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The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #1303 - Tommy Chong

Tommy Chong is a Canadian-American actor, writer, director, musician, activist for cannabis-rights and comedian.

Joe RoganhostTommy ChongguestGuest (unidentified fourth voice, likely producer/companion)guest
May 23, 20191h 42mWatch on YouTube ↗

CHAPTERS

  1. 0:00 – 2:27

    Tommy Chong at 81: feeling young, health, and the “fountain of youth” bit

    Joe welcomes Tommy and they riff immediately on aging, vitality, and Chong’s comedic “fountain of youth” theory. Chong frames staying active and engaged as the key to keeping the body from ‘recall and reboot.’

    • Joe’s longtime fandom via the Big Bambu album packaging/rolling papers
    • Chong turning 81 and describing feeling great
    • Jokes about sexuality as the ‘fountain of youth’
    • Chong’s view of the body disintegrating when you stop ‘producing’
    • Staying healthy and enjoying life as anti-aging drivers
  2. 2:27 – 5:39

    Tango as exercise and intimacy: origins, technique, and why partners dance with strangers

    Chong explains tango as his main exercise and dives into its history, cultural roots, and mechanics. He describes tango’s intimacy, the leader’s subtle cues, and why couples often improve by dancing with strangers.

    • Tango as ‘old folk sex’ and detailed footwork
    • Origin story: African mating dance blended with European influences
    • Meaning of ‘tango’ and connections to African terminology
    • Why tango culture encourages dancing with strangers
    • Close embrace, listening through movement, and the post-dance ‘cigarette’ feeling
  3. 5:39 – 8:33

    Learning tango over decades: Paris lessons, Argentina trips, and giving up golf

    Chong recounts how a script mention led him to tango lessons in Paris and a long journey of practice. He compares skill development to MMA and explains how stepping away from golf improved his game later.

    • First tango lesson in Paris while working on films
    • Shelbie’s dance background and Chong’s slower progression
    • Buenos Aires trips: filming Shelbie dancing with pros
    • Giving up golf to focus energy on tango
    • Cross-training effects: tango (and yoga) improving balance and timing
  4. 8:33 – 10:54

    Comedy timing and “the pause,” plus Dancing with the Stars highs and lows

    Chong links tango timing to comedy timing, emphasizing the power of silence. They look at footage from Dancing with the Stars and discuss the physical toll and the surprising health crisis that emerged during the show.

    • Comedy secret: the pause and audience anticipation
    • Tango also built around timing and pauses
    • Dancing with the Stars experience and judge reactions
    • Physical strain and intense training demands
    • Chong discovering rectal cancer during/around the show
  5. 10:54 – 13:44

    Cancer, treatment, and recovery: colostomy, radiation, testosterone, and weed

    Chong gives a candid account of prostate and rectal cancer, surgery, and life with a colostomy bag. He discusses testosterone, sexual health recovery, and how he views cannabis as supportive—especially for stress reduction—alongside conventional treatment.

    • Theories on contributing factors: stress, not smoking, biopsy complications
    • Rectal cancer surgery and colostomy details
    • Radiation addressing prostate cancer while treating the rectal issue
    • Testosterone and medical interventions for blood flow/ED
    • Cannabis as calming the brain and aiding immune function indirectly; still endorses chemo/radiation
  6. 13:44 – 15:09

    The bong case and probation years: why Chong went to jail and what it meant culturally

    Joe revisits Chong’s infamous incarceration for selling bongs and the coercive pressure on family. They discuss years without weed due to testing and how the case elevated Chong’s status as a cannabis ‘martyr.’

    • Joe’s frustration: prison for selling glass/bongs
    • Long period of forced sobriety due to pretrial, jail, and probation
    • Government ‘sending a message’ and overreach
    • Public backlash even from non-cannabis users
    • Chong’s willpower: quitting multiple habits when required
  7. 15:09 – 17:16

    Inside federal prison: unjust cases, IRS fears, and the Taft toxic site

    Chong describes fellow inmates incarcerated over shifting tax interpretations and government leverage. He claims the Taft facility was built over toxic oil waste and connects environmental exposure, incarceration, and later cancer risk.

    • Examples of ‘legal then illegal’ tax-related imprisonments
    • Government pressure tactics: change rules, then prosecute
    • Probation restrictions and the logic of ‘associating with felons’
    • Taft prison allegedly built over a toxic oil dump; cancer anecdotes
    • Marijuana’s role framed as stress/fear reduction during illness
  8. 17:16 – 31:49

    Politics detour: Trump/Russia theory, racism, and a gun-control argument

    The conversation veers into Chong’s theories about Trump, the FBI, and Putin, with Joe pushing back on plausibility. They then pivot to racism, fear, and a spirited debate about gun ownership and the roots of violence.

    • Chong’s ‘common sense’ theory: Trump indebted to Putin; FBI dynamics
    • Joe challenges the idea of coordinated puppeteering
    • Racism as ignorance and political motivator
    • Claim: owning guns reflects fear/paranoia; Joe counters with self-defense cases
    • Mass shootings as recognition-seeking and a modern cultural phenomenon
  9. 31:49 – 41:38

    Media violence, old cowboy culture, and the path to legal weed business

    They talk about desensitization through comics, video games, and movies, with Chong praising the action film Peppermint. Joe transitions to how surreal it is that Chong now sells legal cannabis worldwide after being arrested for bongs in 2003.

    • From banned comics to video games and hyper-violent films
    • Chong’s repeat-watching Peppermint and noticing stunt doubles
    • Chong’s childhood ‘six-shooters’ and changing cultural norms
    • From arrest (2003) to legal cannabis brand in 2019
    • Cheech & Chong’s role as ‘positive propaganda’ versus Reefer Madness
  10. 41:38 – 50:54

    Weed as a tool: stigma, fitness tech, and stories of Arnold Schwarzenegger smoking

    Joe describes discovering weed later in life and being surprised it increased curiosity rather than laziness. Chong and Joe share anecdotes about training culture, fitness tracking, and the famous image of Arnold smoking after winning.

    • Joe’s first real high at ~30 and the ‘curiosity’ effect
    • Weed stigma persisting despite legalization
    • Chong’s early LA gym era and Arnold’s health habits
    • Arnold openly acknowledging smoking with Chong; Stallone trying to deny it
    • Exercise for mental health; fitness trackers and obsession with staying functional
  11. 50:54 – 58:41

    Products and potency: Chong’s Choice, specialty pipes, dabs/shatter, and edibles for sleep

    Chong showcases cannabis gear—pipes designed to cool smoke—and jokes about extreme dab culture. He recommends edibles (especially chocolate) as a sleep aid and hints at getting creative insights while high.

    • Chong’s Choice brand and gifting Joe products
    • ‘Easy Pipe’ and ‘Genius Pipe’ features (cooling smoke via dimples)
    • Dabbing culture anxiety: wax/shatter intensity
    • Hash vs flower; preferences and harshness
    • Edibles for sleep; late-night use and ‘epiphany’ moments
  12. 58:41 – 1:03:16

    Big ideas on art, aliens, multiverses, and AI optimism

    Chong launches into a philosophical riff: large-scale art projects create jobs and peace, and functional monuments shape civilization. He speculates on aliens and multiverses, argues AI fears are overblown, and frames spirituality as the real guidance system.

    • Art as civilization-builder: employment, tourism, non-war creation
    • Aliens/pyramids speculation and Chong’s ‘Earth as only intelligent-life planet’ view
    • Multiverse concept as a way to reconcile cosmic scale
    • AI anxiety reframed: intelligence reduces cruelty, only ‘dummies’ enslave
    • Positive/negative duality: ‘for every Obama, a Trump’
  13. 1:03:16 – 1:20:54

    Bible ‘code,’ jail as a spiritual retreat, and the I Ching as spirit communication

    Chong discusses metaphysical interpretations of scripture and recommends writers who ‘decode’ the Bible. He describes prison as solitude for spiritual development and gives a detailed account of using the I Ching for divination and guidance.

    • Claim: the Bible is written in metaphysical code; recommended authors (Emmet Fox, Joel S. Goldsmith)
    • Eternity and reincarnation-style framing: body as vehicle, spirit continues
    • Choosing to treat prison as retreat: reading, solitude, inner work
    • I Ching method with coins and readings; examples that felt ‘dead on’
    • Theory: divination tools enable spirits to influence coin outcomes and communicate
  14. 1:20:54 – 1:31:42

    Early life and career origins: Vancouver clubs, strip club improv, and meeting Cheech

    Chong traces his path from musician and nightclub operator to comedy pioneer. He explains how he transformed a strip club into an improvisational theater with ‘naked improv,’ creating the environment where he met Cheech Marin.

    • Running nightclubs in 1960s Vancouver; free-rent startup culture
    • Vancouver’s first strip club and experimental performance nights
    • Turning the strip club into an improv venue; performers drawn to a stage
    • Origin story of meeting Cheech when a ‘straight guy’ quit
    • Building tension/release comedy for tough biker crowds
  15. 1:31:42 – 1:42:21

    Cheech & Chong breakthrough: stoner characters, Lou Adler, “Dave’s Not Here,” and Hollywood accounting

    Chong recounts how their LA audience demanded weed-centered material and how their act evolved into records and then movies. He tells the accidental recording origin of “Dave’s Not Here,” discusses industry resentment, and details getting ‘broke’ after Up in Smoke due to Hollywood accounting.

    • Why weed-based comedy worked best with LA crowds; early club sets in Reseda
    • Lou Adler discovering them and pushing the record path
    • Accidental creation of “Dave’s Not Here” via recording-room mishap and ‘the pause’
    • Improv establishment hostility; Belushi as an exception
    • Up in Smoke success vs limited pay; returning to the Comedy Store with Pryor’s support

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