiot and make it.

Rob Zombie

I don’t think the rules of real life apply to art.

Rob Zombie

How did he make a movie more entertaining in six days with like 300 dollars than you made with $200 million?

Rob Zombie (on Ed Wood)

The bad feeling is your friend… that’s the medicine.

Joe Rogan (on bombing in comedy)

Questions Answered in This Episode

How much of Rob Zombie’s career success is luck and timing versus deliberate strategy and stubbornness?

Rob Zombie joins Joe Rogan to trace his path from socially anxious New England kid and carnival worker to heavy metal frontman and cult‑horror filmmaker, emphasizing how much of his career came from obsession, improvisation, and sheer persistence rather than formal training.

Get the full analysis with uListen AI

Does repeatedly depicting ultra-violent outsiders have any real-world psychological or cultural impact, or is it truly ‘just art’?

They dig into how bullying and outsider status shaped his love of monsters and violent antiheroes, and why that sensibility runs through his films like House of 1000 Corpses, The Devil’s Rejects, and 3 From Hell.

Get the full analysis with uListen AI

In an age of streaming and algorithms, can a modern filmmaker still gain the broad, eclectic influences Zombie got from old TV and radio?

The conversation ranges widely across horror history, practical effects vs. ...

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What would a Rob Zombie–directed Broad Street Bullies hockey film or Groucho Marx biopic actually look and feel like tonally?

Underlying it all is a recurring theme: embracing insecurity, ignoring critics, and stubbornly making the specific kind of art that you yourself would want to see.

Get the full analysis with uListen AI

Given how strongly they defend practical effects, what might a ‘perfect’ modern horror film that balances CGI and in‑camera work look like?

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Transcript Preview

Joe Rogan

Here we go. Rob Zombie, ladies and gentlemen. How are you, sir?

Rob Zombie

Good, good.

Joe Rogan

Thanks for being here, man. I appreciate it.

Rob Zombie

Oh, yeah, it's awesome.

Joe Rogan

Uh, 3 From Hell comes out tonight.

Rob Zombie

Yes, finally.

Joe Rogan

It's such a crazy s- leap that you've made. I mean, people know you as much now for your films as they do for your music.

Rob Zombie

Yeah, pretty much. Especially, w- I've really noticed that when I'd be, like, in an elevator. Like, the music fans, I can pretty much spot them, you know, but, like, when some guy comes up to me in an elevator, looks like he's a lawyer or something-

Joe Rogan

(laughs)

Rob Zombie

... which I, I have to get to grips with that 'cause I'm not, you know, I'm old, that every time a cop comes up to me, I'm like, "What does this guy want?" I'm like, "Oh, he's-"

Joe Rogan

Right.

Rob Zombie

"... like a fan 'cause he's 30 years younger than me." Um, but, like, yeah, when normal people, like, "Oh, man, I'm so into this or that." 'Cause-

Joe Rogan

Yeah.

Rob Zombie

... you know, I figure, like, you know, heavy metal music's very specific, but everybody likes movies.

Joe Rogan

Right.

Rob Zombie

So you can never spot the fans.

Joe Rogan

You can see a metal fan.

Rob Zombie

Yeah.

Joe Rogan

Yeah.

Rob Zombie

Yeah. The, I can pretty much spot them.

Joe Rogan

What do you look for? A metal fan? Like, what-

Rob Zombie

(laughs)

Joe Rogan

... what do you see, and, like, what's coming your way?

Rob Zombie

Well, it's changed, but now it's always a guy with a shaved head and a long goatee.

Joe Rogan

D- dude, that's very similar-

Rob Zombie

Nobody has hair any-

Joe Rogan

... to MMA fans (laughs) .

Rob Zombie

Yeah, nobody has hair anymore. It's like, I swear sometimes I'm on stage and a fan's like, "Who's, what's with the long hair?"

Joe Rogan

That's funny. Yeah, right? That was rock and roll. It was synonymous.

Rob Zombie

Yeah. It's, like, not, not anymore.

Joe Rogan

What made you make that leap into horror films?

Rob Zombie

Well, I always wanted to make movies. That was always my main goal in life.

Joe Rogan

Really? Before music?

Rob Zombie

Well, it was... Well, let me back it up. I loved everything equally but, as a kid, it all seemed unattainable. So it was-

Joe Rogan

Sure.

Rob Zombie

... all fantasy. Like, "Oh, yeah. I'm gonna go to Hollywood and make movies. Oh, yeah, I'm gonna have a band." Like, no you're not. You're just living in some crap town and you're gonna do nothing, is what it felt like.

Joe Rogan

You grew up in Haverhill?

Rob Zombie

Yeah.

Joe Rogan

Yeah.

Rob Zombie

You, you're in Lut-

Joe Rogan

I, I grew up in Newton.

Rob Zombie

(laughs)

Joe Rogan

Newton, Never Falls.

Rob Zombie

Yeah, it's so funny. I think when I was a kid and played ice hockey, we would play against Newton.

Joe Rogan

I'm sure.

Rob Zombie

(laughs)

Joe Rogan

I think we wrestled you guys (laughs) .

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