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Tim FerrissTim Ferriss

The Real Japan — Craig Mod

Craig Mod is a writer, photographer, and walker living in Tokyo and Kamakura, Japan. He is the author of Things Become Other Things and Kissa by Kissa. He also writes the newsletters Roden and Ridgeline and has contributed to The New York Times, The Atlantic, Wired, and more. Sponsors: David Protein Bars 28g of protein, 150 calories, and 0g of sugar: https://davidprotein.com/tim (Buy 4 cartons, get the 5th free.) AG1 all-in-one nutritional supplement: https://DrinkAG1.com/Tim (1-year supply of Vitamin D (and 5 free AG1 travel packs) with your first subscription purchase.) Eight Sleep’s Pod 4 Ultra sleeping solution for dynamic cooling and heating: https://eightsleep.com/tim (save $350 on the Pod 4 Ultra) More Craig Mod: https://craigmod.com/ Things Become Other Things: https://www.amazon.com/Things-Become-Other-Walking-Memoir/dp/0593732545/?tag=offsitoftimfe-20 Tim Ferriss is one of Fast Company’s “Most Innovative Business People” and an early-stage tech investor/advisor in Uber, Facebook, Twitter, Shopify, Duolingo, Alibaba, and 50+ other companies. He is also the author of five #1 New York Times and Wall Street Journal bestsellers: The 4-Hour Workweek, The 4-Hour Body, The 4-Hour Chef, Tools of Titans and Tribe of Mentors. The Observer and other media have named him “the Oprah of audio” due to the influence of his podcast, The Tim Ferriss Show, which has exceeded 900 million downloads and been selected for “Best of Apple Podcasts” three years running. Sign up for "5-Bullet Friday" (Tim's free weekly email newsletter): https://go.tim.blog/5-bullet-friday-yt/ Follow the Tim Ferriss Podcast: https://tim.blog/podcast/ Visit the Tim Ferriss Blog: https://tim.blog/ Follow Tim Ferriss on Twitter: https://twitter.com/tferriss/ Follow Tim Ferriss on Instagram: https://www.instagram.com/timferriss/ Like Tim Ferriss on Facebook: https://www.facebook.com/TimFerriss/ [00:00] Start. [00:28] Good morning, Good evening [01:15] What would make this a worthwhile conversation? [03:24] How Craig and I first met. [05:08] Growing up in a post-industrial Connecticut town. [07:13] The kindness of a tech-savvy stranger. [08:04] IRC, ANSI art scene, and making connections in the Internet's early days. [09:54] From adoption to exploring hometown escape options. [12:17] Driving cross-country to a Silicon Valley internship. [13:59] Pursuing the desire to live abroad. [16:06] Attending Waseda University in Japan at age 19. [17:24] Seduced by the Ivy League: A momentary return to the States for a UPenn education. [18:41] Craig's advice for adults who want to pick up the Japanese language. [23:01] Bizarre homestay experiences. [33:31] How Craig wound up back in Japan to work in publishing. [35:25] Developing design sensibilities at UPenn with Sharka Hyland and Joshua Mosley. [39:59] Craig's color blindness and its influence on his design aesthetic. [42:04] Without a time machine, Craig lives vicariously through his daughter's opportunities. [43:52] Struggling with spirits of sauce and the supernatural. [48:08] A Tibetan dream reader and lost love. [51:59] Craig's journey to self-worth: Running, charging more for work, and building confidence. [53:53] The transformative experience of climbing to Annapurna Base Camp in Nepal. [56:33] Writing a camera review that went viral and paid rent for two years. [1:02:02] The article that changed Craig's life. [1:07:53] The enduring power of physical books in the digital age. [1:12:06] How being adopted prepared Craig for life as an outsider no matter where he hangs his hat. [1:16:19] Craig's time at Flipboard. [1:20:08] Writing in hotel rooms on weekends. [1:20:53] Meeting Kevin Kelly and landing a MacDowell writing residency. [1:22:52] Bridges burned and discoveries made at MacDowell. [1:30:46] Justifying a round two. [1:31:42] Craig's advice for aspiring creatives. [1:35:30] Books Craig has reread multiple times. [1:39:44] The story behind Craig's new book, Things Become Other Things [1:51:28] Craig's Special Projects membership program. [1:53:34] In praise of unexpected corners. [1:55:52] Lessons learned from the Sally Mann documentary. [1:57:04] Parting thoughts and a preview of round two (coming later this week).

Craig ModguestTim Ferrisshost
Mar 25, 20252h 0mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:00 – 0:28

    Start.

    1. CM

      Every weekend, I would book a hotel in San Francisco, and I'd go up there and I'd lock myself in the hotel room from Friday night. I'd do a late checkout on Sunday. Every weekend, I'd go up there and I would just write new essays about digital books and publishing.

    2. TF

      Mm.

    3. CM

      I couldn't compromise. That writing part of me, the literary part of me, I could not compromise. I had spent all of my 20s building up this asceticism and building up this ability to be uncompromising, and I didn't want that to be broken. And so I, I forced myself to just keep writing militantly.

  2. 0:28 – 1:15

    Good morning, Good evening

    1. TF

      Good morning.

    2. CM

      Hello.

    3. TF

      [speaking foreign language]

    4. CM

      [laughs]

    5. TF

      [laughs]

    6. CM

      [laughs]

    7. TF

      [speaking foreign language]

    8. CM

      [laughs] You're good, you're good.

    9. TF

      Yeah, Japan-US is always a little tricky with the time zones. I typically do kind of end of day my time, early morning Japan time.

    10. CM

      Yeah.

    11. TF

      But this morning's good. It's getting me back on Central Standard. I, I was coming from mountains, so this is like three hours before I usually get up [laughs] .

    12. CM

      Okay, jeez.

    13. TF

      Just totally fine. No, it's good. I mainlined some caffeine, and we are ready to go off to the races. This is gonna be fun, man.

    14. CM

      I-

    15. TF

      Always love an excuse to do creepy internet sleuthing on my friends.

    16. CM

      [laughs] Oh, no.

  3. 1:15 – 3:24

    What would make this a worthwhile conversation?

    1. TF

      What would make this, I ask this question always... You know all the housekeeping rules, bathroom break, water break. If you start something, you're like, "Ah, let me try that again," we can clean it up and post-

    2. CM

      Mm-hmm

    3. TF

      ... since this isn't Carnegie Hall. What would make this time well spent? I know you got the new book. Anything come to mind? Like, this comes out, you've done interviews, you're a pro. You know how to weave prose. You're a man in the public to some extent. What would make this time well spent?

    4. CM

      Probably the most, like, affecting story of the last year or so of me is the adoption stuff, like meeting my birth mom.

    5. TF

      Yeah, for sure.

    6. CM

      That's pretty fecund of emotion-

    7. TF

      [laughs]

    8. CM

      ... a lot going on there.

    9. TF

      Might wanna work on that headline, but I like it [laughs] .

    10. CM

      You know, that's a thing. And then all the stuff that's happened with the cities has been really, I think, kind of a weird-

    11. TF

      Yeah

    12. CM

      ... journey.

    13. TF

      I got, like, the very short kind of summary tease of things, but I don't know the story, which always makes it more fun for me as well.

    14. CM

      In terms of, like, what will listeners get the most out of, I think that story about the cities and The New York Times stuff and what's come out of that I think is an interesting... Because it encompasses a lot of, like, what does travel mean today? Why are we traveling?

    15. TF

      Mm-hmm.

    16. CM

      What does overtourism mean? How do you handle these massive tourism surges that are happening? Is there a way, like-

    17. TF

      Yeah

    18. CM

      ... to mitigate them or to send them to different, different parts of the country? So I think that's, like, really interesting. I think the adoption stuff is really interesting. I mean, everything ties into the walking, you know.

    19. TF

      What about you? This comes out, and three months after it comes out... I appreciate you being so listener focused because God bless my dear listeners. But as far as this interview, like, it comes out, what would make it, you look back and you're like, "Goddamn, I'm so glad I did that. I'm gonna point people to that interview"?

    20. CM

      It aligns very much with what I think would be interesting for listeners to listen to. Basically, I haven't talked about the adoption stuff in English anywhere.

    21. TF

      Yeah.

    22. CM

      I haven't written about it.

    23. TF

      Awesome.

    24. CM

      This is, like, the first time me doing anything public about that.

    25. TF

      The debut of the fecundity.

    26. CM

      The emotional garden. So I think that being able to, like, kind of crack that nut well would be really nice.

    27. TF

      Cool. Totally.

    28. CM

      Yeah. And everything else, I don't know. I'm just happy to chat.

  4. 3:24 – 5:08

    How Craig and I first met.

    1. TF

      Let's just chat, man. Let's just chat. I mean, we never have trouble doing that. I was trying to think how we initially connected. Do you even remember? Was it through Mullenweg at some point maybe? I don't know.

    2. CM

      No.

    3. TF

      There's something else.

    4. CM

      There are two moments that we met, one in 2011, right in the beginning of 2011.

    5. TF

      Uh-huh.

    6. CM

      I was at... What's the neighborhood you lived in in San Francisco?

    7. TF

      Glen Park, down south, just south of the Mission.

    8. CM

      Isn't there another one kind of up where, like, Ev lived up on the hi- like you kind of go up... Not Pacific Heights or anything like that, but-

    9. TF

      Let's see.

    10. CM

      West.

    11. TF

      It was close to Bernal Heights.

    12. CM

      Yeah.

    13. TF

      West. Boy, I'm a left-right kind of guy, embarrassingly.

    14. CM

      Anyway.

    15. TF

      [laughs]

    16. CM

      I was working in a cafe there with one of the Flipboard engineers.

    17. TF

      Ev must have been in a fancier place. Okay, Flipboard, right.

    18. CM

      Yeah.

    19. TF

      Well, this is as good a place as any. Yeah, let's keep going. Okay.

    20. CM

      I said hi to you there. I said, "Hey. Oh, hey, it's yeah, da, blah, blah, blah," and you were like, "Oh, cool. Yeah, Flipboard's great."

    21. TF

      Mm.

    22. CM

      And then we exchanged words in the bathroom at-

    23. TF

      [laughs]

    24. CM

      ... Foo Camp.

    25. TF

      Oh, thank God. I was like, "Oh, shit. [laughs] What, what happened here?"

    26. CM

      At Foo Camp.

    27. TF

      Power exchange? How did we end up at the power exchange? Kidding.

    28. CM

      I think it was the Japan walk. That was the first time we ever really-

    29. TF

      Yeah

    30. CM

      ... talked. So that was two and a half years ago now already, which is-

  5. 5:08 – 7:13

    Growing up in a post-industrial Connecticut town.

    1. TF

      Let's just hop into it then. You mentioned Flipboard, so let's start there. At one point, you lived in Silicon Valley.

    2. CM

      I did, yeah.

    3. TF

      And for a lot of people, that's the dream. But you left Silicon Valley, ended up back in Japan. Could you just give us a bit of a thumbnail sketch? It doesn't even need to be a thumbnail. We have all the time in the world. But where did you grow up? We'll make it the really boring back in childhood intro. But where did you grow up? How did you end up at Silicon Valley, and why didn't you stay in Silicon Valley?

    4. CM

      So yeah. I mean, it's funny you start with Silicon Valley because that was probably, like, that was the shortest period of anything I did in my life, for the most part. It was very truncated.

    5. TF

      The reasons for which it's truncated, I think, might be interesting, though.

    6. CM

      I mean, I grew up in this sort of like- ... lower middle class, like, kind of post-industrial town. Like, I grew up in this town where, like, an airplane engine factory was, was the heart of the town.

    7. TF

      What state was that?

    8. CM

      This is in Connecticut, weirdly. You really don't think of Connecticut as, like, an industrial state, but there is-

    9. TF

      There's plenty

    10. CM

      ... stuff happening.

    11. TF

      Mm-hmm.

    12. CM

      Yeah. And, you know, ever since I was really young, I mean, I loved books, I loved writing. I was sort of, like, drawn to that, but I was also really drawn to video games. And, like, I did not grow up in a place where people were reading. Like, there was no one, you know, no one around me was reading Ulysses [laughs] . You know?

    13. TF

      [laughs]

    14. CM

      It was like, it was pretty, uh, like, culturally a bit of a desert. But there were video games and, you know, those came from Japan, and that was sort of intriguing to me. That was, like, my first contact w- I'd say, with a culture outside of the town I came from. And there were computers, and I was really, really lucky. Like, we did not have much money, and our school districts were not well-funded. And I look back on it and I was extremely, extremely lucky with these chance opportunities I had, which basically enabled me to do everything I'm doing now. Very, very, very sliver, sliding doors style chances of opportunity.

  6. 7:13 – 8:04

    The kindness of a tech-savvy stranger.

    1. CM

      My family couldn't really afford a computer, but my neighbor bought one, and my neighbor was divorced.

    2. TF

      Mm.

    3. CM

      And he lost his son in the divorce [laughs] , so he was, he was kind of, like, lonely. I was, like, really hungry to be using computers. I was, like, you know, eight or nine years old, 10 years old, and I started going over there so much to use his computer that he just gave me the key to his house.

    4. TF

      [laughs]

    5. CM

      And he bought me my own phone line. He was really kind. He was just genuinely just a kind guy. About 10 years ago, I went to go find him and just say thank you for having lent me his computer. I mean, it really changed my life, this computer thing. And he had passed away.

    6. TF

      Oh, no.

    7. CM

      He had had a heart attack. So if you have someone in your life that you really wanna thank, go thank them while they're [laughs] , they're around. But you know how it is when you're a kid, you don't realize kind of the luck that you've fallen into with something like that.

    8. TF

      For sure.

    9. CM

      And so

  7. 8:04 – 9:54

    IRC, ANSI art scene, and making connections in the Internet's early days.

    1. CM

      that was going on, and then I started using, at his place, I st- I got onto IRC. I started using PPP emulators to be able to use Mosaic. I was, you know, I was in the ANSI art scene.

    2. TF

      What does PPP stand for? Just gonna take a brief side quest here. We don't need to get into the hyper specifics, or what was it? [laughs]

    3. CM

      It's so funny that we're starting here because this is, like, such a bizarre, almost like a footnote to, like, everything I'm doing now. Like, everything I'm doing now is so, feels so removed.

    4. TF

      I like starting with the footnotes.

    5. CM

      Well, this is the pretty serious footnote. So I don't even remember what PPP stands for, but basically you had shell accounts, right?

    6. TF

      Yeah.

    7. CM

      So you had these text-based shell accounts that these were, like, the first ISPs.

    8. TF

      Yep.

    9. CM

      I swear to God, this is gonna get more literary. If anyone's listening, [laughs] this is gonna get way more litigious.

    10. TF

      Internet service provider. Even I know that one.

    11. CM

      No, but, like, we're gonna talk about books and walking in Japan and stuff. That's all coming. But this kind of genesis story is sort of interesting-

    12. TF

      [laughs]

    13. CM

      ... in that, you know, you had these text-based things. You could use IRC, which is like chat.

    14. TF

      Mm-hmm.

    15. CM

      It was like Discord.

    16. TF

      Sure.

    17. CM

      Old school Discord.

    18. TF

      I remember that.

    19. CM

      Not owned by anyone. It was totally open. You know, like, hosted on university servers, stuff like that. And I got connected with the ANSI art scene in there, and I started doing ANSI art. I was really kind of captivated by design and by computer programming in the sense that it allowed... what it could do for storytelling. That's kind of how I, how I saw it.

    20. TF

      Mm-hmm.

    21. CM

      And that's what sort of really captured my attention. And so I started working, you know, doing artwork with these guys. I was, like, 12, 13. These guys were all, like, five, six years older than me. They were mostly in California. A lot of them were.

    22. TF

      Mm-hmm.

    23. CM

      And they were all sort of getting into the internet. And so when I graduated high school, I had these weird connections that I had made on this text chat room when I was 13 [laughs] .

    24. TF

      [laughs]

    25. CM

      And these guys were like, "Hey, we've started, like, a design agency. We're doing a startup," whatever. "Come out for the summer. Be an intern." So that was, like, my, that was my connection. And

  8. 9:54 – 12:17

    From adoption to exploring hometown escape options.

    1. CM

      essentially, like, you know, I didn't grow up with money, and no one around us had money. There was no wealth.

    2. TF

      Mm-hmm.

    3. CM

      Looking back now, I mean, there was absolutely no real wealth happening in our town. And if you look at the GDP statistics and stuff like that, I mean, it's sort of like, you know, 20% of the national GDP was the average-

    4. TF

      Wow

    5. CM

      ... sort of GDP per capita of our town.

    6. TF

      Mm-hmm.

    7. CM

      America's GDP is really high. Like, per capita GDP-

    8. TF

      Hmm

    9. CM

      ... is, like, $85,000. Way higher than Japan, for example. Japan's like-

    10. TF

      Mm-hmm

    11. CM

      ... 40, 45, something like that.

    12. TF

      I didn't realize that was such a high discrepancy.

    13. CM

      The delta's pretty insane. So I basically, you know, did not come from money, and so I saw two ways to get out, essentially. From a very early age, I'm adopted, so there's a sense of disconnection from that, and then from a very early age, I realized the place that I was growing up in was very, very tiny, and I needed to get far away.

    14. TF

      Mm-hmm.

    15. CM

      For a number of reasons, but I knew I needed to get away, and I saw money as critical for that escape.

    16. TF

      Mm-hmm.

    17. CM

      And I saw two ways of making money, and one of them was the stock market, and I joined the stock club as soon as I could at high school, and I was super geeking out. And as soon as, I think I was 18 or 19, I was 19 when I opened an E-Trade account. I think I was, like, one of the first probably, like, 10,000 people to have an E-Trade account.

    18. TF

      [laughs]

    19. CM

      I was like, "Yes, okay, I need this." Very weird, I mean, 'cause there was no one in my family-

    20. TF

      Mm-hmm

    21. CM

      ... that had ever bought a stock.

    22. TF

      Hmm.

    23. CM

      You know, I was raised by my mother and my grandparents. My father was sort of out of the picture even though it was an adoption.

    24. TF

      This is your adopted mother?

    25. CM

      Yeah, my adopted parents. Even though they adopted me, they got divorced when I was, like, two. I mean-

    26. TF

      Mm-hmm

    27. CM

      ... which was good. My father wasn't a great guy, so it was good to kind of push him to aside. But, like, there was no archetypes for me of like, oh, this is how you generate wealth or create wealth or cultivate wealth or grow wealth. There was absolutely none of that, or even just how to engage culturally with the world, you know-

    28. TF

      Mm-hmm

    29. CM

      ... to think about literature or to think about art. So I was just kind of, like, scanning the horizon.

    30. TF

      Mm-hmm.

  9. 12:17 – 13:59

    Driving cross-country to a Silicon Valley internship.

    1. CM

      for. Anyway, so you have, like, lifestyles of rich and famous. What do those people do? They buy stocks. You know, they invest in stocks, blah, blah. Stuff like that.

    2. TF

      Yeah.

    3. CM

      So I was like, "Okay, I need to do that to get out." That's like step one. And then I just loved the potential of the internet. Like, as soon as I saw the World Wide Web, I was like, "Yes, this is where I wanna write. This is what I want to build on top of." Like, it was just so obvious to me. I was like 14-

    4. TF

      Mm-hmm

    5. CM

      ... when I used Mosaic for the first time, and it was just, "Oh, okay, great. I don't have to think about anything. This is just what I do." And very quickly, I realized, like, if I became good at web stuff, I would be making more money than anyone in my town, you know?

    6. TF

      Mm-hmm.

    7. CM

      It was, it was just like this weird, again, this arbitrage of kind of information and skill, and I just saw this very early on. So the ability to kind of go out to Silicon Valley as, like, an intern. I drove my Honda Civic. It was an, like a '93 Honda Civic with no power or anything. I basically had to, like, crank the thing to get going. Drove across America and went out there and interned. And I just, I really loved it, and I loved the people and the culture and the opportunities, and it really just set my mind ablaze. I mean, it was really exciting. And I was kind of working on blogging software before Blogger launched. When I talk about opportunity and they say basically wealth is unevenly distributed, but really what you're talking about is opportunity being evenly distributed. And when you listen to the genesis story of someone like Bill Gates, he's just surrounded by this abundance of opportunity. You know, like the fact that the university had these terminals he could use, and people were all kind of cultivating his ability to take, you know, advantage of these opportunities.

    8. TF

      Mm-hmm.

    9. CM

      And there's definitely an alternate reality where, like, I had a little more opportunity. I was in Silicon Valley a little bit earlier, and I just had the sense of self-worth and confidence, I think, to do things differently and build stuff.

    10. TF

      Mm-hmm.

    11. CM

      And that was, like, one timeline that didn't happen.

  10. 13:59 – 16:06

    Pursuing the desire to live abroad.

    1. CM

      And I went out there and I loved it and I enjoyed it, but at the same time, I, I really wanted to live abroad. I knew I needed to get away. And because of certain things that had kinda happened and things that I felt in my town, the people of my town not being supported by the greater whole, I kind of had this, from a very early age, a lack of, I would say, belief in the American system, and I just felt like-

    2. TF

      Mm

    3. CM

      ... I had to leave America. There was a very strong impulse, like I have to get outside of this country and to see things differently. This felt important to me for some reason, intuitively.

    4. TF

      What about the system? When you say system, what specifically, right? Because we'll spend a lot of time talking about Japan, I am sure. But, you know, Japan is... it's not exactly North Korea.

    5. CM

      [laughs]

    6. TF

      It's similar to the U.S. in some respects.

    7. CM

      Yeah.

    8. TF

      What do you mean by the American system in that context? Could just be a felt sense of something, right? It doesn't have to be super Wikipedia.

    9. CM

      In the moment, I had absolutely no words for it. I had no way to describe it.

    10. TF

      Mm-hmm.

    11. CM

      You're operating from a lack of experience. You haven't seen enough of the world.

    12. TF

      Yeah.

    13. CM

      But you just... intuitively, there was a sense of, "Okay, we aren't being supported." And then when I went to college, that was the big shock for me, was getting to college and meeting everyone else and immediately feeling this gap of kind of abundance.

    14. TF

      Right.

    15. CM

      I was lucky. I scored really well, even though I'm bad at tests taking. I don't like taking tests. I tested well. I was able to go to a good college, really, some, you know-

    16. TF

      Mm-hmm

    17. CM

      ... a really good university. And it was just, the first three days, four days, I was just in shock. I was like, "Oh, these people are from a different planet." The resources they had, the archetypes they clearly had in their lives, the way they've learned to learn, to speak, to move through the world, like what they expe- ... I was just like, "This doesn't compute for me at all." And it was immediately-

    18. TF

      [laughs]

    19. CM

      ... I bounced off of it so fast.

    20. TF

      Yeah.

    21. CM

      I was just like, "I can't be here. I, I shouldn't be here." There's something fundamentally missing, broken, sort of lacking inside my chest. [laughs]

    22. TF

      Mm-hmm.

    23. CM

      And-

    24. TF

      I get it

    25. CM

      ... that's what drove me to just go, "Okay, I should live abroad. I need to leave this country, in part to rebuild that on my own."

  11. 16:06 – 17:24

    Attending Waseda University in Japan at age 19.

    1. TF

      Got it. Okay. So when did you move to Japan? At what year, what age was that?

    2. CM

      I was 19. 19, and it was 2000.

    3. TF

      2000. Okay. [laughs]

    4. CM

      Yeah. Which is insane. I can't believe-

    5. TF

      Yeah, yeah

    6. CM

      ... it's been 25 years now.

    7. TF

      Okay.

    8. CM

      It's a long time.

    9. TF

      Got it. And you, just to paint a picture for folks, so you, you move to Japan when you're 19, and then you bounced around after that. You didn't stay in Japan the entire time. Am I right? Of course, because we met after that.

    10. CM

      Yeah, sort of. So to give you, like, the, the macro timeline.

    11. TF

      Mm-hmm.

    12. CM

      I go when I'm 19. I stay for a year. I go to university there. I love it. While I'm there, the Silicon Valley bubble, the first bubble pops. So there really isn't a Silicon Valley.

    13. TF

      Mm-hmm.

    14. CM

      My plan was to go to Japan. I applied on a whim to university there, and I applied independently. Normally, when you kind of do study abroad, you're, you keep paying your American university fees and you go to this international.

    15. TF

      Yeah, right. [laughs]

    16. CM

      And I looked at the fees for Japanese universities, and for, like, a year with homestay, it was like $8,000, 5,000. It was, like, an absurdly affordable amount of money.

    17. TF

      Mm-hmm.

    18. CM

      And, you know, there was scholarships avail- It was like, why wouldn't I just go do this? Of course I'm gonna do this. But my plan was to drop out and move to Silicon Valley and just build stuff. Just work, write, build.

  12. 17:24 – 18:41

    Seduced by the Ivy League: A momentary return to the States for a UPenn education.

    1. TF

      Okay, so Japan for, like, a year or two, and then go back to Silicon Valley? Something like that?

    2. CM

      Yeah, Japan for a year, and then in the middle of it, everything collapsed, and then I was like, "Okay, well, maybe I should graduate university."

    3. TF

      Mm-hmm.

    4. CM

      So I applied in the middle of it as a transfer student to a university I thought I would like better than the one I was at before.

    5. TF

      Mm.

    6. CM

      And I got in. I ended up going to UPenn.

    7. TF

      Yep.

    8. CM

      And so for me, I was the first person in my family to go to university. Certainly big university. My mom went to community college, then she worked her butt off to become a elementary school teacher, but I was the first person to go to, like, university, university. My father didn't go anywhere. My grandparents were both working at the airplane engine factory. So this was a big deal, and should I have gone to Penn or not? Honestly, it was just the Ivy, this [laughs] incredible sense of I have to create or generate on my own- ... a sense of self-worth.

    9. TF

      Mm-hmm.

    10. CM

      And the draw of an Ivy was just too big. So anyway, I ended up getting in, much to my shock, and so after that first year in Japan, I went back, went to UPenn. I did that for two years. In the summer between, I came back to Japan, did an internship at a magazine, and then as soon as I graduated UPenn, I was back to Japan, going back to Waseda, doing another year of intensive language studies in their, in a grad program. And then I basically just stayed since

  13. 18:41 – 23:01

    Craig's advice for adults who want to pick up the Japanese language.

    1. CM

      then.

    2. TF

      All right, we're gonna take yet another side quest, 'cause it's not really a footnote. I know quite a few people who've moved to Japan. You're the only non-Japanese person as an adult I know who speaks exceptional Japanese. As you're aware, there are a lot of foreigners who kind of stay in the expat bubble, which is fine. People do that in the US too when they move here, for instance. Plenty of examples of that. How did you learn your Japanese? If there are people listening who think to themselves, "Man, I would really love to learn Japanese," any thoughts based on your own experience?

    3. CM

      Well, I think in general, language learning is easier if you have a musical background.

    4. TF

      Mm-hmm.

    5. CM

      And I grew up all through my teens obsessively playing drums, just drumming-

    6. TF

      Mm

    7. CM

      ... drumming, drumming. Playing, playing jazz, playing classical, playing in big band orchestras, playing everything. So I think listening, being a good listener obviously is paramount. But when I got to Tokyo, I did a home stay. They couldn't speak one word of English.

    8. TF

      Mm-hmm.

    9. CM

      And I immediately just joined the music circle at university, which was only Japanese people. I wasn't trying to avoid the international crowd, and in fact, the international group I was with were amazing. I got to the school, I got to Waseda, and the international program was what I had always dreamed and hoped university would be.

    10. TF

      Mm-hmm.

    11. CM

      It was super international, super mixed. Kids from all over the world. They were all extremely serious about their studies. They were all way better Japanese speakers than me. I had had, like, one year of university Japanese before I came. To give you an example, there are 13 levels.

    12. TF

      Which is not a lot. [laughs] Yeah.

    13. CM

      Which is not a lot. It's nothing.

    14. TF

      [laughs]

    15. CM

      I mean, basically I could barely say hello, and even that was probably not, not correct.

    16. TF

      [laughs]

    17. CM

      So there are 13 levels of Japanese class at the university. I was in two. There were kids who came from SOAS in London who had done one year at SOAS.

    18. TF

      [laughs] Sorry, you said SOAS and I thought about the muscle [laughs] that causes me so many problems. What the hell is SOAS?

    19. CM

      SOAS is the School of Oriental and African Studies in London.

    20. TF

      Oh, wow. Unfortunate branding. [laughs] But yes. [laughs]

    21. CM

      They have the most total badass language program. Like, honestly, if you wanna learn Japanese, go to SOAS.

    22. TF

      I see. All right.

    23. CM

      Just go to SOAS.

    24. TF

      I got it.

    25. CM

      Those kids, they had done one year at SOAS. They arrived in Tokyo. They were in level 10, level 11 out of 13.

    26. TF

      Holy shit. Good for them.

    27. CM

      Yeah, no, it was insane.

    28. TF

      Must be a brutal boot camp. [laughs]

    29. CM

      They were amazing. Yeah, it is, it's br- like, 70% of kids drop out of it or something like that.

    30. TF

      Babysitting mutants. Yeah. [laughs]

  14. 23:01 – 33:31

    Bizarre homestay experiences.

    1. TF

      Because to teach, if you're at a home stay like I was when I was 15, I had three different host families, not because I was a delinquent, but that's how it was set up. You would rotate through different families over the course of a year. And the first, let's just say, first family, pretty much a wash, because I-

    2. CM

      Mm

    3. TF

      ... couldn't communicate at all, nor could I ask them questions in Japanese to clarify what they were saying. And then the second family probably took me a month before I found my legs and could finally start communicating with them.

    4. CM

      My host family was very lovely, but completely, completely bonkers.

    5. TF

      [laughs]

    6. CM

      Let me paint this picture for you. So they ran an udon noodle shop, right?

    7. TF

      [laughs]

    8. CM

      So every meal was udon.

    9. TF

      [laughs]

    10. CM

      So... [laughs]

    11. TF

      So udon are, you should explain, but it's just, like, these very thick noodles, right?

    12. CM

      Yeah, so it's like, soba is sort of... Soba is weird because it's both, like, the fast food of Japan in the sense, like, there's tachigui soba in front of stations that you can go to at 7:00 in the morning and just slurp something up before you go to work, and it costs, like, two bucks.

    13. TF

      Which means standing and eating, literally, right? You're at a countertop standing.

    14. CM

      Right.

    15. TF

      Yeah.

    16. CM

      Tachigui. But at the same time, soba can also be incredibly refined, where you spend $30 on a bowl, and it's, like, two slurps and you're done. And so anyway, soba's got that weird, that weird kind of gamut, but udon is, like, firmly just, like, working class food. Like, it doesn't really get fancy. And so there's some places that try to make it fancy, but it's really not that fancy. This is a working class family, so it was sort of ironic. I left my working class town to go across the world, and I g- I get plopped down basically in, in a way, in a place that felt really... I was like, oh, okay, I know these people. I know this part of town.

    17. TF

      Mm-hmm.

    18. CM

      It was a very working class part of Tokyo, and, you know, there was, like, kinda homeless people out walking around that I'd, like, say hi to all the time, and I'd go to the arcade and there'd always be, you know, this kind of weird, like, middle-aged people that just clearly didn't have jobs playing Street Fighter all the time, so we'd just play together.

    19. TF

      [laughs]

    20. CM

      I was like, "I get this. These are totally my people." So they had a udon shop, and there was an 11-year-old son, and unfortunately for me, he slept in his parents' bed, so he didn't have any privacy. He had discovered his penis soon after-

    21. TF

      [laughs]

    22. CM

      ... I arrived, and he decided that he was going to release frequently around the house in different pla- so-

    23. TF

      Oh, Jesus. [laughs]

    24. CM

      So, so, so I would be-

    25. TF

      Oh, my God. [laughs]

    26. CM

      I'd be trying to send an email at the kotatsu. It's November. It's kinda chilly. I'm sitting under the kotatsu.

    27. TF

      What's a kotatsu?

    28. CM

      Kotatsu is a low table with, like, a heater underneath it.

    29. TF

      Yeah, yeah, yeah.

    30. CM

      Basically, you put your legs under it. There's, like, a big, heavy blanket that kind of... Everything that's under the table's kind of a mystery. You don't know what-

  15. 33:31 – 35:25

    How Craig wound up back in Japan to work in publishing.

    1. CM

      Yep.

    2. TF

      All right. So we've covered a bunch of that. Now, tell me when you left Japan to go back to UPenn. I guess we can kind of peg it in your macro timeline. You get back. What happens after UPenn?

    3. CM

      The summer between junior and senior year I did an internship in Tokyo-

    4. TF

      Mm

    5. CM

      ... at a magazine, and the editor-in-chief there was like, "Hey, I wanna start a publishing company. Do you wanna, like, be the art director?" I was like, "Yes."

    6. TF

      Mm.

    7. CM

      Like, just because I knew when I was 19, one of the summers in Silicon Valley I did an internship with, like, a startup, like a small design agency, and it was great. And then the second summer I got a job with a bigger company.

    8. TF

      Mm-hmm.

    9. CM

      And I got a taste of, like, being in a company, and what does that mean, and being part of the system and that. I was just immediately like, "Okay, I can't do this."

    10. TF

      [laughs]

    11. CM

      I just couldn't do it. I was like, "Okay, this isn't for me."

    12. TF

      [laughs] This system is broken, whatever this is. [laughs] I can feel it in my chest.

    13. CM

      This isn't for me. I can't do this. And I remember walking around San Francisco that summer that I was working at the big company, and I was just, like, talking with my friend Rob. And I was just like, "Yeah, I..." And they offered me. They're like, "Hey, we'll pay for college. Stay with us." You know, I was like, whatever. I was kinda talented at doing web crap. Like, back then-

    14. TF

      Yeah

    15. CM

      ... not many people were, and I was like, "No, I can't do this." I was like, "I'm running away to Japan."

    16. TF

      [laughs]

    17. CM

      I had always had this fierce independence. It's connected with where I come from because, like, where I came from, I saw, you know, there was no healthcare. People were fairly struggling. A lot of my friends, their sisters were pregnant as teenagers. It was, like, kind of endemic. People just weren't really being supported. So from a very young age, I was like, "I have to be independent. I have to control my destiny. I have to be sort of pathological about making sure I'm secure-

    18. TF

      Mm-hmm

    19. CM

      ... till I get to the next stage." And so being independent was really important to me. My buddy, you know, the editor-in-chief's like, "Hey, let's start a publishing company." I was like, "Great. Let's do that. I'll move back to Tokyo as a student. I wanna go do grad school stuff anyway. We can start, like, getting the publishing company up and running."

  16. 35:25 – 39:59

    Developing design sensibilities at UPenn with Sharka Hyland and Joshua Mosley.

    1. CM

      And when I was at UPenn, I had a couple of amazing professors. The reason why I picked UPenn was because it had a computer science and fine arts program, and it was called the DMD, Digital Media Design.

    2. TF

      Huh, that's cool. I didn't realize that. That's early. Early, early.

    3. CM

      Super early, 'cause you had the MIT Media Lab, but that was only grad school. And I loved John Maeda's stuff, Ben Fry's stuff, Casey Reas's stuff. That was all coming out of M- MIT Media Lab, and I was so into all that. But I was too young to go to MIT as a grad student, and I was like, "Okay, where can I do this?" And, you know, and it was like NYU kind of had a program that was, like, technology, I think, and maybe CMU had technology and theater, and UPenn had fine arts and computer science. So I was like, "Great. Let me do that." And the fine arts component was incredible, and I had two professors that kinda changed my life. One was Joshua Mosley, who, he was an a- a claymation animator guy. He runs the department now. He was just this incredible archetype of, like, the artist. Like, doing these bizarre claymation things.

    4. TF

      Wait a second. So even at that time he's doing, like, claymation stop-motion stuff-

    5. CM

      Yeah

    6. TF

      ... in this digital media lab?

    7. CM

      Yeah. Yes.

    8. TF

      [laughs] Okay.

    9. CM

      And teaching us how to use the latest 3D programs.

    10. TF

      Huh.

    11. CM

      It was this totally interesting kind of, like, analog digital thing happening.

    12. TF

      Mm-hmm.

    13. CM

      I had some amazing photography professors. My focus was photography. But I also had a design professor, Sharka Hyland, who was, like, this Eastern European... I don't really know what her background was, but she was, like, the meanest unless she liked your work in which she loved you.

    14. TF

      [laughs]

    15. CM

      It was, like, one of these teachers that she would not pull any punches, and so, like, everyone has their designs. Like, I remember we had to, like, design a book cover, and I had, like, you know, what was it? The Sun Also Rises or something. I think it was a Hemingway cover. Everyone's got their stuff up on the wall. And kids are, like, crying because she's like, "This has gotta be j- I hate this. You, this, you, this sucks. This is terrible. This is bad"

    16. TF

      [laughs]

    17. CM

      But, like, being very specific. More specific than I'm being.

    18. TF

      Yeah. Let me tell you the ways I hate this.

    19. CM

      [laughs] Yeah.

    20. TF

      So many. Where do I start?

    21. CM

      She was amazing. She was so great. She blew open my mind about design and about book design, and it got me obsessed with wanting to make books. I'd always loved books. I'd always loved technology. All the tech stuff, the blogging stuff, the online writing, whatever, the news groups, all this was interesting, but nothing, nothing really captured my attention like physical books. And around the same time, McSweeney's, the publisher out of San Francisco, Dave Eggers-

    22. TF

      Pirate shop

    23. CM

      ... he's got his Heartbreaking Work of Staggering Genius comes out. That's an incredible book, right? The, in the moment, that was like, "What is happening?" This book is so meta. This is, like, you know, this is so much fun. You know, he's funny. It's a moving story. And he founded McSweeney's, and McSweeney's was doing so many interesting things with the book as a form and design.

    24. TF

      Mm-hmm.

    25. CM

      And basically this editor-in-chief and I were like, "Hey, let's do, like, mini McSweeney's that's kind of connected with Japan." That was kind of the thesis.

    26. TF

      Well, let me pause for a second here. So Sharka, was that the name? What a fucking name.

    27. CM

      Mm-hmm.

    28. TF

      [laughs] I think I'm getting that roughly right.

    29. CM

      Sharka Hyland, yeah.

    30. TF

      Sharka Hyland. That is-

  17. 39:59 – 42:04

    Craig's color blindness and its influence on his design aesthetic.

    1. CM

      20s doing. And I think Sharka saw in me that I had a certain intuitive, like, eye for design.

    2. TF

      Mm-hmm.

    3. CM

      Even though she was so critical, and she was critical of some of the things. [laughs] I remember she asked me, she's like, "Why did you make that red?" And I was like, "I don't know. I kind of like red" She's like, "Look at this idiot. He doesn't even know why he made it red"

    4. TF

      [laughs]

    5. CM

      I was like, "Oh, man" But really, the reason was I'm color blind, and, like, I don't really see that many colors, and so I was like, "Oh, red is, like, a color that, like, is easy for me to use"

    6. TF

      Well, hold on a second. So let me just double-click on that. [laughs] I know this is my habit, but when I think of color blind, usually I think of red as one of the most commonly missing colors-

    7. CM

      Yeah. Red, green

    8. TF

      ... 'cause you don't have the cones. Right. Red, green.

    9. CM

      Yeah. Red, green, but, like, a strong, vibrant red I can see really well.

    10. TF

      Ah.

    11. CM

      And so that's kind of what I was drawn to.

    12. TF

      Fascinating.

    13. CM

      If you look a lot of my early design slash all of my design, it's basically black, white, and red.

    14. TF

      [laughs]

    15. CM

      That's what I've been riffing off of for 25 years.

    16. TF

      The Sin City color palette, yeah.

    17. CM

      But Sharka, I would say, saw enough of, like, potential slash an intuitive sense of design that she elevated it. I did some branding work. I did branding work for the publishing company that we... I started with this guy, the editor-in-chief, and, you know, she kind of reviewed it, and she, like, gave me all this amazing feedback. So she really-

    18. TF

      Mm

    19. CM

      ... she made me feel like I could do it, which was incredible.

    20. TF

      Mm. I had one teacher in elementary school kind of like that. It was b- like, a brutal woman, but if she decided she really loved you-

    21. CM

      Mm-hmm

    22. TF

      ... then she paid attention. And I don't know if this is true with Sharka, but was it your intuitive sense, or did you reflect in what you did in the class in some way pointing to you caring more than other students? I'm just curious about that. 'Cause I remember the moment when this teacher went from brutalizing me to actually deciding, "Okay, now I'm gonna give you a little extra attention" It's because I spent, like, 10 times more time than I needed to on this class project-

    23. CM

      Yeah

    24. TF

      ... where I illustrated all of these different components of it, and she was like, "Oh, okay.

  18. 42:04 – 43:52

    Without a time machine, Craig lives vicariously through his daughter's opportunities.

    1. TF

      All right. Fine"

    2. CM

      I'd like to say that I was caring more, but I'm not sure I knew how to work yet.

    3. TF

      Mm.

    4. CM

      When I think back to who I was back then, I don't think I, I'd understood what really truly committing to, like, a creative project felt like.

    5. TF

      Mm-hmm.

    6. CM

      I'd never experienced that. Like, I wish I could go back in time. Going to university, I think, when you're 18, 19, 20 is such a waste. You just don't know what you're doing.

    7. TF

      Yeah.

    8. CM

      I certainly didn't. There's a part of me that's like, "I would really love to go back to school"

    9. TF

      [laughs] Yeah?

    10. CM

      As a footnote, I just dropped my stepdaughter off at boarding school. Big backstory to all of this. But I dropped her off. She's going to school in New Zealand. We wanted her to kind of, like, find an interesting place. This is my ex's kid. We can talk about this and adoption and, like, what blood means for family or whatever, but, like, I consider her... She's my daughter, you know, even though-

    11. TF

      Mm

    12. CM

      ... whatever. Like, it's a complicated situation. And anyway- ... to New Zealand, and I brought her there in January, j- the two of us. I took her down to school. I went to, like, the parent initiation and all that stuff. She's 15, and I was so excited for her. I mean, it was a little bit embarrassing. I was probably too excited.

    13. TF

      [laughs]

    14. CM

      I was like, "Oh my God." I would have literally cut off a finger to have had this opportunity when I was 15-

    15. TF

      Mm-hmm

    16. CM

      ... to be able to come to a place like this. It's not that fancy. It's like, you know, whatever. I didn't want her surrounded by a bunch of pricks.

    17. TF

      [laughs]

    18. CM

      It's very, like, sane. It's like a sane boarding school. It's not, it's not fancy.

    19. TF

      Yeah.

    20. CM

      But there's resources, and there's, like, a great music program, and she can take piano lessons and guitar lessons, and there's, like, a great sports program and all this stuff. And I was just like, "Oh my God, you are so..." [laughs] I'm like, "You don't understand." I'm like shaking her.

    21. TF

      [laughs]

    22. CM

      She's like, "Please stop. You're embarrassing me. Go, leave, please. Dad, get out of here."

    23. TF

      [laughs]

    24. CM

      But I was just like, "This is so incredible." I know how I could use those resources.

    25. TF

      Mm-hmm.

    26. CM

      In a way, I think even when I was at UPenn, I didn't quite, I didn't quite understand. But I did. I worked hard.

    27. TF

      Mm-hmm.

    28. CM

      I was committing to these things. I was working hard.

  19. 43:52 – 48:08

    Struggling with spirits of sauce and the supernatural.

    1. TF

      You know, I think we're gonna weave in and out of Japan, so I feel like we can, we can pause on that for a minute. I ultimately want to get an idea of what it is, like, what are the things in Japan that attract you so much to it?

    2. CM

      Yeah.

    3. TF

      That keep you there, maybe things that people miss. But I wanna ask you, as maybe a segue into some of your huge walks and trips in general, tell me if this makes any sense, 'cause I have not read the full context on this-

    4. CM

      Mm-hmm

    5. TF

      ... because I didn't know this story, but I wanted to ask you about it. 2009 hike to Nepal, is that enough of a cue?

    6. CM

      Oh, yeah.

    7. TF

      [laughs] Okay. Can you, can you tell this story? [laughs]

    8. CM

      Yeah, that's an inflection point. I just got, like, goosebumps, actually.

    9. TF

      Mm.

    10. CM

      I really struggled with alcohol in my 20s. In my teenage years, I didn't touch anything. I was militantly straight edge-ish.

    11. TF

      Mm-hmm.

    12. CM

      And basically, looking back now, I realize I had such a strong impulse to make sure I could get to whatever the next place was. Anything I saw that could hold me back, which included falling in love or doing drugs or anything like that that was like a, a retarding agent, as a teenager, immediately I was like, "Okay, I, I don't need this." And I got to Japan, and it was like, "Oh, this is a place to reinvent myself," and I started drinking, as you do, 'cause people drink so much here.

    13. TF

      Sure.

    14. CM

      And it turns out that I can drink a lot. I can have 15, 20 drinks, not throw up.

    15. TF

      Oof.

    16. CM

      I black out, sure, but, like, there's something in my genes that allows me to just drink, and then after two or three drinks, something activates where it's just all, all we live for is more drink. And I think, you know, for most of my 20s, because I had such a low sense of self-worth because of where I came from, because I felt this abundance of people around me that I didn't feel I had, and I didn't know how to ratchet that up.

    17. TF

      Mm-hmm.

    18. CM

      And I had this desire to produce culture or to produce art, to produce literature at a level that I didn't know how to, and I didn't know how to bridge that gap. And what I ended up doing was, because I didn't have mentors, because I didn't have archetypes near me, I just drank like a fish. And I played a lot of music, 'cause that was one thing I did have kind of like a mastery over.

    19. TF

      Mm-hmm.

    20. CM

      Played a lot of music, and I played a lot of that blacked out.

    21. TF

      [laughs]

    22. CM

      I'm really lucky I didn't die. I mean, it would be one of these things where many, many mornings of my life I've woken up, and it's just been checking is my face okay, did I break my skull open or, you know, something like that. And I was madly in love. I fell madly, madly in love. I was 26, 27 years old, and I just... I had the most incredible love connection I'd ever felt, this, like, otherworldly sense of being in love with this person. And we connected so intensely and immediately went on a 40-day trip.

    23. TF

      [laughs]

    24. CM

      Like, a week after meeting. A 40-day trip through Tibet. We went to Tibet. I was possessed by a spirit.

    25. TF

      [laughs]

    26. CM

      Like, I spoke in tongues. We hiked up to a glacier.

    27. TF

      Wait, hold on. I mean, we can't really... skipped over getting possessed by spirits. [laughs]

    28. CM

      [laughs] It was-

    29. TF

      What? [laughs]

    30. CM

      We stayed at this one little hotel in Lhasa that had not always been a hotel. You know, it was this old structure. And, you know, woke up the next morning, and my girlfriend was being very strange. She was being very weird.

  20. 48:08 – 51:59

    A Tibetan dream reader and lost love.

    1. CM

      was happening. And even now I'm, like, getting full body goosebumps right now.

    2. TF

      Ugh. God, this is, like, straight out of Paranormal Activity or something. I'm just like, oh God.

    3. CM

      It was so bizarre.

    4. TF

      [laughs]

    5. CM

      And you have to imagine, I don't know if you've ever been in love to this degree where it just feels like everything in the world is fated. Like, everything is a sign that you need to be together, that this is magic.

    6. TF

      Sure.

    7. CM

      Like, only these things can possibly happen because you're connected, you're together. I remember we, like, pulled out our books on the first day of the trip. We had both brought The Stranger by Camus. [laughs]

    8. TF

      [laughs]

    9. CM

      It was like, "Oh my God, we're fated." And I went back to, to the hotel, and I went to the manager, and I was like, "Hey, I don't think we can stay here tonight." He's like, "Oh, what's wrong?" And I was like, "Well, you know, I was kind of possessed, saw this..." He's like, "Did you see the woman?" And I was like, "Yeah." [laughs]

    10. TF

      Oh God.

    11. CM

      He's like, "Oh yeah, yeah. We know what's going on with that. Here, we'll take you to the dream reader." And so- I was like, "What? You'll take me to the dream reader?" So I ended up ... I'll try to truncate this, 'cause it can kinda get a little bit long, but-

    12. TF

      I mean, I'm not sure anybody listening wants you to truncate this particular story [laughs] so, I mean, go wherever you want.

    13. CM

      The manager's like, "Okay, take him to the dream reader." And I'm thinking, "Okay, this is a scam. I'm getting scammed."

    14. TF

      [laughs]

    15. CM

      Something weird's going on. And he takes us, and we go to, like, the outskirts of Lhasa. We go to this, like, really kind of weird apartment block that was just made of concrete. It was maybe, like, two or three stories tall. And he takes us to this room on the third floor, and there's a line of people, a line of Tibetans waiting at this door, and they were all waiting to have their dreams read. So it was like, "Okay, this is bizarre."

    16. TF

      Mm.

    17. CM

      We stand in line. We go inside. We sit down inside. The most beautiful ... I don't know how old she was. She was anywhere between 15 and 1,000 years old.

    18. TF

      [laughs]

    19. CM

      She was just this creature of just the most bizarre light walks out. It was like being in The Matrix. You know the, the scene in The Matrix where they're like with the spoon and the bending, and you're in this-

    20. TF

      Yeah

    21. CM

      ... random apartment, and the TV's on. You know, it was like that situation.

    22. TF

      Mm-hmm.

    23. CM

      She comes over, brings some yak buttermilk tea, some cookies, 'cause someone's in the dream reader room.

    24. TF

      Mm-hmm.

    25. CM

      And we're waiting for them to get out, and then our turn comes up. I go in there. You go into this room. It's all candles, Dalai Lama photos, like, all this stuff. You- it's like you feel like you're in this really holy space. And the guy from the hotel interprets for us, and I tell her the dream. I tell her what happened, and she gives me this blessing, puts a white wreath around my neck, gives me this little satchel of seeds and tells me to put them under my pillow when I sleep, and then writes me a prayer. And she says, "Okay, here's these three pieces of paper. You have to take them to these three temples, and they will burn them for you tonight. They'll know what to do. Just tell them the dream reader sent you."

    26. TF

      [laughs]

    27. CM

      "And you'll be okay. You'll be fine. Everything will be good." No one's asking me for money.

    28. TF

      [laughs]

    29. CM

      The hotel guy's like, "Oh, you can, like, leave a tip if you want or whatever." And, like, you know, it was like $2 or something. I, like, put $2 in the little thingy.

    30. TF

      Right.

  21. 51:59 – 53:53

    Craig's journey to self-worth: Running, charging more for work, and building confidence.

    1. TF

      [laughs]

    2. CM

      But losing her was probably the biggest psychic damage I'd ever encountered in my life, you know, as an adult.

    3. TF

      Mm-hmm.

    4. CM

      And I remember just lying in my tiny apartment in Tokyo, my six-mat tatami room apartment in Tokyo. It was 3:00 in the morning.

    5. TF

      Mm.

    6. CM

      I wanted to die. It was rock, rock, rock bottom.

    7. TF

      Mm.

    8. CM

      Th- this isn't, like, a Rich Roll story. I didn't, like, get up and run 40 miles or anything like that.

    9. TF

      [laughs]

    10. CM

      But I was like, "All right. I'm gonna start running," and I went out and I ran, like, 5K at 3:00 in the morning through the streets of Tokyo.

    11. TF

      Mm-hmm.

    12. CM

      And I was like, "That felt good." And I was like, "Okay, I need to stop drinking, and to stop drinking I'm gonna run this marathon in November." I think it was, like, July when this happened. And I just started preparing for that, and these were actually the first steps for me to deliberately address this lack of self-worth that I'd been carrying around for all of my adult life and that had, I think, driven me to drink the way I drank, that to give in to whatever those genetic impulses were and to start to go, "Okay, we're gonna run. We're gonna be someone who runs." A l- lot of this is also, like, very Atomic Habits style stuff.

    13. TF

      Mm-hmm.

    14. CM

      Who are you gonna be, and how are you gonna set your self up to be successful? I'm gonna be a person who runs. I'm gonna be a person who doesn't drink. I'm gonna be a person who charges a lot.

    15. TF

      Mm.

    16. CM

      At this time with the publishing company thing, we were producing these books that were winning awards and making absolutely no money.

    17. TF

      Mm-hmm. [laughs]

    18. CM

      And so I was consulting, doing web design consulting and stuff like that, and I was like, "Okay, I'm gonna start charging absurd amounts of money for my time. The worst that can happen is people reject." And they started accepting it. And I was like, "Oh," little by little.

    19. TF

      Mm-hmm.

    20. CM

      All these stupid little steps from the time I was basically 27 to 30, these were the most important years of tiny little steps of, "Okay, my time is more valuable. I'm gonna be a person who runs. I'm gonna be a person who can take care of himself." I still drank even though I tried to not drink, but I, I started lowering. It took me about four full years to completely get off the sauce-

    21. TF

      Mm-hmm

    22. CM

      ... in a really dangerous way.

  22. 53:53 – 56:33

    The transformative experience of climbing to Annapurna Base Camp in Nepal.

    1. CM

      And part of it culminated in going to Nepal and climbing up to Annapurna Base Camp.

    2. TF

      Mm-hmm.

    3. CM

      And that was after we had broken up, and I'd felt like all the magic in my life was done. I felt like there was no way for me to experience magic again. And again, it's this totally irrational sense of scarcity. The amount of scarcity I felt as an adult in my 20s is just shocking. It was this fathomless sense of scarcity. Like, the money's not gonna be there. The love isn't gonna be there. The support isn't gonna be there. And then when I lost her, I was like, "I'm never gonna have anyone who will ever love me like this person loved me, and, like, I'm never gonna be able to create like I created with this person." And I had to start proving to myself that that wasn't true. I was like, "Okay, I'm just gonna go to Nepal, and I'm gonna climb up Annapurna, go to Base Camp." It was a pretty random choice.

    4. TF

      What's the elevation on something like that roughly? Do you have any idea?

    5. CM

      It's headache elevation. That's the elevation.

    6. TF

      Headache elevation, yeah. [laughs]

    7. CM

      You're definitely not comfortable. You're definitely at altitude sickness levels.

    8. TF

      Yeah, 13,550 feet. That's high, yep.

    9. CM

      Yeah.

    10. TF

      It's gonna be enough for altitude sickness, for sure.

    11. CM

      I fly out there. I go to Pokhara, which is the town that kind of everyone starts the trek from. I wasn't gonna hire a guide. At the last second I thought, "Okay, maybe I shouldn't do this alone," and I went to, like, the random guide shop and I said, "Hey, do you have a guide that I just want him to be there to make sure I don't die. I need to be alone. This needs to be kinda like a solo thing. I'm being like a weirdo."

    12. TF

      [laughs]

    13. CM

      The guy's like, "Yeah, no problem. No problem, yeah."

    14. TF

      [laughs]

    15. CM

      He gives me this young guide. He must have been, like, 18, and he was the sweetest- Most compassionate, incredible human. We bonded as brothers. By, you know, he was calling me older brother, I was calling him younger brother. Dai and Bai. And I got to base camp on my 29th birthday, and it was a full moon, and I put this thermos of coffee or hot water in my jacket, and I walked out to the edge of the moraine, looking out over... Essentially, you're on the moon up there. I mean, it really is just incredible.

    16. TF

      The edge of the moraine?

    17. CM

      A moraine is sort of like when a glacier pulls back and it leaves this kind of valley, essentially.

    18. TF

      I see. Got it.

    19. CM

      You're kind of at this lip, and, like, it's a huge fall down, but you're also in this... uh, not caldera, but you're in this cradle.

    20. TF

      Mm-hmm.

    21. CM

      You're surrounded by Annapurna and Machapuchare and, like, all these other mega peaks. It's just amazing. The base camp is in this cradle-

    22. TF

      Mm

    23. CM

      ... of just beauty, and lifeless. It's like you're on the moon. I sat up there, and it was just a really important moment to sit there and not have a smartphone and not to be, like, taking photos and, like, trying to tweet or whatever. That trip was so powerful to me.

  23. 56:33 – 1:02:02

    Writing a camera review that went viral and paid rent for two years.

    1. CM

      I came back and I was like, "I have to write about this."

    2. TF

      Mm.

    3. CM

      "And I have to write about the camera that I was using, and I have to create something from this. I have to wrest something from this experience, give it form." And I wrote this ridiculous camera review that was kind of one of the first... I don't wanna say it was the first field review. You know how, like, everyone does, like, the field review of, like, iPhone cameras-

    4. TF

      Yeah

    5. CM

      ... and stuff now?

    6. TF

      Mm-hmm.

    7. CM

      But this was early. I mean, very early. This is 2009, and it was the Panasonic GF1.

    8. TF

      [laughs]

    9. CM

      It was this tiny little camera. I think it was made to market to women because it was, like, meant to be this, like, really tiny, cute camera. But it was also this amazing camera. And it was Micro Four Thirds, this new technology, this new sensor, and I was like, "This is really kind of exciting, really cool." And I wrote about that, and the article went bananas.

    10. TF

      [laughs] What happened as a result of that article going bananas? Like, what dominoes did that tip over?

    11. CM

      That article was the first, I think, long form-ish. It was mixing design.

    12. TF

      Mm-hmm.

    13. CM

      It was mixing the web.

    14. TF

      And when you say mixing design, that means you had multimedia components or a mixture of photographs and texts. What do you mean by that?

    15. CM

      There was a lot of designers on the web like Zeldman, Jason Santa Maria-

    16. TF

      Sure

    17. CM

      ... Liz Danzico, working in the early mid-2000s, late 2000s, you know, refining the CSS spec and, like, showing, you know, CSS Zen Garden, showing what you can do with design and stuff like that. You know, there was blogs and stuff, but there weren't really articles that were, like, long form design in the same way you do for, like, a magazine.

    18. TF

      Mm-hmm.

    19. CM

      There was a guy in Tokyo who I was sharing a studio with, Oliver Reichenstein, who was running this thing called Information Architects, and he was doing it. And again, this is, like, the power of archetypes. I would sit next to Oliver. I'd watch him work on these mega articles about t- typography or whatever and design these beautiful pages, and I was like, "Oh, that's how the work is done. This is how long it takes."

    20. TF

      Hmm.

    21. CM

      "This is how much you have to refine." I took that archetype of Oliver, who was generous enough to give me studio space in his studio, and I applied it to this walk and to this camera review. This guide too. There was this love that I wanted to give this thing because, you know, we came down from the mountain, and the guide, his name is Hom, H-O-M. And we come down and we're saying goodbye, and it's, like, such an emotional goodbye. We don't wanna say goodbye. And he goes, "Dai, older brother." He goes, "Like, a month before we met, my older brother died in a motorcycle accident, and I've not had any happiness since then. And meeting you, it was like meeting him coming back." And we're both just sobbing. Like, "Oh my God, I love you. Oh!" You know? [laughs]

    22. TF

      Yeah.

    23. CM

      I came out of that Nepal experience believing in magic and believing in that kind of love and being able to, like, generate it on my own.

    24. TF

      Hmm.

    25. CM

      Not having to have that person. Again, rationing up this sense of self-value and, like, I can produce-

    26. TF

      Mm-hmm

    27. CM

      ... these kinds of experience on my own. And I wanted to give that to the article, and so I just worked on it for weeks and weeks and weeks, which is-

    28. TF

      Hmm

    29. CM

      ... was a long time. It wasn't that big of an article, but I was, like, refining.

    30. TF

      Yeah, it's a long time.

  24. 1:02:02 – 1:07:53

    The article that changed Craig's life.

    1. CM

      And I did that, and then, like, a month after that, the iPad came out, and I had been doing all of this book design. I'd been winning awards as a book designer. When I was 24, I was asked to be a judge in the Art Directors Club in New York City.

    2. TF

      Hmm.

    3. CM

      I thought it was a joke email. It was one of the Winterhouse people.

    4. TF

      Remind me, Winterhouse. This is?

    5. CM

      Winterhouse was this incredible seminal design studio in Connecticut.

    6. TF

      Okay, yeah. I definitely didn't know what this was. Okay, I'm glad I asked. [laughs]

    7. CM

      Winterhouse was this just incredible early, late-'90s, 2000s design studio, and one of the directors there was a board of directors for the Art Directors Club, and he had just been watching my work online. I was doing these kind of experiments. We were putting out these books, and he's like, "Oh, this kid is doing interesting stuff. He should come and be a judge." I had these things that were happening that were sort of signals that were hard for me to believe in. I always... T- this is a fluke. This is a fluke. I'm not valuable. This happened accidentally. And then I'd go to the Art Directors Club, and I'd meet all the people there, and I'd be like, "Oh, my God. I'm not supposed to be here." Just this incredible infinite of imposter syndrome. And anyway, but there's this slow ratcheting up, and the iPad comes out, and then I was like, "Okay, I've been doing these books." I'd been doing a lot of digital work. I'm like, "I can write about the future of books on the iPad." Again, committed to this article, and I wrote this thing called The Books and the Age of the iPad. I hit publish here in Japan at night. I went to bed, and I woke up. The New York Times had written about it. I had like hundreds of emails in my inbox. It really changed my life. Suddenly, I went from being this invisible person to being this voice about books and digital media and where things were going.

    8. TF

      Hmm.

    9. CM

      I went to South by Southwest like a month later, and it was just insane. Everyone I wanted to meet, wanted to meet. All of m- these heroes, these des- design heroes, these design thinkers, everyone wanted to meet.

    10. TF

      It's good timing a week later, right? I mean, that's incredible timing.

    11. CM

      It was like a month later, but it was just like the energy-

    12. TF

      But the half-life of that article was still alive and well.

    13. CM

      Yeah.

    14. TF

      Right?

    15. CM

      Yeah.

    16. TF

      Question, how much time did you put into that particular piece?

    17. CM

      Oh, I remember writing and rewriting the intro, like, 50 times.

    18. TF

      The reason I'm asking is that it strikes me this is a hugely leading question/commentary going into a question, but the fact that your camera review and your experience climbing Annapurna was rewarded after so much effort, sort of along the lines of, I guess it was Oliver who put so much work into a creative project, and you said earlier with Sharka, like you didn't really know how to work yet, right?

    19. CM

      No, no.

    20. TF

      The fact that you were rewarded after putting so much into it is such a blessing in a sense, right? Because when I think of the work that you do, it's like quality, quality, quality. There is like a Jiro Dreams of Sushi aspect to it, but it could've cut a different way, right? I mean, like you could've done something that was done kind of fast and cheap and dirty, and holy shit, your life would be very different potentially, you know?

    21. CM

      Yeah. I listened to the Brandon Sanderson interview.

    22. TF

      Yeah. Yep.

    23. CM

      I mean, that's an incredible interview. Just talk about tenacity.

    24. TF

      Yeah.

    25. CM

      Like infinite, infinite tenacity. Writing six, seven books before you go to the market to even try to sell them.

    26. TF

      Oh, my God.

    27. CM

      It's crazy.

    28. TF

      Didn't even try, right? [laughs]

    29. CM

      It's totally crazy.

    30. TF

      Because he heard that your first five books are garbage, he's like, "Okay, so I just won't even try to sell them."

  25. 1:07:53 – 1:12:06

    The enduring power of physical books in the digital age.

    1. CM

      Yeah.

    2. TF

      We're gonna bounce around chronologically for a second. What are your main creative focuses now, or just in the last handful of years?

    3. CM

      Making books. That's it. Writing books. That's it.

    4. TF

      Okay, why? Because a lot of people listening, right, they'll say, "Wait, books? I thought books are kinda dead."

    5. CM

      Yeah.

    6. TF

      Like, you just talked about the iPad. What kind of books are we talking about?

    7. CM

      Yeah.

    8. TF

      So why books?

    9. CM

      Books have always been the focus since I was eight, nine years old.

    10. TF

      Mm-hmm.

    11. CM

      You know, it's like I've just always been drawn to them as objects. It's always been there. Everything else has been a kind of side quest in support of the books, in support of-

    12. TF

      Mm-hmm

    13. CM

      ... building up self-worth, in support of building up a financial foundation, in support of becoming independent, all of that.

    14. TF

      Mm-hmm.

    15. CM

      And I mean, there's a reason why I left college and I didn't go back to Silicon Valley, I didn't go to Silicon Valley, and I immediately helped start this independent publisher. Because I, I felt so drawn to the power of these objects and the immutability of them. And even in the face of, like, the rise of the internet, to me that still, to me felt like there was so much value there, and that value wasn't gonna disappear.

    16. TF

      Got it. And just for clarity, because you're implying it, but these are physical books. These are, like, physical beautiful artifacts-

    17. CM

      Physical books

    18. TF

      ... right, that people can interact with.

    19. CM

      And the whole thesis of that iPad piece too was, look, don't make throwaway books. Make incredible physical books. Make beautiful physical books that lean into all the qualities that make physical things amazing.

    20. TF

      Mm-hmm.

    21. CM

      You know, and the books that I'm producing, the books that I make, you know, it's like how do you do cloth bound with silk screen?

    22. TF

      Yeah.

    23. CM

      You know, beautiful papers that open, you know, full bleed. Just, you know, every page, every spread is a lay flat spread. You know, it's like how do you lean into this stuff, these qualities that can't be replicated elsewhere?

    24. TF

      Yeah.

    25. CM

      And I've just been lucky in the sense that they're still valuable and people are still really into books. [laughs] Like, we didn't-

    26. TF

      Yeah

    27. CM

      ... we didn't entirely throw them away. And the digital stuff kind of ended up being a red herring, and it never really went where we thought it would go, in part because of monopolies, in part because of Amazon over-controlling the market, in part because there just isn't that much money to be made in digital books. The investment side of things just really isn't there. You almost need, like, a Rockefeller who'd just be obsessed with digital books, and they would fund it, you know, to great personal loss. It's like they always say, "How do you make a good fortune? Start with a great fortune-

    28. TF

      [laughs]

    29. CM

      ... and, and found a publishing company."

    30. TF

      Yeah, or a restaurant. [laughs]

  26. 1:12:06 – 1:16:19

    How being adopted prepared Craig for life as an outsider no matter where he hangs his hat.

    1. TF

      We're gonna double-click on the walks. I hate to interrupt, but I'm gonna do it.

    2. CM

      Yeah.

    3. TF

      Because I don't wanna gloss over something you said.

    4. CM

      Yeah.

    5. TF

      Which is I guess around, if I'm remembering what you said 15 seconds ago, 2013 or so?

    6. CM

      Mm-hmm.

    7. TF

      You were flailing a bit in Japan, wondering why-

    8. CM

      Yeah

    9. TF

      ... you were there. Was that always somewhere in the back of your mind or your thinking, "Why am I here in Japan?" And if not, how did that surface? Like, why did that become an element?

    10. CM

      As an adoptive person, I think my entire life is defined by that flailing.

    11. TF

      Hmm.

    12. CM

      You just, you just don't feel like you belong anywhere.

    13. TF

      Got it. So it could've just as easily been in fill-in-the-blank city in the US. It was just-

    14. CM

      Um-

    15. TF

      ... "Ah, what am I doing here?"

    16. CM

      It could've been anywhere, but obviously, like, Asia, living in a country where you are obviously the minority and where you can never become accepted-

    17. TF

      Mm-hmm

    18. CM

      ... as a true citizen, where you're forever gonna be an immigrant-

    19. TF

      Mm-hmm

    20. CM

      ... you're never, ever gonna be fully integrated, is a weird choice. It just comes from all this scarcity, trauma, self-worth, all this stuff. Like, for me, I think being adopted, the narrative I concocted in my head was that I was thrown away.

    21. TF

      Yeah.

    22. CM

      I had very few facts about who my birth mother was. I knew she was 13. I just assumed it had been terrible circumstances, so I was born from a certain kind of violence. In the adoption paper that we had, it said the father had been ... There had been a car accident, and then he got in a fight at it and was murdered at the scene of the car accident.

    23. TF

      Mm-hmm.

    24. CM

      So I was like, "Okay, there's just violence everywhere, so I'm kinda thrown away." My self genesis, my genesis story that I concocted was one of just pain and kind of like- You don't belong here. And so I think part of what, what was great about Japan was that as soon as I landed, I felt a few things. One was society was taking care of people. I was walking past so many people every day in the street who were so much better taken care of than where I came from. I immediately felt that.

    25. TF

      Mm-hmm.

    26. CM

      And I was like, "Okay, this is interesting." And across, like, all socioeconomic kind of strata. It wasn't like, oh, everyone here is super rich. It was like, no, I, like, get these people, that everyone is kind of being taken care of in a way that, like, I felt subconsciously. And because I will never be able to integrate fully, they can never throw me away.

    27. TF

      Yeah, there's a safety in it.

    28. CM

      There's a huge safety of being in a place that can never throw you away because you're never gonna be part of the thing.

    29. TF

      Hmm.

    30. CM

      I mean, it's a really sad way of framing it, but that is 100%, I think, what for me made me feel comfortable here.

  27. 1:16:19 – 1:20:08

    Craig's time at Flipboard.

    1. CM

      And Japan and Tokyo for all of its, you know, megalopolis-ness is a very provincial place. It does not think internationally. And if you want to kind of work on projects that are bigger and be around archetypes of people that are just thinking bigger, you kind of have to leave. So that was why I, I went to Silicon Valley. And it was dovetailing with all those articles, and I had developed this kind of a little bit of online celebrity and mystique, and that allowed me to join Flipboard-

    2. TF

      Mm-hmm

    3. CM

      ... as employee number, like, eight or nine, super early, and just learn. You know, Mike McHugh is this incredible guy.

    4. TF

      What was Flipboard for people who don't know?

    5. CM

      Yeah, I know. It's so long ago now. The iPad came out. Flipboard came out six months later, and it was the most beautifully designed social media magazine.

    6. TF

      It was a very big deal at the time. It was very, very buzz heavy, right? I mean, this is something people were talking about.

    7. CM

      It was the first app that needed a waiting list.

    8. TF

      Mm-hmm.

    9. CM

      'Cause it, the servers couldn't handle people.

    10. TF

      Yeah.

    11. CM

      It was the first waiting list app. And it was like you'd give it your Twitter feed, and it would create a magazine out of all the articles, and it was just pages flipped. Marcos Westkamp designed it. It was just gorgeous. It was just beautiful. There was the Berg group in London doing, like, future studies about what books could be. There was a Push Pop Press people, Mike Matas, doing experiments around digital design on the iPad. All these beautiful design experiments, and Flipboard was kind of part of that milieu of folks that were experimenting, right? And it was like, great, yeah, this is, like, totally my wheelhouse of, like, digital publishing, book design, beautiful design, and I get to hang out with people who are the top, top, top of their class, just incredible pulsing humans, like generous and brilliant. I mean, I moved out there, and I, I moved out to a house two blocks from Steve Jobs, old Palo Alto. I had two roommates, these two guys, Stanford d.school grads who just graduated. They were 24. I was 30. I just turned 30 when I moved out there.

    12. TF

      D.school is the design school.

    13. CM

      Design school at Stanford. These guys were such incredible people. I moved out there. I hadn't realized what a dearth of hugs I had had-

    14. TF

      [laughs]

    15. CM

      ... in my life up until that point.

    16. TF

      Sorry. You mean in Japan?

    17. CM

      I had had no hugs.

    18. TF

      Hug withdrawal, yeah. [laughs]

    19. CM

      I got to this house in Palo Alto. These two guys, we had no furniture. Our refrigerator just had, like, hummus and kombucha in it.

    20. TF

      [laughs]

    21. CM

      No one knew how to cook anything, and I was sleeping on a yoga mat for the first, like, two months, and then a tatami mat in this, like-

    22. TF

      Jesus

    23. CM

      ... in this little back room.

    24. TF

      The yoga mat. What a youthful back you have, so resilient.

    25. CM

      Just pure asceticism the whole way. Living in th- that house with Enrique Allen and Ben Henretig, these two guys, and feeling their love, and these were two people who came from incredible families full of love and brilliance. That was life-changing to me. I met up with Liz Danzico a couple months after I moved in there. We went to have pizza in New Haven at Sally's, I think, A Pizza. And Liz, after dinner, she took my shoulders, and she just said, "Craig, you are a different human." 'Cause we had known each other since I was about 26, and I was 30, and I moved into this house, and it was like a sponge. I was so ready to accept this love of people and to work with these incredible people and to just, I don't know, believe, again, believe in that self-worth ratcheting up. But the entire time I was at Flipboard, I was getting paid $30,000 a month.

    26. TF

      Nice. [laughs] Two years of Japan. [laughs]

    27. CM

      The rent in Palo Alto was 1,000 bucks a month for me for my share of the house. I didn't have a car. I just walked to the office. I was spending no money. I was like, "This is great. I'm just gonna bank all of this." [laughs] This is, like, pure future freedom. That's all I saw it as. I told Mike McHugh, the CEO, I was like, "Mike, look, I'm not out here to work at this company forever. Like, I'm so hungry to do-" ... X, Y, and Z, all these things I wanna work on, all these things I wanna

  28. 1:20:08 – 1:20:53

    Writing in hotel rooms on weekends.

    1. CM

      do. And, you know, being out there and being close to everyone, every weekend I would book a hotel in San Francisco, and I'd go up there and I'd lock myself in the hotel room from Friday night, I'd do a late checkout on Sunday. Every weekend, I would go up there and I would just write new essays about digital books and publishing.

    2. TF

      Hmm.

    3. CM

      I couldn't compromise that writing part of me, the literary part of me. I could not compromise. That paycheck... What are the three most addictive substances? Carbohydrates, heroin, and paychecks, right? That's what they say.

    4. TF

      [laughs]

    5. CM

      Right? And you feel it. Getting $30,000 a month, you feel that changing the programming, changing your chemistry. And I had spent all of my 20s building up this asceticism and building up this ability to be uncompromising, and I didn't want that to be broken. And so I forced myself to just keep writing militantly.

  29. 1:20:53 – 1:22:52

    Meeting Kevin Kelly and landing a MacDowell writing residency.

    1. CM

      And I spent 15 months at Flipboard, and towards the end of it, Liz was like, "Hey, you should apply for a writing fellowship." All the writing was connecting me to amazing people. I connected to Kevin Kelly because I was writing-

    2. TF

      Mm-hmm

    3. CM

      ... these essays, and I was giving a talk in New York City.

    4. TF

      Kevin Kelly's gonna be a callback for later. He'll return.

    5. CM

      He's gonna be a callback. And I was on stage giving a talk with the New York Times people about the New York Times app, and I was talking about digital publishing. And I got this email when I got off stage, and it was from this guy, Kevin Kelly, I'd never heard of, and I was like, "Who's this guy?" No one was teaching me about these things. I did not have-

    6. TF

      Wow

    7. CM

      ... a background. Silicon Valley, as much as, like, I admired it and would want to be out there, I didn't know the history of it.

    8. TF

      Hmm.

    9. CM

      I showed it to someone. I was like, "Do you know this guy?" The person was like, "You don't know Kevin Kelly?" He's like, "Yeah, you should meet up [laughs] with Kevin Kelly."

    10. TF

      [laughs]

    11. CM

      And I met up with Kevin, and he was like, "I like the way you think about publishing. Tell me about some tools."

    12. TF

      [laughs]

    13. CM

      And I was like, "Who is this guy?"

    14. TF

      [laughs] That's a good Kevin impersonation. Do you wanna give just, like, two lines on Kevin, just for people who have not heard my multiple interviews with him?

    15. CM

      Yeah. I mean, he's like the sage of the Valley, right?

    16. TF

      Yeah. He's got a big, white Amish beard, built his own house.

    17. CM

      Amish beard, tiny guy.

    18. TF

      Tiny guy.

    19. CM

      Co-founder of Wired.

    20. TF

      Exactly. It goes on and on and on. He, along with Stewart Brand, are sort of like the Forrest Gumps of Silicon Valley, who have just-

    21. CM

      Yeah

    22. TF

      ... been there for everything.

    23. CM

      Yeah. I'm following my nose. I'm, like, out here, I'm in the mix, I'm with these incredible people. I'm holding my own for the most part. But I keep writing, and the thing that I notice is, like, the more I do the writing, the more it opens doors, the more it connects me to even more people-

    24. TF

      Mm-hmm

    25. CM

      ... who are the kinds of archetypes I wanted to be in my life. And, like, meeting Kevin was just a clear example of that. And I met Kevin probably eight months after I joined, and he's like, "Come up to my house. Let's do a walk in Pacifica and just talk." And I was just like, "Oh my God." I went up there. I did that walk with him. And I was like, "This is what writing does." Everything that's happening in my life that is blowing my mind, that's connecting to me to people who I wish I had known when I was a teenager, who I wish I had in my life when I was a kid, it's all happening

  30. 1:22:52 – 1:30:46

    Bridges burned and discoveries made at MacDowell.

    1. CM

      because of writing. And so I apply for this writing fellowship at MacDowell. I was like, "Where should I apply, Liz?" And she's like, "MacDowell." And I was like, "Okay, great. I've never heard of MacDowell." This is the oldest writing residency in America, one of the oldest in the world, of, like, these kind of formal writing residency places. It's the hardest to get into. I didn't know any of this when I applied. I apply on a whim. I get in, which I'm still not sure how I got in. It was pure luck that I got in.

    2. TF

      Eh, maybe. [laughs] Continue, though. [laughs]

    3. CM

      It feels like luck. And I use that as my way of being able to get out of the company.

    4. TF

      I didn't know that was the way out.

    5. CM

      Yeah.

    6. TF

      Okay. Here we go.

    7. CM

      These things become like family, and you feel terrible leaving them.

    8. TF

      Yeah.

    9. CM

      And it upset a lot of people. I was one of the first people to leave. I was like, "Liz, it's not you, it's me. I need to do these other things."

    10. TF

      Wait, Liz was upset after recommending it to you? [laughs]

    11. CM

      No, no, no, Liz wasn't. Everyone at the company was.

    12. TF

      Oh, I see. [laughs]

    13. CM

      Liz wasn't at the company.

    14. TF

      I was like, "Wait a second, Liz. That seems unfair."

    15. CM

      No, no, no, no.

    16. TF

      Okay, got it. [laughs]

    17. CM

      Liz was in New York.

    18. TF

      Okay.

    19. CM

      She was founding the Interaction Design program at the School for Visual Arts.

    20. TF

      I see. Okay. I was trying to put it together 'cause you said New Haven Pizza. I was like, "Is New Haven a neighborhood [laughs] outside of where I think it is?" Okay, got it.

    21. CM

      No, no. But the Flipboard people were super upset. That's one of the difficult things is, like, these aren't easy conversations to have, to, like, leave these things. I remember being like, "Okay, this is a great excuse. This is the, the most prestigious writing residency in America, and I need to go do this, and I'm gonna use it as a break, but it's, like, a forever break."

    22. TF

      Mm-hmm.

    23. CM

      And I did that, and I went out there. And again, writing connecting me to these archetypes. I'm out there. I get to this place, and I'm just surrounded by Booker Award winners.

    24. TF

      Where is the writing residency, MacDowell?

    25. CM

      New Hampshire.

    26. TF

      New Hampshire, okay.

    27. CM

      Up in New Hampshire. And you basically get a cabin.

    28. TF

      Mm-hmm.

    29. CM

      You're out there from anywhere from a month to two months. They cook all of your meals. They deliver you lunch in a picnic basket to your cabin.

    30. TF

      [laughs]

  31. 1:30:46 – 1:31:42

    Justifying a round two.

    1. TF

      So I've got a couple of thoughts I'll throw out for you, Craig. Number one is I suggest we just do two recordings. We're not gonna cram everything into this conversation. There's no fucking way.

    2. CM

      Okay.

    3. TF

      And I don't think we should try. I think we should just do two episodes so we can put them out very close together, maybe back to back. That's my suggestion because-

    4. CM

      Okay

    5. TF

      ... we have so much to talk about and there's no reason to rush it. There's just zero reason, if you're open to it.

    6. CM

      Sure. Yeah, yeah, yeah.

    7. TF

      That would be the first recommendation. I mean, the huge walks are such a huge chapter and such an important chapter, and I think people will benefit from that so much. I think we get there. We will talk about the new book before we wrap, but we're already at one hour, 45 minutes. [laughs]

    8. CM

      I know.

    9. TF

      If you're cool with it, I just say we do two and maybe we record tomorrow, maybe we record the day after and just rage.

    10. CM

      Perfect. Let's do that.

    11. TF

      I think that's what we do.

    12. CM

      Yep. Love it.

    13. TF

      Because people are gonna want more. And trust me, folks, if you're listening, you want the round two and you wanna continue

  32. 1:31:42 – 1:35:30

    Craig's advice for aspiring creatives.

    1. TF

      listening. But I wanna ask you, and I don't know what label to apply here. For the creatives or aspiring creatives listening, and on some level maybe I will put aside, and this is not to denigrate anyone who self-identifies this way, but content creators because I think that can turn into like a shrimp farming exercise where volume is the game.

    2. CM

      Yeah.

    3. TF

      And I wanna maybe just put that aside for a moment. But for people who are drawn to some art form, some medium, could be photography, could be writing, could be fill in the blank, you didn't have an archetype. Let's say you're teaching a class. Now you're the archetype. You're up in front.

    4. CM

      Yeah.

    5. TF

      You're the Sharka. Maybe you're not as brutal, but [laughs] you're up there. What are the types of things that you would teach or focus on or assign as exercises or readings or anything else? Like, what might be some of the ingredients in that class?

    6. CM

      I mean, I would say all of the work that I'm most proud of, and the work I'd say that is the first real work of mine that I feel like is truly me finding my groove, hitting my stride, has all happened in the last six years.

    7. TF

      Hmm.

    8. CM

      And it's all connected with walking.

    9. TF

      Mm-hmm.

    10. CM

      So if I was running a class, we'd be doing a lot of walks.

    11. TF

      Mm-hmm.

    12. CM

      All of this, meeting these archetypes, going to MacDowell, working in Silicon Valley, getting all these hugs from Enrique and Ben, all of this was leading up to allow me to lean into the walking in the way that I did.

    13. TF

      Mm-hmm.

    14. CM

      And it was in the walk that I kind of found how to truly commit to the work.

    15. TF

      Hmm.

    16. CM

      I know this sounds very woo-woo and weird and circuitous, but-

    17. TF

      No, it's not, because I actually know more of the story, so [laughs]

    18. CM

      Yeah, yeah

    19. TF

      ... people will get it when they get it.

    20. CM

      Yeah, yeah.

    21. TF

      [laughs] All right, lots of walking.

    22. CM

      Lots of walking. Honestly, a big part of, I think for most young people today, is just getting offline. Like, just block the internet using, like, Freedom, apps like Freedom.

    23. TF

      Mm-hmm.

    24. CM

      Turn your smartphone off. Don't sleep with your smartphone in your bedroom. I mean, these are very easy things, but, like, most people don't do them. I haven't slept with a phone in my room ever in my life. I've never had the phone in my room. I lived in such small apartments, I just put it in the kitchen, like on the stove, because that was the only other-

    25. TF

      Hmm

    26. CM

      ... unit of my house that was not my bedroom.

    27. TF

      [laughs]

    28. CM

      And it blows my mind that so many people have the smartphone in the room. Just having it on the table. So, like, when I am in serious writing mode, when I need... when my deadline, I need to get stuff done, I have the phone in such a place that I will not look at it or touch it or engage with it until at least after lunch.

    29. TF

      Hmm.

    30. CM

      That is the soonest I'll touch it. And I feel palpably the chemicals in my mind shift as soon as I look at it, as soon as I touch it, as soon as I-

  33. 1:35:30 – 1:39:44

    Books Craig has reread multiple times.

    1. TF

      Besides Train Dreams, what books have you reread a lot?

    2. CM

      Annie Dillard's Pilgrim at Tinker Creek.

    3. TF

      Pilgrim at Tinker Creek?

    4. CM

      Creek, yes.

    5. TF

      Okay.

    6. CM

      And it's really frustrating because, like, this is, I think, the first book she published. She was in her 20s when she wrote this.

    7. TF

      I think I see where this is going. [laughs]

    8. CM

      She went to live in this cabin near Tinker Creek.

    9. TF

      [laughs]

    10. CM

      And she just wrote the most beautiful, poetic, sort of diary, nonfiction, narrative nonfiction description of what it was like being out there. I don't believe in mental blocks or, like, writer's block or anything like that. If I wake up in the morning, make a nice cup of coffee, my phone is out of sight. I'm not thinking about any of that crap. I'm not looking at notifications. Make this nice cup of coffee. I'm smelling these beautiful Ethiopian beans. I sit down. If I'm like, "Oh, I don't really feel like writing," or, "I don't feel like the juice is..." I pick up Annie Dillard. I literally flip to any page. I read two paragraphs. I can't stop myself from running over and starting writing. It activates something-

    11. TF

      [laughs]

    12. CM

      ... in my brain so strongly, so immediately. I love it. I've never met her. I would love to buy her a beautiful steak dinner if that's the sort of thing she's... I don't eat steak, but maybe she does. I feel like that's the thing you're supposed to buy people.

    13. TF

      [laughs]

    14. CM

      Love to buy her an amazing dinner. Her book, her writing, her voice, her way of looking at the world, her way of showing me what's possible in terms of, like, creativity of prose, of looking at the most mundane thing and making it so beautiful and quirky and weird. The opening scene of a cat with blood on its paws, you know, walking over to the blanket and her waking up to find that. Just all of it. Finding that beauty. That is so infused how I, I try to engage with the world when I'm out on my big walks.

    15. TF

      Mm-hmm.

    16. CM

      I love it. And my thing now is I try to find first editions of these books, and then I go through and I try to mark them up again. There's nothing I love greater than marking up a first edition. Because I think that's the greatest honor you can give to a book. Like, this idea of being precious with it.

    17. TF

      Hmm.

    18. CM

      Like, what am I gonna do? Like, hold onto this stupid thing for 30 years and sell it and, like, give my stepdaughter, like, 200 bucks that I got for this first edition so she can buy, like, a bowl of ramen or something-

    19. TF

      [laughs]

    20. CM

      ... which is, like, probably gonna cost 200 bucks in 30 years? No. Mark up the books.

    21. TF

      [laughs]

    22. CM

      My books. Like, if you buy my books, please write in them. Dog-ear them. Like, use them. That's, that is the greatest part of them as objects, is kind of putting your imprint on it and then coming back to it year after year, decade after decade, coming back to these things. So anyway, Annie Dillard, Pilgrim at Tinker Creek, so moving. Lynn Tillman, one of the people I met at MacDowell. Any of her stuff. She has a great book that just came out called Thrilled to Death, which if you're gonna start anywhere with Lynn, she's so funny. She is so no bullshit. I love her. I love her so much just as a human. I love her voice. She's in her 70s. She's been in the same East Village apartment for, like, 40 years. Like, she is this- ... institution of the New York literary community, and you just feel her pulsing with that New York voice, and it's so funny and incredible. And this Thrilled to Death is a collection of her short stories over her entire career, and it's amazing.

    23. TF

      Amazing.

    24. CM

      Stuff like that. Or more other contemporary writers, Sam Anderson, who writes for The New York Times Magazine. Sam Anderson is amazing. Also, his favorite book is Pilgrim at Tinker Creek. He has the most generous, hilarious voice. He just wrote this incredible narrative nonfiction piece for the magazine about the legend of Leather Man, who is this guy. He walked this circle in Connecticut in the 1800s, and he wore a suit of leather, and he became [laughs] folklore of all these towns, and people would give him bread and give him coffee, and he got so sick he couldn't chew things, and he would dip everything in coffee, and he'd eat cakes by dipping them in coffee.

    25. TF

      [laughs]

    26. CM

      I've known Sam for, like, six or seven years. Again, we connected because of writing. Again, literally everyone in my life that I love, that I want to hug, that I'll die for, that I want to protect with all of my life force, it's all connected to writing. All of it. All of it. All of it. Every single thing. It's shocking. So it's easy. You asked earlier why books, like an hour ago you asked me why am I doing books, and it is just undeniable bu- that a fullness of life that I find is found through the writing and who that connects me with and the adventures

  34. 1:39:44 – 1:51:28

    The story behind Craig's new book, Things Become Other Things

    1. CM

      it brings me on.

    2. TF

      Well, let's talk about your own writing, and specifically, let's talk briefly about Things Become Other Things, and then we'll not try to cram too much into this. I mean, we've covered a hell of a lot of ground. We're already at two hours.

    3. CM

      [laughs] Sorry.

    4. TF

      You don't have to be sorry. I mean, this is what I want. When you're like, "I'll truncate this," I'm like, "Don't truncate it." [laughs] This is not TikTok. This is long form. So [laughs] I want to encourage my listeners to engage with long form because if you're playing the short game, even as a consumer, you are training yourself. You are being trained, maybe is a better way to put it-

    5. CM

      Yeah. Yeah

    6. TF

      ... to become something that I'm not sure you want to become. So Things Become Other Things.

    7. CM

      Mm-hmm.

    8. TF

      Tell me and tell us about Things Become Other Things.

    9. CM

      It's my forthcoming book coming out with Random House.

    10. TF

      Mm-hmm.

    11. CM

      So this is a huge leap for me. I've always been fiercely independent. I produce my own books that are kind of fine art editions that sell for 100 bucks a copy, that are printed and bound in Japan, like I showed earlier, silkscreen, foil stamp, stuff like that. But I was working on this story for this book, and this book is about a walk I did during COVID on the Kii Peninsula of Japan, which I've been to many, many, many, many times, and this is the peninsula south of Kyoto.

    12. TF

      Mm-hmm.

    13. CM

      So if you look at Honshu, I describe it in the book as the dangling penis of Japan.

    14. TF

      [laughs]

    15. CM

      This peninsula.

    16. TF

      Do you wanna just lay out the main islands of Japan so people know where we are?

    17. CM

      So you have Hokkaido up at the top. Then you have Honshu, which is the big banana with the little dangly penis which is the peninsula. You've got next to the penis, you've got Shikoku-

    18. TF

      [laughs]

    19. CM

      ... which is where the 88 temples pilgrimage is. And then next to that you've got Kyushu, which is kind of the bottom part of Japan.

    20. TF

      Down south.

    21. CM

      And then-

    22. TF

      Yeah

    23. CM

      ... far away you've got Okinawa. But-

    24. TF

      Yeah

    25. CM

      ... the Kii Peninsula is south of Kyoto, south of Osaka. It's Mie and Wakayama and Nara, part of... southern part of Nara prefectures. And I've been going there for about 12 years, 13 years, and I'd say that most of my walks have taken place there. I've walked thousands of kilometers of the peninsula, and probably my most profound walk happened during COVID, the height of COVID. It was 2021. Japan was still locked down. We still didn't know where this was going. Vaccines, I think, had not even arrived here yet. May of 2021, we didn't have vaccines in Japan yet. They came in July. July, August. And I was like, "Well, I'm gonna go on a big walk." You know, it's like I'm being careful. I'm tested. I'm not gonna spread anything. And I went on this walk. It was about 600 kilometers. It took about a month, and I was writing. And we can talk about my walking and writing practice. I have this, like, whole ascetic practice connected with how I walk and how I write. But this walk in particular, I was writing every day, 2, 3, 4,000 words, photographing every day, and I was thinking about life. And one of the things I started to reflect on, partially because in this COVID moment where I think for a lot of folks, it was this moment of reflection. Everything slowed down. Everything stopped. And it was the first time as an adult I went back to my childhood. I thought back to this childhood friendship I had. As I was walking the peninsula, I'd see little kids every now and... There aren't that many kids left in Japan, certainly not on the peninsula, and I'd see little kids every now and then coming back from school at the end of the day. And it started me thinking about this friendship I had with this kid, Brian. When I was in elementary school, he was my best friend. He was the closest thing to a brother I had. And we grew up side by side in elementary school, and I happened to test a little bit better than he did, and it kind of put me on this different track. We still had a gifted program back then. I was lucky. I was able to go in the gifted program 'cause I tested a little better. That exposed me to computers. They had one Commodore 64 or something, and I used Logo Writer, and that got me thinking about pro-- It's like you see how these things kind of compound, these small chances, these small lucks, these small opportunities, and I got them and Brian didn't get them. And by the end of high school we were so separated. My high school was called out during the first Trump administration by Betsy DeVos. I think that was the Secretary of Education. She called out my high school as one of the worst high schools in America-

    26. TF

      [laughs]

    27. CM

      ... on a national speech. And my friend Brian was going to the high school that bad kids went to.

    28. TF

      [laughs]

    29. CM

      That couldn't hang in my high school. You can imagine where Brian was. And we graduated high school, and just a few weeks after he graduated, he was murdered.

    30. TF

      Mm.

  35. 1:51:28 – 1:53:34

    Craig's Special Projects membership program.

    1. CM

      The big thing I do that's enabled a lot, and again, like to maintain this fierce independence, and we can talk about the Random House deal in part two as well, 'cause there's some interesting-

    2. TF

      Yeah

    3. CM

      ... things about it that actually dovetails with what Brandon was talking about as well.

    4. TF

      Would love to.

    5. CM

      I have a membership program called Special Projects-

    6. TF

      Mm-hmm

    7. CM

      ... that I've been running now for six years, since 2019, and that combined with the walking, and actually that gave me the permission to start committing to these big walks. Everything builds on everything else. Slowly, slowly-

    8. TF

      Mm-hmm

    9. CM

      ... slowly, slowly, slow, and then you realize you've kind of created this pretty big ladder of stuff. And so the membership program, if you join that, not to like shill-

    10. TF

      You're on a podcast. You may as well. [laughs]

    11. CM

      But the membership program gives you access to all of the archives of all the writing I've done on my walks, and 120 hours of videos where I run board meetings every six months and I talk about what I've done, the projects I've worked on, how they've gone, what we're gonna do in the next six months, and then I field Q&As from the members. I'm so lucky. My members are smart. They ask great questions. They're creative. They're wonderful people. And so you get kind of access to this huge archive. Everything I do in the membership program is me speaking to myself when I was 20 and desperate and hungry and drinking myself into the pavement and wishing I had an archetype, wishing I had some kind of flashlight to show me how to do the work I wanted to do. This is me, you know, wishing I could give this to myself back then. And so it's free for students. If you're a student, you just email me and say, "I'm a student," you get it for free. I'm very loose about what constitutes a student. If you think you're a student-

    12. TF

      [laughs]

    13. CM

      ... you're probably a student. Just email me and say, "Hey, I'm a student." I believe you. I've had people send me photos of like their student IDs. Don't send me a s- photo of your student ID. It's free. I'm happy to give you those memberships to give access to that stuff. But what the membership allows me to do by keeping some of this stuff behind a curtain, is I can be a little more vulnerable than when I'm out in front of my big newsletters where I send out to 50,000 people or 60,000 people or whatever. When it's a smaller group, I'm able to be more vulnerable, more honest, and the Q&As and stuff like that feel a little more intimate. Create a little bit of artificial scarcity, artificial friction, to enable us to have a deeper conversation, I

  36. 1:53:34 – 1:55:52

    In praise of unexpected corners.

    1. CM

      hope.

    2. TF

      And people can find that at craigmod.com as well?

    3. CM

      craigmod.com/membership.

    4. TF

      That's where people can find it all. So we were [laughs] going to discuss so many things, and we are gonna discuss those things in round two. One of them is the membership community, because you have very clear rules-

    5. CM

      Oh, yeah

    6. TF

      ... that also make it vibrant-

    7. CM

      Oh, yeah

    8. TF

      ... and prevent it from becoming a monster you need to feed that consumes rather than enables your creative life.

    9. CM

      Exactly.

    10. TF

      You've figured it out over time, and we are gonna talk about that. There are so many things we're gonna talk about. [laughs] It was just foolish of me to think that we would be able to cover all of it in two hours. Fucking ridiculous. There's no way.

    11. CM

      Well-

    12. TF

      So [laughs] anyway, go ahead.

    13. CM

      You were like, "Hey, let's start with eight years old." [laughs] So...

    14. TF

      [laughs] I knew there was, I w- I don't want to say a risk. I knew there was a possibility, distinct possibility, that that would take us afield, but we never would've gotten to being possessed by demons-

    15. CM

      Yeah

    16. TF

      ... if [laughs] or spirits. I'll be, I don't wanna [laughs]

    17. CM

      They were probably benign. Yeah.

    18. TF

      ... smack talk whatever happened to end up in you when you were cradling some invisible object asleep overseas. But this is the fun of long form for me.

    19. CM

      Yeah. Yeah, yeah, yeah. I love it.

    20. TF

      Because I don't want to know exactly where it's going.

    21. CM

      Yeah.

    22. TF

      So much of my life is regimented. So much of it is planned. There are so many times when I execute to spec, and part of what I'm trying to inject more in my life, whether it's playing with fiction and just starting with a few characters in a scenario and letting it rip, or having conversations like this, especially with someone I've spent time with, is ending up in unexpected corners.

    23. CM

      Yep.

    24. TF

      Right? There's so much to that, and it's similar in a sense, I mean, this is perhaps not the best comparison, but when you say all of the best things or so many of the beautiful relationships have all come from your writing, part of that is not overplanning, right? You focus on the work.

    25. CM

      Mm-hmm.

    26. TF

      You create beauty and quality, and then you release it into the wild and you see what happens.

    27. CM

      It becomes theological. It really is.

    28. TF

      Yeah. Yeah.

    29. CM

      It's totally faith-based.

    30. TF

      [laughs]

  37. 1:55:52 – 1:57:04

    Lessons learned from the Sally Mann documentary.

    1. TF

      Oh, man. Yeah.

    2. CM

      What creative practice isn't? What great creative practice isn't? I mean, my favorite moment of a documentary about photographers is the Sally Mann documentary.

    3. TF

      How do you spell that? Sally Mann.

    4. CM

      S-A-L-L-Y, Sally, and then-

    5. TF

      M-A-N?

    6. CM

      ... spells, a w- a woman. M-A-N-N, I think is her last name.

    7. TF

      I see. Got it.

    8. CM

      And she, yes, if I say it fast, it sounds [laughs] Salomon. Uh, Sal-

    9. TF

      [laughs] Yeah

    10. CM

      ... Sally. No, Sal- Sally Mann.

    11. TF

      Mm-hmm.

    12. CM

      She has all these gorgeous, ethereal black and white photos of her family that she took, and she gained so much notoriety. And anyway, there's this documentary about her, and in the middle of it, she's working on a new set of works, and she's getting rejected by galleries. She has this total breakdown. And you just go, "Oh my God, someone like Sally Mann at the peak of her career can still have a breakdown." Like, it really is so theological, this belief. You just have to believe and keep pushing and keep pushing. And she, you know, she pushes through it, and she creates some great work and it, whatever, has a great show, and blah blah blah. You have to cultivate that belief, and having your, you know, cost of living be 1,000 bucks a month for everything all in is an easy way to help cultivate that belief. [laughs] You know? You can be uncompromising

  38. 1:57:04 – 2:00:32

    Parting thoughts and a preview of round two (coming later this week).

    1. CM

      about it.

    2. TF

      All right, Craig, we are going to very quickly record and release a round two. Everybody who's listening to this should tune in for that for sure. My God, I mean, [laughs] honestly, in part because I'll just give people a, a quick teaser, right? With the exploratory bullets, and I ask all guests to send ideas for exploratory bullets, we literally didn't get to effectively any of them.

    3. CM

      [laughs] Right.

    4. TF

      The huge walks, walking as a tool for focus, reclaiming attention, your rules for walking, the art of slowness, your wild strange celebrity in Japan around mid-sized cities. Didn't get to that. The Kevin Kelly saga continues. We did not get to that. The very wild, incredible stories related to adoption, sort of adult chapters. All of that and more we're gonna cover tons and tons. And I promise everybody I won't start at eight years old, [laughs] so we'll stick to the script a little bit more. Craig, at least for this conversation, anything else you would like to say? Any comments or anywhere you'd like to point the people listening?

    5. CM

      It's difficult because it's like the people who probably need to hear these things won't be listening to this podcast or maybe don't even know this podcast exists. That's often sometimes the difficulty in getting information to folks. But I think the residencies, artist residencies are one of the coolest things that we have, and most people overlook them or think that the bar to entry is so insurmountable that like, "Why should I even try?" Go out, and there are huge lists. And once you start to crack the code, once you start applying, and you should get... aim to get rejected by a billion of them. But once you get into one or two of them, you start to understand the code a little more. And my God, they are so much fun and so interesting, and they are such a way to level up your practice, whatever your practice might be, to be surrounded by people who are also committing themselves to it, working hard, and providing unexpected archetypes. I've done MacDowell, VCCA, Tin House, Ragdale as a few of them, and all of them I've come out with just amazing friendships and I've got a lot of great work done, too. So please-

    6. TF

      Mm

    7. CM

      ... go investigate. And if you're a rich mother effer listening to this thing, donate. Donate to support these things.

    8. TF

      Yeah.

    9. CM

      I mean, like, these are incredible, incredible institutions that don't require a lot of money to have a huge impact. And so being able to, like, provide more scholarships and, and things like that, it's pretty powerful. Pretty powerful stuff.

    10. TF

      I love it. All right, everybody, the end. [laughs]

    11. CM

      The end.

    12. TF

      Craig Mod, craigmod.com. You can find all things there. And, uh, so nice to see you, bud.

    13. CM

      You too.

    14. TF

      It's been a minute.

    15. CM

      See you tomorrow. [laughs]

    16. TF

      Yes, [laughs] see you tomorrow. And for people listening, of course we'll link to everything we discussed in this episode at tim.blog/podcast. There will not be another person with the last name Mod, [laughs] so you can search for Craig Mod and he will pop right up, of course. And until next time, which will be pretty soon, round two with Craigor, be just a bit kinder than is necessary to others and to yourself. We'll talk more about cultivating irrational belief and faith in oneself in round two.

    17. CM

      Sounds good.

    18. TF

      So until then, thanks for tuning in

Episode duration: 2:00:43

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