The Diary of a CEODavid Harewood: The Chilling Story Of How A Hollywood Star Lost His Mind | E185
At a glance
WHAT IT’S REALLY ABOUT
David Harewood On Racism, Psychosis, And Rebuilding A Shattered Identity
- Actor and director David Harewood recounts his journey from a racist British childhood and fractured identity to superstardom in Homeland, a devastating psychotic breakdown, and eventually becoming a leading voice on race and mental health.
- He explains how growing up as a Black child in 60s–70s England, his father’s sectioning, systemic racism in theatre and media, and conflicting expectations of “Blackness” all contributed to a fragile sense of self that collapsed in his early 20s.
- Harewood gives a detailed, chilling account of his psychosis—hearing the voice of Martin Luther King, believing he was closing the gap between good and evil, and being sectioned after police intervention—and how revisiting his medical records decades later forced him to confront buried trauma.
- He reflects on therapy, the power and danger of psychosis, why acting feels like the only fully safe space, and how publicly telling his story has both healed him and exposed systemic failures, especially in how Black people are criminalized during mental health crises.
IDEAS WORTH REMEMBERING
5 ideasEarly and chronic racism quietly loads the system with anxiety and shame.
Harewood describes bricks through his family window, monkey chants at football matches, random street abuse, and being the only Black family on the street. The unpredictability (“you might go three weeks without it, then bang, a casual Wednesday afternoon ‘nigger’”) creates ongoing anxiety. Advice like “hold your head up, be strong” helps survival in the moment but can also push emotions underground, setting the stage for later psychological collapse.
A fractured or externally defined identity is a major vulnerability for breakdown.
He grew up with almost no positive Black images and was told things like “you’re not Black, you’re normal,” so he constructed himself around assimilation and naivety about race. Drama school then reinforced the idea that his colour “didn’t matter,” but the industry told him the opposite: he was a ‘Black actor’ first. Simultaneous rejection by white critics (for being Black) and some Black audiences (for not being ‘Black enough’) left him feeling like an anomaly, overthinking his identity until it helped trigger psychosis.
Psychosis can feel purposeful, even exhilarating, before it becomes life‑threatening.
Harewood explains the manic build‑up—weeks of little sleep, heavy drinking, overthinking, and a sense of ‘fun’ experimentation with reality. He recounts hearing a compelling inner voice (Martin Luther King) giving him detailed instructions to “close the gap between good and evil” and “sacrifice yourself tonight.” He emphasises that he did everything the voice said and would have jumped off a bridge had he been told to, underlining how dangerous but convincing psychotic experiences can be.
Black people are over‑represented and often over‑medicated in psychiatric systems.
Citing research, Harewood notes lower rates of psychosis in Africa versus higher rates among Black populations in Western countries, suggesting environmental and racial-stress factors. His consultant later told him he’d been given three times the legal dose of tranquilizers; a clinician wrote to him that this is “standard practice” because staff are afraid of large Black men. He shows how Black people in crisis are frequently criminalized—arrested, restrained, or even shot—rather than treated as medical emergencies.
Telling the truth publicly can be both destabilizing and profoundly liberating.
A casual 2017 tweet about having had a breakdown exploded into media interest, leading to a BBC documentary and his memoir. On the eve of broadcast he almost pulled the documentary, fearing stigma for himself and his children. Instead, he was inundated with strangers’ stories and gratitude; mental health charities reported surges in calls about psychosis. Yet he also went through several years of emotional pain and overwhelm, needing intensive therapy to process the flood of other people’s trauma and his own.
WORDS WORTH SAVING
5 quotesI did everything that voice told me to do that night. Had that voice told me to jump off Thames Bridge, I would’ve done it.
— David Harewood
I grew up in a time when there weren’t any images of myself, so I couldn’t really structure my identity around a solid identity.
— David Harewood
You might go three weeks without it and then, bang, a casual Wednesday afternoon, middle of the day, ‘nigger.’ And suddenly you’re right back to being scared.
— David Harewood
Patient believes he has merged hearts with a young Black boy. And I just thought, ‘What is that?’… I’d sort of lost touch with my identity.
— David Harewood
Acting is the only space I feel 100% confident in, because everyone knows their lines… On stage it’s a controlled environment; life is uncontrollable.
— David Harewood
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