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Asma Khan: Stop Calling it Curry | What Now? with Trevor Noah

This week, famed chef and author Asma Khan joins Trevor and Eugene for a conversation that shreds traditional fine-dining elitism to pieces. The trio discusses Asma’s upbringing in India, the frustration of over-complicated modern technology, and how she discovered her passion for cooking through pure homesickness after moving to England. Between tales of hitting cheating childhood friends with cricket bats and surviving Cambridge’s soul-crushingly bad food, Asma gets real about how food is truly about identity, storytelling, and dismantling imperialist garbage. What's one meal that instantly takes you back to a memory? Subscribe for new episodes of What Now? with Trevor Noah every week here: http://bit.ly/SubscribeTrevorNoah Or follow the podcast on your other favorite platforms... SiriusXM Apple Podcasts - https://bit.ly/WhatNowOnApplePodcasts Spotify - https://bit.ly/WhatNowOnSpotify #TrevorNoah #WhatNowPodcast #asmakhan 00:00 - Trevor's hilarious cooking confession 02:00 - Trevor vs. his "smart" stove 09:40 - Meet Asma Khan 15:30 - Growing up feeling unwanted 23:30 - Childhood, resilience & survival 42:30 - Cricket, courage & confidence 55:00 - How food became her identity 1:06:00 - Food, colonialism & injustice 1:19:00 - Why cooking is about people 1:27:00 - Why Michelin culture is broken 1:40:00 - There is no such thing as "curry" 1:55:00 - The toxic culture inside professional kitchens 2:07:00 - The legacy Asma Khan wants to leave

Trevor NoahhostAsma KhanguestEugenehost
Jul 23, 20262h 9mWatch on YouTube ↗

CHAPTERS

  1. 0:04 – 1:59

    Pig trotters, “hoof” debates, and Trevor’s cooking horror stories

    Trevor opens with a love for gelatinous “hoof” dishes (paya/nihari) and spirals into a comedic rant about how many people claim they can cook—but shouldn’t. The banter establishes the show’s tone: food as culture, comedy, and honesty.

    • Trevor’s enthusiasm for pig/cow trotters and gelatinous textures
    • Asma introduces paya/nihari terminology
    • Trevor’s standard for “can cook” vs. “should cook”
    • Humor about disastrous dinner invites and culinary confidence
  2. 1:59 – 9:38

    Trevor vs. the “smart” stove: when convenience becomes a calamity

    Eugene recounts a morning ruined by an app-required stove and induction cookware rules, sparking a broader critique of needless “tech upgrades.” The group lands on a central idea: progress isn’t always adding features—sometimes it’s removing friction.

    • Stove demands an app, Bluetooth, and Wi‑Fi just to cook eggs
    • Induction tops require compatible (steel-bottom) pans
    • Trevor critiques the myth of progress via added complexity
    • Asma agrees: technology is powerful, but misapplied everywhere
  3. 9:38 – 15:39

    Asma Khan beyond chef fame: ancestry, identity, and breaking the whole building

    Trevor frames Asma as someone who overflows labels (chef, activist, scholar), and Asma explains her “river to ocean” metaphor: pushing past barriers of race, accent, and gender. She rejects “glass ceiling” narratives, arguing the goal is to dismantle exclusion itself.

    • Asma’s refusal to be reduced to food or accolades
    • Sufi-inspired river metaphor: impact beyond what you’ll witness
    • Layered identity: woman, immigrant, Muslim, scholar, chef
    • Not breaking a ceiling—bringing down the entire edifice of exclusion
  4. 15:39 – 19:34

    Feeling unwanted as a child: gender bias, beauty standards, and a sister’s lifeline

    Asma shares an early formative memory: her brother’s birth and the cultural celebration boys receive versus girls. She describes being judged for skin tone and body, and how her sister’s private encouragement (“warrior princess”) became a source of lifelong resilience.

    • Cultural preference for sons and the silence around daughters
    • Asma’s experience of being labeled a “liability”
    • Colorism and appearance-based cruelty within family structures
    • Her sister’s belief becomes a foundational act of support
  5. 19:34 – 28:40

    Scars that success doesn’t erase: family archives, belonging, and the “we’re all migrants” idea

    Looking through old photographs for her cookbook, Asma discovers the painful absence of images with her mother—evidence of childhood exclusion that still hurts. She connects this to a wider reflection on belonging: after leaving the womb, everyone becomes a kind of migrant, and language like “expat” vs. “immigrant” reveals social hierarchy.

    • No mother-and-daughter photo in the family archive; lasting emotional impact
    • A pregnant photo becomes the most truthful image of “home”
    • “The day you leave your mother’s womb, we’re all migrants”
    • How labels like expat/immigrant/nomad are tied to race and class
  6. 28:40 – 36:58

    Cricket, danger, and grit: learning through unsupervised childhood battles

    A detour into swimming stories becomes a larger conversation about how kids used to build resilience through real-world risk, conflict, and independence. Asma ties this to leadership and crisis-readiness, worrying that modern life can blunt those formative experiences.

    • Trevor’s near-drowning story and later learning to swim
    • Eugene’s dam story: survival through coaching and sheer responsibility
    • Asma on choosing battles and cultivating inner confidence
    • Generational resilience: crisis response and the post‑COVID workplace
  7. 36:58 – 54:56

    Royal roots, arranged marriage clarity, and the fierce Kolkata cricketer

    Asma explains her family’s “royal” background (with frank humor about how royalty begins) and how class expectations shaped her path. She distinguishes arranged marriage from forced marriage, and recounts her fearless personality—cricket, creativity, and refusing to be “broken” by the system.

    • What “royal family” means in her context (palace/fortress, history, land)
    • Arranged vs. forced marriage: consent and family involvement
    • Asma’s childhood defiance and joy (cricket, poetry, guitar, Shakespeare)
    • Street cricket stories (including the infamous cricket-bat incident)
  8. 54:56 – 1:06:11

    How food became her identity: loneliness in Cambridge and cooking as connection

    Trevor presses the key question: how did a cricket-obsessed young woman become a world-renowned chef? Asma describes moving to Cambridge, feeling dislocated by weather, isolation, and bad home cooking—then discovering that aromas and recipes could reconnect her to her mother and ancestors.

    • Culture shock in England and homesickness without modern connectivity
    • Cooking as a way to summon memory, comfort, and presence
    • Food shifting from “what I eat” to identity, culture, and religion
    • Her origin story as a chef begins in longing, not ambition
  9. 1:06:11 – 1:12:15

    Food, colonialism, and justice: poppy seeds, empire, and why history belongs on the plate

    Asma reframes ingredients as historical evidence: poppy cultivation, the opium trade, and famine link directly to colonial policy. She argues food should teach justice and that societies must learn the true costs behind national wealth and migration narratives.

    • Poppy seeds as a legacy of British imperial extraction and the opium trade
    • Food as a tool to discuss slavery, colonialism, and systemic harm
    • Critique of ignorance fueling racism (“go back home” without history)
    • Breaking bread as a spiritual act that creates shared humanity
  10. 1:12:15 – 1:26:52

    Cooking is about people: open kitchens, labor visibility, and seasonal respect

    The conversation shifts to hospitality ethics: seeing who cooks your food builds gratitude and accountability. Asma explains her move to a new open-kitchen location as a statement of dignity for kitchen labor, alongside principles like seasonal sourcing and refusing “jet-lagged” produce.

    • Why delivery culture disconnects us from labor and gratitude
    • Asma’s open-kitchen philosophy: visibility as respect, not spectacle
    • Seasonality and locality: rejecting out-of-season demands
    • Food as privilege—not a consumer entitlement or social flex
  11. 1:26:52 – 1:40:01

    Why Michelin culture is broken: class signals, “elevated” food, and colonial standards

    Asma and Trevor argue fine-dining norms often function as class gatekeeping—paying more for less, French-centric standards, and dismissing “ethnic” cuisines as unsophisticated. Asma positions her pricing and approach as a direct challenge to who gets to define excellence.

    • Michelin as a system tied to exclusion, whiteness, and French norms
    • Class signaling: wealth shown through scarcity and performance
    • “Ethnic food” as a marginalizing label and a false center/edge dynamic
    • Rejecting token sustainability theater and status ingredients (caviar, truffle oil)
  12. 1:40:01 – 1:45:51

    There’s no such thing as “curry”: naming, complexity, and resisting cultural flattening

    Asma explains that “curry” is a British umbrella term that erases regional specificity—India isn’t one cuisine, and dishes have names (korma, jalfrezi, etc.). She argues food can’t be separated from people: you can’t claim the flavors while dismissing the culture.

    • “Curry” as an English label that collapses diverse cuisines into one term
    • Why “Indian cuisine” as a monolith is as absurd as “European cuisine”
    • Naming as respect: dishes have histories, geographies, and identities
    • Cultural appropriation vs. genuine engagement with people and stories
  13. 1:45:51 – 2:09:00

    The toxic reality of pro kitchens: abuse, silence, and the legacy she wants to leave

    Asma condemns violence and harassment normalized in professional kitchens and criticizes media glorification of abusive “genius” chefs. She calls out institutional failures (including Michelin) and the silence of peers, then closes with a legacy vision: building fear-free kitchens so future women can work without harm.

    • Kitchen abuse (physical/sexual) treated as “pressure” and wrongly excused
    • Media narratives glamorize cruelty as proof of excellence
    • Accountability challenge: why accolades remain despite proven abuse
    • Asma’s legacy goal: a safer, kinder industry and visibility for women’s labor

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