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David Harewood: The Chilling Story Of How A Hollywood Star Lost His Mind | E185

David Harewood is an award-winning actor, star of Supergirl and Homeland, and best-selling author behind Maybe I Don’t Belong Here, one of the best-reviewed and best-selling books of 2021. Topics: 0:00 Intro 02:10 Early years 10:18 Racism 21:39 Your fathers illness 30:16 Social rejection from everyone 40:51 What would you have had to change inorder to not be sectioned? 46:19 The night you got sectioned 53:14 Being sectioned: Biology vs experiences 57:29 The time being being sectioned and back to acting 01:03:11 Opening up about your breakdown 01:17:44 Where are you now? 01:22:03 Why you? 01:28:17 Your production company 01:29:52 The last guests question David: Instagram: https://bit.ly/3CLLi9F Twitter: https://bit.ly/3MmT5xQ David's book: https://amzn.to/3RI13m4 Wait list for The Diary - Add your name here: bit.ly/3fUcF8q Join this channel to get access to perks: https://bit.ly/3Dpmgx5 Listen on: Apple podcast - https://apple.co/3TTvxDf Spotify - https://spoti.fi/3VX3yEw Follow: Instagram: https://bit.ly/3CXkF0d Twitter: https://bit.ly/3ss7pM0 Linkedin: https://bit.ly/3z3CSYM Telegram: https://g2ul0.app.link/SBExclusiveCommunity Sponsors: BlueJeans - https://g2ul0.app.link/NCgpGjVNKsb Huel - https://g2ul0.app.link/G4RjcdKNKsb

David HarewoodguestSteven Bartletthost
Oct 9, 20221h 33mWatch on YouTube ↗

At a glance

WHAT IT’S REALLY ABOUT

David Harewood On Racism, Psychosis, And Rebuilding A Shattered Identity

  1. Actor and director David Harewood recounts his journey from a racist British childhood and fractured identity to superstardom in Homeland, a devastating psychotic breakdown, and eventually becoming a leading voice on race and mental health.
  2. He explains how growing up as a Black child in 60s–70s England, his father’s sectioning, systemic racism in theatre and media, and conflicting expectations of “Blackness” all contributed to a fragile sense of self that collapsed in his early 20s.
  3. Harewood gives a detailed, chilling account of his psychosis—hearing the voice of Martin Luther King, believing he was closing the gap between good and evil, and being sectioned after police intervention—and how revisiting his medical records decades later forced him to confront buried trauma.
  4. He reflects on therapy, the power and danger of psychosis, why acting feels like the only fully safe space, and how publicly telling his story has both healed him and exposed systemic failures, especially in how Black people are criminalized during mental health crises.

IDEAS WORTH REMEMBERING

5 ideas

Early and chronic racism quietly loads the system with anxiety and shame.

Harewood describes bricks through his family window, monkey chants at football matches, random street abuse, and being the only Black family on the street. The unpredictability (“you might go three weeks without it, then bang, a casual Wednesday afternoon ‘nigger’”) creates ongoing anxiety. Advice like “hold your head up, be strong” helps survival in the moment but can also push emotions underground, setting the stage for later psychological collapse.

A fractured or externally defined identity is a major vulnerability for breakdown.

He grew up with almost no positive Black images and was told things like “you’re not Black, you’re normal,” so he constructed himself around assimilation and naivety about race. Drama school then reinforced the idea that his colour “didn’t matter,” but the industry told him the opposite: he was a ‘Black actor’ first. Simultaneous rejection by white critics (for being Black) and some Black audiences (for not being ‘Black enough’) left him feeling like an anomaly, overthinking his identity until it helped trigger psychosis.

Psychosis can feel purposeful, even exhilarating, before it becomes life‑threatening.

Harewood explains the manic build‑up—weeks of little sleep, heavy drinking, overthinking, and a sense of ‘fun’ experimentation with reality. He recounts hearing a compelling inner voice (Martin Luther King) giving him detailed instructions to “close the gap between good and evil” and “sacrifice yourself tonight.” He emphasises that he did everything the voice said and would have jumped off a bridge had he been told to, underlining how dangerous but convincing psychotic experiences can be.

Black people are over‑represented and often over‑medicated in psychiatric systems.

Citing research, Harewood notes lower rates of psychosis in Africa versus higher rates among Black populations in Western countries, suggesting environmental and racial-stress factors. His consultant later told him he’d been given three times the legal dose of tranquilizers; a clinician wrote to him that this is “standard practice” because staff are afraid of large Black men. He shows how Black people in crisis are frequently criminalized—arrested, restrained, or even shot—rather than treated as medical emergencies.

Telling the truth publicly can be both destabilizing and profoundly liberating.

A casual 2017 tweet about having had a breakdown exploded into media interest, leading to a BBC documentary and his memoir. On the eve of broadcast he almost pulled the documentary, fearing stigma for himself and his children. Instead, he was inundated with strangers’ stories and gratitude; mental health charities reported surges in calls about psychosis. Yet he also went through several years of emotional pain and overwhelm, needing intensive therapy to process the flood of other people’s trauma and his own.

WORDS WORTH SAVING

5 quotes

I did everything that voice told me to do that night. Had that voice told me to jump off Thames Bridge, I would’ve done it.

David Harewood

I grew up in a time when there weren’t any images of myself, so I couldn’t really structure my identity around a solid identity.

David Harewood

You might go three weeks without it and then, bang, a casual Wednesday afternoon, middle of the day, ‘nigger.’ And suddenly you’re right back to being scared.

David Harewood

Patient believes he has merged hearts with a young Black boy. And I just thought, ‘What is that?’… I’d sort of lost touch with my identity.

David Harewood

Acting is the only space I feel 100% confident in, because everyone knows their lines… On stage it’s a controlled environment; life is uncontrollable.

David Harewood

Racism and othering in 1960s–1990s Britain and its psychological impactFamily dynamics, particularly his father’s breakdown and sectioningIdentity, ‘Blackness’, assimilation and rejection from both white and Black communitiesPsychosis: onset, lived experience, voices, sectioning, and recoverySystemic bias in mental health and over-medication of Black patientsThe role of acting in escapism, control, and self-expressionTherapy, public disclosure, and transforming trauma into advocacy and creative work

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