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The Science & Art of Comedy & Creativity | Tom Segura

My guest is Tom Segura, renowned comedian, writer, actor and director. We discuss the “how-to” of comedy writing and storytelling, and what the science of humor and the creative process reveal about human emotion and memory. We explore why surprise and the act of “saying the unspoken truth” activate the brain’s reward circuits, as well as the subconscious mechanisms that shape our sense of what is funny. The episode also examines the bi-directional influence between comedy and cultural standards. It will interest anyone curious about the science of humor, the art of performance and emotional contagion. Read the episode show notes: https://go.hubermanlab.com/ADV8QSH *Thank you to our sponsors* AG1: ⁠https://drinkag1.com/huberman Maui Nui: ⁠https://mauinuivenison.com/huberman Helix Sleep: ⁠https://helixsleep.com/huberman David Protein: ⁠https://davidprotein.com/huberman Function Health: ⁠https://functionhealth.com/huberman *Follow Huberman Lab* Instagram: https://www.instagram.com/hubermanlab Threads: https://www.threads.net/@hubermanlab X: https://twitter.com/hubermanlab Facebook: https://www.facebook.com/hubermanlab TikTok: https://www.tiktok.com/@hubermanlab LinkedIn: https://www.linkedin.com/in/andrew-huberman Website: https://www.hubermanlab.com Newsletter: https://www.hubermanlab.com/newsletter *Tom Segura* Website: https://tomsegura.com Tour: https://tomsegura.com/tour Your Mom’s House (podcast): https://ymhstudios.com/yourmomshouse 2 Bears, 1 Cave (podcast): https://ymhstudios.com/2bears Tom Talks (podcast): https://ymhstudios.com/tomtalks YMH Studios: https://ymhstudios.com Instagram: https://www.instagram.com/seguratom YouTube: https://www.youtube.com/user/tomsegura X: https://x.com/tomsegura TikTok: https://www.tiktok.com/@seguratom Facebook: https://www.facebook.com/TomSeguraTour *Timestamps* 00:00:00 Tom Segura 00:01:45 Family, Sports, Running 00:09:35 Sponsors: Maui Nui & Helix Sleep 00:12:37 Ideas, Running, Sleep & Brain, Tools: Exercise for Energy; Phone Outside Room 00:20:16 Capturing Ideas, Cannabis, Storytelling, Experimentation 00:27:28 Ideas & Set List, Performance 00:31:52 Wife, Jokes, Reframing Content; Cancel Culture, Audience Reaction 00:40:56 Jokes, Self & Amusement; Evolution & New Material 00:48:26 Sponsors: AG1 & David Protein 00:51:24 Surprise, Hidden Thoughts; Acting 00:59:02 Voice Impersonation, Kids, Strength Training, Activities 01:05:40 Repeating Jokes; State Changes, Crowds & Energy 01:13:11 Silly Mindset; Audience, Emotional Contagion; Humor & Subconscious Mind 01:27:44 Sponsor: Function 01:29:32 Crowd Work, Comedy Clubs; Original Comedy 01:38:13 Comedy & Social Context; Dark Comedy 01:47:51 Drugs, Overdose, Comedian Deaths, Mental Health; Cynicism, Hope 01:54:21 Audience, Twin Comics; Vulnerability; Stand-Up & Performance 02:01:49 Comedy & Passion, Complaints; Childhood Struggle, Insecurities, Therapy 02:10:53 “Bad Thoughts” Show, Upcoming Projects 02:14:44 Zero-Cost Support, YouTube, Spotify & Apple Follow & Reviews, Sponsors, YouTube Feedback, Protocols Book, Social Media, Neural Network Newsletter Disclaimer & Disclosures: https://www.hubermanlab.com/disclaimer

Andrew HubermanhostTom Seguraguest
May 19, 20252h 17mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:001:45

    Tom Segura

    1. AH

      Welcome to the Huberman Lab Podcast, where we discuss science, and science-based tools for everyday life. I'm Andrew Huberman, and I'm a professor of neurobiology and ophthalmology at Stanford School of Medicine. My guest today is Tom Segura. Tom Segura is a renowned comedian, writer, and director. During today's episode, we explore the neuroscience and psychology behind comedy, and we explore the creative process more generally. Tom shares his approach to capturing and developing ideas into narratives that are at once funny and thought-provoking. We discuss the interplay between daily life observations and larger cultural dynamics when developing comedy routines. We spend a fair bit of time discussing the neurobiological basis of humor, and what data and brain lesion patients have taught us about why we find certain ideas novel, funny, or exciting. We also talk about how this relates to the activation reward circuits in the brain, and the seemingly automatic way that things are either funny or not funny to people, suggesting that humor is like taste or smell. You really can't negotiate what works for you or what doesn't. We also discuss emotional contagion and how skilled performers like Tom become masters at reading, shifting, and dancing with the collective energy of crowds, whether in small comedy clubs or large arena shows. So if you're a creative or you're curious about human psychology, or if you simply love to laugh, you'll come away from today's episode having learned a ton of useful information about the creative process and human nature. Before we begin, I'd like to emphasize that this podcast is separate from my teaching and research roles at Stanford. It is, however, part of my desire and effort to bring zero cost to consumer information about science and science-related tools to the general public. In keeping with that theme, this episode does include sponsors. And now for my discussion with Tom Segura.

  2. 1:459:35

    Family, Sports, Running

    1. AH

      Tom Segura, welcome-

    2. TS

      Thanks for having me.

    3. AH

      ... 'cause we'll let people know who don't already know, yes, we are related.

    4. TS

      Yes, we are related. People have asked me so many times the details, and I, you know, I was trying to, like... 'cause I learned about it obviously later, that it was, like, my mom's great-grandmother-

    5. AH

      Mm-hmm.

    6. TS

      ... and your father's great-grandmother-

    7. AH

      Mm-hmm.

    8. TS

      ... were first cousin. They're both Basque, so Northern Spain cousins, and then, you know, generations later, they moved to South America-

    9. AH

      Yep.

    10. TS

      Yours to Argentina, mine to Peru-

    11. AH

      Yep.

    12. TS

      ... and that's how we're cousins.

    13. AH

      Yep.

    14. TS

      Yeah, I guess distant cousins, but, uh-

    15. AH

      And my dad was on the podcast a little while ago, so-

    16. TS

      How did that go? 'Cause I remember we talked about him coming on.

    17. AH

      Yeah, it was great. I mean, he's a theoretical physicist by training, so we got to talk about physics-

    18. TS

      Jesus Christ.

    19. AH

      ... but we also got to talk about life. And, uh, I learned a lot from him.

    20. TS

      Did you?

    21. AH

      I, I learned a lot about him that I've never known before.

    22. TS

      In that podcast?

    23. AH

      Yeah, yeah.

    24. TS

      Really?

    25. AH

      I'll send it to you if you're ever suffering from insomnia.

    26. TS

      Oh, I would love to listen to it. He's a theoretical phy- how did I, I didn't even know that.

    27. AH

      Mm-hmm, yeah, theorist, chaos theory, and now he's into quantum internet. Yeah.

    28. TS

      Jesus Christ. Where does he reside now?

    29. AH

      Northern California.

    30. TS

      Northern California.

  3. 9:3512:37

    Sponsors: Maui Nui & Helix Sleep

    1. TS

    2. AH

      I'd like to take a quick break and acknowledge our sponsor, Maui Nui Venison. Maui Nui Venison is the most nutrient-dense and delicious red meat available. It's also ethically sourced. Maui Nui hunts and harvests wild axis deer on the island of Maui. This solves the problem of managing an invasive species while also creating an extraordinary source of protein. As I've discussed on this podcast before, most people should aim for getting one gram of quality protein per pound of body weight each day. This allows for optimal muscle protein synthesis while also helping to reduce appetite and support proper metabolic health. Given Maui Nui's exceptional protein-to-calorie ratio, this protein target is achievable without having to eat too many calories. Their venison delivers 21 grams of protein with only 107 grams per serving, which is an ideal ratio for those of us concerned with maintaining or increasing muscle mass while supporting metabolic health. They have venison steaks, ground venison, and venison bone broth. I personally love all of them. In fact, I probably eat a Maui Nui venison burger pretty much every day, and if I don't do that, I eat one of their steaks. And sometimes I also consume their bone broth. And if you're on the go, they have Maui Nui venison sticks, which have 10 grams of protein per stick with just 55 calories. I eat at least one of those a day to meet my protein requirements. Right now, Maui Nui is offering Huberman Podcast listeners a limited collection of my favorite cuts and products. It's perfect for anyone looking to improve their diet with delicious, high-quality protein. Supplies are limited, so go to mauinuivenison.com/huberman to get access to this high-quality meat today. Again, that's mauinuivenison.com/huberman. Today's episode is also brought to us by Helix Sleep. Helix Sleep makes mattresses and pillows that are customized to your unique sleep needs. Now, I've spoken many times before on this podcast about the fact that getting a great night's sleep is the foundation of mental health, physical health, and performance. When we aren't doing that on a consistent basis, everything suffers, and when we are sleeping well and enough, our mental health, our physical health, and our performance in all endeavors improves markedly. Now, the mattress you sleep on makes a huge difference in terms of the quality of sleep that you get each night. How soft that mattress is, how firm it is, how breathable it is, all play into how well you'll sleep, how much deep sleep you get, how much rapid eye movement sleep, and it needs to be tailored to your unique sleep needs. So if you go to the Helix website, you can take a brief two-minute quiz, and it will ask you questions such as, "Do you sleep on your back, your side, or your stomach? Do you tend to run hot or cold during the night?" Things of that sort. Maybe you know the answers to those questions, maybe you don't. Either way, Helix will match you to the ideal mattress for you. For me, that turned out to be the Dusk mattress, D-U-S-K. I started sleeping on a Dusk mattress about three and a half years ago, and it's been far and away the best sleep that I've ever had. So if you'd like to try Helix, you can go to helixsleep.com/huberman, take that two-minute sleep quiz, and Helix will match you to a mattress that is customized for your unique sleep needs. Right now, Helix is giving a special offer to Huberman Podcast listeners of up to 27% off site-wide plus free bedsheets with any Luxe or Elite mattress order.What

  4. 12:3720:16

    Ideas, Running, Sleep & Brain, Tools: Exercise for Energy; Phone Outside Room

    1. AH

      about the running itself? I was gonna ask you whether or not it changes your mental frame so that you... I don't know, does it- do you get ideas while you run? Do you get ideas after you run more readily or are you just cursing the thing the whole time?

    2. TS

      I feel like it's a goal to let my mind drift, because sometimes-

    3. AH

      Mm-hmm.

    4. TS

      ... the negative side of it is, like, you're doing a run and your- your mind is like, "This sucks."

    5. AH

      Mm-hmm.

    6. TS

      Right? And you're- you're thinking about how much time is left, and that doesn't produce anything and it's not an- an enjoyable thing. But, like, if the mind goes, if you can let your mind drift, um... It's less about ideas. I feel like in those moments you're- you're kind of just- you're off thinking about more, like, life. Not like create-

    7. AH

      Mm-hmm.

    8. TS

      ... creative thoughts. More like, you know, people and relationships and different things, and, like, that's kind of a nice place to be because then all of a sudden you're like, "Oh," you know?

    9. AH

      Mm-hmm.

    10. TS

      "A couple miles just went by."

    11. AH

      Yeah, there's something to be said for these states of wordlessness.

    12. TS

      Mm-hmm.

    13. AH

      Where you're not constructing things in complete sentences. There's no sensory input like through a phone or through even... I- I do listen to podcasts or- or books when I run sometimes.

    14. TS

      Mm-hmm.

    15. AH

      The long run. But there's this idea that, uh, a lot of learning and creativity is about purging all the noise, and I find that those long runs, they just kind of- I come out of them just feeling like a bunch of clutter just got cleared.

    16. TS

      Yeah.

    17. AH

      More than I had some, like, insight during the run itself.

    18. TS

      Yeah.

    19. AH

      Incidentally, 90% of the effect of exercise on improving brain function when it comes to long, slow distance work is that it raises your level of alertness and arousal so you can do really great work afterwards.

    20. TS

      Yeah.

    21. AH

      High intensity stuff has a bunch of other effects, brain-derived neurotrophic factor, et cetera, but when you see, like, "Exercise improves brain function. Exercise makes you smarter." Exce- most of that is by way of the way- how exercise increases your level of alertness. It kind of puts you in that nice state like, "Oh, now I can sit down and focus."

    22. TS

      Yeah. My busiest day is, like, sometimes I have, you know, a very busy day. If I start that day with a- a hard workout-

    23. AH

      Mm-hmm.

    24. TS

      ... I end up having no problem tackling that day.

    25. AH

      Isn't that wild?

    26. TS

      It is wild.

    27. AH

      Mm-hmm.

    28. TS

      Because, like, sometimes, like, I'll have a day where, you know, I have to arrive at my studio, let's say, at 10:00 AM for something. And so- and it's just, like, it's gonna be recordings, meetings, pitch meeting, da da da, you know, and then leave here, go to this thing. Like, it's gonna be the entire day. And if I get myself to the gym and I get in, like, a good hour lift.

    29. AH

      Mm-hmm.

    30. TS

      I come in and, like, I'll notice everyone's like, "You look like you're in a good mood."

  5. 20:1627:28

    Capturing Ideas, Cannabis, Storytelling, Experimentation

    1. TS

      insane.

    2. AH

      Yeah. What's your writing process? Let's talk about comedy. That's, um, I've been... I've got about a gazillion questions. I'm gonna try and make them really succinct. What- what is your typical process of capturing, um, you call them bits, right?

    3. TS

      Yeah, for standup it's a bit, yeah. Yeah.

    4. AH

      Uh, what's your typical process of capturing ideas? Like, do you- do you voice memo into the phone? Do you write things down?

    5. TS

      I've done pretty much every- every version of it.

    6. AH

      Mm-hmm.

    7. TS

      Uh, voice notes while high. Sometimes you can listen to them later and you're like, "Holy shit."

    8. AH

      Are you a cannabis user?

    9. TS

      I mean, sometimes.

    10. AH

      Mm-hmm.

    11. TS

      I'm not like a heavy user.

    12. AH

      Mm-hmm.

    13. TS

      But, uh, a lot of times at night if you take something and you go to sleep, you're- you're trying to go to sleep, your brain is like, "Nah, I got ideas." (laughs)

    14. AH

      Is that right?

    15. TS

      Oh, yeah.

    16. AH

      I haven't done cannabis since a- a long time ago, um, so yeah.

    17. TS

      Oh, oh, yeah, yeah, yeah. And then sometimes you listen, like, uh, 'cause you're convinced, you're like, "This is one of the most brilliant ideas that's ever-"

    18. AH

      Have you ever had great ideas that stick on things, yeah?

    19. TS

      Yeah, I've had- I've had- I've had good ones that- that stick. Um, sometimes the wording's a little off, but yeah, I've had- I've had ones that I actually do enjoy afterwards, and then sometimes you're like, "This is..." You can hear yourself smiling, like, you know, 'cause you- you can tell someone's emotion-

    20. AH

      Mm-hmm.

    21. TS

      ... by their voice. So I can hear that I'm like, "Dude, then..." Like... (laughs)

    22. AH

      Oh, because you're recording into Voicememo.

    23. TS

      I'm recording into my- in my phone.

    24. AH

      So- so let me get the process. So you- you're heading up to sleep and you- you take a, like an edible.

    25. TS

      Yeah.

    26. AH

      This is comedy school 101. (laughs)

    27. TS

      Yeah, yeah.

    28. AH

      No, I'm just kidding. Hey, listen, you're- you're the pro. Um, and you- you go to Voice Memos, you're- you're there eyes closed and you- you start riffing on something?

    29. TS

      Yeah, you're... Uh, it's like you're... Y- it feels like it's separate from you, right? Because like-

    30. AH

      Mm-hmm.

  6. 27:2831:52

    Ideas & Set List, Performance

    1. TS

      Yeah.

    2. AH

      If something works or you feel like it's a beginning, it's the start of a thread that could work-

    3. TS

      Mm-hmm.

    4. AH

      ... do you end up writing it down for later? Like, like, you're cuing yourself, like, uh, you know, the walk with my son bit or something like that? Or it's just-

    5. TS

      Yeah.

    6. AH

      Or it's all in your head?

    7. TS

      Uh, well, you kinda have it all in your head, and then, I was gonna show you, like, I have this that's, I'll, I'll look at this, like, before I go on stage, right?

    8. AH

      Okay.

    9. TS

      Which is like...

    10. AH

      Tom's showing me. We can get a, a photo of this-

    11. TS

      Yeah.

    12. AH

      ... if he lets us. It's, it's a bunch of Sharpie-written single words.

    13. TS

      Yeah.

    14. AH

      Gitmo, jail, teacher, duck, Huberman. Just kidding. Augusta, kill my wife, um... (laughs)

    15. TS

      Yeah, it's like, so those, like-

    16. AH

      Hitler, um, (laughs) Tunisia, make shit. This is amazing.

    17. TS

      Yeah, that's, that's a, that's a, a set list for the, for an hour.

    18. AH

      If you think about the, the range of things in this relatively short list-

    19. TS

      Yeah.

    20. AH

      ... um, as a partial representation of what goes on in Tom Segura's brain-

    21. TS

      Mm-hmm.

    22. AH

      ... you get a little-

    23. TS

      Well, what's interesting-

    24. AH

      ... you get concerned.

    25. TS

      ... is that I, another way, like, I think comedians would look at it is you kind of start to go, these are 15-minute chunks.

    26. AH

      Mm-hmm.

    27. TS

      'Cause when you do an hour, a lot of comics think of it as four 15-minute chunks.

    28. AH

      Mm-hmm.

    29. TS

      Right? So you go like, okay, this is kinda like setting the table chunk.

    30. AH

      Mm-hmm.

  7. 31:5240:56

    Wife, Jokes, Reframing Content; Cancel Culture, Audience Reaction

    1. TS

    2. AH

      You happen to be married to a comedian.

    3. TS

      Yeah.

    4. AH

      Which probably helps your home life in the sense that, you know... Has she ever been offended by one of your jokes?

    5. TS

      You know, early on, when we- sh- I remember, like, we would have conversations where I would s- I- I more- it- it was more like the fact that I would- I remember I would- I'd pitch, like, a joke idea, and she would be like, "That's fucking awful."

    6. AH

      (laughs)

    7. TS

      And- and then I would- I told her, I go, "You know, whenever you think something is awful, I know it's gonna be good on stage," like... And she was like, she was like, "That's horrible to say." I was like, "No, it's true. Like, if- if you have disdain for what I said, then I'm pretty confident that it's gonna work." And it was kinda like that. But, um, no, for the most part, no. And she says wildly inappropriate and crazy, funny things, like, often m- way over my line, you know what I mean? Not where I'm offended, but I'm like, "Jesus Christ." Like yeah, she says crazy shit, really crazy.

    8. AH

      Has she ever offended you to the point where- where you're like, "You- you can't tell that joke in public"?

    9. TS

      Um...

    10. AH

      Our family will suffer.

    11. TS

      No, I've never had- we've never had that conversation.

    12. AH

      Mm-hmm.

    13. TS

      Sometimes, we have what makes this joke, uh, digestible conversations-

    14. AH

      Mm-hmm.

    15. TS

      ... where, like, we talk about a bit, and we're like, "And then this is- the punchline is, like, in this world," and it's like, okay, you gotta find a way to say that that is gonna be digestible to the- to the- like... So you'll- you actually look for, like, your own advantage. What I mean is, like, you know, as a woman, I go, like, "You can shit on women harder 'cause you're a woman." So like, you should find your way into that bit from the perspective that, like, you're actually- you know what I mean? Like, you're actually shi- 'cause, like, if you're a woman, you can- it's like, a Black comic can talk about Black people, right? Like, that's- it's- you're talking about your own. So like, we'll talk about things like that, like, "You can- you can take this angle," and then that- and then the joke becomes digestible, so we'll w- we'll talk about, like, reframing-

    16. AH

      Mm-hmm.

    17. TS

      ... material. And then, to me, she's like, "Yeah, you're just a White guy. You can- apparently, you guys can say anything." (laughs) I'm like-

    18. AH

      Oh yeah, really? On the other hand, comedians and what's allowed in comedy at a given time has a- a powerful influence on, um, culture.

    19. TS

      Yeah.

    20. AH

      What- what you can say, what you can't say. Has any comedian ever been canceled for what they said as part of a bit? I mean, we've got these examples of these, I- I consider them kind of sad instances, where people kind of break down on stage, have an interaction with someone in the audience, and it really hurts their career, and it's super offensive, but that's clearly not part of the bit.

    21. TS

      Right.

    22. AH

      Um, has a comedian ever been canceled for, like, here was the bit, and they're done?

    23. TS

      Uh, I don't- I can't tell you that it comes to, like, the top of my head-

    24. AH

      Me either.

    25. TS

      ... thinking about that. I know there's been, like- I remember there's a Canadian comic that- and Canada has some, like, bizarre, to my experience, free speech rules.

    26. AH

      Oh, okay.

    27. TS

      And so-

    28. AH

      I thought you were gonna say comics. I was like- I- I always think of-

    29. TS

      No.

    30. AH

      ... of Canadians as so, um, you know, kind of kind and- and well-behaved, but-

  8. 40:5648:26

    Jokes, Self & Amusement; Evolution & New Material

    1. TS

    2. AH

      I'm always fascinated by comics who will smirk or laugh a little bit at their own joke.

    3. TS

      Mm-hmm.

    4. AH

      Um, and assuming that certain jokes and bits work exceptionally well and you carry them forward from, you know, trying it out to, you know, Netflix specials-

    5. TS

      Yeah.

    6. AH

      ... or big venues, huge ven- you do huge venues, you and Bert do huge venues. Do you ever get tired of the material and worry that your response is not going to, um, that your amusement won't be there and therefore they won't respond to it? This is two questions woven, I'm realizing.

    7. TS

      Mm-hmm.

    8. AH

      Do you think your own amusement with a- with a joke has an impact on how it lands? That's question one. And woven in with that is, how do you then work with the idea that, uh, every time you tell a joke, it might not, um, be as funny as the previous time?

    9. TS

      No, those are- those are great questions. Um, yeah, I- I feel like if I'm smirking or laughing at a joke of mine, it's probably organic. I don't try to, like, manufacture one. Um, you still want to enjoy the process of performing it.

    10. AH

      Mm-hmm.

    11. TS

      And when you lose that enjoyment of performing it, I do think the audience knows on, like, an unspoken level.

    12. AH

      Mm-hmm.

    13. TS

      There's something about it that doesn't come across the same way. And yeah, you- you sense it. And I think typically what happens, what's happened to me over time is if you're on tour and you're kind of like your brain is like walking up to this bit, like you- you know it's next, and you start to, like, internally go like, "Ugh, this fucking bit." Like, what happens naturally is you start to drop it.

    14. AH

      Mm-hmm.

    15. TS

      And it's- you're- you're essentially listening to yourself. It's one of those g- it's like the same way you go, "I should... I don't like this person," right?

    16. AH

      Mm-hmm.

    17. TS

      You go like, "I don't think I want to be friends with this per-" And you- you kind of like don't return a text (laughs) or you go, "I'm not gonna hang out with you."

    18. AH

      Yeah, slow exit.

    19. TS

      It's a slow exit.

    20. AH

      Yeah, yeah.

    21. TS

      And what happens is you drop it. And the great thing about dropping it is your brain goes, "Hey, you have room for something now."

    22. AH

      Mm-hmm.

    23. TS

      And that room for something also prompts your brain to start thinking of new things. That's how you kind of come up with new material.

    24. AH

      Mm-hmm.

    25. TS

      Is that you... But you have to... This is the danger, by the way, of these comedians. Sometimes there's these comics who are, like, really funny, really talented people, and they'll do... they'll have a 20-minute set, right? Like, you'll- you'll be working in clubs and you see them do a 20-minute set and it- and they murder, right? They fucking kill so hard. And then like five years later, you see them and they're doing that 20-minute set.And what happens is... It's a, it's like a very natural thing that you just have to deal with is they have this great fear of not killing that hard anymore. So, they don't stop doing that 20 minutes. And by not stopping, they just stop evolving, and they stop creating. And they- they're just like, they're the, they're the 20-minute set guy. You go like, "Yeah, they have that great 20 minutes." And then it starts to get dated, and then it... You know what I mean?

    26. AH

      Like MMMbop.

    27. TS

      It, it's exactly- (laughs)

    28. AH

      Only s- a fraction of the audience will know what I'm talk- there was a song that was, like, the song for a summer. Y- you could replace MMMbop with any-

    29. TS

      Yeah.

    30. AH

      ... like, a song for a summer way back when-

  9. 48:2651:24

    Sponsors: AG1 & David Protein

    1. TS

    2. AH

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  10. 51:2459:02

    Surprise, Hidden Thoughts; Acting

    1. AH

      On the topic of the, the finding the material humorous or being excited about the material being crucial to how it lands with the audience-

    2. TS

      Mm-hmm.

    3. AH

      ... I'm gonna make this very brief. When I was an undergraduate, I was interested in, uh, what makes something funny, the, the psychology and neuroscience of humor, and there wasn't a whole lot of neuroscience on it at that time. But, um, the basic takeaway from the literature, as I recall, was that the listener thinks that a narrative is going one way, and then there's this surprise element.

    4. TS

      Mm-hmm.

    5. AH

      Something you didn't anticipate coming. I think that characterizes a lot of bits and a lot of jokes.

    6. TS

      100%.

    7. AH

      It's like, "Whoa." It's the pop. However, I've also seen you do bits and other people do bits where you're headed down a trail and I'm thinking, "Oh, no. He's not going there, is he?"

    8. TS

      Mm-hmm.

    9. AH

      And you go there, and that's hysterical also.

    10. TS

      Yeah.

    11. AH

      So is there a name for this? Or how does it work?

    12. TS

      No, I think... I mean, I... You're right. So the, the most basic necessity for, I think, comedy at a very baseline level to explain it or, you know, define it is the element of surprise, right?

    13. AH

      Mm-hmm.

    14. TS

      The surprise is like... Uh, so it's that thing, if you go, "I know where this is going," you're not gonna react the same way.

    15. AH

      Mm-hmm.

    16. TS

      If it gets you, it's, "Oh my God." But that second description of like, is that person going somewhere? I think that satisfies something in human beings, which is somebody saying the thing that we all want to say. And, and you, you, you can't say it, you can't say it, you can't say it in polite society. You can't say it at a, at a nice dinner function. You can't say it at work. And you're just like, "God, I... This is what I think," and you know other people think it. And then the guy's up there and he's going like, "Hey, you wanna hear some shit?" (laughs) And like somebody says it, and everyone goes, this is... It becomes a release. It's a release of like, oh, he's saying the thing that we all wish we could say. And you're saying it, you know, it's- it's a very particular thing 'cause it, it actually is... It works because you're in that building too.

    17. AH

      Mm-hmm.

    18. TS

      It's you... It works because you're... You all have the unspoken agreement that this is a place to do this in, right?

    19. AH

      Mm-hmm.

    20. TS

      It's still different. Like, if I just walk up to you on the street and start saying that shit, you're like-

    21. AH

      (laughs)

    22. TS

      ... "Jesus Christ, dude." Like, "You're a psycho."

    23. AH

      Lock him up.

    24. TS

      Yeah. It's like, but like in this context... So both things are... Satisfy something, I think, in the, in the humor realm, right? The element of surprise will always be something, like the unexpected.

    25. AH

      Mm-hmm.

    26. TS

      But there's also this, like, condition I think we live with where we go, "We all think this, but we can't say it." And that get- that's a very satisfying thing when somebody says it.

    27. AH

      Well, I, uh, had the great benefit of getting a sneak peek at Bad Thoughts.

    28. TS

      Oh, yeah. Thanks.

    29. AH

      Um, and it's amazing. Uh, people should definitely check it out. And, um, I don't want to give anything away, but the, the second one in the sequence that I watched-

    30. TS

      Mm-hmm.

  11. 59:021:05:40

    Voice Impersonation, Kids, Strength Training, Activities

    1. AH

      you do voices very well, in particular the voices of your kids.

    2. TS

      Mm-hmm.

    3. AH

      Like, you're able... I always think that, um, when somebody, uh, impersonates somebody else, it's about grabbing the key elements.

    4. TS

      Yes.

    5. AH

      Like, not the whole piece. They don't, like, turn around and, like, come back as, you know, like-

    6. TS

      Right.

    7. AH

      Like, some people can just grab a few key elements of somebody, in this case, someone we've never met.

    8. TS

      Mm-hmm.

    9. AH

      It was your sons.

    10. TS

      Mm-hmm.

    11. AH

      And we feel like we know them and we're getting the, like, what clearly are key features of their personality coming through.

    12. TS

      Yeah.

    13. AH

      Do you practice those? Or you just observe and it just is kind of embedded in you?

    14. TS

      I think it's observed and embedded.

    15. AH

      Mm-hmm.

    16. TS

      And I think w- in that case, in particular, 'cause w- with your kids, there's this thing that happens where you talk about your kids a lot not on stage. In other words, you know, I'm talking to my sisters or I'm talking to a friend about the kids. So you're, you're kind of like... you get this extra practice about them because they are so much something that gre- people always are like, "How are your kids," right? And so you're just like, "Oh, I got home. This little shit came in here. He was like, 'Hey, fucking pick me up.'"

    17. AH

      (laughs)

    18. TS

      You know, like, like, we... So you, you start, like, doing impressions-

    19. AH

      Which one is that?

    20. TS

      That's the little guy.

    21. AH

      Oh, yeah. He sounds like a piece of work, man.

    22. TS

      He is a piece of work, dude. He is something else. He's like... It's so funny, we call, sometimes we call him Little Joe Pesci 'cause he's just like, "What the fuck?" (laughs)

    23. AH

      (laughs)

    24. TS

      We're like, "Yo, man." Like, I don't say that-

    25. AH

      How old is he?

    26. TS

      ... in front of him. He's six.

    27. AH

      Oh my goodness.

    28. TS

      He's six and he's like, "He's fucking, fucking with me all day, dad." And I'm like talking about-

    29. AH

      (laughs) Did he get that from you or from your wife?

    30. TS

      I feel like it's more her.

  12. 1:05:401:13:11

    Repeating Jokes; State Changes, Crowds & Energy

    1. AH

      is a perfect cue for me to ask what I was going to ask earlier when we were talking about when you are amused by something, you, you really delight in telling this bit.

    2. TS

      Yeah.

    3. AH

      It, it impacts the audience in how it lands. There's a very famous patient in neuroscience, probably the most famous patient, his name is H.M. It's a... you know, we don't know his real name. He's dead now, but he had a lesion to his hippocampus, this brain area involved in memory. And he was studied extensively for decades. And most of what we know about human memory is from this guy. All the other stuff we know from mouse studies, a little bit from monkey studies.

    4. TS

      Wow.

    5. AH

      So there's a very well-known study where you go in and, and he has no, uh, retrograde memory. He can't remember anything that, that you told him before. Like, within a matter of seconds, he forgets it completely. And they've tested this every which way, okay?

    6. TS

      Holy shit.

    7. AH

      His brain is now in a jar, it's been scanned, et cetera. But... so the, the study goes something like this, you go in and you tell H.M. a joke, and he laughs, and he thinks it's very funny. Then you leave, you come back and he doesn't remember who you are.

    8. TS

      Mm-hmm.

    9. AH

      Uh, this has been tested again and again. He's not fibbing, okay? And there are a number of ways that you can, you can measure this, especially if you make it, um, sadly like some survival-based things like-

    10. TS

      Yeah.

    11. AH

      ... you tell him the joke again and he laughs again, but a little less, and the next time a little less and a little less. And eventually he's like, "Yeah, that was not really funny."

    12. TS

      Yeah.

    13. AH

      Same joke. He does not remember the joke, but there seems to be some unconscious memory of the joke, which I always found fascinating. So it's like... it's almost like the, the narrative around something, we, we get saturated to it. We're all familiar with a friend at a dinner party that tells a joke and everybody laughs-

    14. TS

      Mm-hmm.

    15. AH

      ... and then they make the cardinal mistake, which is to tell the joke again at the same dinner.

    16. TS

      Mm.

    17. AH

      And it just burns it.

    18. TS

      It burns.

    19. AH

      It burns it there and it burns it the previous time. So what do you... I mean, I'm not asking you to be a neurologist or a neuroscientist, but-

    20. TS

      No, no.

    21. AH

      ... but what do you think is going on here?

    22. TS

      Well, th-

    23. AH

      Not necessarily in H.M. the patient, but there's something about telling that funny punchline twice-

    24. TS

      Yeah.

    25. AH

      ... that you just... I feel like men, like guys seem to do this more. It's like, you got it, you nailed it.

    26. TS

      Yes.

    27. AH

      Do not tell the joke again.

    28. TS

      Well, every guy thinks he can fight, fuck, is funny, and can drive. Those are the four things that every guy thinks he's awesome at. And you're lucky if you're marginal at one (laughs) . Like, every guy thinks... you know what I mean? Every dude is like, "I can do... I can drive. I'm hilarious. I can fight. Chicks," like, every guy has this thing. And then the, uh, more self-aware ones go like, "I'm not good at these. I'm good at this one."

    29. AH

      So train.

    30. TS

      (laughs) You know what I mean? Like that's-

Episode duration: 2:17:18

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