Joe Rogan Experience #2367 - Jesse Welles

Joe Rogan Experience #2367 - Jesse Welles

The Joe Rogan ExperienceAug 19, 20252h 26m

Joe Rogan (host), Jesse Welles (guest), Narrator, Narrator, Narrator, Narrator, Narrator, Narrator

UnitedHealthcare, profit-driven medicine, and public anger toward insurersWelles’ songwriting process and tradition of ‘singing the news’ (Woody Guthrie, folk protest)Lobotomies, benzos, and historical/modern abuses in mental health and medicineWar as a racket: Smedley Butler, false flags, and manufactured consentIntelligence agencies, media, and narrative control (Vietnam, Vegas, OKC, Operation Northwoods)AI-generated music, the music industry, and the value of authenticityPhilanthrocapitalism, NGOs, and the dark art of using “charity” for control and profit

In this episode of The Joe Rogan Experience, featuring Joe Rogan and Jesse Welles, Joe Rogan Experience #2367 - Jesse Welles explores jesse Welles Turns Outrage Into Folk Anthems On Joe Rogan Joe Rogan interviews songwriter Jesse Welles about his viral, politically charged songs that “sing the news” on topics like UnitedHealthcare, philanthrocapitalism, and corporate predation. They dissect the U.S. healthcare system, how profit incentives warp medicine, and why people bizarrely celebrated the killing of a health insurance executive. The conversation widens into war as a business, false-flag operations, intelligence manipulation of media, and how power, money, and propaganda shape public perception. Welles explains his creative process, the freedom of being independent, and why authenticity and discomfort are essential for meaningful art in an age where AI and corporations are eager to replace or control culture.

Jesse Welles Turns Outrage Into Folk Anthems On Joe Rogan

Joe Rogan interviews songwriter Jesse Welles about his viral, politically charged songs that “sing the news” on topics like UnitedHealthcare, philanthrocapitalism, and corporate predation. They dissect the U.S. healthcare system, how profit incentives warp medicine, and why people bizarrely celebrated the killing of a health insurance executive. The conversation widens into war as a business, false-flag operations, intelligence manipulation of media, and how power, money, and propaganda shape public perception. Welles explains his creative process, the freedom of being independent, and why authenticity and discomfort are essential for meaningful art in an age where AI and corporations are eager to replace or control culture.

Key Takeaways

Profit-centric healthcare inevitably creates perverse incentives against patient well-being.

Rogan and Welles argue that corporations like UnitedHealthcare are structurally driven to deny care to increase shareholder value, using tools like AI to further reduce approvals, which feels like a legal con game to patients.

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Art that distills complex news into emotional ‘punchlines’ can cut through propaganda.

Welles describes his process as writing thousands of words of research, then boiling them down into a few hundred rhyming, memorable lines—similar to stand-up comedy—which helps people emotionally grasp systemic problems faster than traditional reporting.

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Historical medical abuses mirror modern pharmaceutical and psychiatric practices.

They connect lobotomies and horrific cases like Rosemary Kennedy’s to today’s benzo overprescription and grueling withdrawals, arguing that future generations may view some current “treatments” as we now view lobotomies.

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War repeatedly serves economic and corporate interests more than public safety.

Using Smedley Butler’s ‘War Is a Racket,’ the Gulf of Tonkin, scalp bounties, and Afghanistan’s opium fields, they highlight how conflicts are often driven by banking, resource control, and military‑industrial profit rather than noble causes.

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Narratives are heavily engineered by intelligence, media, and bots to shape consent.

They discuss social media bot armies, historical CIA influence on movies and news, and questionable official stories (e. ...

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AI will replace anything formulaic; only the truly human and idiosyncratic will endure.

An AI-generated indie track impresses Rogan and Welles, reinforcing the idea that generic pop and background music are highly automatable, while deeply personal, rough-edged work rooted in lived experience is much harder to simulate.

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Independence in art is both a financial and moral shield against capture.

Welles emphasizes refusing exploitative label deals, avoiding “too many cooks,” and keeping creative control so he can name names (e. ...

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Notable Quotes

There ain't no 'you' in UnitedHealth… there's hardly humans in humanity.

Jesse Welles (from his song played on the show)

Everything that can be replaced will be replaced. But there are things that are irreplaceable.

Joe Rogan

War is a racket… It’s conducted for the benefit of the very few at the expense of the very many.

Joe Rogan, quoting Smedley Butler

I’m gonna be a billionaire with a big foundation… We used to rule in shadows, but I’d come right out and I’d rule the nation.

Jesse Welles (from his song “Philanthropist”)

As long as they keep mushrooms illegal, they can keep selling you pills that ruin your life.

Joe Rogan

Questions Answered in This Episode

How much can art like Welles’ actually shift public behavior or policy versus just preaching to the already disillusioned?

Joe Rogan interviews songwriter Jesse Welles about his viral, politically charged songs that “sing the news” on topics like UnitedHealthcare, philanthrocapitalism, and corporate predation. ...

Get the full analysis with uListen AI

At what point should profit in healthcare or pharmaceuticals be legally limited to protect basic human rights?

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Which current medical or psychiatric practices are most likely to be seen as ‘the new lobotomy’ in 30–50 years?

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How can ordinary people distinguish between authentic grassroots sentiment and bot‑driven or state‑manufactured narratives online?

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What practical steps can independent artists take to stay financially afloat without compromising their message or signing predatory deals?

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Transcript Preview

Joe Rogan

(drumming music) Joe Rogan podcast. Check it out.

Jesse Welles

The Joe Rogan Experience.

Joe Rogan

Train by day, Joe Rogan podcast by night. All day. (rock music) Cheers, buddy.

Jesse Welles

Cheers to you.

Joe Rogan

Nice to meet you, man.

Jesse Welles

Good to meet you.

Joe Rogan

I've enjoyed your songs. (laughs)

Jesse Welles

(laughs)

Joe Rogan

How did you, uh ... Well, first of all, how long you been doing music?

Jesse Welles

Um, I think most of my life, you know. Um ...

Joe Rogan

Did you grow up in a musical family or is it just something you picked up on your own?

Jesse Welles

No, I ... Everyone worked and made art when they weren't working.

Joe Rogan

Oh, okay.

Jesse Welles

But, uh, no music really, but that, I, I like to, I like music.

Joe Rogan

Like what kind of art did your family do?

Jesse Welles

Like my mom would always paint. She put like murals on the, on the walls of the house and stuff. And my old man's a mechanic, um, and he would be tinkering around, m- making all sorts of fun stuff, usually with his welder and whatnot. So I, there, I felt like they were artistic folks.

Joe Rogan

Yeah.

Jesse Welles

You know. Um, but they didn't, they didn't necessarily, uh, do music. You know, they're smarter than that.

Joe Rogan

And so-

Jesse Welles

(laughs)

Joe Rogan

... um, I only know of you from the videos that you put up on Instagram.

Jesse Welles

Yeah.

Joe Rogan

And specifically, I think it was the United Healthcare guy was the first one.

Jesse Welles

Yeah.

Joe Rogan

Right? Which was really good, dude. It's s- the lyrics, you, and the timing of it all, you captured the moment. And that song, to me, was like, "Yeah, that's what the fuck is going on."

Jesse Welles

Right.

Joe Rogan

That's what's really going on.

Jesse Welles

Yeah.

Joe Rogan

They don't give a shit about you and they're just trying to make money.

Jesse Welles

Mm-hmm.

Joe Rogan

And that's why when this guy got shot, there was this reaction from people.

Jesse Welles

Yeah.

Joe Rogan

Which is very rare when someone gets assassinated, when people celebrate.

Jesse Welles

Right.

Joe Rogan

When someone's not, like a mass murderer or something.

Jesse Welles

It was, it was bizarre.

Joe Rogan

It was bizarre.

Jesse Welles

It's s- it's, it's ... I mean, it must mean something is up if people are celebrating-

Joe Rogan

Yes.

Jesse Welles

... somebody's death.

Joe Rogan

Yes.

Jesse Welles

Something is wrong.

Joe Rogan

And all kind ... Across both sides of the aisle. It's not a political thing. It is a, a human thing.

Jesse Welles

Yeah.

Joe Rogan

That like these people, they take your fucking money, you pay them, and then when something comes up, you don't get covered.

Jesse Welles

Mm-hmm.

Joe Rogan

And there doesn't seem to be any repercussions, and to fight it, you have to go to court, and you usually don't have the money to go to court.

Jesse Welles

No.

Joe Rogan

And they have a lot of fucking money.

Jesse Welles

Right.

Joe Rogan

And they, you know, have been doing this for a long time. And now they're using AI to make sure that they pay less. So they're using AI to approve cases. And the, the numbers are even lower than they were before. So UnitedHealthcare always had a lower number than industry standard, right?

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