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Lewis HowesLewis Howes

Why 90% of People Think They're Shy (And Why They're Wrong) | Vinh Giang

🔔 Subscribe for more great content: https://www.youtube.com/lewishowes ▶️ Recommended for you: https://www.youtube.com/watch?v=guLyqijPrkw What if the way you talk isn't your personality at all, just a set of habits you can change? Vinh Giang, the communication coach with more than 17 million followers and author of Before We Forget How to Connect, sat down with Lewis to explain why "I'm just not charismatic" is never permanent. At 14, after years of being bullied as the kid who couldn't speak English, he asked his parents to let him change his name from Quang to Vinh, the middle name of every one of his uncles, so he could break the mold everyone had put him in. He walks Lewis through the simple exercise he gives every student: record yourself talking for five minutes, then review it three ways (sound only, picture only, then the transcript) and pick one thing to fix from each. He also breaks down why confidence comes from how you look and sound before it ever shows up as a feeling, why you should practise new habits on strangers first, and his three-part story framework: Spark, Point, Link. One story stays with you: the uncle who carried Vinh on his back as a child, the man who got the whole family onto a boat out of Vietnam on a stormy night, and who had to leave the love of his life behind to do it. Vinh shares something his family still doesn't talk about, and what it taught him about the songs we're most afraid to sing. When this one ends, you'll want to hit record on yourself for five minutes, and then go tell someone a story you've been holding on to. Before We Forget How to Connect: Be Heard, Be Seen, and Communicate with Confidence https://www.amazon.com/Before-Forget-How-Connect-Communicate/dp/B0H1V33PFJ Vinh Giang on Instagram https://www.instagram.com/askvinh/ Vinh Giang on YouTube https://www.youtube.com/@askvinh Listen to this episode on the go! 🍎 Apple Podcasts: https://podcasts.apple.com/us/podcast/the-school-of-greatness/id596047499 🟢 Spotify: https://open.spotify.com/show/07GQhOZboEZOE1ysnFLipT?si=a03d916bade54d4f For more info about this episode, go to https://lewishowes.com/2002 💰 get my NEW YORK TIMES BESTSELLING book "Make Money Easy" today!https://lewishowes.com/moneyyou 📙 get my NEW YORK TIMES BESTSELLING book "The Greatness Mindset" today! https://lewishowes.com/gmyo 📤 sign up for my FREE newsletter https://lewishowes.com/greatnessdelivered Follow Lewis! Instagram: https://www.instagram.com/lewishowes/ Tiktok: https://www.tiktok.com/@lewis Facebook: https://www.facebook.com/lewishowes/ Twitter: https://twitter.com/LewisHowes 💻 Website: http://lewishowes.com/ 📲 For more Greatness text PODCAST to +1 (614) 350-3960 Get More Greatness! Greatness Clips: https://www.youtube.com/@GreatnessClips Spanish: https://www.youtube.com/@LewisHowesEspañol Portuguese: https://www.youtube.com/@LewisHowesPortugues Lewis Howes Shorts: https://www.youtube.com/@lewishowesshorts 00:00 - Why charisma isn't a fixed personality trait 01:00 - How Vinh Giang reinvented his identity 03:42 - Your communication habits are not your personality 07:09 - The fastest way to become a better communicator 10:31 - The three-step exercise to improve your speaking 17:35 - Why how you speak matters as much as what you say 20:21 - How your voice makes people feel connected 24:00 - Building confidence when you don't believe in yourself 25:53 - The look, feel and sound framework for confidence 29:34 - Why you should practice speaking with strangers 32:28 - Vinh Giang reveals his biggest communication insecurity 36:53 - How to adapt your communication to any room 38:33 - The vulnerability behind authentic connection 47:57 - The painful family story Vinh struggled to share 54:29 - Why everyone has powerful stories worth telling 59:17 - The three-part framework for better storytelling 1:05:31 - How to overcome the fear of public speaking 1:08:57 - How to stop your voice from shaking 1:11:13 - The four pillars of human connection Introducing Hatch Sleep Clock, a different kind of sleep tracker. https://hatch.co/learn/hatch-sleep-clock #greatness #inspiration #motivation

Vinh GiangguestLewis Howeshost
Nov 4, 20261h 19mWatch on YouTube ↗

Summaries, chapters, transcripts, and FAQs on this page are made by uListen, not YouTube.

EVERY SPOKEN WORD

  1. 0:00 – 1:00

    Why charisma isn't a fixed personality trait

    1. VG

      People will say things like, "Oh, I'm not charismatic, I'm boring." They make it as if it's permanent. Whereas the way you communicate, it's just a series of behaviors-

    2. LH

      Mm-hmm

    3. VG

      ... that are all temporary. So you could change those behaviors, and it changes the way people perceive you.

    4. LH

      Even the way you perceive yourself. He's a communication coach with more than 17 million followers, and the author of the new book, Before We Forget How to Connect.

    5. VG

      I've had students who speak naturally very quiet, and all they did was increase their volume. After they increased their volume, they realize, "Oh, I don't use my hands at all." So then they go, "Oh, so more volume, and now I'll use my hands." Right? "I'm saying um, a lot." If you just removed the ums and the uhs, if you used your hand gestures more, and if you increased your volume...

    6. LH

      You look like a pro.

    7. VG

      Well, you look like a completely different person. You sound like a completely different person.

    8. LH

      For everyday human beings talking to their friends-

    9. VG

      Yeah, yeah. Yeah, yeah

    10. LH

      ... going to their work, and what is the perfect story framework that anyone could follow?

    11. VG

      I like to think of it as three parts. You've got the-

  2. 1:00 – 3:42

    How Vinh Giang reinvented his identity

    1. LH

      You talk about there's this childlike wonder that most of us have.

    2. VG

      Yeah.

    3. LH

      All of us have.

    4. VG

      Yeah.

    5. LH

      You have a two-year-old. I have twin girls who are one years old, and there's this natural giftedness that they bring to the world.

    6. VG

      Mm.

    7. LH

      Hopefully, we as parents don't mess it up.

    8. VG

      [laughs]

    9. LH

      But a lot of us have been taught to dim our light-

    10. VG

      Yeah

    11. LH

      ... through different social settings.

    12. VG

      Mm-hmm.

    13. LH

      And therefore, we get embarrassed, we get insecure, we lose self-confidence. That natural light inside of us, we start to lose.

    14. VG

      Mm.

    15. LH

      When you were 14, you mentioned you actually changed your name, which allowed you to shift an identity within you-

    16. VG

      Mm

    17. LH

      ... to become more of who you felt you wanted to become. Can you tell me, first off, how you came up with the idea to shift your name through shifting your identity, to bring your light back into the world, to hopefully communicate to the world who you truly were, and how others can do that in their own lives today?

    18. VG

      It was a very gradual realization because growing up, English is my third language. I first learned a Chinese dialect called Teochew, and then I learnt Vietnamese fluently, and then I was thrown into school not knowing how to communicate with other kids.

    19. LH

      Uh-huh.

    20. VG

      So I wasn't even able to share my light-

    21. LH

      Mm

    22. VG

      ... if you were to say it that way, even if I wanted to, and I didn't know what other people were saying to me. So i-i-i- there was a series of experiences where there was unfortunately bullying because I couldn't speak the language. I didn't know what they were talking about. And then it got to a point when I was 14 where... I mean, my, my birth name is Quang, and I was so sick of who Quang had become that I asked my parents, "Can I change my name to Vinh?" And I chose the name Vinh because that is the middle name of every single one of my uncles. So I've got... My dad's got six brothers, seven brothers altogether, and they were my heroes growing up.

    23. LH

      Mm.

    24. VG

      So I, I looked up to them. They're entrepreneurs.

    25. LH

      Mm.

    26. VG

      They built businesses together. They love their wives. They look after their family. So I wanted to be more like them.

    27. LH

      Mm.

    28. VG

      So Quang had a mold, the mold that Quang had up until 14. The awkward kid, the shy k- kid. They called me the fob-y kid, uh, fresh off the boat, FOB.

    29. LH

      Mm.

    30. VG

      So I was the fob-y kid. So I wanted to break that mold. So to me, the ultimate way to break the mold was to change my name. And my best mate at the time, Lenny, was like, "Oh, it's so weird. I've called you Quang for 14 years, and I have to call you Vinh." You know, it's even still a little bit weird for him today after so many years. But that just gave me a fresh start because I think one of the biggest things I've learnt, and I feel like this lesson is almost fractal in life, is that all the judgments we make about ourselves, they're not permanent.

  3. 3:42 – 7:09

    Your communication habits are not your personality

    1. VG

      Whereas people will say things like, "Oh, I'm not charismatic, I'm boring," uh, whatever it is that they say about themselves, but they make it as if it's permanent. Whereas the way you communicate, it's just a series of behaviors-

    2. LH

      Mm-hmm

    3. VG

      ... that are all temporary.

    4. LH

      So it's not your personality, the way you communicate.

    5. VG

      People perceive it to be your personality-

    6. LH

      Uh-huh

    7. VG

      ... because that's how they perceive your personality. My, my vocal coach used to always say, "Your voice is your personality." So when you meet somebody, they will make judgments about your personality based on the way you use your voice.

    8. LH

      Mm.

    9. VG

      And because of that, we are so attached to that identity 'cause we think that's who we are. But when you strip it back, even though we perceive it to be our personality, it's just a series of behaviors. So you could change those behaviors, and it changes the way people perceive you.

    10. LH

      Right.

    11. VG

      Even the way you perceive yourself.

    12. LH

      So is your voice a part of your personality or a part of a behavioral trait?

    13. VG

      Your voice is created through the way you maneuver your tongue, the way you control your soft palate, the way you... the placement of your teeth, the shape of your lips. So the voice is created from that, which is a series of behaviors, and you learn that based on the people you were inspired by when you were young.

    14. LH

      Mm-hmm. You're modeling it.

    15. VG

      Yeah. I mean, your kids right now-

    16. LH

      Yeah

    17. VG

      ... your two girls, and my daughter, I've got a son, too, but he's nine, they copy everything.

    18. LH

      Right.

    19. VG

      To the way my daughter... To the way my wife yells at them-

    20. LH

      Mm-hmm

    21. VG

      ... she is yelling back at us-

    22. LH

      Oh

    23. VG

      ... in the same way.

    24. LH

      Everything. It's crazy.

    25. VG

      It's crazy. So they copy everything.

    26. LH

      Yeah.

    27. VG

      They copy from... They see me mow the lawn, so now she wants her own little m- lawnmower, and she sees me barbecue, so she's got a little barbecue kit. They also copy the way you communicate.

    28. LH

      Mm-hmm. And it's interesting, though, 'cause I have twin girls.

    29. VG

      Yeah.

    30. LH

      They're fraternal, so they're not identical, but they're fraternal, but born at the same time, essentially, the same, same mother-

  4. 7:09 – 10:31

    The fastest way to become a better communicator

    1. VG

      instrument in many different ways.

    2. LH

      If someone watching or listening came to this saying, "I want to become a better speaker. I want to become a better communicator. I want to make sure I get my message across," for whatever reason, to get the job, to get the relationship, to have better relationships with my friends, family, whatever it might be. If someone's looking to become a be- a stronger speaker, also knowing that this is a process and it takes time-

    3. VG

      Yeah

    4. LH

      ... to really develop greater communication skills, but what is one thing they could do in the next 10 to 20 minutes to improve their communication skills?

    5. VG

      Develop self-awareness.

    6. LH

      [laughs]

    7. VG

      Instead of trying to get an answer from somebody who will say to you, "Here are the top three things you should do." I think this is the biggest trap in-

    8. LH

      Mm

    9. VG

      ... whether it's self-development or communication-

    10. LH

      Yeah

    11. VG

      ... is that if you get a generic list, then you're gonna achieve generic results.

    12. LH

      Mm-hmm.

    13. VG

      So I think self-awareness simply because you have a different list of things that you have to work on-

    14. LH

      Mm-hmm

    15. VG

      ... as compared to someone who's listening to this now.

    16. LH

      Right.

    17. VG

      So then how do you create your own customized list? You have to record a video of yourself.

    18. LH

      Uh-huh.

    19. VG

      And-

    20. LH

      That's the hardest thing to do. So scary.

    21. VG

      For you now still?

    22. LH

      No, it w- when I was-

    23. VG

      I mean, you love it now. [laughs]

    24. LH

      When I was terrified-

    25. VG

      Yeah

    26. LH

      ... of speaking-

    27. VG

      Yeah

    28. LH

      ... I asked someone this question who was a professional speaker.

    29. VG

      Yeah.

    30. LH

      I was 24. Because I couldn't stand up in front of a group of three peers without stuttering, stumbling-

  5. 10:31 – 17:35

    The three-step exercise to improve your speaking

    1. VG

      how other people perceive them.

    2. LH

      Yes.

    3. VG

      And you, we have a terrible memory, so you'll do something and you'll go, "Oh, I think I did pretty good," or, "I think I did terrible." You're probably wrong either way-

    4. LH

      [laughs] Yeah, yeah, yeah

    5. VG

      ... because you didn't watch it back.

    6. LH

      Mm-hmm.

    7. VG

      So I think the, the, the simple rule I give my students, so if you've got 10 to 20 minutes, record yourself speaking for five minutes, and topic of the video, talk about your favorite person, your favorite food. It has to be off the cuff. Why? Because we're trying to tease out what are your non-functional behaviors. What are you currently doing that's distracting people from the message? You don't know what that is until you go and just record the video. So improvise, speak for five full minutes-

    8. LH

      Yeah

    9. VG

      ... then review it in three different ways. The first time you review it, I don't know if you did this when you did Toastmasters, but the first time you review it, turn the sound up, turn the phone over, and just listen.

    10. LH

      Mm.

    11. VG

      So isolate the auditory component and just listen. Is there anything I'm doing with my voice that's putting people off, that sounds like I'm unhappy, or do I sound bored? You'll pick things up immediately. Just pick one thing while you're listening to that, that you can improve.

    12. LH

      Mm. Is my tone off? Is it weird?

    13. VG

      Yeah.

    14. LH

      Is it fast? Is it jittery? Yeah.

    15. VG

      Do I seem authentic in what I'm saying?

    16. LH

      Mm.

    17. VG

      Do I sound sincere? Do I sound, yeah, neutral about it, but I should be excited 'cause I do feel excited?

    18. LH

      Uh-huh.

    19. VG

      So just write one thing down for auditory. Then the second thing is turn the sound off and just look at yourself now. Is there something visual you're doing? My visual tick that I still have till today, if people watch this podcast really closely, is I keep doing this.

    20. LH

      Really?

    21. VG

      Yeah, I keep doing that.

    22. LH

      Why don't you take the glasses off?

    23. VG

      It's a tick. I can't see [laughs] Contacts.

    24. LH

      Yeah.

    25. VG

      Yeah, no, I know.

    26. LH

      [laughs]

    27. VG

      But I-

    28. LH

      So you double... You, you clutch your glasses.

    29. VG

      Yeah. I, I tend to just adjust my glasses. It's a visual tick. And then the, the, the center one is all now the people are gonna watch, but-

    30. LH

      What... Why is that tick there, do you think?

  6. 17:35 – 20:21

    Why how you speak matters as much as what you say

    1. VG

      with their words.

    2. LH

      That's it.

    3. VG

      Because it's easy to lie with our words. It's harder to lie with body language. So it's so interesting that that's exactly what he picked up-

    4. LH

      Mm-hmm

    5. VG

      ... which is wild. And, and back to what you said before, too, I thought it was a really interesting point, is that when you first did that speech, the most important thing you felt you could do was make sure the content was right.

    6. LH

      Mm-hmm.

    7. VG

      That's why you didn't look up-

    8. LH

      I didn't

    9. VG

      ... because you thought that a speech is about what I say-

    10. LH

      Yeah

    11. VG

      ... it's not about how I say it.

    12. LH

      Mm-hmm.

    13. VG

      But I think it's, it, it... The analogy is you could get the greatest music written by Beethoven, but if you play the music poorly, does the world perceive it to be the greatest music?

    14. LH

      Probably not.

    15. VG

      I don't think so at all. And I think that's the same thing when you think about your career, you think about your ability to express love if you're on a date-

    16. LH

      Mm-hmm

    17. VG

      ... your ability to express your value at work. You may be the most technically brilliant person in your organization, but if you can't communicate that-

    18. LH

      Mm-hmm

    19. VG

      ... are you perceived to be the best? Often not.

    20. LH

      And the beautiful thing about this-

    21. VG

      Yeah

    22. LH

      ... you don't have to be the best writer or storyteller to-

    23. VG

      Yeah

    24. LH

      ... give a great speech-

    25. VG

      Mm

    26. LH

      ... or to communicate in a way that is authentic.

    27. VG

      Yeah.

    28. LH

      And in fact, and this is the thing that I think saved me, 'cause I was like, "I'm never gonna be the smartest or most-

    29. VG

      Mm

    30. LH

      ... talented speaker out there, or the funniest-

  7. 20:21 – 24:00

    How your voice makes people feel connected

    1. LH

      us to others.

    2. VG

      There, there's a sound to care.

    3. LH

      Mm-hmm.

    4. VG

      It's like when you, you, you, you took the time to meet my entire team, there's a sound to that.

    5. LH

      What is the sound of caring?

    6. VG

      There's a softness in your voice.

    7. LH

      Mm-hmm.

    8. VG

      There's melody in your voice. And even, even when, when the way you were greeting my team-

    9. LH

      Yeah

    10. VG

      ... there's an openness to you, right? It, you hugged every single person that was in the room, and there was like six of them there. You, you took the time to get to know each and every single person. So I think care is the, the time you took for each person. You know, you took the time to go through the book. You knew one of my good friends who's in the studio, Ali, you, you immediately called him out and said, "This is where you were in the book."

    11. LH

      Yeah, yeah.

    12. VG

      So all of that is felt.

    13. LH

      Mm-hmm.

    14. VG

      And I think that's why when, when you meet somebody, sometimes you, y- there's, there's a negative version of that where when you meet somebody for the first time, you go, "I don't know what it is about that person. I, I just can't connect with them."

    15. LH

      Mm.

    16. VG

      Right? A- and it's often there's a sound to it, there's a look to it, which then creates a certain feeling, right? So there's a, there's a look, there's a sound. It creates a certain feeling. And again, these things can be changed, and often the person that's doing it, that's potentially robbing people the wrong way, nobody tells them.

    17. LH

      Mm, mm-hmm.

    18. VG

      Nobody has unfortunately pulled them aside and said, "Hey, sometimes you come across as a bit of a wanker."

    19. LH

      Yeah, yeah.

    20. VG

      And no one's taken the time to tell them that, so they don't know they're creating that sound. They have that look on their face because they've also never watched themselves back-

    21. LH

      Yeah

    22. VG

      ... to have this self-awareness. And there's countless times where I have my students do this, and they, they're, they're shocked that they um and ah.

    23. LH

      They are what?

    24. VG

      They're shocked that they um and they ah.

    25. LH

      Ah.

    26. VG

      They just, they, they... I can't believe I um and ah that much. But there's an interesting that happens in, interesting thing that happens in communication. When you repeat a behavior for five, 10, 20, 30 years of your life, that behavior now becomes invisible to you.

    27. LH

      Mm, mm.

    28. VG

      Until they watch it back and isolate just the sounds, or for sometimes they actually need to get the transcript, and then they see the word um 47 times-

    29. LH

      Right. [laughs]

    30. VG

      ... in five minutes. They're like, "That's freaking crazy."

  8. 24:00 – 25:53

    Building confidence when you don't believe in yourself

    1. LH

      How does someone learn how to build confidence as a communicator and as a speaker or a content creator online-

    2. VG

      Yeah

    3. LH

      ... if they don't believe in themselves? If their identity is tied around insecurity and not enough-ness

    4. VG

      Mm. Ah, then, then you've, you've, y- you've, we've heard so many wonderful creators online speak to this, I, I believe. Um, Hormozi has a great one where he says y- you have to build the evidence that you are the person you say you are. So if you, if you wanna be more courageous, then it's like, I, I took a page out of his book where I only started taking content creation really, really seriously in 2020 during COVID. You just, like you, have to keep showing up-

    5. LH

      Yeah

    6. VG

      ... and keep doing the thing, right? There's, there's something to be said about courage is a muscle that you have to keep training, right? It's, it's, it's, again, with my students, I get them to story tell the first time. They go, "Oh, I'm not a good storyteller. I can't still- tell stories really well." And you just watch them from version one to version three, and I ask them a simple question, "How do you feel now?" "Oh, so much better." Three reps-

    7. LH

      Yeah

    8. VG

      ... and they feel so much better. Whereas I think there's this illusion we have in our minds that I can't do something until I fully understand it.

    9. LH

      Mm-hmm.

    10. VG

      But I think that formula's wrong. They, so they think, "I can't try until I fully understand." I think you don't understand until you try.

    11. LH

      Mm-hmm. It's true.

    12. VG

      So you have to try poorly.

    13. LH

      You have to try and fail-

    14. VG

      Yeah

    15. LH

      ... and humiliate or embarrass yourself or f- feel like you're doing that-

    16. VG

      Yes

    17. LH

      ... in order for you to say, "Oh, that's the way not to do it."

    18. VG

      Yeah.

    19. LH

      "How can I make it better?"

    20. VG

      Because then it improves the trying the second time around.

    21. LH

      Yes.

    22. VG

      Right? So, so version 1.0 is always gonna be crap.

    23. LH

      Messy.

    24. VG

      Yeah. Always gonna be terrible, and that's just the

  9. 25:53 – 29:34

    The look, feel and sound framework for confidence

    1. VG

      price you have to pay.

    2. LH

      It is.

    3. VG

      And, and I think when it comes to confidence, I think about it in the same framework I mentioned before. There's look, feel, and sound. So-

    4. LH

      Around confidence?

    5. VG

      Yeah, around confidence. So if you think about confidence, if you think about look, feel, and sound, the way you look, the way you feel, and the way you sound, which one do you think is the hardest one to control out of look, feel, and sound?

    6. LH

      Look, feel, sound.

    7. VG

      I'm just curious to hear, think your perspective. What do you think? Which one's the hardest one to-

    8. LH

      I guess if you are not comfortable within your body, then maybe you would say, uh, the way I look and feel-

    9. VG

      Yeah

    10. LH

      ... because I'm always focused on the negative around how I look.

    11. VG

      Sure.

    12. LH

      Um, yeah, if you're shy, maybe it's around how you sound.

    13. VG

      Mm-hmm.

    14. LH

      So I guess it's about having the awareness around yourself, but I'm not sure what's the, the main that a lot of people say they struggle with, look, feel, or sound.

    15. VG

      Most people struggle with the way they feel the most, because emotional mastery is really, really difficult, right? So when I ask people that list, generally it's feel.

    16. LH

      Mm.

    17. VG

      So if you, if you have look, feel, and sound, right? Feel, the one in the middle, is the most difficult. And the thing I... When, when I think about confidence, confidence is a feeling, right? So confidence is a feeling. It's an emotional state of being. So when you think about it from that perspective, when people wanna be more confident, what do they say to themselves? They, they say, "I wish I felt more confident." So then you're reaching for the thing that is the most difficult thing to do when it comes to confidence.

    18. LH

      I feel it.

    19. VG

      Yeah. I just... Why can't I just feel more confident? Um, before a speech, "Oh, I w- wish I felt more confident for this. I wish I felt more confident before I came onto this podcast." But don't reach for the thing that's the hardest thing to control. Uh, Coach John Wooden has a beautiful line where he says, "If we focus on the thing we can't control, we'll soon lose control of, of the thing we can control."

    20. LH

      Hmm. Interesting.

    21. VG

      So if you, if you keep focusing on the thing you can't control, well, then you'll soon lose control of what, what can you control?

    22. LH

      Yeah.

    23. VG

      The way you look-

    24. LH

      Yeah, yeah

    25. VG

      ... and the way you sound.

    26. LH

      Yeah.

    27. VG

      Because you can control the way you look-

    28. LH

      You can

    29. VG

      ... to a certain point. You can, you can-

    30. LH

      Well, your posture and your dress and-

  10. 29:34 – 32:28

    Why you should practice speaking with strangers

    1. VG

      shy. Say, for example, you're ve- you're someone who speaks very quietly. You feel inspired by this. You go home, and then your partner's always known you to be like this, and you go home and you're like, "Honey, I'm home."

    2. LH

      Yeah, yeah.

    3. VG

      "There's a new version of me."

    4. LH

      It's gonna be a shock, yeah.

    5. VG

      What's gonna happen? They're immediately gonna go, "Don't do that."

    6. LH

      Ah.

    7. VG

      "That's weird." Why? Because again, people perceive your personality through your voice, so when you shift that dramatically, they freak out.

    8. LH

      Mm.

    9. VG

      They go, "Oh, no, something's changed about my husband. Why is he trying to ch- why..." So what you need while you're practicing this is you need what I like to call neutral ears, what my mentors have always called neutral ears. So your partner, your team members, they're not neutral ears. Now, neutral ears are people who have no preconceived ideas of who you are- How you sound, how you look, nothing. So you go and get gas, you go grocery shopping, you take an Uber, these are all neutral ears

    10. LH

      Yeah. Explore here-

    11. VG

      Yes

    12. LH

      ... around people that will never talk to you again-

    13. VG

      Yes

    14. LH

      ... potentially.

    15. VG

      And never go to the same grocery store again-

    16. LH

      [laughs]

    17. VG

      ... after that if you must, right? But I think it's more just about in those environments, you don't have preconceived ideas-

    18. LH

      Yeah

    19. VG

      ... on how you should be.

    20. LH

      Yeah.

    21. VG

      So you can play.

    22. LH

      Mm-hmm.

    23. VG

      You can play with your instrument. Try keys on your voice you've never played before.

    24. LH

      It's so interesting you say that because I think you, I think in the book you talk about how you went to five different schools growing up?

    25. VG

      Yeah, five different high schools.

    26. LH

      For me, I left home at 13, and it's because I was in an environment and a f- maybe a friend group that wasn't inspirational to me at the time.

    27. VG

      Yeah.

    28. LH

      And I didn't feel like I could break free of who I was-

    29. VG

      Mm

    30. LH

      ... around this group of people-

  11. 32:28 – 36:53

    Vinh Giang reveals his biggest communication insecurity

    1. LH

      we really are.

    2. VG

      Sometimes heard as well, both.

    3. LH

      Exactly.

    4. VG

      Mm-hmm.

    5. LH

      Is there anything that you're still afraid to be seen for or visible for? Even with 17 million followers, billions of views every single year, thousands of students, what are you most afraid to be seen for?

    6. VG

      I think sometimes when you teach this craft, there's this expectation that you are always perfect at it, and I'm afraid to be seen for the times where I still fail with the very skill that I teach at home.

    7. LH

      Mm. What's that?

    8. VG

      When my wife and I have an argument, and I lose my temper, and I am louder than I should be, and when my kids come to me, and they're asking to play, and I'm not as playful with my voice, and I'm not doing some of the things I said because it's been a long day at work, and Dad's just gotten home. I'm definitely afraid of that, but-

    9. LH

      Mm

    10. VG

      ... I'm, I'm learning that trying to be that perfect person who always communicates perfectly then creates this pressure for yourself.

    11. LH

      Sure.

    12. VG

      And then you're also not making yourself relatable.

    13. LH

      Yes.

    14. VG

      So I think I'm, I'm, I'm on the journey of learning how to share more of those moments as opposed to... Be- because my students always ask me, "Is that how you always talk at home?" And it's like, "No, no, that's not how I always talk."

    15. LH

      Yeah.

    16. VG

      It isn't. It's exhausting, and my wife won't handle it, 'cause she'll just go, "Just, just, just dial it down."

    17. LH

      Yeah.

    18. VG

      "Just dial it down."

    19. LH

      Yeah.

    20. VG

      Stop performing.

    21. LH

      That's right.

    22. VG

      Right? That's 100%.

    23. LH

      Do you ever feel like you're performing in your personal life? Because you're not performing in your business life, but you're-

    24. VG

      Yeah

    25. LH

      ... always teaching in a certain way and feel like you need to be on. Do you feel like you can turn it off at home?

    26. VG

      I, I feel like I can, especially at home, just because the person I'm married to.

    27. LH

      Yeah, yeah.

    28. VG

      Okay? She, she, she doesn't, she doesn't handle that. She doesn't like that.

    29. LH

      Really?

    30. VG

      Yeah, yeah. My wife is, is, Peiwen is such a boss.

  12. 36:53 – 38:33

    How to adapt your communication to any room

    1. VG

      to be able to deliver the best I can.

    2. LH

      But don't you have that sacred time every moment with a human being?

    3. VG

      I think you do, yes. I, I believe you do, but there, there are different levels-

    4. LH

      Mm

    5. VG

      ... of performance-

    6. LH

      Mm-hmm

    7. VG

      ... that I think you do need to bring, right? Because there, there's this rule in the world of theater that I learned too, and it's that, be as big as the room, right? So if the room is just you and me now, if I start to bring this version of me-

    8. LH

      Right

    9. VG

      ... it's a bit too much

    10. LH

      ... a nice little bit, yeah, yeah.

    11. VG

      Yeah, it's a bit too much, right? But I think there's different versions of ourselves.

    12. LH

      Mm-hmm.

    13. VG

      And sometimes we have friends who bring too much, and then we say, "Oh, that's performative."

    14. LH

      Uh-huh.

    15. VG

      And then we sometimes have people in our lives who don't bring much at all, and we go, "Oh, well, they don't really care. They don't wanna be there." So, so there is something to be said about being as big as the room. Play to the room. Play the song the room needs. I feel that's what's important.

    16. LH

      Mm-hmm.

    17. VG

      And you can't do that unless you've explored your instrument fully.

    18. LH

      Mm.

    19. VG

      So that's what my wife is saying to me. She goes, "You don't need to do that."

    20. LH

      Right

    21. VG

      ... because I just came home from teaching a class of 400 people, and I haven't switched gears yet.

    22. LH

      No.

    23. VG

      And like I... She goes, "Yeah, you're not teaching a class," because she likes a particular song played a certain way. So you're not able to be dynamic in these different areas of your life if you haven't explored your voice. That's why, that's why in my book I, I push people to explore your voice and play all the different notes and try playing all the different notes. That way, when you're in a specific conversation, you can play the notes that's required-

    24. LH

      Yeah

    25. VG

      ... to help the person and connect with the person that's in front of you.

    26. LH

      What's the note within your song that you're afraid to sing?

    27. VG

      The note that I'm afraid to sing?

    28. LH

      Or do you feel like you've

  13. 38:33 – 47:57

    The vulnerability behind authentic connection

    1. LH

      explored all the notes in your voice?

    2. VG

      I'm afraid to play songs that sometimes have a lot of pain associated with it.

    3. LH

      You mean you-

    4. VG

      Songs of loss

    5. LH

      ... revealing-

    6. VG

      Yeah

    7. LH

      ... you sh- you opening up-

    8. VG

      Yeah

    9. LH

      ... about how you're feeling around loss or grief or sadness?

    10. VG

      Yeah.

    11. LH

      Why is that?

    12. VG

      Because sometimes the emotions are still too strong.

    13. LH

      Mm-hmm.

    14. VG

      And I think I, I, I learnt a lot about this from Brené in that... Or like all the content I create, I love having fun with my team. I love being optimistic. I love being playful. I love wit. And then as I came across the content from Brené, I started to learn how important it is for us to explore the vulnerable notes, play songs that make us feel more than just laugh-

    15. LH

      Mm

    16. VG

      ... more than just humor. So I think I am afraid of those parts still.

    17. LH

      Really?

    18. VG

      I am still hesitant.

    19. LH

      Are you hesitant because you haven't healed certain parts of the, those feelings or those memories? Or is it because you're afraid how you'll be perceived by others when you communicate? Or is more you're afraid that you won't be able to-

    20. VG

      Mm

    21. LH

      ... navigate the emotions when you communicate?

    22. VG

      I think all of it.

    23. LH

      Uh-huh.

    24. VG

      I feel all of it. It's, it's like when I, when I was writing the book, I, I tried to go to those places-

    25. LH

      Mm

    26. VG

      ... and it was really hard even to write.

    27. LH

      Really?

    28. VG

      Yeah. It felt, it felt really hard to write. You know, it, it, it's again, it's songs that I often don't play.

    29. LH

      Mm. The School of Greatness is brought to you in partnership with Airbnb. Some of the trips I remember most are the ones where the main event is only part of the experience. You go for one reason, but then you find a great local spot. You explore a neighborhood you've never seen before, and suddenly the trip becomes so much more than what brought you there. I think about that from the other side also, because I list a space on Airbnb as well. When a big event brings people into that area, it gives travelers a comfortable place to land and experience more of what's around them. And for me, the extra income is an amazing benefit. I can put it towards a project for the space or toward another trip and, and another experience somewhere new. Sometimes a big event gets the big attention for someone, but your space can get some of the spotlight as well. Your home might be worth more than you think. Find out how much at airbnb.com/host. What would your life look like if you were able to play all those songs that you're afraid of?

    30. VG

      I think it would help people have a more rounded view of who I am as a person. I think it would help me feel more healed-

  14. 47:57 – 54:29

    The painful family story Vinh struggled to share

    1. VG

      uncle, his name's, uh... We call him Ye Bet.

    2. LH

      Ye Bet?

    3. VG

      Ye Bet, yeah. Uh, and with my uncle, see, he's the second oldest. He used to love coming over to my, my house when I was young. He didn't have a, a family, and he would carry me on his back. Uh, he'd be like a horse. I'd call him a donkey. My mom's like, "Don't call your uncle that. Don't be disrespectful." But he just, he just c- And he had this joyfulness to him, but then there'll be a moment where it's almost like he lags. It's like he's lagging, and I was like-

    4. LH

      Uh-huh

    5. VG

      ... "Why, why is, why is Ye Bet running out of batteries? What the hell's going on, Mom?" And I'd always noticed that about him. And then my uncle, when I was five, he, he passed away. And, like, my family never spoke about it

    6. LH

      Really?

    7. VG

      We just never spoke about it.

    8. LH

      God, that's so interesting.

    9. VG

      And I was, I was, I was really connected to him.

    10. LH

      Mm.

    11. VG

      And I didn't know how to deal with it. And I, I remember years later, my dad would explain to me that, you know, these, these, these pauses or where you thought uncle ran out of batteries, it was because on the night of our family escape, escaping Vietnam, my uncle was the one that captained the boat, and they had to leave on the stormiest night because that's the one night the Viet Cong wouldn't patrol.

    12. LH

      Mm-hmm.

    13. VG

      So then the decision had to be made in an instant, and then my uncle had to make a really, really hard decision because the love of his life was on the other side of the village, and he had his entire family he had to lead.

    14. LH

      Oh, man.

    15. VG

      He left her.

    16. LH

      Oh.

    17. VG

      And he-

    18. LH

      That's sad

    19. VG

      ... he got our entire family to safety. We got to a refugee island for two years, got to Australia, and my uncle lived with that pain.

    20. LH

      Oh.

    21. VG

      And I, I was four or five when he... I spent all this time with him. I didn't know he was living with that pain, but then it made sense in these moments where he'd look lost. I mean, I didn't, I didn't, I didn't understand what he was going through, but I knew there was something wrong because my dad never did that. My other uncles, no o- no one I knew ever did that. But he had, had these moments where he'd, he'd, he'd look and look at a wall and, and there'd be, there'd be nothing. I'd talk to him, but there'd be nothing, you know? And, and it's, you know, it's something my family, again, we still don't talk about it to today.

    22. LH

      Really?

    23. VG

      And-

    24. LH

      Have you tried bringing it up?

    25. VG

      I have, but there's so much pain.

    26. LH

      People don't wanna talk about it.

    27. VG

      Yeah, my, my family don't wanna talk about it. And, and, like, I, I, I wonder why he passed and how he passed.

    28. LH

      Mm.

    29. VG

      You know, my uncle drank a lot, my uncle smoked a lot and, you know, it's just, like, this, this man was a hero in our family.

    30. LH

      Mm.

  15. 54:29 – 59:17

    Why everyone has powerful stories worth telling

    1. VG

      Well, you know, the crazy thing is I've documented them. I have-

    2. LH

      You have written them down, yeah.

    3. VG

      You've written them down. Well, because the, the thing about storytelling is when you ask people, "Hey, can you share a story?" The first reaction you get from people is what? "Oh, I don't have any."

    4. LH

      Right.

    5. VG

      "I don't have any stories." But then you ask them a follow-up question, "Have, have you laughed? Have you cried? Have you felt shame? Have you felt rejected?" You have thousands of stories. You've just forgotten them. So I think it, it, it's funny because... And then thank you so much for, well, for, for sharing your wisdom with me, because it's like I've written these songs down. I've written these stories down. I just haven't played them.

    6. LH

      Mm.

    7. VG

      And I don't play them openly. I don't play them freely. It's like a category of stories that I've written, but I'm afraid to play, you know? And, and-

    8. LH

      And maybe you don't have to play them publicly.

    9. VG

      Yeah, yeah, absolutely. Absolutely.

    10. LH

      But-

    11. VG

      Yeah

    12. LH

      ... what was your birth name?

    13. VG

      Quang.

    14. LH

      Quang?

    15. VG

      Yeah. It means light.

    16. LH

      Light.

    17. VG

      Yeah.

    18. LH

      Quang.

    19. VG

      Mm-hmm, yeah.

    20. LH

      So, you know, these stories, maybe it's just for you to, to sing back to-

    21. VG

      Yeah

    22. LH

      ... Quang, your younger version of you.

    23. VG

      A- and I think there's, there's something beautiful about it too, in that if, if we, if we, if we make this connected to communication for the listeners, right? I think the stories you document about yourself strengthen your identity.

    24. LH

      Yes.

    25. VG

      And when you don't document anything, then you fall for everything. Someone might make a critical judgment call about something about you, but, but if you've... Someone says, "Oh, that person's so materialistic." But then if you've got five stories documented in the last three weeks or three months of you being generous, well, then you don't fall to that comment because you go, "No, no, I'm, I know I'm generous."

    26. LH

      Mm-hmm.

    27. VG

      "I've documented that." So I think there's a beauty behind documenting the things that emotionally move you.

    28. LH

      Mm-hmm.

    29. VG

      So if you wanna be a better communicator, I think it's so important to document the stories.

    30. LH

      Yes.

  16. 59:17 – 1:05:31

    The three-part framework for better storytelling

    1. VG

      ... but it changes what you make it mean for you moving forward.

    2. LH

      Absolutely.

    3. VG

      Yeah.

    4. LH

      Speaking of story, what would you say is the perfect story framework-

    5. VG

      Mm

    6. LH

      ... for everyday human beings-

    7. VG

      Mm

    8. LH

      ... talking to their friends-

    9. VG

      Yeah, yeah, yeah

    10. LH

      ... going to their work-

    11. VG

      Yeah

    12. LH

      ... maybe being on a stage or giving a presentation. What is the perfect story framework-

    13. VG

      Yeah

    14. LH

      ... that anyone could follow?

    15. VG

      I like to think of it as three parts. It, it, you start with a spark, which to me is a moment, a moment that has emotionally moved you. So, so that's how you know there's a, there's, there's a story worth sharing. So something that's emotionally moved you, there's a spark. And then the moment something sparks, when you're documenting it, write down the who, what, where, and when.

    16. LH

      Uh-huh.

    17. VG

      Super basic. Who, what, where, and when. Keep it super simple. And this is for conversational storytelling. And then you just document it, who was there, what was happening, just so you don't forget, okay? That, that's all you need for the spark. And then after you've got the spark, then, well, what's the point of the story? Like, wh- why are you telling me this story? Because I think what frustrates people the most is you go on this massive storytelling endeavor, and then at the end you go, "Oh, and that's it."

    18. LH

      Yeah, right.

    19. VG

      And then it drives people crazy.

    20. LH

      What's the meaning, the lesson, the moral?

    21. VG

      That's right. And it's not, not, not people's fault-

    22. LH

      Right

    23. VG

      ... because we often are used to telling a story based on what happened, not what it meant. So when you wanna become a better storyteller, the second part of the formula, so you've got the spark and the point, it helps you become more effective already because wh- wh- what does it mean? And you lead into the point with a simple sentence and you say, "Hey, the reason I'm sharing this is because..." And that just makes people feel so good after listening to a story-

    24. LH

      Mm

    25. VG

      ... 'cause they go, oh, this is where you're turning information into insight. That sentence lets people know we're about to turn information into insights. So they go, "Oh," so their attention peaks and their focus starts to zoom in, and then you show the point. And it could be as simple as that as you're starting. The final part of the formula is the link. The link is essentially how you can make that story, same story relevant in many different situations.

    26. LH

      Mm-hmm.

    27. VG

      So one of the biggest reasons people don't story tell is they go, "Ah, I don't see how that story is relevant." So for example, the Yibit story I've, I, I shared about my uncle, I linked that story to what a pause could hold, what a moment of silence could hold that I didn't even know. But it was my ability to think of that link between that world of pain, that world of what my uncle went through, and linking it to the pause, and that's how powerful a pause can be.

    28. LH

      Wow.

    29. VG

      That required the skill of linking. It's like that's why you see a lot of professional speakers, they can use the same story, but they link the same story to many different situations.

    30. LH

      Mm-hmm.

  17. 1:05:31 – 1:08:57

    How to overcome the fear of public speaking

    1. LH

      Mm-hmm.

    2. VG

      Yeah.

    3. LH

      That's beautiful. [laughs]

    4. VG

      [laughs] That's be- yeah, that's beautiful. Poop three times.

    5. LH

      And that, that reminds me of a-

    6. VG

      Yeah

    7. LH

      ... you know, for many... Even though I did-

    8. VG

      Yeah

    9. LH

      ... Toastmasters for every week for almost a year-

    10. VG

      Yeah

    11. LH

      ... and I started to get booked to do paid gigs after that actually. I started making money, and I was, like, doing workshops and, and getting asked to speak.

    12. VG

      As a professional speaker?

    13. LH

      As, as a speaker, like getting paid.

    14. VG

      Oh, that's awesome.

    15. LH

      I guess you'd call it professional, but-

    16. VG

      Yeah, yeah, yeah. I did that too

    17. LH

      ... but I never thought I would make money-

    18. VG

      Mm

    19. LH

      ... speaking, you know, a year before this, right?

    20. VG

      Mm.

    21. LH

      I was like the fact that I could go on stage for an hour and get paid-

    22. VG

      Yeah

    23. LH

      ... I was like, "This is unbelievable."

    24. VG

      Mm.

    25. LH

      But maybe after eight to 10 years of doing this and speaking in bigger and bigger audiences and getting paid more and more and building an audience and a personal brand and all these things-

    26. VG

      Mm

    27. LH

      ... I still found myself a little bit nervous, like, the morning of a speech.

    28. VG

      Mm.

    29. LH

      First it used to be, like, the week before the speech I'd get nervous. Then it was days before, then it was still, like, the day before, and I was like, "Why am I still nervous?"

    30. VG

      Mm.

  18. 1:08:57 – 1:11:13

    How to stop your voice from shaking

    1. VG

      too-

    2. LH

      Mm-hmm

    3. VG

      ... and takes you out of that, that kind of rehearsed voice.

    4. LH

      Yes.

    5. VG

      The, the, the other thing I think a lot of students feel as well, again, it could be before an interview, it could be before you're presenting in front of your team, is the nervousness. How do you actually deal with the shakes?

    6. LH

      How do you? Yes.

    7. VG

      People often say, "Oh, my voice is shaking." A- and, and you've gotta understand the reason your voice is shaking is because your body's shaking, and your body's connected to your voice, and your voice is connected to your body. So why is your body shaking? Your body's shaking is because you've been put into a fight or flight situation, which means adrenaline. And if your body has a lot of adrenaline, you naturally shake. So you've gotta manage the adrenaline, which is brisk forms of exercise before you go on stage. That's why you see the great speakers, they're-

    8. LH

      Tony Robbins jumping on a trampoline.

    9. VG

      Yeah, jumping on a trampoline.

    10. LH

      Yeah.

    11. VG

      It's why backstage before I teach, I'm also doing star jumps. You call them jumping jacks here.

    12. LH

      Mm-hmm.

    13. VG

      Some pushups, brisk form of walking.

    14. LH

      Mm.

    15. VG

      That gets rid of the adrenaline-

    16. LH

      Interesting

    17. VG

      ... which also gets you to breathe more deeply, so you're oxygenating your body-

    18. LH

      Mm

    19. VG

      ... because you're exercising. You're getting rid of the adrenaline, so your body shakes less. And if your body's not shaking, your voice doesn't shake. So I think that's, it's a simple thing to do to manage the nerves. And then what you've shared before, and I shared as well, is so you're managing your body, you're managing the nerves, you're managing the psychology. I think if you do those two things, you're in a pretty good spot.

    20. LH

      Yeah.

    21. VG

      'Cause now you're thinking about the audience.

    22. LH

      Yes.

    23. VG

      Now the adrenaline's gone, you're much more calm.

    24. LH

      Yeah.

    25. VG

      You're much more composed.

    26. LH

      Yeah, now you just need to make sure that your preparation actually you can deliver. [laughs]

    27. VG

      Well, you make sure, make, make sure you've rehearsed-

    28. LH

      Yeah, rehearsed

    29. VG

      ... and you've done well, and, and, yeah, that, that's another big point.

    30. LH

      You've practiced it, yeah.

  19. 1:11:13 – 1:19:11

    The four pillars of human connection

    1. VG

      And then they help you get over the nerves that often make you unravel.

    2. LH

      Mm-hmm. Your new book is called Before We For- We Forget How to Connect. In your mind, what exactly are we forgetting?

    3. VG

      I see it in my kids. You probably see it in yours.

    4. LH

      Yes.

    5. VG

      When you look at a two-year-old, a one-year-old, when you look at them using their voice to connect with you and their body language to connect with you, it's so free. Uh, my daughter, the way she dances around the house and the way she uses her voice, uh, all the different notes, all the different volume levels, it's so free. And I feel as we grow up, we start to lose notes one or two at a time. We start to lower our volume. We start to be smaller with our body language. And a lot of it starts to disappear. And if you look at the creators that people follow the most, if you look at thought leaders that people follow the most, they've just got beautiful use of their instrument.

    6. LH

      Mm-hmm.

    7. VG

      Because how does my daughter connect with me? Through her instrument. A- a- and why do I find her so adorable? Why do I love her so much? Well, A, we gave birth to her, but, B, also because she's playing so... She's so connected to that inner child, and I desire what she has when she does it. It's so beautiful, right? Dancing is one of my kryptonites. So I see her dance, and I'm dancing as well, and she's loving it. She doesn't judge me, right? So I think we're losing our ability to connect because we're losing our ability to play the very instrument that creates connection, because we're using it less and less and less.

    8. LH

      Mm-hmm.

    9. VG

      We don't story tell as much. We don't listen to each other as much. Because the book focuses on four pillars: voice, body, storytelling, and listening. And so, so to me, it's the first two parts, voice and body, learn how to play your instrument; storytelling, learn how to write great music; listening, learn how to listen to other people's music.

    10. LH

      Mm-hmm

    11. VG

      So you learn how to play your songs in life, and you also learn how to deeply appreciate other people's music and make them feel heard and seen.

    12. LH

      Mm.

    13. VG

      So when, when I think about it in that way, I go, "Oh, that's such a wonderful metaphor of being able to create more harmony." Because if you play your instrument well, you can harmonize with others, whereas connection to me is harmony. And when I see two people not connect, it's because, man, you're, you're playing different-

    14. LH

      Yeah

    15. VG

      ... the music's not harmonizing.

    16. LH

      They're out of alignment.

    17. VG

      Yeah. Whereas when there's harmony, it's beautiful.

    18. LH

      Well, I'm excited about your book, Before We Forget How to Connect. I want people to get it. If you wanna be heard, be seen, and communicate with confidence, you gotta make sure you get this book. And I wanna acknowledge you, Vinh, for reminding me and reminding us that the most powerful thing that we can have is to be connected to our inner child.

    19. VG

      Yeah, it is.

    20. LH

      Based on what you just said-

    21. VG

      Yeah

    22. LH

      ... the thing we all want-

    23. VG

      Mm

    24. LH

      ... is that childlike joy that our kids have.

    25. VG

      Yeah, we do.

    26. LH

      And I think the thing that we all grieve is the childlike joy that we've let go of-

    27. VG

      Mm

    28. LH

      ... inside of ourselves.

    29. VG

      Yeah.

    30. LH

      Because we crave wanting it-

Episode duration: 1:19:11

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