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The Joe Rogan ExperienceThe Joe Rogan Experience

Joe Rogan Experience #1960 - Andrew Schulz

Andrew Schulz is a stand-up comic, actor, and podcaster. He's the host of the "Flagrant 2" podcast with Akaash Singh, and the "Brilliant Idiots" podcast with Charlamagne Tha God. His latest special, "Infamous", is available on YouTube. http://www.theandrewschulz.com/

Andrew SchulzguestJoe Roganhost
Jun 27, 20242h 51mWatch on YouTube ↗

CHAPTERS

  1. 0:00 – 1:22

    Archery first-timer: Schulz nails a 40-yard compound-bow shot

    Joe opens by hyping Andrew’s first-ever archery attempt: an 80-pound compound bow at 40 yards that lands in the “vitals.” They riff on strength vs. technique and why archery feels deceptively hard until you try it.

  2. 1:22 – 4:23

    Mongol warfare, strategy, and the rise-and-fall lesson for modern empires

    Archery leads into mounted archery and how Mongols timed releases mid-gallop. Joe describes brutal Mongol siege tactics and frames empire collapse as a warning for America’s assumption of permanent dominance.

  3. 4:23 – 6:24

    Nukes, China ‘slow war’ theories, and Putin vs. the unthinkable first strike

    They debate how nuclear weapons change the ‘all empires fall’ pattern. Joe floats a “many small disruptions” scenario—cyberattacks, infrastructure sabotage, financial chaos—while contrasting fears of Putin’s escalation with the near-impossibility of a U.S. first strike.

  4. 6:24 – 8:52

    TikTok ban talk: data harvesting, manipulation, and culture-war leverage

    Schulz asks if TikTok is a national security concern; Joe argues the hearings show evasions and likely data transfer to China. They also acknowledge TikTok’s creative upside and question whether the panic is partly about losing cultural influence.

  5. 8:52 – 11:12

    Cold War childhood fears, the Berlin Wall’s fall, and ‘90s American complacency

    Joe recalls growing up in the 1980s with constant nuclear-war anxiety fueled by sensational news and pop culture. The fall of the Berlin Wall brings a unique period of relaxation, which they connect to broader cultural sloppiness in the 1990s.

  6. 11:12 – 14:37

    Cars, psychedelics, and the 1970 drug scheduling: a weird creativity theory

    They joke about a correlation between bold mid-century car design and the cultural energy of the space race and psychedelics. Joe links the 1970 scheduling of psychedelics—and the gas crisis era—to a drop in automotive imagination and experimentation.

  7. 14:37 – 18:16

    Low-stakes conspiracies: pyramids, cataclysms, and ‘lost’ branches of technology

    Schulz praises pyramid debates for being low-stakes compared to darker conspiracies. They discuss Hancock/Carlson’s cataclysm theory and the possibility that ancient builders used methods we can’t imagine—like how modern wifi would seem like wizardry to past societies.

  8. 18:16 – 22:10

    ChatGPT as ‘god,’ Hedy Lamarr’s frequency-hopping, and old Hollywood violence

    AI talk morphs into trivia about Hedy Lamarr’s role in frequency-hopping tech linked to wireless communications. From there, they react to classic movie scenes featuring real on-screen violence against women, and discuss how media exposure shifted what society tolerates.

  9. 22:10 – 23:28

    Parenting and discipline: why Joe rejects hitting kids

    Schulz pushes Joe on discipline and teaching right vs. wrong to children before they fully understand language. Joe argues for communication and respect—speaking to kids like adults—and frames violence as unnecessary and culturally conditioned.

  10. 23:28 – 39:13

    Comedy Mothership: building a club to develop talent (not maximize profit)

    Schulz celebrates Joe’s Austin club and breaks down how different room sizes build different skills—intimacy vs. stagecraft and ‘filling space.’ Joe explains the mission: open mics, experimental shows, and a system designed to nurture comics, even if it only breaks even.

  11. 39:13 – 1:02:56

    Stand-up craft: Lenny Bruce to Pryor, reps, arena timing, and the muse

    They trace modern stand-up’s evolution through Lenny Bruce and how Pryor expanded that blueprint. The conversation becomes a masterclass on reps, looseness, timing differences in arenas, and Steven Pressfield’s ‘The War of Art’ as a framework for resisting procrastination and ego.

  12. 1:02:56 – 2:51:45

    Fame, spending, nostalgia tech, and the ethics of modern supply chains

    They pivot from creative freedom to the costs of fame and the weird unfairness of success. After riffs on cars, 90s hip-hop, and removable car stereos, they land on modern moral contradictions: cobalt mining, forced labor, and how phones and EV batteries tie everyday convenience to human suffering—ending with a satirical ‘Idaho Cellphone Company’ solution.

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