Joe Rogan Experience #2085 - Charles Wesley Godwin

Joe Rogan Experience #2085 - Charles Wesley Godwin

The Joe Rogan ExperienceJun 27, 20242h 27m

Narrator, Narrator, Joe Rogan (host), Charles Wesley Godwin (guest), Narrator, Narrator, Charles Wesley Godwin (guest)

Charles Wesley Godwin’s late start in music and unusual first gigsEconomic decline in small towns, coal country, and manufacturing citiesCreative discipline, the “muse,” and overcoming artistic ruts and jealousyTouring life, health, family balance, and sacrifices behind successU.S. border issues, drug policy, fentanyl, and the opioid epidemicMedia distrust, COVID narratives, and pharmaceutical industry influenceFaith, purpose, and staying grounded in a rapidly changing culture

In this episode of The Joe Rogan Experience, featuring Narrator and Narrator, Joe Rogan Experience #2085 - Charles Wesley Godwin explores charles Wesley Godwin on risk, resilience, creativity, and small-town roots Joe Rogan talks with country artist Charles Wesley Godwin about his unconventional path into music, from late-blooming singer-songwriter to near financial collapse and eventual breakout success. They explore the decline of small industrial and mining towns, the opioid crisis, and how economic collapse reshapes communities and families. A large portion of the conversation centers on the creative process—treating songwriting and stand-up like a job, battling self-doubt, and rejecting jealousy in favor of inspiration from others’ success. They also veer into broader cultural issues: media distrust after COVID, U.S. border and drug policy, global coal use and climate narratives, and how faith, family, and hometown roots keep Godwin grounded despite life on the road.

Charles Wesley Godwin on risk, resilience, creativity, and small-town roots

Joe Rogan talks with country artist Charles Wesley Godwin about his unconventional path into music, from late-blooming singer-songwriter to near financial collapse and eventual breakout success. They explore the decline of small industrial and mining towns, the opioid crisis, and how economic collapse reshapes communities and families. A large portion of the conversation centers on the creative process—treating songwriting and stand-up like a job, battling self-doubt, and rejecting jealousy in favor of inspiration from others’ success. They also veer into broader cultural issues: media distrust after COVID, U.S. border and drug policy, global coal use and climate narratives, and how faith, family, and hometown roots keep Godwin grounded despite life on the road.

Key Takeaways

Treat creativity like a daily job, not a waiting game for inspiration.

Godwin writes with a notebook and voice memos every day, even when uninspired, echoing Jason Isbell and Steven Pressfield’s idea that consistently ‘showing up’ invites the muse and produces more good lines and melodies over time.

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Other people’s success doesn’t diminish yours—use it as fuel instead of envy.

Both Rogan and Godwin emphasize rejecting a ‘famine mentality’; when peers break through (like Jelly Roll, Zach Bryan, Oliver Anthony), it should inspire harder work, not bitterness or hope for their failure.

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Pursuing your dream requires risking failure, embarrassment, and financial hardship.

Godwin recounts going broke on tour, explaining to his band that he couldn’t pay them, and them accepting half pay to keep going—illustrating that the alternative, quitting and living with lifelong regret, is far worse.

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Healthy habits and restraint are essential to survive a heavy touring schedule.

Running, vitamins, better food choices, and cutting back on drinking are framed as non-negotiables if you want to sustain performance, voice, and energy while traveling hundreds of days a year.

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Economic collapse in single-industry towns ripples through every part of community life.

Stories from Morgantown, Flint, Detroit, and coal country show how plant closures or mine shutdowns erase thousands of jobs, hollow out main streets, spike crime or addiction, and leave entire regions struggling to reinvent themselves.

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Question official narratives—especially when money and power are at stake.

Rogan points to media behavior during COVID, pharmaceutical incentives (like with OxyContin), climate and energy debates, and border policy as areas where information is filtered through corporate or political interests rather than pure public health or truth.

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Faith and a sense of calling can stabilize artists through uncertainty.

Godwin describes viewing songwriting as what he was “put on this earth to do,” and Rogan connects Oliver Anthony’s rapid rise to his turning his life toward God, suggesting that framing your work as a calling helps you weather ruts, pressure, and fear.

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Notable Quotes

You don’t pursue that dream if you’ve got a law degree and a 401(k)… you gotta be a wild person. You gotta have a screw loose.

Joe Rogan

It was that close to just… even if I wanted to, I wouldn’t have had money to even put in the gas tank.

Charles Wesley Godwin

Other people’s success is not your failure. The exact same experience can be fuel for you instead of poison.

Joe Rogan

If you’ve never just fallen on your face before, you might be scared to do it. But once you’ve done that, you gain an advantage… you’re not scared to go for it.

Charles Wesley Godwin

Life is short, but it’s also pretty long. The learning process is long.

Joe Rogan

Questions Answered in This Episode

How should artists balance taking big career risks with protecting their families’ financial stability and well-being?

Joe Rogan talks with country artist Charles Wesley Godwin about his unconventional path into music, from late-blooming singer-songwriter to near financial collapse and eventual breakout success. ...

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What practical steps can someone in a declining small town take if they want to reinvent themselves the way Godwin did?

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Where is the line between healthy skepticism of media and institutions and falling into unproductive conspiracy thinking?

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How can established artists consciously avoid the ‘famine mentality’ and build a culture of mentorship like the support Godwin received from Zach Bryan and others?

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In a world of legal and illegal drugs, what would a realistic, humane, and effective U.S. drug policy look like?

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Transcript Preview

Narrator

(drumming music) Joe Rogan podcast, check it out.

Narrator

The Joe Rogan Experience.

Joe Rogan

Train by day, Joe Rogan podcast by night, all day. (rock music) What's up, man? Pleasure to meet you. What's happening?

Charles Wesley Godwin

Yeah, pleasure to be here, Joe. Thanks for having me.

Joe Rogan

Oh. Listen, my honor. I love your music. I got, uh, introduced to you by Duncan. We were in the green room of the mothership and Duncan goes, "You gotta hear this." And he puts on Family Ties. And I went, "Damn, that's a good fucking song." And then we played Que Country Roads, and then we just got on a roll. And then, like, the whole night we played your music.

Charles Wesley Godwin

Hell yeah, dude.

Joe Rogan

It was fucking awesome, yeah.

Charles Wesley Godwin

He was telling me that, you know, he, he showed my music to you. He said normally you don't like his recommendations, but he said-

Joe Rogan

Well, he'll, he'll go a little emo on you.

Charles Wesley Godwin

(laughs)

Joe Rogan

(laughs)

Charles Wesley Godwin

But he s- he said that you dug that. And I was like, "Holy shit, man. Isn't that something?" I, uh... Duncan is really cool. I was like... I was at, uh, Apple Studios in Nashville doing, like, this live session thing with them when he, he messages me on Twitter and asked me to be on his podcast. And, like, that made my, my freaking week. Li- I was like, "Holy shit, Duncan Trussell li- likes my music? Fuck yeah."

Joe Rogan

That's so cool.

Charles Wesley Godwin

And then we were, we were doing his podcast and then afterwards he's like, "Yeah, man, I sh- I showed your music to Joe and he really liked it too." I was like, "Fuck yeah."

Joe Rogan

(laughs)

Charles Wesley Godwin

So, yeah, shout out to Duncan. I appreciate him doing that, man.

Joe Rogan

No, Duncan's the man. He is one of the most unusual people that I've ever met in my life. There's not another one like him.

Charles Wesley Godwin

Yeah, he's cracking me up. (laughs)

Joe Rogan

Yeah, he's a one of one.

Charles Wesley Godwin

(laughs) Yeah.

Joe Rogan

That's a one of one. When he moved here I was so happy, 'cause he was... he, uh, went to Asheville. 'Cause, you know, he grew up in Asheville.

Charles Wesley Godwin

Mm-hmm.

Joe Rogan

And, uh, he moved there and i- i- it was just... You know, during the pandemic it got bleak there. You know, the jobs were all dried up, everything was fucked, everything closed down. And he said crime was crazy.

Charles Wesley Godwin

Mm-hmm.

Joe Rogan

It's like, Asheville is, like, per capita in the top 10 of, uh, crime in the country.

Charles Wesley Godwin

Oh. Holy shit.

Joe Rogan

So, I mean... I might've made that up.

Charles Wesley Godwin

No, shit.

Joe Rogan

(laughs)

Charles Wesley Godwin

I mean...

Joe Rogan

Let's see if that's a fact-

Charles Wesley Godwin

(laughs)

Joe Rogan

... 'cause ev- I think... I'm pretty sure Duncan told me that. But he's like, "Dude, there's so much fucking crime."

Charles Wesley Godwin

(laughs)

Joe Rogan

"It's everywhere. Everyone's on meth."

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