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The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #1835 - Mike Judge

Mike Judge is a filmmaker, animator, and actor. He's the creator of "Beavis and Butt-Head," "Silicon Valley," co-creator of "King of the Hill," and writer and director of "Office Space," "Idiocracy," and "Extract." His new film, "Beavis and Butt-Head Do the Universe," will premiere on Paramount Plus on June 23, 2022.

Mike JudgeguestJoe Roganhost
Jun 27, 20241h 34mWatch on YouTube ↗

CHAPTERS

  1. 0:00 – 0:27

    Idiocracy revisited: why it still works in 2022

    Joe opens by telling Mike he watched Idiocracy that morning and is shocked by how well it holds up. They immediately zoom in on what makes the movie resonate: sharp satire, memorable sequences, and uncomfortable real-world parallels.

  2. 0:27 – 3:17

    A ‘cursed’ production: drought scenes, rainstorms, and post-budget cuts

    Mike recounts how difficult Idiocracy was to shoot, from weather that sabotaged the drought setting to a brutal schedule. He also describes how a bad test screening led to reduced effects budget, amplifying the stress of finishing the film.

  3. 3:17 – 6:36

    Crocs in the future: the accidental prophecy of ugly shoes

    A costume-budget workaround became one of the film’s most famous ‘predictions’: Crocs. Mike tells the origin story—how the shoes were chosen because they seemed too hideous to ever become popular—only for them to become mainstream and even fashionable later.

  4. 6:36 – 9:27

    What Idiocracy missed (phones) and what it nailed (culture + incentives)

    They discuss how the movie predated the smartphone/social media era and how that would change a modern remake. Mike explains the early-2000s writing timeline and the inspiration—imagining a future shaped by crassness, omnipresent advertising, and lowered standards.

  5. 9:27 – 13:46

    Joe’s MTV era memories: Beavis tapes, cheap pilots, and star-making economics

    Joe recalls arriving in LA and watching Beavis and Butt-Head on VHS before he even had cable. The conversation shifts into how MTV structured deals, often aggressively, to keep talent from leaving after becoming stars.

  6. 13:46 – 17:58

    How Beavis and Butt-Head got made: home animation → Liquid Television → selling too early

    Mike details the scrappy origin: making shorts at home, mailing VHS tapes, and landing on MTV’s Liquid Television. He describes selling the property for a relatively small amount, then later leveraging contract holes to regain significant ownership.

  7. 17:58 – 23:40

    Building the new Beavis movie in lockdown—and what happened to MTV

    They move to the new Beavis and Butt-Head movie: when it was greenlit, how it was produced remotely, and what pitching looks like. This turns into a broader reflection on how MTV evolved from music videos to era-defining reality/alternative hits.

  8. 23:40 – 32:05

    Finishing a film feels ‘icky’: withdrawal, doubt, and losing your comedy compass

    Joe asks what it feels like to finish a movie after years of obsessive work. Mike describes the psychological comedown: relief mixed with nausea, second-guessing, and the strange ‘withdrawal’ of no longer tweaking edits.

  9. 32:05 – 33:46

    Cult classics: Idiocracy and Office Space finding their audience late

    They discuss how both Idiocracy and Office Space were hard to make and didn’t explode immediately, yet became culturally embedded. Mike explains Office Space’s modest theatrical performance and strong home-video afterlife, while Joe praises its enduring quality.

  10. 33:46 – 36:45

    Stephen Root appreciation hour: character acting, NewsRadio, and voice work magic

    Joe and Mike swap stories about Stephen Root’s transformative talent and how he disappears into roles. Mike adds a standout anecdote from a King of the Hill table read, showing Root’s ability to perform layered parody on the fly.

  11. 36:45 – 45:23

    Westerns and the myth of the Wild West: from Unforgiven to Buster Scruggs

    A detour into movies they love becomes a broader discussion of why Westerns endure. They compare gritty realism (Unforgiven) with stylized and anthology storytelling (The Ballad of Buster Scruggs) and consider whether the genre will cycle back again.

  12. 45:23 – 50:03

    Too much to watch: Man vs. Bee, slapstick longevity, and why bodies break

    They talk about modern content overload and the appeal of simple slapstick, using Rowan Atkinson’s Man vs. Bee as an example. That leads into Joe’s theory that physical-comedy legends may suffer long-term pain and brain trauma, segueing into broader CTE discussion.

  13. 50:03 – 54:27

    CTE reality check: MMA, boxing, football, sparring, and even jet skis

    Joe lays out how brain damage happens across sports and why NFL outcomes may be worse than fighting. They discuss sparring as a major hidden contributor, plus surprising sources of head trauma like high-impact jet ski riding.

  14. 54:27 – 1:00:24

    Archery, feral hogs, and pigs ‘turning wild’ fast

    The conversation pivots to Mike’s new archery habit and the practical issue of feral hogs in Texas. Joe explains how domestic pigs rapidly revert to feral traits—tusks, thick hair, facial changes—and they compare wild hog meat with supermarket pork.

  15. 1:00:24 – 1:07:46

    Texas food culture: Dai Due, wild game restaurants, and invasive-species lessons

    Joe recommends Dai Due and describes the Texas legality of serving wild game commercially, unlike many states. That expands into ecological cautionary tales about introducing species—New Zealand game animals and Australia’s cane toads—highlighting how fragile ecosystems are.

  16. 1:07:46 – 1:20:19

    Hunting media as comedy/horror: feeder ‘harvesting,’ varmint bullets, and .50 cal absurdity

    Mike describes the strange production style and tone of hunting videos, from easy feeder hunts to shocking kill compilations. They watch an ad for “Varmint Grenade” ammunition, then spiral into prairie dog shooting, .50-cal shockwaves, and a grotesque near-miss deer story.

  17. 1:20:19 – 1:32:49

    Austin-to-LA plans, UFC fandom, and Joe’s path to becoming the UFC voice

    As Mike prepares to catch a flight, they talk about summer escapes from Texas heat and how long Mike has lived in Austin. The conversation returns to UFC: Mike’s addiction to it, Joe’s early involvement, and how The Ultimate Fighter changed the sport’s popularity.

  18. 1:32:49 – 1:34:09

    Release details: Beavis and Butt-Head Do The Universe + new episodes (TikTok era)

    They close by confirming the release date and platform for the new movie and teasing the follow-up series. Mike mentions new episodes will include modern video-watching behavior (including TikTok), bringing the original format into the present.

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