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Re:Thinking with Adam GrantRe:Thinking with Adam Grant

Improvisation as a life skill with Andrea Jones-Rooy and Justin Gregg

Adam joins an improv comedy workshop and comes away with new insights about facing failure, building resilience, boosting creativity, and elevating collaboration. He takes the stage in Authors@Wharton with a pair of past Re:Thinking guests, data scientist Andrea Jones-Rooy and animal cognition researcher Justin Gregg, who happen to moonlight as improv comedy performers. In this unique episode, Andrea and Justin throw Adam headfirst into a series of improv exercises and lead a lively, often hilarious discussion of the practical lessons. Follow our podcasts! ReThinking with Adam Grant: https://link.mgln.ai/kdYcyx The TED Podcasts is a collection of podcasts for the curious. The TED Podcasts videos may be used for non-commercial purposes under a Creative Commons License, Attribution–Non Commercial–No Derivatives (or the CC BY – NC – ND 4.0 International) and in accordance with our TED Talks Usage Policy (https://www.ted.com/about/our-organiz...). For more information on using TED for commercial purposes (e.g. employee learning, in a film or online course), please submit a Media Request at https://media-requests.ted.com.

Andrea Jones-RooyguestJustin GreggguestAdam Granthost
Aug 20, 202637mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:001:35

    Improv as the “dirty secret” behind science communication

    1. AJ

      Improv really helps you be a, a better listener, a better team member, a better person who, who thinks bigger ideas. Bless you. She's allergic to team membership.

    2. JG

      Oh, she again.

    3. AJ

      I can't believe it. [upbeat music] Wanna sit on this chair?

    4. JG

      No, I like-

    5. AJ

      All right, great.

    6. JG

      [laughs]

    7. AJ

      You stand behind me, and then we'll do it.

    8. JG

      Sure.

    9. AJ

      Yeah.

    10. JG

      I don't wanna sit on this, though. There we go.

    11. AJ

      Okay, great.

    12. JG

      I'm a little disappointed in myself.

    13. AJ

      Uh-oh.

    14. JG

      Because you've both been on my podcast, and I failed to ask you about improv comedy.

    15. AJ

      [laughs]

    16. JG

      We failed to do improv comedy.

    17. AJ

      Mm-hmm.

    18. JG

      I f- I feel like that was-

    19. AJ

      Mm

    20. JG

      ... a, an epic disaster on my part.

    21. AJ

      I think the big headline from both of our appearances on your podcast is "epic disaster." [laughs]

    22. JG

      That's true.

    23. AG

      That's true.

    24. JG

      Uh, to be fair, it's a, it's a, it's a dirty secret in a way that we don't-

    25. AJ

      Yeah

    26. JG

      ... like, w- as a science communicator, I use improv all the time, but it's not necessarily how I advertise myself to the world-

    27. AJ

      Right

    28. JG

      ... as an improviser first.

    29. AJ

      Right.

    30. JG

      Scientist sounds a little more-

  2. 1:353:08

    What improv actually is: short-form vs long-form (and why it’s misunderstood)

    1. AJ

      That's right. So I wanna know how many of you... We're, we're talking about improvisational comedy. I think one of the thing people don't realize about improv is that it's, first of all, truly made up on the spot, and there's basically two versions of improv. There's one version where you go up and people tell you funny things, and you sort of say them and la- and act them out, like Whose Line Is It Anyway? And then long form improvisational comedy is you go on stage with a bunch of other people, you have zero plan, you've discussed nothing ahead of time.

    2. JG

      Mm.

    3. AJ

      And you go out, and someone gives you a word, or a place, or an idea, and you might do an entire half-hour show with multiple scenes and characters, and some of it's funny, some of it might be actually heartwarming, some of it... You don't know where it's gonna go, and it's a really long-form acting. And for a long time, it was only considered this, like, lesser art form that would be used to generate ideas for sketches for things like SNL.

    4. JG

      That's right.

    5. AJ

      Yeah.

    6. JG

      And, and improv seems hard. Well, I teach a lot of improv workshops for people who've never done it before, and they always say to me, like, "I d- I just wouldn't know what to say in the moment. I don't know how to make things up on the spot," which always seems odd to me because when you're in a conversation with anybody, your best friend, like right now if you started talking, you don't know what you're going to say until you say it.

    7. AJ

      Right.

    8. JG

      So, uh, but it's this mental-

    9. AG

      I beg to differ, Justin.

    10. AJ

      Well-

    11. JG

      Okay

    12. AJ

      ... this is why we're here. Yeah.

    13. AG

      Some of us have, like, a, a constant script running.

    14. AJ

      Yes.

    15. JG

      Okay.

    16. AG

      That's ready at any moment.

    17. JG

      Is that you?

    18. AG

      Uh, maybe.

    19. JG

      Oh, 'cause you... 'Cause I feel like you're very good at interviews, off-the-cuffing things. That should be no problem, so improv should therefore come easy?

    20. AG

      We'll find out. So we, we were at a conference together.

    21. AJ

      Yes.

    22. AG

      And I realized you both did improv and said, "Okay, well, let's... We have to do it."

    23. AJ

      Yeah.

  3. 3:083:51

    Why improv feels easier than prepared talks: freedom from being “wrong”

    1. AG

      I was really struck watching both of you, that you seem less stressed just in front of a room ready to entertain them without a plan-

    2. AJ

      Uh-huh

    3. AG

      ... than you did giving talks.

    4. AJ

      [laughs]

    5. JG

      100%.

    6. AG

      Which is completely backward to me.

    7. AJ

      Wow.

    8. JG

      That's, that is... You've, you've nailed it.

    9. AJ

      Yeah.

    10. JG

      I find talks, uh, difficult. I find being in plays difficult, where you have to memorize things.

    11. AJ

      Right.

    12. JG

      Anything where I'm supposed to remember information in the right order to sound like I know what I'm talking about-

    13. AJ

      Right

    14. JG

      ... even when I'm, like, lecturing as a professor guy-

    15. AJ

      Right

    16. JG

      ... uh, that is stressful because there's a chance I'm going to get it wrong.

    17. AJ

      Right.

    18. JG

      And I don't wanna get things wrong. You can't get anything wrong in improv because nobody knows what you're going to say. It's completely freeing. Doing improv in front of, like, thousands of people or whatever, if I get that chance, no nerves whatsoever.

  4. 3:514:59

    Improv as a life skill: listening, presence, and not rehearsing your next line

    1. AJ

      Yeah. Of course we're all improvising 'cause anytime I see a friend or someone I've never met before where I don't know what I'm gonna say, or, or maybe I have some idea, I get nervous in one-on-one regular human conversations because I do spend a fair amount of time thinking, "Whose turn is it to talk? What am I gonna say after the... Oh, they said this. I'm gonna actually say this." Or actually, all I'm thinking about, especially if I'm in, like, a meeting or something, like, all I'm thinking about is the thing I'm gonna say, and I'm not really listening to what everyone else is gonna say 'cause I just wanna get my idea into the room so that I can sound smart, too. And improv is a space where you practice a couple of things that make you much better in everyday life and interaction that are actually not really things that we get to practice.

    2. JG

      It's true. And I, I've been doing, uh, improv for about 10 years, and, uh, things have been going better for me in my life-

    3. AJ

      There we go

    4. JG

      ... for the past 10 years.

    5. AJ

      Yeah.

    6. JG

      And almost all of it is attributable to improv and the lessons that I learned. The lessons that I learned are not just things you write down and try and, like, you read an Adam book, and you try and do the things. It's a thing that is muscle memory for me.

    7. AJ

      Yeah.

    8. JG

      Like, I've practiced improv so much, so I get used to the things that it's taught me, and that includes learning to be comfortable with failure, or listening better, or being in the moment and not overthinking things, things that I do spontaneously now.

  5. 4:597:21

    The core rule: “Yes, and” (and the everyday cost of saying no)

    1. AJ

      So a couple of things that we're gonna practice with Adam, and a couple of you all if, if you're game, and even if you're not, we're gonna drag at least several [laughs] of you up. Uh, it's all very fun, uh, but a couple of things that we're gonna be practicing together are some of the core principles of improv. So if you're thinking about improv, you're... Suppose we were at a full-on just regular improv show, not this whole event. We would come on stage with no plan. You would say a word like walrus, and then we would perform for a half hour dramatic scenes, funny scenes, interesting scenes, hopefully, where we're all interacting and somehow riffing on walrus in some way. Now, the magic of improv comes from a couple of core principles that help you go from nothing to something relatively quickly. So one of the ones, and if you've seen any improv or read, like, Amy Poehler's book or, or something like that, you know that one of the big principles is yes, and. Some are, some nodding, yes?

    2. JG

      Yeah.

    3. AJ

      So, so yes, and is the idea that whatever you say to me, I'm gonna say, "Absolutely, I agree with that, and I'm gonna add something new." And then we're gonna be out of the gate. Someone says walrus, you're gonna... What's a sentence about walrus? Walruses.

    4. AG

      Uh, I'm sure Justin studies walrus for fun.

    5. AJ

      I'm sure Justin studies the walrus for fun. Yes, and I'm also sure of that, and I actually think Justin has a pet walrus.

    6. JG

      Yes, and his name is Philip, and he's a, a juvenile, and he's going to be too big for my bathtub one day.

    7. AJ

      Yes, and I think that he's a juvenile, and he's gonna be too big, and so Justin is going to build a w- walrus sanctuary in his hometown.

    8. JG

      Yes, and I've always wanted to see a walrus [laughs] sanctuary because I have never been to one before. There you go.

    9. AJ

      There we go.

    10. JG

      So that-

    11. AJ

      That was an improv scene. Wasn't it so fun?

    12. JG

      Yeah.

    13. AJ

      Didn't we all love it?

    14. JG

      Hilarious. Good job. [laughs]

    15. AJ

      Now w- I think we should do the opposite just for fun.

    16. JG

      Yes, yes, because strangely enough, when you're teaching improv, uh, y- the people who are just starting out, their impulse is to say no. As in in our everyday lives, people say no to new ideas and new things that come up all the time. It's actually a very normal human thing.

    17. AJ

      We're risk-averse nervous people.

    18. JG

      Risk-averse.

    19. AJ

      One of my first corporate jobs, I went into those meetings, and I would say, "Let's do this, and let's do that, and let's do this." And I was at FiveThirtyEight, and the editor would always say, "No, not that. No, not that." And it wasn't until I was a few months in, I was like, "Oh, his problem is he doesn't say yes and." And it r- I really think it limited our ability to write stories about interesting things. So any time you're in a meeting or a brainstorming, yes and your way through crazy stuff, and you might end up somewhere interesting.

  6. 7:218:29

    Failure immunity: learning to bomb safely and bounce back

    1. JG

      But what... You touched on something I, I think that is probably the core for me anyway, what a- I find empowering about improv, and that is learning to deal with, uh, failure.

    2. AJ

      Yes. [laughs]

    3. JG

      And I'll give you one example.

    4. AJ

      It's a good sales pitch for this.

    5. JG

      Yes, no, b- but for real, for-

    6. AJ

      Yeah

    7. JG

      ... and I've l- I've learned to fail so often that I'm immune to it. I don't have an emotional reaction to it. And w- the worst thing that ever happened for me for improv was we were asked to do an improv show with our group after this theater performance, and this theater performance involved a very sad story of, like, a woman's child who had been murdered, and then she went to court, and it was all about, like... Uh, it was the darkest, saddest thing. And at the end of it, they thought, "Let's have the improv people come up and, and el- elevate the mood by doing a funny show." Absolutely the worst environment to do improv, and then nobody in the group showed up except for me and one other guy.

    8. AJ

      Mm.

    9. JG

      So it turned into one, uh, like, two-person improv, which is the hardest.

    10. AJ

      The hardest.

    11. JG

      And then I went on stage, and I did everything wrong. Every- Like, I, I, I said no to things. I did... I broke every rule. Nobody laughed, and it was fundamentally humiliating. And I left that stage, and I'm like, "It can't be worse than this."

    12. AJ

      Yeah.

    13. JG

      So every time I go on stage, I know I'm going to be better than that, and that is fundamentally empowering for me, so.

  7. 8:2911:28

    Improv is teamwork: make your partner look good (Conan as a model)

    1. AJ

      I, I think one other piece to say before we get on our feet and try some of these things is that one of the things I have found most beautiful about improv and why I have been coming back to it again and again even though I'm not making a living as an improv comedian, that you're doing something as a team. And there's a lot of talk about the power of teamwork, and we all go to our Slack channels. We say, "Hey, team," and we're all in a group. We're all in this together, and we wanna build community and all that stuff. But in real life, improv... I'm, I'm not really an athlete, so I could be wrong, but in real life, that's a real team that you're on. And the goal of improv, the, the thing that really you're trying to do when you're on stage is you're on stage with your scene partners. My only job besides agreeing with what you've said and building on it is my job is to make you look good and to make you look good. Literally before every shows... I used to do shows in China, and it was super fun because it was brand-new, no, not, very little improv in, in China at the time. And you literally go on stage. You say, "I got your back. I got your back." But you're out there, and your job is to make the other person look funny. So there's no-

    2. JG

      Mm

    3. AJ

      ... mistakes. There's no failure because whatever you say, our job is to make it work. And whatever crazy thing I say, your job is to make it work-

    4. JG

      Mm-hmm

    5. AJ

      ... and sound like what we've been planning the whole time.

    6. JG

      Exactly. And the people who, who do improv 'cause they think they're funny, and they wanna stand and shine in the spotlight and make jokes-

    7. AJ

      Very bad

    8. JG

      ... are terrible improvisers.

    9. AJ

      Yes.

    10. JG

      The best ones are the ones who are not there for themselves in a way. They're, they're, "We're here to make Adam look good tonight," for example.

    11. AJ

      Which is one of the reasons Conan O'Brien is so fun to watch is because he is an amazing scene partner. He himself is a very funny person. His monologues were funny back in the day, all of that stuff. But if you watch his stuff, whether it's his podcast or his interviews, he is, is reacting. He's offering something, but his scene partner is shining, and that's why it's so hard to look away.

    12. JG

      The number of times that Conan has been pranked by Paul Rudd-

    13. AJ

      Exactly

    14. JG

      ... is, is never-ending. Oh, with the, with the-

    15. AJ

      Yeah

    16. JG

      ... with the Mac and Me, the bad movie. Mac and Me wheelchair thing.

    17. AJ

      Yeah, yeah.

    18. JG

      But every time he goes in, and he's there to play ball.

    19. AJ

      Yes.

    20. JG

      Yeah.

    21. AJ

      Yes.

    22. JG

      And you can't tell whether he knows it's coming or not-

    23. AJ

      Yeah

    24. JG

      ... but it doesn't matter- Yeah ... because he's excited to be the butt of the joke-

    25. AJ

      Exactly

    26. JG

      ... 'cause it's gonna make Paul Rudd look good.

    27. AJ

      Exactly.

    28. JG

      Exactly.

    29. AJ

      And it often works 'cause Paul Rudd probably isn't telling him ahead of time, "Hey, we're gonna run this clip," because that would actually ruin the fun. And so that's the other piece of it is that I have no plan, but I don't need a plan because you guys are gonna make whatever nonsense I say look amazing. No pressure.

    30. JG

      One of us [laughs] is a little more skilled at that than the other.

  8. 11:2815:32

    Game 1 — Two-Headed Expert: unison speaking and letting go of leadership

    1. JG

      Yeah, yeah. I love this game. This is called Two-Headed Expert.

    2. AJ

      Yes.

    3. JG

      So what's going to be happening is the two of you-

    4. AJ

      You're gonna stand on this side

    5. JG

      ... are going to be a single entity. Uh, and I'm an interviewing you about your area of expertise. We don't know what the area is yet.

    6. AJ

      Mm-hmm.

    7. JG

      And when you answer me, you talk in unison. [laughs]

    8. AJ

      [laughs]

    9. JG

      So, so your job, you have to talk perfectly in unison.

    10. AJ

      Mm-hmm.

    11. JG

      A- and this is a good game because you have to let go of any leadership things you may have learned.

    12. AJ

      No.

    13. JG

      Any leadership-

    14. AJ

      And we're literally at a leadership program.

    15. JG

      Nope, no leadership.

    16. AJ

      Cross that off. That's over.

    17. JG

      It's follow-ship from here on in.

    18. AJ

      Yeah.

    19. JG

      And so, uh, you, you, so you can't just talk and hope for Andrea to catch up or the other way around. You have to talk in perfect unison. So, uh, now we just need a subject, an unexpected subject in which our expert here is an expert. Yes.

    20. AJ

      Dominican Republic.

    21. JG

      The Dominican Republic.

    22. AJ

      Dominican Republic. Thank you.

    23. JG

      Great. Perfect. Well, thank you everybody here for coming, uh, to this, uh, this conference where we, we pick a, we pick a country each time, and then we talk about it. And today, uh, luckily we're talking about the Dominican Republic, and we have one of the foremost experts on the Dominican Republic here in the theater today. Put your hands together, please. [clapping] So, uh, w- what is your name, Professor?

    24. AJ

      Albert-

    25. AG

      Albert-

    26. AJ

      M- m- m-

    27. AG

      Murner [laughs]

    28. AJ

      Murner.

    29. JG

      Albert Murner.

    30. AJ

      [laughs]

  9. 15:3216:04

    Post-game reflection: Muppet energy, audience support, and embracing awkwardness

    1. AG

      Right. Right. Right. [clapping] So Adam, how did you feel doing that so far?

    2. JG

      Yes, how are you feeling, sir?

    3. AG

      Um, I understand now why my students sometimes write that I remind them of a Muppet. [laughs]

    4. JG

      Do they write that?

    5. AG

      They do.

    6. JG

      Which Muppet specifically?

    7. AG

      They never specify, which is really upsetting to me.

    8. JG

      You need clarity on this.

    9. AG

      I do.

    10. AJ

      Need clarity on this.

    11. AG

      I would like to know. If anyone could help me which Muppet, I would, I would really love to know.

    12. JG

      Shout it out.

    13. AJ

      So you remind me-

    14. JG

      Kermit. Kermit.

    15. AG

      Kermit.

    16. AJ

      That's a pretty good answer.

    17. JG

      Wow, that's the best possible answer.

    18. AJ

      Yeah, good answer.

    19. AG

      I, I thought it was the Swedish Chef.

    20. JG

      Oh.

    21. AJ

      Well, Adam, this is just a survey research design problem. You just need a question that says, "Which-"

    22. AG

      I know

    23. AJ

      ... Muppet am I?

    24. AG

      I know, but I don't wanna know it that badly-

    25. AJ

      I see

    26. AG

      ... is the problem.

    27. AJ

      All right. Fair enough. All right.

  10. 16:0423:13

    Game 2 — ‘New book you don’t know’: building a mystery from questions

    1. JG

      So now we're going to do another, uh, scene, if that's okay.

    2. AJ

      Yeah.

    3. JG

      Uh, actually we're gonna need somebody's help.

    4. AG

      Yes, Anne.

    5. JG

      Uh, yes, Anne.

    6. AJ

      It's Anne.

    7. JG

      So we are now going to interview Adam-

    8. AJ

      That's right

    9. JG

      ... about his newest book.

    10. AJ

      That's right.

    11. JG

      But Adam doesn't know what his newest book is about.

    12. AG

      [laughs]

    13. JG

      So would you please take Adam out into the hallway while we figure out what his book about. And you're, you're going to have to listen to us, and we're gonna ask you questions, and you're gonna have to figure it out-

    14. AJ

      Make sure you-

    15. JG

      ... while being out

    16. AJ

      ... doesn't hear what we're saying now

    17. JG

      You can't hear what we are saying.

    18. AG

      I can't hear.

    19. JG

      Okay, great.

    20. AJ

      Now go away.

    21. JG

      Right.

    22. AJ

      Okay. That's the slowest door.

    23. JG

      Is he quiet? Is he back, is he, he's not listening, right? Okay.

    24. AJ

      What does it say about us that we're like, "He's definitely gonna cheat."

    25. JG

      I know. I, I-

    26. AJ

      Close the door

    27. JG

      ... he's definitely cheating. Close the door.

    28. AJ

      Yeah.

    29. JG

      Okay.

    30. AJ

      All right.

  11. 23:1326:53

    Game 3 — Director’s notes: replaying a scene with character constraints

    1. JG

      So you and I will do this one together.

    2. AG

      Okay.

    3. JG

      So, uh, we're going to make up a scene, it's gonna be very short. Uh, and then Andrea's gonna come in and pretend to be our director.

    4. AG

      Okay.

    5. JG

      And she's gonna have us redo the exact same scene, uh, but then with some different directorial attributes.

    6. AG

      Great.

    7. AJ

      That's right.

    8. JG

      So...

    9. AJ

      We're gonna just do a couple takes of the same movie scene, yeah?

    10. JG

      Okay, so...

    11. AG

      This is exactly what I was hoping we would do tonight.

    12. JG

      All right, perfect.

    13. AJ

      And we will.

    14. JG

      Here we go.

    15. AJ

      All right, so we're gonna need a, a, a suggestion this time of a location that would make for a terrible first date.

    16. AG

      Hmm.

    17. AJ

      Car wash. Car wash. Beautiful.

    18. AG

      [laughs]

    19. AJ

      [laughs] The car wash. And... You go. And if you're... No, I meant and action.

    20. JG

      Oh. [laughs]

    21. AJ

      But thank you. [laughs]

    22. AG

      [laughs] What a terrible conversation.

    23. AJ

      At a car wash. Action.

    24. JG

      I'm scared.

    25. AG

      Me too. Your driving always freaks me out.

    26. JG

      Oh, thanks, I guess. Um, no, really, I mean, uh, c- car washes, it's, it's more, it's, it's more than just the, the, the bad driving. Like, I'm, I'm claustrophobic, and, uh, I'm not really sure I can, uh, be inside this thing. Um, uh, can you do something to distract me? Just do something to distract me.

    27. AG

      I can. You know what? The good thing about being claustrophobic-

    28. JG

      Yeah

    29. AG

      ... is the car is the same size no matter where we are.

    30. JG

      What the fuck does that mean? [laughs]

  12. 26:5330:36

    Why improv is hard for thinkers: flow states, metacognition, and divergent practice

    1. AJ

      Talk to us about how you feel right now, and then how you felt during this.

    2. AG

      Okay. So I, I think I, I felt much less uncomfortable than I expected.

    3. AJ

      Right.

    4. AG

      Um, in part because, to your point, a lot of what I do on stage does involve improv.

    5. AJ

      Right.

    6. AG

      But you just killed my confidence that I could deliver anything of value.

    7. SP

      [laughs]

    8. AG

      Because I'm standing up here thinking, "My job... Okay, first I want you all to laugh. And then, but wait, I'm not supposed to do something funny. I'm supposed to set you to, up to do something funny."

    9. AJ

      Mm.

    10. AG

      But the, the curve balls make it very difficult to do that. If you were in my domain, it would be much easier.

    11. JG

      Ah, that makes sense, the curve balls.

    12. AJ

      So if we were improvising an organizational psychology conference, we would be-

    13. SP

      [laughs]

    14. AJ

      Okay.

    15. AG

      I don't think anyone should do that ever.

    16. JG

      [laughs]

    17. AG

      To violate one of your rules.

    18. JG

      I think y- your trouble would be in improv is it is an intellectual exercise to some extent, but the real key for improv is that you turn off the part that does the metacognition, the monitoring what you're doing and worrying about what you're doing, trying to figure out what would be the funniest thing to say next. So you're, you're getting-

    19. AJ

      Or even what to say to set the other person up-

    20. AG

      Yeah

    21. AJ

      ... to be funny. So you're just doing-

    22. AG

      It's reaction

    23. AJ

      ... extra math on that. You're just trying to react.

    24. AG

      Yeah.

    25. JG

      Yeah, and-

    26. AG

      It's hard

    27. JG

      ... yeah. And there are, there are studies of like flow states and things in, in jazz musicians where you put them in an fMRI and you have them improvise stuff, and you see the connectivity in the brain, and that part of the brain that does that cognition is less active. And that's the state we want for improv as well. So-

    28. AG

      By the way, whoever dreamed up those fMRI studies, like, yeah, that's the perfect environment for jazz music. [laughs] Let's put-

    29. AJ

      Yeah.

    30. JG

      No, it's, it couldn't-

  13. 30:3633:33

    Improv, AI, and smarter groups: combining independent ideas with ‘yes, and’ building

    1. AG

      I love this. Okay, this seems like an increasingly useful skill in an AI world.

    2. AJ

      Yes. I'm so glad you said that. [laughs]

    3. AG

      Two reasons.

    4. AJ

      Yes.

    5. AG

      One, live experiences are-

    6. AJ

      Yes

    7. AG

      ... possibly the only thing that AI can't do-

    8. AJ

      Yes

    9. AG

      ... at all.

    10. AJ

      Yes.

    11. AG

      And two, maybe more importantly, AI is really good at convergent tasks.

    12. AJ

      Oh.

    13. AG

      Bombs at most divergent tasks.

    14. AJ

      Yes.

    15. JG

      Yep.

    16. AJ

      Yes. Unless you specifically say-

    17. AG

      Unless your prompts are sufficiently divergent.

    18. AJ

      Even then, it kinda... Yeah.

    19. AG

      So I, I think there's gonna be a growing premium on our ability to do the A to C, or even A to Q-

    20. AJ

      Right

    21. AG

      ... without connecting all the dots.

    22. AJ

      So I do some research on collective intelligence, which is, how does a group get smarter? You're really smart, you're really smart, I'm also here, right?

    23. AG

      [laughs]

    24. AJ

      But we're gonna interact, and we're gonna become smart together because your idea's gonna prompt your idea, which is gonna come to some new thing none of us could think of.

    25. AG

      So this is gonna sound like a pair of no-but questions, but I'm gonna ask you to yes, and them both.

    26. AJ

      All right.

    27. AG

      Okay. So two, two maybe empirical challenges-

    28. AJ

      Okay

    29. AG

      ... to this idea. The first one is our own Carl, Carl Ulrich and Christian Terwiesch-

    30. AJ

      Okay

  14. 33:3337:46

    Lightning round takeaways: humor, failure, courage, and real human connection

    1. AG

      Okay. Lightning round.

    2. AJ

      Yeah.

    3. AG

      You ready?

    4. AJ

      Yes.

    5. AG

      Okay. Uh, best advice to level up your humor game?

    6. AJ

      Take an improv class, 100%.

    7. JG

      Don't try and be funny. The funniest thing is the thing that you didn't think hard about.

    8. AJ

      Yeah.

    9. AG

      Okay. What is your best advice for how to cope with failure when, uh, a sketch bombs?

    10. AJ

      Realize that nothing matters, and we're all on a rock that's gonna get eaten by the sun. [laughs]

    11. JG

      Yep. It doesn't matter.

    12. AG

      Wow. Okay. That was a really dark... [laughs]

    13. JG

      That's right.

    14. AJ

      I find it hopeful, but all right.

    15. JG

      That's a really good... That's the answer to... I always use that one.

    16. AJ

      Yeah, yeah, yeah.

    17. JG

      I'm, I'm...

    18. AG

      Okay. Okay, you both said that improv has elevated other parts of your life. What's the most direct application that you've found?

    19. AJ

      Uh, so I also do stand-up comedy, and I do keynote speaking, and it makes me a million times better on stage doing actual planned things. Because in the moment, if something weird happens, I can react to it. If I say something the wrong way, I can turn it into a thing. It is a very powerful feeling.

    20. AG

      We have data to back that up. So we ran a people analytics conference here for 10 years, I think.

    21. JG

      Yeah.

    22. AG

      The highest rated speaker in the history of the conference was Andrea over Zoom.

    23. AJ

      Well, I didn't know that.

    24. JG

      Wow. That's cool.

    25. AJ

      I was compared with the real pers- Thanks to you for the applause, by the way. I really appreciate it.

    26. JG

      Yeah. [laughs]

    27. AJ

      Your support, everyone was like, "Meh." [laughs]

    28. JG

      And that is a great example-

    29. AJ

      Okay

    30. JG

      ... illustrating what you were just describing.

Episode duration: 37:47

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