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What Now? With Trevor NoahWhat Now? With Trevor Noah

Malcolm Gladwell: Do Fairytales Make Adulthood Harder?

This week, author and journalist Malcolm Gladwell joins Trevor and Eugene for a conversation that starts with big social theory and then delves into whether Disney movies have been quietly gaslighting our childhoods. From the idea that your parents are basically just middle managers for your grandparents’ personalities to the invisible shortcuts and assumptions that shape how we see the world, Gladwell does what he does best, spotting hidden patterns in the ordinary. And Trevor does what he does best, poking holes, grounding theory in real life, and refusing to let a big idea off the hook too easily. Part pop culture autopsy and part intellectual rabbit hole, this episode makes us overthink the things we love and love the things we overthink. If you haven't already.... Subscribe to the channel here: http://bit.ly/SubscribeTrevorNoah Or follow the podcast on your other favorite platforms... SiriusXM - Apple Podcasts - https://bit.ly/WhatNowOnApplePodcasts Spotify - https://bit.ly/WhatNowOnSpotify 00:00:04 - Rewriting Disney and the Confidence to Go Off Script 00:01:33 - Is Pickleball More Democratic Than Golf? 00:03:06 - Why Old Disney Movies Feel Better Than New Ones 00:04:55 - The Lost Art of Digression in Comedy and Storytelling 00:07:47 - K-Pop Demon Hunters and Letting Art Surprise You 00:09:19 - Malcolm Gladwell Never Watched TV as a Kid 00:10:40 - George Gervin and Falling in Love With an Imaginary Athlete 00:14:07 - Trevor’s Unexpected Journey to Becoming a Liverpool Fan 00:18:26 - “You’ll Never Walk Alone” and the Power of Collective Singing 00:21:13 - Hillsborough, Media Narratives, and When the Crowd Gets Blamed 00:23:21 - Accents as Identity: What the Way You Speak Reveals 00:25:17 The Moment Black Public Figures Stopped “Sounding White” 00:27:01 - Growing Up With 11 Languages in South Africa 00:33:06 - Malcolm on Disney Beauty Standards and the Blonde Princess Problem 00:35:16 - Discovering Billy Joel’s Holocaust Family History 00:40:04 - The “Gladwell Cut” – Fixing Flawed Documentaries 00:41:59 - Did Disney Teach Us That Good Always Wins? 00:44:37 - The Jamaican Word “Jinnal” and Loving the Mischief Maker 00:50:12 - Is Malcolm a Mischievous Journalist? 00:52:30 - Immigrants, Risk, and Why Comics Break Rules 00:55:51 - The Theory of Grandparents Explaining Who We Are 01:01:36 - Regret, Late Fatherhood, and Raising Chill Kids 01:30:57 - The Trans Athletes Panel That Exploded Years Later 01:42:16 - Two Train Tracks: Why Some Cultural Debates Can’t Be Resolved 01:52:12 - Are We Raising Kids to Chase Fame Instead of Purpose? 02:00:59 - Favorite Animated Characters and the Drama of Maleficent

Malcolm GladwellguestTrevor NoahhostEugenehost
Mar 5, 20262h 3mWatch on YouTube ↗

EVERY SPOKEN WORD

  1. 0:000:04

    Intro

    1. MG

      [upbeat music]

  2. 0:041:33

    Rewriting Disney and the Confidence to Go Off Script

    1. MG

      This should be a business for the three of us. I would, I think you, all of us should contribute to the, to the re-imagining of these flawed classics.

    2. TN

      What, the Disney ones?

    3. MG

      Yeah.

    4. TN

      Yeah, but, but here's ... Okay, but have you watched the newer ones?

    5. MG

      Well, I've watched-

    6. TN

      Moana?

    7. MG

      'Cause they, no, because they have been reimagined.

    8. TN

      We did-

    9. MG

      I didn't wanna spoil it for you, 'cause I was thinking you were going-

    10. TN

      No, no, we did Moana the other night.

    11. MG

      Yeah.

    12. TN

      But it gets really violent. I'm like-

    13. EU

      That's what it's like. That's what it'd be like to be young, female, and Black. [laughs]

    14. MG

      [laughs]

    15. TN

      [laughs]

    16. EU

      When your friend is a chicken and one is a pig.

    17. TN

      [laughs]

    18. EU

      And you're stuck with an older guy [laughs]

    19. MG

      A guy.

    20. EU

      With a catamaran.

    21. MG

      [laughs]

    22. EU

      And your gran is a ghost. And your grandfather ran away from your dad-

    23. MG

      That's-

    24. EU

      ... and he's the spirit of the seas.

    25. MG

      The chicken-

    26. TN

      Eugene watches a lot of Moana.

    27. MG

      Do you have kids?

    28. TN

      As you can tell.

    29. EU

      One, yes.

    30. MG

      How old?

  3. 1:333:06

    Is Pickleball More Democratic Than Golf?

    1. TN

      In fact, here's another reason, Malcolm Gladwell, you should be pro pickleball.

    2. MG

      Mm-hmm.

    3. EU

      [laughs] Here he comes.

    4. TN

      I know your views, I know your views on golf.

    5. MG

      Yeah, yeah, yeah.

    6. TN

      I know how much you hate the fact that, like, golf takes up inordinate amounts of spaces, and it's like, it's unfairly apportioned to the ... Pickleball-

    7. MG

      Yes

    8. TN

      ... turns one tennis court into four pickleball courts.

    9. MG

      Wait, is that true?

    10. TN

      That is completely true.

    11. MG

      Four?

    12. TN

      Four.

    13. MG

      It quadruples the output.

    14. TN

      Yes, it quadru- And-

    15. EU

      Can you lobby for one to be turned into a-

    16. TN

      And, and-

    17. MG

      Yeah

    18. TN

      ... I did. I did. And most pickleball games, most, are generally played by four people. Most tennis, like, get-togethers are two people. So technically-

    19. MG

      So it's, it's really eight, 8X the productivity of the space.

    20. TN

      Te- uh-huh.

    21. EU

      I wish you could come see a match.

    22. MG

      All right. All right.

    23. TN

      Uh-huh, no, that's, that's why I think you would love it.

    24. MG

      Yeah.

    25. TN

      It is, it is the sport of the people.

    26. MG

      [laughs] All right, all right, all right.

    27. TN

      [laughs]

    28. EU

      [laughs]

    29. MG

      There's, there's a point at which [laughs]

    30. TN

      [laughs]

  4. 3:064:55

    Why Old Disney Movies Feel Better Than New Ones

    1. MG

      music, which is a blue-

    2. TN

      And what's your, what's your favorite show? Bluey, Cocomelon-

    3. MG

      No, no, so-

    4. TN

      ... Peppa Pig?

    5. MG

      Well, the good thing, there's a lot of Peppa Pig going on in my life right now.

    6. TN

      Okay.

    7. MG

      Um, although I'm trying to phase it out. We, we're onto the Disney movies.

    8. TN

      Hey.

    9. MG

      We've, and I've discovered, I'm discovering all these things that other people discovered many years ago, so I'm gonna ... And this is the thing about parenting, is that parenting is the, um, is the, is ... It, it rides on the illusion that you are discovering for the first time what the rest of the world has known-

    10. TN

      [laughs]

    11. EU

      [laughs]

    12. MG

      ... for, like, you know, millennia.

    13. TN

      You figured it out.

    14. MG

      So, uh, I have discovered that, like, the early Disney movies are 50 times better than the re- most recent ones.

    15. TN

      Yes.

    16. EU

      Yes.

    17. MG

      Like, I never saw these as a kid, so I'm seeing for the first time. So I've watched a lot of, for example, Snow White. And S- first of all, Snow White is astonishingly good. But the best part about it, and this is actually, 'cause I've been in, part of a larger thing I'm become very interested in, the best part about Snow White-

    18. TN

      Mm-hmm

    19. MG

      ... is all of the ... And also even more so probably with, um, Cinderella.

    20. TN

      Okay.

    21. MG

      Is their willingness to go on these tangents. Like, in Cinderella, there's, like, 20 minutes on the mou- on the mouse playing with the cat, Lucifer, and they leave the whole story, set it over here, and it's just the cat and the mouse. And the c- the self-confidence of the filmmaker, they're like, "The kids will, are happy to put-"

    22. TN

      They appreciate this

    23. MG

      ..."Cinderella to the side-"

    24. TN

      Mm-hmm

    25. MG

      "... and just go with the mouse and the cat for 20 minutes, and they'll come back to us. We have such confidence in our story and our storytelling ability." And I feel like today, when you watch the newer ones, there's never any of these digressions.

    26. TN

      No. No.

    27. MG

      And one is they don't understand how kids' minds work, or even, pardon me, how human being's mind works. Well, you know this as a c- comic.

  5. 4:557:47

    The Lost Art of Digression in Comedy and Storytelling

    1. MG

      In comedy, right, it's the digressions that often get you the biggest laugh.

    2. TN

      Yes.

    3. EU

      Mm-hmm.

    4. MG

      When you veer off the path, boom, right?

    5. TN

      It's like, but I think conversations are the same.

    6. MG

      Are the same, yeah.

    7. TN

      I think, I think in everything the surprise is what actually gets you going versus where you thought you were gonna, you were gonna get to.

    8. MG

      Exactly.

    9. TN

      But it, so why aren't they doing that with the kids? Why c- why can't they-

    10. MG

      Yeah, but I think-

    11. TN

      ... why did they forget the digression?

    12. MG

      I think it's a, I think it's a market economics thing. I think they've ... I, I have this fight oftentimes with people who work in new television, right?

    13. TN

      Mm-hmm.

    14. MG

      Especially in streaming. I think they read data wrong.

    15. TN

      Mm-hmm.

    16. MG

      That's my opinion, is that they, they look at the data and they go, "Oh, if, if it's not engaging in the first two minutes, then people are not gonna watch, and you've got to catch their attention, and people like short content, and people like this, and people like that, and people..." But they've made all these assumptions based on data.

    17. TN

      Mm-hmm.

    18. MG

      But data, as you know better than anyone, you can read data however you like, and it can tell you the story you want it to tell you.

    19. TN

      Mm-hmm.

    20. MG

      So I think a lot of the things that are being made today are being made with the idea that people don't have an attention span, but I don't think that that's true.

    21. TN

      Yeah.

    22. MG

      People still have attention spans.

    23. TN

      Oh, I think very much.

    24. MG

      The difference is people now have more choice than they had back in the day, so they don't tolerate shit in the same way that they used to. That we used to.

    25. TN

      Mm-hmm.

    26. MG

      Do you know what I mean?

    27. TN

      Yeah.

    28. MG

      So I think

    29. TN

      Maybe it was like a little bit of arrogance or like w- or just confidence on the side of, like, old Disney. But I also think no one was telling them, "Oh, the data says-"

    30. MG

      Yes

  6. 7:479:19

    K-Pop Demon Hunters and Letting Art Surprise You

    1. TN

      on Netflix?

    2. MG

      No, no, no. I've s- I've seen it. Yeah, yeah.

    3. TN

      Can I tell you?

    4. MG

      Yeah.

    5. TN

      K-Pop Demon Hunters or Demon-

    6. MG

      Yeah

    7. TN

      ... Demon, K- yeah, K-Pop Demon Hunters, I think. I, I started this movie. In the first like three minutes I was like, "Ah, this is not for me." And then 40 minutes later I was sitting there on the couch-

    8. EU

      Mm

    9. TN

      ... completely mesmerized, completely entertained.

    10. MG

      Yeah.

    11. TN

      Just like bopping along. Just like, like every day that's just me, like, singing along. Just like, "You're my soda pop. You're my nana soda pop." I can't explain it.

    12. MG

      Yeah.

    13. TN

      But it's what you're saying.

    14. MG

      Yeah.

    15. TN

      I gave it a chance. I went with it. And now I got the reward. But if, if I, if I succumbed to that initial instinct-

    16. MG

      Mm

    17. TN

      ... that three minutes, four minutes, I would've gone, "This is not for me."

    18. EU

      But that's very... Oh, sorry, Malcolm. That's very similar to what stand-up comedy really is. It's like raising children. You suspend disbelief.

    19. MG

      Mm-hmm.

    20. EU

      And you just go with the flow and be able to be surprised at some point. You-

    21. TN

      Or you just bump into something.

    22. EU

      'Cause that, that's what happens when adults watch children's shows. They first start resisting.

    23. MG

      Mm-hmm.

    24. EU

      Then they go, "Well, no dog is not talking."

    25. TN

      [laughs]

    26. EU

      And they go, "Wow, Bluey's actually, Bluey's a, Bluey's a boy? Bluey's a girl? Is, is, what's going on here?" Then you become more involved-

    27. MG

      Yeah

    28. EU

      ... 'cause you've suspended disbelief. But it takes a long time. And that's what happens with comedy. The first five minutes you're trying to express yourself-

    29. TN

      Yeah, yeah, yeah, yeah

    30. EU

      ... and you're trying to go to people, "Forget about your job. Forget where you parked your car. Let me take you to another planet." Then you start to go-

  7. 9:1910:40

    Malcolm Gladwell Never Watched TV as a Kid

    1. MG

      any of this as a kid.

    2. TN

      But that's what I'm saying. You never watched TV as a child.

    3. EU

      [laughs] All these disclaimers.

    4. MG

      No, no, no.

    5. EU

      All these disclaimers are like [laughs]

    6. MG

      No, no, I, I honestly didn't watch TV.

    7. TN

      Malcolm Gladwell didn't watch television as a child.

    8. EU

      How?

    9. TN

      He lived in like a, like a-

    10. MG

      I didn't watch-

    11. TN

      ... learned household

    12. MG

      ... I didn't watch television until I got to col- college.

    13. EU

      At all?

    14. MG

      Well, barely. I mean, I would go over to a friend's house every now and again and watch, like, a football game. But I, no, I knew nothing. I mean, I would fake it. Um, I-

    15. TN

      You'd fake that you've never watched TV?

    16. MG

      No, no, no, at the time. So if you talked to me in high school-

    17. TN

      Yes, yes

    18. MG

      ... you would've thought we had a television.

    19. TN

      [laughs]

    20. MG

      But I was just reading about-

    21. EU

      [laughs] I like that

    22. MG

      ... I was just reading about these shows and faking it.

    23. TN

      You faked, you faked that you had watched television [laughs] .

    24. EU

      Oh, man, this is so funny.

    25. TN

      "Did you see this week on The A-Team?" "Oh, The A-Team."

    26. MG

      No, it's not that hard to, it wasn't that hard to do.

    27. TN

      [laughs]

    28. MG

      And I would, I, for years, I was a huge basketball fan and football fan in high school, and I had, I had never seen a professional foot- a basketball game. And I had only seen, like, an incredibly small number of... But I could, to this day, I can talk about the 1970s era San Antonio Spurs. I never, my favorite player was The Iceman, George Gervin. I never saw George Gervin play. I would read about him in Sports Illustrated once a week.

    29. EU

      Hmm.

    30. MG

      And I constructed George Gervin in my mind. And I would read these, I, to this day, I can quote, he d- he was, George Gervin was this, he was a kind of spectral figure.

  8. 10:4014:07

    George Gervin and Falling in Love With an Imaginary Athlete

    1. MG

      He was, again, I never saw him. But this, this is what I learned from reading about him. He was, um, he was the greatest scorer in the game in the mid-'70s, and he was, he was very, very, very thin. And he had all these kind of, he was not a great athlete, but he had all these kind of wily moves. Um, and he would give these incredibly Cone-like bizarre quotes to the media. And my favorite one was when he was explaining his ability to get to the basket. Uh, uh, "Whereas I be not too fast from here or there, otherwise my game be zigzagging, uh-huh."

    2. TN

      [laughs]

    3. MG

      Which I, as a 12-year-old, I read that-

    4. TN

      So, so you never heard that voice?

    5. MG

      No [laughs] .

    6. TN

      That was the voice you heard. But those were the words he said.

    7. MG

      Yes. "Whereas I be not too fast from here to there, otherwise my, my game be zigzagging, uh-huh."

    8. TN

      Uh-huh.

    9. MG

      And I remember-

    10. EU

      [laughs]

    11. MG

      So I'm, I'm 12. I'm in, I'm in rural Ontario in Canada, in a little farm school with, like, a lot of Mennonites. I have no TV. I have no conception of what a professional basketball game is. And I read that quote, and I just, and I just think, "This guy sounds so fantastic." So I have a, in my, growing up, I have a big poster of George Gervin. This-

    12. TN

      Who you have never seen play.

    13. MG

      Never seen, to this day have never seen him play. I mean, he's long retired, but every now and again I hear some mention of George Gervin.

    14. TN

      You have no yearning to, like, go find like a tape or go-

    15. MG

      I don't want to ruin it.

    16. TN

      Yeah.

    17. MG

      It was way better in my imagination.

    18. TN

      Mm-hmm.

    19. MG

      It, you know, I, 'cause I, that, i- imagine if you're working off that quote. So- He's not fast from here to there, but his game be zigzagging

    20. TN

      He be zigzagging

    21. MG

      You could imagine in your mind how he gets to the basket, right?

    22. TN

      Uh-huh

    23. MG

      He's s- And he's like, he's literally... I have my pic- you know, the picture on my wall

    24. TN

      Mm-hmm. Mm-hmm

    25. MG

      He's 6'7", 6'8", and if he's 160 pounds, I'd be stunned. He's s- he's a r- he's rail thin, so he's like slipping his wa- slipping and sliding his way-

    26. TN

      Zigzagging

    27. MG

      ... through a like, you know, doing some... I don't know, I never saw him, but like doing some weird thing with his hand. That's... So like you... My ex- I mean, I, and I became hooked on... To this day, I'm a massive basketball fan. But that was its origin, was, was I know all the stories of these players, I just don't know anything about-

    28. TN

      I mean, that's the most important thing, isn't it?

    29. MG

      Yeah, it is the most important thing.

    30. TN

      No, really it is-

  9. 14:0718:26

    Trevor’s Unexpected Journey to Becoming a Liverpool Fan

    1. MG

      Go.

    2. TN

      So, okay, I'll tell you how I became a, a fan. So it is a long story-

    3. MG

      Yeah

    4. TN

      ... but it'll, it'll, it'll, it'll tell you a lot.

    5. EU

      We've got time.

    6. TN

      Okay. Thank you. I didn't grow up liking soccer. In fact, I, I, I quite hated it-

    7. MG

      Yeah

    8. TN

      ... because it was the thing that interrupted my ability to play video games on a television.

    9. MG

      Mm-hmm.

    10. EU

      Hmm.

    11. TN

      So whenever I'd wanna play TV games, as they were called when I was young-

    12. MG

      Mm-hmm

    13. TN

      ... then my uncle and all these people would walk in and be like, "Ah, turn that off. We want to watch the game." And as a child, I used to think that the game was like three, four hours long as just like this never ends, right?

    14. MG

      Yeah.

    15. TN

      So I didn't like it, didn't like it, didn't like, 'cause w- we had one TV, and that TV was taken away from me by football. Fast-forward many years, ironically, video games bring me back to the sport. So a series gets released called FIFA, and it's, you know, it's a soccer game. I play that. I, I start loving the game. Like you-

    16. MG

      Mm-hmm

    17. TN

      ... I start falling in love with players who I've never watched-

    18. MG

      Mm-hmm

    19. TN

      ... because I see them as digital recreations-

    20. EU

      Mm

    21. TN

      ... running across my screen. Who is this person? You know what I mean? Who... Like, I'm, Miroslav Klose, who is this German? I love him, the way he headers the ball, the way... And I get sucked into this world which is-

    22. MG

      Wow

    23. TN

      ... a facsimile of the real world.

    24. MG

      Mm-hmm.

    25. TN

      So when I talk to people who, like, love football, they know what I'm talking about.

    26. MG

      Mm-hmm.

    27. TN

      And then at some point it would break down, 'cause they would go like, "Oh, where did you... " And I'd go like, "Oh, no, I don't watch the game. I just play the video game."

    28. EU

      Mm. Mm. Mm. Mm.

    29. TN

      Some people would, would, would be happy. O- others would feel like I'd betrayed them. They'd feel like I'd catfished them.

    30. EU

      Sounds familiar.

  10. 18:2621:13

    “You’ll Never Walk Alone” and the Power of Collective Singing

    1. TN

      No, man. What's his name, Ryan?

    2. EU

      Gerry and the Pacemakers.

    3. TN

      It is.

    4. MG

      It is Gerry and the Pacemakers.

    5. TN

      Yeah.

    6. EU

      It is.

    7. MG

      But they have a terrible, they have a tragedy up-

    8. TN

      Yes, yes

    9. MG

      ... up-

    10. TN

      The Hillsborough disaster

    11. MG

      ... and they adopt that song.

    12. TN

      Yeah. Oh.

    13. MG

      And then they sing it every ti- do they sing it at every game?

    14. TN

      Yes.

    15. MG

      And the whole crowd, in that wonderful way, the one thing about English football that, again, I know nothing about it, but I know that they love to sing.

    16. TN

      Yeah.

    17. MG

      That collective singing.

    18. TN

      Mm.

    19. MG

      And collective singing is one of the most emotionally powerful things human beings do. It's like-

    20. TN

      It really is

    21. MG

      ... choral, it's like choral music. It's like-

    22. TN

      Yes

    23. MG

      ... logically

    24. TN

      ... voices in unison

    25. MG

      ... yeah.

    26. TN

      Yeah.

    27. MG

      And they sing this song, and you, there's a v- it's a video online, and it's just like I'm in tears, like a minute in.

    28. TN

      You get it.

    29. MG

      And I have no connection with Liverpool.

    30. TN

      You get it, my friend. The first time I heard that song live-

  11. 21:1323:21

    Hillsborough, Media Narratives, and When the Crowd Gets Blamed

    1. TN

      And all of these things drew me to the club, because what I also loved about that story was that song, the club, everything, it was like one of the f- not first, but it was, it was one of the more significant stories where people realized that a, a tale could be told about a group of people that wasn't true, that could affect how other people see them. So at this disaster, like the press at the time, Ryan, you'll correct me at any point when I'm wrong here, but like it was the press at the time, they, they, they basically, the mainstream press-

    2. MG

      Mm-hmm

    3. TN

      ... blamed the fans and blamed the people who had died, and they were like, "You're the cause," and blah. And then it came out that it wasn't, and it wasn't their fault, and it was ... Uh, what, what did the police have to do with it again?

    4. EU

      Uh, the police lied and said the Liverpool fans caused the stampede.

    5. TN

      Yeah.

    6. EU

      So it was a stampede.

    7. MG

      That's right.

    8. TN

      Yeah, yeah, yeah. But they said the fans caused it.

    9. MG

      It was a badly designed-

    10. TN

      That was the main thing

    11. MG

      ... stadium too, isn't it? There's a defect in the-

    12. TN

      It was everything com-

    13. MG

      Yeah

    14. TN

      ... but the point is they blamed the fans. They didn't just go like-

    15. MG

      Yeah

    16. TN

      ... "Hey, let's see what happened," and we don't... No. They blamed the fans.

    17. MG

      Yeah.

    18. TN

      And so part of it also became this, this rallying cry against, you know, an es-

    19. EU

      Injustice

    20. TN

      ... an establishment-

    21. MG

      Mm

    22. TN

      ... that was unjust.

    23. MG

      Mm-hmm, mm-hmm. And in that moment, we're talking about, are we talking about the '70s? When does this happen? Wait, I can-

    24. TN

      Ryan

    25. MG

      ... Ry- I can appeal-

    26. TN

      Just shout Ryan anywhere-

    27. MG

      Ryan

    28. TN

      ... in the world.

    29. MG

      Ryan, when does this happen?

    30. TN

      If you have a Liverpool question, you shout Ryan, and he will answer it.

  12. 23:2125:17

    Accents as Identity: What the Way You Speak Reveals

    1. TN

      And you just, you have to find like a few keywords.

    2. MG

      I was sitting in a coffee shop this weekend, and there were two people from Manchester, young pe- young, and they, one was r- just moved here to work, and one was visiting her, and they were talking in that accent. It was just so fantastic.

    3. TN

      [laughs]

    4. MG

      De- describing New York through a Manchester accent is just like-

    5. TN

      [laughs]

    6. MG

      ... I was just, I just stopped working and just eavesdropped for like an hour and a half. It was d- um, just amazing. But anyway, yeah, no, you, there are s- very specific, you know, those, those, you can locate the, you know, the region with-

    7. TN

      Yeah, yeah

    8. MG

      ... yeah, you know.

    9. TN

      Really? Through the accent on its own?

    10. MG

      Oh, yeah. Other, you know, do, do you know the guy, there's a linguist at Columbia, John McWhorter, um, and he, he can t- he can tell ... I always call him up if I have any kind of, and play him tape of people talking, and he'll say, "Oh, yeah, yeah, that person's from, you know, they're, they're from Baltimore in the, and they grew up in the '70s, right?" Or, "They're from-

    11. TN

      Damn

    12. MG

      ... he has that for, and I'm, I've been trying to force him to write a Encourage him to write a book about America, a history of American accents-

    13. TN

      Mm

    14. MG

      ... where he describes the whole ... An audiobook where he walks you-

    15. TN

      Mm-hmm

    16. MG

      ... through how you can tell the difference between someone from southern Kansas and someone from, you know, Nebraska, or, you know, in the way that-

    17. TN

      Those stories are always the most fascinating.

    18. MG

      Yeah. And he, he, he's also, uh, he's this incredibly fascinating guy. He's a Black guy heavily into, um, Broadway theater, linguist, kind of a little bit of a provocateur. He, he's incapable of being uninteresting. He just, everything he says ... I, I, my favorite thing is I will go to, I'll go to see his office at Columbia, and I've gone a couple times, and I just play him tape. And I, I say, "What's going on here?" He go, "Well," and then he's off to the races, [laughs] right? I played him a tape of, of, um ... I might have told you this story before. I was doing this thing on, on Tom Bradley, the Black mayor of Los Angeles, and I was listening to all this tape of him. He was a, the mayor in the '70s and '80s. [clears throat] If you listen to him, he sounds like a white guy.

    19. TN

      Mm.

    20. MG

      I was

  13. 25:1727:01

    The Moment Black Public Figures Stopped “Sounding White”

    1. MG

      like, "Well, that's weird," because if you were a Black mayor today, you wouldn't sound like a white guy.

    2. TN

      Mm-hmm, mm-hmm.

    3. MG

      So I go to John and I say, "Well, what's going on here?" He's like, "Well, you know, there was a period in, in, in American life where if you were a Black person and you wanted to succeed, you had to sound like a white person." And that ends in ... And he tells me the moment that it shifts. Like, you can listen to contemp- There's a moment where in being a Black public figure no longer required you to sound white, but required-

    4. TN

      Oh

    5. MG

      ... you to sound Black.

    6. TN

      Okay.

    7. MG

      Whatever local, regional. Otherwise, you would ... You, you know, you went from being in ... Before that moment, you would be seen as illegitimate and, uh, you know, un- uneducated if you sounded, quote-unquote, Black.

    8. TN

      Yeah.

    9. MG

      After that moment, you would be seen as inauthentic, as front, as pretending to be someone that you weren't.

    10. TN

      Mm. And what was the catalyst?

    11. MG

      The catalyst, I forgot. It's sometime in the late '60s, early '70s. I've forgotten the specific ... But it has to do, as you can imagine, with the rise of kind of Black empower- Black nationalism-

    12. TN

      Yeah, yeah, yeah

    13. MG

      ... Black empowerment. Um, uh, it's this, it's this, it's this incredibly crucial shift in the way white people view Black people and the way Black people view themselves-

    14. TN

      Yes

    15. MG

      ... in this country, and it's marked linguistically. And so Tom Bradley was a vestige. He's born in the teens, so he's a vestige of the earlier ... And you listen to him, like, I mean, this guy is, like, Black Black. He's not light-skinned. He's a ... You know. And he was the most powerful Black politician in the country for years and years. And if, if you, if you never saw a picture of him, you would think he was white. It's, it's just so fascinating to me.

    16. TN

      I love, I love ... I mean, y- Eugene, how many languages do you speak?

    17. EU

      Well, as many as possible in South Africa,

  14. 27:0133:06

    Growing Up With 11 Languages in South Africa

    1. EU

      but I speak-

    2. TN

      No, no, no, but I mean seriously

    3. EU

      ... quite a lot. Yeah.

    4. MG

      How many in South Africa?

    5. TN

      No, no, no, because he's, like, he's, like, one of my-

    6. EU

      Nine, I think

    7. TN

      ... favorite linguists.

    8. MG

      Are you serious?

    9. EU

      Yeah, South African languages.

    10. TN

      Yeah.

    11. EU

      Yes.

    12. TN

      He's phenomenal with languages.

    13. MG

      Wow. Wait, how many languages are spoken in South Africa as a whole?

    14. EU

      11 official, which the 11th one is a sign language. And the other two, the other one is Khoi.

    15. MG

      And how closely related are they?

    16. EU

      Well, so there's Nguni, uh, which is Zulu, Xhosa-

    17. MG

      Uh

    18. EU

      ... siNdebele, they sound almost alike, and Swati. And then there's Sotho, and there's Northern Sotho and then Southern Sotho, which is Tswana and Sepedi. So they're all almost, uh, interlinked, but if you don't know how to tell the difference, you wouldn't be able to.

    19. MG

      Why, why is it you know so many of them? What, what is it about your life that led you to master nine of them?

    20. EU

      Well, I grew up in a, in a township-

    21. MG

      Uh

    22. EU

      ... like many South Africans at the time. And in our section, it was a Tsonga section. Uh, my grandfather worked in the railroads, so he came from Nelspruit, where they speak siSwati. So he came all the way to Pretoria, and then in Pretoria they put him in a section where Tsonga people live. So he had to learn XiTsonga.

    23. MG

      Mm.

    24. EU

      So as-

    25. TN

      Which isn't, like, mainstream.

    26. MG

      Mm.

    27. EU

      Not very-

    28. TN

      Yeah

    29. EU

      ... mainstream. So there's two languages that are not mainstream, XiTsonga and Tshivenda, which is more north, and the other one is the other side.

    30. MG

      Mm.

  15. 33:0635:16

    Malcolm on Disney Beauty Standards and the Blonde Princess Problem

    1. TN

      like, now.

    2. MG

      Uh...

    3. TN

      Just be honest, Malcolm.

    4. MG

      Well, I'll tell you, I'm getting annoyed.

    5. EU

      [laughs]

    6. TN

      [laughs]

    7. EU

      Malcolm.

    8. MG

      That's a good place to start.

    9. TN

      This guy, I just wanted the character-

    10. EU

      [laughs]

    11. TN

      ... and then he Gladwell'd us.

    12. MG

      No, no, no.

    13. TN

      I just wanted the character.

    14. MG

      I'm getting there. I'm getting there.

    15. TN

      Yeah, okay.

    16. EU

      [laughs]

    17. MG

      I'm getting there. I'm... The, the whole blonde, blue-eyed Disney heroine thing, which I know is a cliche, is driving me crazy.

    18. TN

      Okay.

    19. MG

      It's really, really deeply annoying.

    20. TN

      But you watch your-

    21. MG

      Why does ev- why is it, why are they all the fairest damsel in the land? Like, enough already. Why can't... You know, the, in the original Cinderella, Cinderella's just, like, an ordinary girl. Like, she's just a kind of pl- you know, she's no different than anybody else, but she gets lucky. And then Disney comes along and insists that she has to be a bombshell. Why does she have to be Marilyn-

    22. EU

      Oh, yeah

    23. MG

      ... why does she have to be Marilyn Monroe?

    24. EU

      But that was not the original.

    25. MG

      In the original fairy tale, it's way better. In the origin- she's just an, an ordinary girl-

    26. EU

      Yes

    27. MG

      ... who has a fantastic thing happen to her. And so if you're a kid and you listen to Cinderella, you're like, "Oh, my goodness. Amazing things can happen to all of us."

    28. EU

      Yes.

    29. MG

      Disney comes along-

    30. TN

      Oh

  16. 35:1640:04

    Discovering Billy Joel’s Holocaust Family History

    1. TN

      yeah.

    2. MG

      Oh.

    3. EU

      Tell us more, Trevor.

    4. MG

      I had no idea. I assumed he was Jewish.

    5. EU

      Why?

    6. MG

      With a last name... I mean, in Hollywood that era-

    7. EU

      The last name Disney? [laughs]

    8. MG

      You know, the-

    9. EU

      Did I not know the Disney's career? [laughs]

    10. MG

      Could I tell you, by the way-

    11. EU

      Is this about Poland? [laughs]

    12. MG

      By the way, here is the, here is the craziest, this is my, my personal experience of the, my current... So I love kn- I, I have to know where people are from.

    13. TN

      Okay.

    14. MG

      I have to. First question I always ask everyone is literally, I need to know where you're from, I need to know what your background is, I need to know do you know what the languages you speak. I need to know that in order... It's just a, I don't know if it's a bad or a good habit, but it just is an important one. It's important for me to know, uh, did you grow up outside of Pretoria?

    15. EU

      I grew up in Pretoria.

    16. MG

      Oh, in Pretoria.

    17. EU

      Yes, yeah.

    18. MG

      That's important for me to know.

    19. EU

      My grandfather's the one who came into-

    20. MG

      And you're Johannesburg.

    21. TN

      Johannesburg.

    22. MG

      Okay. Important for me to know.

    23. TN

      Mm-hmm.

    24. MG

      Um, so I'm watching the Billy Joel documentary on HBO, and I don't know, I thought he was Italian.

    25. EU

      [laughs]

    26. MG

      Is that crazy? He, I thought he was an Italian guy from Long Island. So I don't know if you, have you watched this documentary?

    27. EU

      No, I haven't.

    28. MG

      It's fantastic. So, like, we're 20 minutes in, and it's like, "Of course we were Jewish." I'm like, "What?" And I suddenly wake up.

    29. EU

      [laughs]

    30. MG

      Billy Joel is Jewish?

  17. 40:0441:59

    The “Gladwell Cut” – Fixing Flawed Documentaries

    1. TN

      wow.

    2. MG

      And it's like we o- they only, they give us 10 seconds of this.

    3. TN

      No way.

    4. MG

      And it, they should have given us 45 minutes of this.

    5. TN

      The whole show. We need a Gladwell cut. That's what we need.

    6. MG

      We need to-

    7. TN

      We should actually just do this.

    8. MG

      [laughs]

    9. TN

      You know what? I'm, I'm gonna pitch you a business here. We, you, you-

    10. MG

      We do-

    11. TN

      ... just go in-

    12. MG

      Yeah

    13. TN

      ... and we just Gladwell everything. So we Gladwell Disney movies. We Gladwell documentaries. We Glad- 'Cause clearly there's the Gladwell cuts.

    14. MG

      The-

    15. TN

      And, and you basically go off on your own tangents.

    16. EU

      The one that you would have loved to see.

    17. MG

      I don't want to j-

    18. TN

      Yeah

    19. MG

      ... it's not just the Gladwell cut. I think the three of us. This, this should be a business for the three of us. I would, I think you, all of us should contribute to the, to the re-imagining of-

    20. TN

      Mm-hmm

    21. MG

      ... these flawed classics.

    22. TN

      What, the Disney ones?

    23. MG

      Yeah.

    24. TN

      Yeah, but, but here ... Okay, but y- have you watched the newer ones?

    25. MG

      Well, I've watched-

    26. TN

      Because they-

    27. EU

      Moana?

    28. TN

      No, because they have been re-imagined.

    29. MG

      We did-

    30. TN

      I didn't wanna spoil it for you because I know we did Moana.

  18. 41:5944:37

    Did Disney Teach Us That Good Always Wins?

    1. MG

      Mm-hmm

    2. TN

      ... because it gave us a false idea of how things turn out.

    3. MG

      Yeah.

    4. EU

      Happy endings?

    5. TN

      But not just happy endings.

    6. MG

      Mm-hmm.

    7. TN

      It's like the way things turn out. Like, uh, y- I'll talk to a lot of people who go, "Oh, the world, I can't believe this. I can't believe ..." They can't believe Trump won. They can't believe this is still happening. They can't ... Then I'm like, "But why can you not believe it?" And then for me at least, I go-

    8. MG

      Mm

    9. TN

      ... if you've grown up your whole life being told that the good guy always wins, that the damsel always gets saved, that the-

    10. MG

      Mm-hmm

    11. TN

      ... you know?

    12. MG

      Mm-hmm.

    13. TN

      Then when you go out into life, you're like, "Don't worry. You just wait. Trump, oh-ho."

    14. MG

      Yeah

    15. TN

      ... "You'll see what happens to him by the third act."

    16. MG

      Maleficent.

    17. TN

      [laughs]

    18. EU

      [laughs]

    19. MG

      [laughs]

    20. TN

      "You'll see what happens to him. It's only a ..." And then it's like it's not a matter of time.

    21. MG

      Yeah.

    22. EU

      Mm.

    23. TN

      That's not actually how the world works.

    24. MG

      Yeah.

    25. TN

      Do, do you get what I'm saying?

    26. MG

      Right.

    27. TN

      And I think those movies- ... are partially to blame for that. And I don't know if you would know this, maybe you know it deep, but, like, a lot of them were based on stories that didn't have those endings. You, you do know that, right?

    28. MG

      They changed it.

    29. TN

      Yeah.

    30. MG

      I know, they changed them.

  19. 44:3750:12

    The Jamaican Word “Jinnal” and Loving the Mischief Maker

    1. MG

      Exactly that. [laughs]

    2. TN

      It's dumbo.

    3. MG

      There, there should be an aggressive program to incorporate... Like, my mother uses this, there's a Jamaican word for, it's not quite a ra- it's, it's a lovable rascal, but it's more than that. It's jinnal.

    4. TN

      Jinnal?

    5. EU

      Oh.

    6. MG

      Jinnal.

    7. TN

      Okay.

    8. MG

      And she would, uh, some of my fondest memories as a child are doing something that was clearly wrong and my mother calling me a jinnal, and I, it, what it meant was what you did was wrong, but I s- it's, it's actually-

    9. EU

      I still love you

    10. MG

      ... you. I l-

    11. TN

      Oh, I like that. Okay.

    12. MG

      No, no, it's more than I love you.

    13. TN

      Uh-uh.

    14. MG

      It's not that I f- I forgive you and I love you.

    15. TN

      Mm.

    16. MG

      It's that I recognize that the core of that behavior-

    17. TN

      Mm

    18. MG

      ... is something I would like to keep alive and cherish.

    19. TN

      Oh, wow.

    20. EU

      Yeah.

    21. MG

      That's what it is.

    22. TN

      Ah.

    23. MG

      The jinnal is like, the j- the jinnal i- the jinnal is, uh, is, is, um, the jinnal will save us. If we're-

    24. EU

      Yes

    25. MG

      ... if we're all imperiled, and, like, the overlord is ma-

    26. EU

      You need the jinnal.

    27. MG

      The jinnal is the one who will...

    28. TN

      Yes.

    29. MG

      You know, it's the-

    30. TN

      Ah

  20. 50:1252:30

    Is Malcolm a Mischievous Journalist?

    1. TN

      Oh, the, the, um, that Jinnal thing, do, do you think that that is sort of what has informed how you write-

    2. MG

      Mm

    3. TN

      ... how you think, how you ... 'Cause I've always felt like you're a mischievous reporter. Like, you don't ... Let me tell you what, what I mean by this. Like, I've, I've met many reporters in my lifetime.

    4. MG

      Mm.

    5. TN

      And, like, even, like, the old, old, old school ones, like, from the Brokaw days, you know? Like Tom Brokaw, like, and they, they have a, "Well, let me tell you something."

    6. MG

      Mm-hmm.

    7. TN

      You know, when you're searching for a fact, you have to know where a fact starts and where it ends, and you search for the story, and there's something about it that you have to ... And there's like a-

    8. MG

      Yeah. Yeah

    9. TN

      ... there's like a, "Whoa, okay."

    10. MG

      Mm.

    11. TN

      "I, I get this." And then there's journalists today. You are one of the most mischievous journalists I've ever met, and I think that's part of what I like about your thinking-

    12. MG

      Mm

    13. TN

      ... your writing, your vibe.

    14. MG

      Mm-hmm.

    15. TN

      But is ... do you think you kept that because of what your mom said?

    16. MG

      Hey, well, it's ... I think, first of all, thank you. Um, but, uh, I think it's because my ... It doesn't feel mischievous to me, because my parents were the same way.

    17. TN

      Oh.

    18. MG

      They're both-

    19. TN

      Okay. Okay.

    20. MG

      My mother is still, who's ... she's turned, just turned 94. She's in a nursing home in Canada, and she writes for the nursing home newsletter, and-

    21. TN

      That's amazing

    22. MG

      ... she sends them to me. And q- you know, they're, like, really interesting, thoughtful, but, like, half the time she's, like, you know, picking a fight with some-

    23. TN

      [laughs]

    24. MG

      [laughs] Or, or doing some ... I mean, it's really she's just s- in a very, in a very nice, respectful way, she's causing trouble still. She's so ever, she's always, she's a troublemaker. She has always been a little bit of a ... You know, like, there's a, there's something in her, um ... Uh, and I think that's a ... There, there's something ... An immigrant is someone, you know, which, um, all of us at this table are immigrants. My mother was an immigrant.

    25. TN

      Yeah.

    26. MG

      Three, three times over, um, or twice over. Um, I think an immigrant has that, has that impulse to-

    27. TN

      Mm

    28. MG

      ... 'cause they, they, they're willing to shake up their life, right?

    29. TN

      Mm-hmm.

    30. MG

      And so they ... Once you've made this ... The most i- the most ... Once you've made the most important of all decisions about shaking up your life, which is I am leaving family-

  21. 52:3055:51

    Immigrants, Risk, and Why Comics Break Rules

    1. MG

      you can ... It's why, it's why com- why are comics so often from, you know, either, either immigrant groups or marginalized groups? Because they've, they've already done the big thing, right? Af- uh, it's, it's easy after that.

    2. TN

      I wonder if it's augmented by-

    3. MG

      Hmm

    4. TN

      ... whether or not you chose your immigration. Because when you were saying that, I was, I was trying to think through, and I went, I actually feel like there's almost two camps if we were going to make it binary. I think there are some immigrants who are the opposite of that.

    5. MG

      Mm-hmm.

    6. TN

      There are many immigrants who are like, "No, I do not shake. I do not ... There's no mischief. There's no ... My only goal is to fully become this new world, because I don't necessarily have another choice."

    7. MG

      Yeah.

    8. TN

      You know what I mean?

    9. MG

      Yeah.

    10. TN

      B- but then I wonder if, like, you're more likely to keep that mischief when your choice was the thing-

    11. MG

      Yeah

    12. TN

      ... because if, if you shake up your world, you're mischievous. But if the world shakes up your, your life, then you not, you not, you don't necessarily have that same thing, I think. D- does that make sense?

    13. MG

      Mm. It does. Yeah.

    14. TN

      Like, I think there's some people-

    15. MG

      Yeah

    16. TN

      ... where they go like, "My parents came here because they wanted to da, da, da, da."

    17. MG

      Yeah.

    18. TN

      Those parents are generally more, like, shaking up the world.

    19. MG

      Mm.

    20. TN

      Then there's some people who go, "Yeah, man, my parents came here because they had to."

    21. MG

      Mm.

    22. TN

      "Something happened." And I find sometimes, not always-

    23. MG

      Mm-hmm

    24. TN

      ... but sometimes those people are like, "Listen, I, this, this is not my choice."

    25. MG

      Yeah.

    26. TN

      "And so I don't want to be shaken up again, so I'm not going to be in a position where I can be shaken up."

    27. MG

      Yeah, but there are ways that you always see how those groups that have migrated from somewhere that they loved and that they miss have always just rebelled a little bit-

    28. TN

      Mm-hmm

    29. MG

      ... in the way they cook food or the stealing of speaking their language inside their house and sometimes not losing their accents, 'cause my grandfather was big in not trying to lose his accent. He didn't want to.

    30. TN

      Like, actively trying. Mm-hmm.

  22. 55:511:01:36

    The Theory of Grandparents Explaining Who We Are

    1. TN

      like-

    2. MG

      Wait, wait. I have something. This is, having, hearing you list, Eugene, talk reminds me of this thing I've been thinking about, which is that you've talked now on several occasions about your grandfather.

    3. EU

      Mm-hmm.

    4. MG

      Right? So part, this is a two-part theory.

    5. EU

      Mm-hmm.

    6. MG

      Part one of the theory is all of us explain who we are b- with some reference to our families, right?

    7. EU

      Mm-hmm.

    8. MG

      It's a common thing.

    9. EU

      Yeah.

    10. MG

      But I've noticed that when people do this, they always pick one. So you never hear someone say, "I..." Rarely.

    11. EU

      Mm.

    12. MG

      "I get this from my mom and this from my dad." What do you, what you get is when they're talking about somebody they say, "Oh, yeah, that comes from my father," and they talk father, father, father, father, father, father. And then you come back to them five years later and they're like, "Mom, mom, mom, mom, mom," and the dad's disappeared.

    13. EU

      Mm.

    14. MG

      You can't do both at the same time.

    15. EU

      No.

    16. MG

      No, you can't.

    17. EU

      [laughs]

    18. MG

      So, and then-

    19. EU

      That's it

    20. MG

      ... part two of this theory, so I've thought of this for a while. And then, 'cause I was noticing it was so... I c- this is the, the theory of asymmetrical parental attribution. You can only do one parent at a time.

    21. TN

      The theory of asymmetrical-

    22. EU

      Asymmetrical parental attribution

    23. TN

      ... parental attribution.

    24. MG

      You can only do one parent at a time.

    25. TN

      Dang.

    26. EU

      At a time.

    27. MG

      Okay. But then I decided, no, no, no, don't like that theory anymore. And then I decided-

    28. EU

      Wait, you de- just decided randomly?

    29. MG

      Yeah, I kicked the theory out.

    30. EU

      Let me let go. [laughs]

  23. 1:01:361:30:57

    Regret, Late Fatherhood, and Raising Chill Kids

    1. TN

      Is there a part of you that wishes you had your kids sooner in life so that they could have had that?

    2. MG

      Oh, yeah, 100%.

    3. TN

      Yeah.

    4. MG

      I mean, it's biggest, biggest mistake-

    5. TN

      Really?

    6. MG

      ... I made was not, was waiting so long. But on the other hand, I'm chiller than I would've been. I, I find parenting to be completely unstressful. I think it's because I'm older. I was, I find it hilarious. When they act up, I find it ... And I also let them do whatever they want, but I-

    7. TN

      So you, in a way, you are the grandparent.

    8. MG

      I am the permissive grandparent. There's no question about that, yeah.

    9. TN

      That is amazing.

    10. MG

      And, you know, the, maybe that has consequences. Who knows? I won't be around for them. [laughs] I'm kidding. [laughs]

    11. TN

      [laughs]

    12. MG

      Wait, so, so-

    13. TN

      So you [laughs] about-

    14. MG

      So, so who is your favorite Kids character? Oh, I, I-

    15. TN

      I thought you were gonna say who's your favorite kid.

    16. MG

      I, yeah.

    17. TN

      I was like, "Oh, my God."

    18. MG

      No.

    19. TN

      What?

    20. MG

      No, I wouldn't do that.

    21. TN

      How dare you?

    22. MG

      I wouldn't do that.

    23. TN

      Not Louie.

    24. MG

      You can't know this soon. You'll know-

    25. TN

      But not-

    26. MG

      ... but not this soon. [laughs]

    27. TN

      [laughs] Have you decided yet?

    28. MG

      Do I have ... I c- I'm struggling with this one. I know-

    29. TN

      That's what I'm saying. Don't think. Just there's gotta be one that makes you happy inside, 'cause you've watched them. You've watched Peppa Pig.

    30. MG

      Well, it, it's-

  24. 1:30:571:42:16

    The Trans Athletes Panel That Exploded Years Later

    1. TN

      there.

    2. MG

      Four years ago, five years ago, there was a pan- it was a sports conference. It happens every year.

    3. TN

      Yeah.

    4. MG

      A sports analytics conference. They were gonna have a panel on trans participation in sports, and they said, "Do you wanna be the moderator of the panel?" Now, right there, any intelligent person would've said, "Of course not." There's zero upside to moderating a panel.

    5. TN

      This, this is a landmine.

    6. MG

      It's a landmine.

    7. TN

      Yeah.

    8. MG

      What does Malcolm say? "Yeah, sure." So I'm the moderator of the panel, and there's a guy named, a South African, Ross Tucker, is, is a sports scientist who believes very strongly that trans women should not participate in the female category. And there are two, Joanna Harper and another, people who are arguing the opposite side. I'm the moderator.

    9. TN

      Mm.

    10. MG

      And they tell me beforehand, "Do not get us in trouble, whatever you do. Just, like, get through this." I was like, "All right, I'll just, like, get through this." So I sit there, and the audience is, like- Split in half.

    11. TN

      Mm-hmm.

    12. MG

      Half are o- So whenever one side says something, they go, "Rah!" The other side says something, they go, "Rah!" It's just a minefield. And I'm sitting there like, "What did I get myself into?" So we managed ... There's a moment in this conversation when Joanna Harper, one of the, one of the pros, pro participation people, says something which would've been ... You know, when you're interviewing someone and there's a m- there are moments when someone says something which is an opportunity to jump in and like-

    13. TN

      Mm-hmm

    14. MG

      ... it gets to the heart of the matter.

    15. TN

      Yeah, yeah, okay.

    16. MG

      She said something that got to the heart of the matter, and my instinct as a i- journalist was to say, "Oh, this is the moment. This is what people were ... This is ... " And I sat, and I was like, "Nah, I'm not gonna say it. It's, it's too complicated. I don't ... The crowd's nuts. Uh ... " I sit on my hands. Nothing happens. Things-

    17. TN

      Do you remember what she said?

    18. MG

      Yes. She said to Ross Tucker, "Ross, you have to let us win." And what she meant was she was conceding the point that, uh, trans women have a genetic advantage over biological women. Uh, trans women have a biological, have a genetic advantage over biological women. And but what she was saying was, "That's not the issue here."

    19. TN

      Mm-hmm.

    20. MG

      The issue is it's a broader symbolic thing for-

    21. TN

      Mm-hmm

    22. MG

      ... trans rights.

    23. TN

      Okay, okay.

    24. MG

      And it crystallized the whole argument, because it was why the argument can't be won.

    25. TN

      Mm-hmm.

    26. MG

      Because they're both after different things. One side are people who are trying to protect the purity of women's sport, as they would say, and the other side is someone who's trying to make a human rights argument about a disadvantaged group. It's two arguments. They're never, ever gonna meet. And i-

    27. TN

      Yeah

    28. MG

      ... in that moment, when she said that, it crystallized why this was an impossible problem to resolve. I, my inclination in that moment was to say, "Oh, I could've jumped on that, and we could've had, we could've r- we, we could've ex- I could've used this to explain the fact that this is an irresolvable argument."

    29. TN

      Mm.

    30. MG

      I don't say anything. Fast-forward four years, Ross Tucker, who has, out of his place in Johannesburg, has this podcast which is listened to by a very, very small number of people. It's this super fa- It's my favorite podcast, super fascinating, nerdy pou- podcast about the science of sport. Lots of rugby talk, lots of, you know ... He did a whole episode once on shoes, which was amazing. So I'm on Ross's thing, and I say in minute f- we have, we spend 45 seconds reminiscing about this panel, and I say to Ross, "You know, I sh- that moment, I really should've ... I regret not ... That would've been an incredible moment to jump in and uh, uh, uh." Then we go on and talk about other things. And then I wake up, and I'm like, "I don't know what happened. D- d- I, they did five minutes on me on sh- on H- on the H- on Sean Hannity." I was like-

  25. 1:42:161:52:12

    Two Train Tracks: Why Some Cultural Debates Can’t Be Resolved

    1. MG

      that I'm, I'm asking you to give up something here.

    2. TN

      Mm.

    3. MG

      And I will go, I will bend over backwards to make that sacrifice easier for you. There has to be that accommodation.

    4. TN

      Mm-hmm.

    5. MG

      And, like I said, I don't, there's no, I, you know, I am, my position on this is I acknowledge both sides. It's really hard. I happen to be a huge track and field fan, so it's really hard for me to make the sacrifice of giving up the female category in that same way, but I also understand that that's a problematic position to hold, particularly for a group that is under, that is imperiled and, and so, you know, my, my answer is for the moment, 'cause I also acknowledge that my mind might change, right? I was writing about Caster Semenya 10 years ago, and I had a, a different position than I had now. Um-

    6. TN

      How did it change?

    7. MG

      The science of ... People at that moment did not understand the degree to which, the que- this is a technical question. If I, if I, she was, she's not trans, she's DSD.

    8. TN

      Yeah.

    9. MG

      So she was intersex. Um, the question was if I, if you suppress the, the testosterone of someone in that condition, do you equal the playing, do you level the playing field with biological women?

    10. TN

      Yeah, yeah, yeah, yeah.

    11. MG

      There was a belief back then that you could level the playing field. Now the science seems to be that you, there's still a considerable, uh, uh, histor- kind of historical advantage.

    12. TN

      Yeah.

    13. MG

      Mm-hmm. That, so it's more complicated, right? But all, that side is, it's super complicated. All you can say is, if you're gonna pick one side, you have to accommodate the other.

    14. TN

      I think it, you know, for me, where it lies is I often find that we're stuck in these situations and these conversations because we allow ourselves to suffer from a lack of imagination.

    15. MG

      Mm-hmm.

    16. TN

      And the reason I say that is because we act like what is always was and will always be.

    17. MG

      Yeah.

    18. TN

      Okay?

    19. MG

      Yeah.

    20. TN

      So I look at people now arguing hard, uh, the women's sports and, and I go If I was to rewind time and go back decades and decades and decades, I would argue that those same people would be the ones going, "Women can't do sports. Women c-" And, and we've, we would see that.

    21. MG

      Yeah.

    22. TN

      Do you know what I mean? There was a time when women were stopped from getting into sport. Like, people were like, "No, a woman can't box, a woman can't run, a woman can't..." No, no, no, no, no, no. What do you mean women's sports? Women's public bathrooms, that was the one that, like, blew my mind the most.

    23. MG

      Mm-hmm.

    24. TN

      Was in America, people used to fight against women using a public toilet.

    25. MG

      Hmm.

    26. TN

      They were like, "No, you go h- what are you doing? Who, that's for the men."

    27. MG

      Mm-hmm.

    28. TN

      "You, you go home. What are you doing?"

    29. MG

      Was that to stop them from not going too far?

    30. TN

      No, it was just, like, this idea of, like, it, it, it just didn't make sense-

  26. 1:52:122:00:59

    Are We Raising Kids to Chase Fame Instead of Purpose?

    1. EU

      or commercialization coming in.

    2. TN

      Mm-hmm.

    3. EU

      Because I think when you add money, there's incentive now to accommodate and find creative ways-

    4. TN

      You're not wrong

    5. EU

      ... to extract money from sponsors to sponsor the Paralympics.

    6. TN

      You're not wrong.

    7. EU

      You have the same with-

    8. TN

      Mm

    9. EU

      ... let's add more backstroke, sidestroke, kick stroke, knee stroke and-

    10. TN

      Yeah, because they would get rid of it-

    11. EU

      ... in swimming

    12. TN

      ... if people stopped watching it and there was no money. And so they would be like, "All right."

    13. EU

      Absolutely.

    14. TN

      Yeah.

    15. EU

      And that's what people are finding a problem with now with the Olympics. People watch the Olympics and go, "What am I watching? What is this?"

    16. TN

      Yeah.

    17. EU

      Because also it doesn't equal out. So you see, if every discipline that exists in the Olympics, right, exists in the Paralympics, then I would be sold. If there was, if, if there was shooting and, and for, but with people with something that they normally wouldn't have if they were doing-

    18. TN

      Yeah, yeah, yeah

    19. EU

      ... I, I would be, I would be fully in. But when I feel like there's concessions being made and I'm like, I'm not watching the, the full thing. And that's the thing that I find with soccer fans is they watch male soccer. "Yeah."

    20. TN

      Yeah.

    21. EU

      But then female soccer is on, "It's not real soccer. It's not real." They don't watch fully. You guys are not fully participant in football.

    22. TN

      Yeah, but I think you're missing the point.

    23. EU

      In female football.

    24. TN

      No, but I think-

    25. EU

      Are you?

    26. TN

      No, but I think you're missing the point though.

    27. EU

      Mm-hmm.

    28. TN

      See, I think this is where I think you're missing the point.

    29. EU

      Right.

    30. TN

      There are some people like Joseph O, our friend, we had him on the podcast.

  27. 2:00:592:03:54

    Favorite Animated Characters and the Drama of Maleficent

    1. MG

      simpler.

    2. TN

      Okay. So wait, wait, before-

    3. MG

      Otherwise

    4. TN

      ... wait.

    5. MG

      Otherwise.

    6. EU

      Otherwise. [laughs]

    7. TN

      So now, be- before we let you go.

    8. MG

      Yes.

    9. TN

      Who is your favorite-

    10. MG

      Oh, yeah. [laughs]

    11. EU

      Between the two of us

    12. TN

      ... animated character?

    13. EU

      Oh.

    14. MG

      Oh. Uh, I can't answer. Why am I having such difficult-

    15. TN

      No, I'm just asking.

    16. MG

      No, I told you. I s-

    17. TN

      Oh, yeah. Peppa, Peppa Pig's-

    18. MG

      I told you it's Peppa Pig's grandfather.

    19. TN

      Peppa Pig's grandfather.

    20. MG

      Who, who brought back ... Yes. Peppa Pig's grandfather is my r- r- reigning current, um, and it might be ... I'm also fond of Maleficent, who my daughter describes as magnificent, which is so great.

    21. TN

      Yeah.

    22. MG

      You know, she's the witch in ... What is she the witch in? Which one?

    23. TN

      Uh.

    24. EU

      In-

    25. TN

      She's got the curly-

    26. EU

      Yeah, she's got the horns.

    27. TN

      Yeah.

    28. EU

      Yeah.

    29. TN

      What is ... Is-

    30. EU

      Yeah.

Episode duration: 2:03:56

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